Getting Used

Unknowing is a blessing in disguise sometimes.  There is so much to learn and, regrettably, little time outside work to do it.  Books are my life.  I work in publishing, so I know a passable amount about the book business.  I have much still to learn.  To support my research, which doesn’t include a university library, I often have to purchase academic books.  I know quite a bit about academic book pricing (hint: what the market will bear), and I know that it’s assumed academics have university professor-level salaries.  The “independent scholar” is as much a ghost as the next revenant.  So I buy books used.  The best clearinghouse I know of is Bookfinder.com.  They list other sellers who have the book and facilitate your buying of it.  I strongly suspect they take a small cut.

While looking for an obscure book (it pains me to say, for I met the author), I wondered if Amazon’s used copy had the lowest price.  So I went to Bookfinder.  The Amazon copy was there, along with seven comparably, slightly lower, priced other copies.  Reading the descriptions, I realized these were different vendors hawking the exact same copy of the book.  Some of the description wording was oddly specific and that led to this epiphany.  Down at the bottom was a lone seller some $4 to $5 dollars cheaper, selling the book directly.  Navigating to this page I discovered it was the self-same book—the same physical book being marked up by the other vendors.  Each reseller along the way, with wider reach, stopping at Amazon with the widest reach, was charging a finder’s fee for this same object.  It was available directly from the seller.

Used books are a thriving business.  Many publishers these days are focusing on “the electronic future,” scratching their heads that people are still reading paper.  What will happen to walking into that impressive library?  Have you ever walked into someone’s impressive iPad or Kindle?  It looks the same no matter how many electrons you add.  The internet has been taken with the photo of the late Johns Hopkins humanities professor Richard Macksey’s library.  Would it be possible to have walked in there and not been impressed with the obvious love of books?  As a Hopkins professor I doubt he had to resort to used books much, but I kind of think he probably did anyway.  Bibliophiles are like that.  A first edition is a thing of beauty forever.  And so I find myself on Bookfinder and I’m willing to give them a cut just for the privilege of holding a coveted book.

Richard Macksey’s home library. Credit: Will Kirk/Johns Hopkins University

Making Noise

There’s a real danger, it seems, to having an open mind.  We live in a world defined and classified by materialists.  They hold sway not only over science and commerce, but in whether prestigious jobs are on offer.  Consider the case of William Roll.  Roll was a fully credentialed psychologist with an interest in parapsychology.  His book The Poltergeist is a classic in the field.  He’s now frequently called a “credulous investigator.”  What that means, of course, is that he listened to and sometimes believed the people who reported the paranormal.  For materialists that discussion is already closed.  Anyone who tries to pry it back open is ridiculed and called names.  (We’re all adults here, right?)  Yet his classic book still gives pause.

If you actually read it, “credulous” is not a word to suggest itself.  Could Roll have been tricked by clever pranksters?  Yes.  Most people, even clever pranksters, can.  If someone is caught hoaxing a phenomenon, does that mean the whole thing is a hoax?  Not necessarily.  It’s here the materialists swarm.  Interestingly, Roll acknowledges that there could be good psychological reasons for hoaxing after a genuine event.  The person caught hoaxing perhaps realized the benefits of the attention received when something unexplained occurred, and learned how to replicate, or at least imitate it.  People will do anything for attention.  Roll asked a bit more finely parsed question: does hoaxing discount genuine phenomena?  He even tried to get experiencers to the lab where controls could be put into place.  As this book demonstrates, he doubted some of the cases and did so openly.

I became interested in Roll after watching A Haunting in Georgia.  The Wyrick family maintains that the events happened (I’ve written about a book penned by two of the aunts), and they seem sincere.  The problem is money.  Once there’s potential money to be made the skeptics come out, claws bared.  The problem is we all have to make money to survive.  If that involves “capitalizing”—even that word betrays much—on weird things that happen to you, skeptics claim it’s all made up.  There’s an ulterior motive.  For most of us there’s an ulterior motive for going to work, too.  For me, Roll appears to have been sufficiently skeptical.  Statistical anomalies shouldn’t be simply dismissed.  If they are, it’s possible we’re missing something important.  While this book may not have aged particularly well, it is still worth reading with a mind at least a little bit open.  


Nightmares with Poe

A review of Nightmares with the Bible recently appeared in which the reviewer said he didn’t get the Poe references.  Indeed, the anonymous reviewer said the same thing.  What neither of them understood is that Edgar Allan Poe has been formative for my life and that book was a tribute to him.  Did Poe write about demons?  Not really.  Did he once claim that the death of a beautiful woman was the most poetic theme?  Yes.  I saw the opportunity, in discussing possession movies, to draw Poe’s observation into the conversation.  Could the book have been written without it?  Yes and no.  Yes, I could’ve written a book on demons without mentioning Poe.  No, I would likely not be writing books at all were it not for Poe.

Today is Poe’s birthday.  What is this strange attraction I have for him?  It began, as most things do for me, with growing up poor.  We couldn’t afford bookstore prices, and that’s even assuming there was a bookstore nearby (there wasn’t).  I found the majority of my reading material at Goodwill in Seneca, Pennsylvania.  The shop had a book bin or two with prices I could afford (books were a quarter, if I recall).  I found a copy of Poe’s Tales of Mystery and Terror there.  I probably heard about Poe from my big brother—he’s a good source for scary information.  Reading Poe, I wanted to read more.  We couldn’t afford Scholastic school fare rates, but I did find a four-or-five volume collection of Poe’s writings at Goodwill.  Foolishly, I bought only two—those with his stories.

By high school I was checking out biographies of Poe from the library.  Perhaps as the child of an alcoholic I identified with a man who seemed so tormented.  I count his stories still among my favorites.  My favorite short story is, I believe, “The Fall of the House of Usher.”  It has come back to me at several points in my life and I find myself thinking about that gloomy house.  Particularly the narrator’s arrival there.  So full of possibilities.  So much potential fear.  Those of us who consume horror have a gateway to it—some event, or influence, or person who introduced the aesthetic of fear to us.  For me it was Edgar A. Poe.  Nightmares with the Bible is of a piece with Holy Horror.  To leave Poe out of it would’ve been the worst kind of sacrilege.


Are Ghosts Monsters?

It’s a question as old as my interest in horror.  As a child I kept ghosts distinct from monsters.  Ghosts may be scary, yes, but they’re people who’ve died.  Then zombies came along.  I was too young to watch Night of the Living Dead when it came out (I was only six).  Depending on how far you want to go with this, among the classic monsters they’re pretty much all human.  Dracula is undead, but originally human.  Frankenstein’s creature is dead folks stitched together.  The mummy is a person reanimated.  The invisible man is, well, a man.  So is the wolf-man.  The latest of the Universal line-up, the gill-man was more a human-like reptile with gills.  To add a few other favorites, Mr. Hyde was Dr. Jekyll.  Witches were magical women.  For sure, there are plenty of non-human monsters (Godzilla, the blob, and those various giant spiders) but it seems much of what we fear is warmed over human.

So ghosts—are they monsters?  I still have a difficult time sorting that out.  They seem different from other revenants, don’t they?  Uncle Joe or Aunt Sally don’t really pose an existential threat, do they?  (Unless one of them was a psychotic killer or something.)  Yet we still fear ghosts.  Many horror movies and novels feature them.  It seems more because they represent the unknown in a kind of ultimate way.  We can’t die to find out and then come back.  Although, it seems, that’s just what ghosts do.  That liminal line, or terminal line in the sand is the point of no return for the human imagination.  Yet on a dark night in a creaky old house it feels like more than just imagination.  Of course, other monsters could be lurking in the dark.

Image credit: Henry Justice Ford, public domain via Wikimedia Commons

The thing about horror is that it holds up a mirror.  We see what really does scare us and what we see reflected back is human.  We all die and most of us don’t like to think about that.  Ghosts force us to.  They make us confront perhaps the most primal of fears.  There are, of course, bad ghost—dybbuks and hungry ghosts and whatnot.  Of course they’re monsters.  But considering the garden variety, or perhaps haunted-house variety ghost suggests maybe our fears are misplaced.  Monsters can be scary.  Ghosts don’t have to be.  We classify them all together as horror, but that may be a hasty judgment.  As least for someone who used to be, and maybe still is, simply human.


In the Name of

I recently heard someone who’s obsessed with honorifics opine that we should never mention Martin Luther King Jr. without his full titles.  I think I understand the reason, but I was reminded of my wife’s experience in Edinburgh.  Being Americans we assumed that “Doctor” was the preferred title of academics.  While tying up a letter for one of the higher ups in the medical school, she saw he’d signed himself “Mr. Gordon.”  She corrected this to “Dr. Gordon.”  When she gave it to him to sign he lamented that she’d demoted him.  The highest honorific, beyond the exalted “Professor,” was the humble “Mister.”  I’ve never forgotten that story.  University folk are all about titles.

I made the mistake of addressing my advisor as “Doctor” when we first met.  “Professor,” he corrected me.  In the British system, at least at the time, a department had only one “Professor,” the rest being “Lecturer” or “Senior Lecturer” or “Reader.”  The latter three were all addressed as “Doctor.”  The Professor alone had that singular title.  As my wife discovered, on beyond Professor lay Mister.  I’m a pretty informal guy.  When I was teaching I did insist that students call me “Doctor,” in part because I was young (I finished my doctorate at 29), and I’m small in stature.  And soft-spoken.  So that students didn’t take to calling me “son”—some at the seminary were old enough to have been my father—I kept the boundaries clear.  If I ever get a teaching post again I’ll insist students call me by my first name.

This day is about Martin Luther King, Jr.  He was a remarkable man who accomplished amazing things in the horribly racist America in which he was raised.  Unfortunately Trump has ushered in a renewed era of racism and our Black brothers and sisters find themselves still having to fight for fair treatment.  This reflects badly on the white man, as it should.  Still, to rely on titles is to play the white man’s game.  We honor each other more deeply, it seems to me, when we recognize that titles are, by their very nature, means of asserting superiority.  We offer our personal names to those closest to us, to those who humanize us rather than seeing us as an office.  Honor is important.  Titles can lead to better jobs (but not necessarily).  They can lead to higher pay (but not always).  We honor Martin Luther King, Jr. today by recognizing his great accomplishments and by realizing we all still have much work to do before we all really have names.


Higher Learning?

I was reading, as one does, about a mental institution.  In the last century they were often called, rather insensitively, “lunatic asylums.”  The neurodiverse were often shunted away so that the rest of society could get on with business as usual (as if that’s sane).  There were any number of reasons sought for such individuals thinking differently.  The source I was reading had a short list and I was surprised to see on it, “over study of religion.”  It really said nothing more about it but it left me wondering.   First of all, it brought Acts 26.24 to mind: “Paul, thou art beside thyself; much learning doth make thee mad!”  Religion, from the very start, it seems, had the reputation of driving people insane.

Image credit: Published by W. H. Parrish Publishing Company (Chicago), public domain, via Wikimedia Commons

As someone who’s spent well over half a century thinking about religion, reading about religion, and analyzing religion, I can see Festus might’ve had a point.  This way much madness lies.  I don’t think religion evolved to be thought about.  It was largely a fear reaction to being, in reality, rather helpless in a world full of predators and other natural dangers.  Although we’ve managed to wipe out most of our large predators, we’re still under the weather, as it were.  We can’t control it, and what messing around we’ve done through global warming has made it less hospitable to our species and several others.  And also the small predators, those that evolve quickly, such as Covid-19, are now the real challenge.  Facing fear was the real evolutionary advantage of religion.

Being story-telling creatures, we made narratives about our belief systems.  Then we started taking those stories literally.  Believing too seriously, we used those stories as a basis for hating and killing those with different stories.  We still do.  Can anyone deny Festus’ accusation?  I’m sure religious mania has, historically, led to some institutionalizations.  It was kind of a trope in the seventies, for example, that too much Bible-reading could lead to criminal behavior.  It’s not difficult to see why those trying to classify what might make an individual off balance might look to religion as an explanation.  Nationally, and very publicly, we can see strident examples of this promotion of irrational ideas on a daily basis.  Many of the large mental institutions have been closed down and many of the neurodiverse have been turned out to the streets.  Ironically, it is often the religious who try to care for them.  Understanding religion, it seems to me, might be a great public good.


Rusticated Fears

I don’t recommend sick days.  This one was weird with all the symptoms of illness but really having them just be the side-effects of a shingles vaccine.  I don’t recommend it, but I was able to use the day, between dozing off, by watching Woodlands Dark and Days Bewitched: A History of Folk Horror.  This late 2021 documentary is over 3 hours long and I’d been wondering when I’d have the chance to view such a lengthy movie.  Besides, when you’re feeling utterly miserable, horror is a kind of elixir to make it all better.  Watching the film made me aware of just how many movies I haven’t seen.  Another way of putting it is that I still have my work cut out for me.

Folk horror, you see, has a natural appeal for those of us who grew up away from urban centers.  Much that we did in the small towns of my childhood was, frankly, weird.  As the interviewees make plain, cities are the centers of economic and cultural power.  The big educational institutions are there and those of us from the hinterlands might not obey the rules that city dwellers seem to absorb through their feet.  In reality, I suspect, urban culture largely derives from folk culture.  Those who venture away into the large cities take pieces of their home with them.  Cities tend to blend all this together and transform it into something different.  Those in rural areas, however, have their own way of doing things.

Perhaps it’s embarrassing to center this much, but it was clear to me in watching Woodlands Dark and Days Bewitched that much of the fear showcased to city folks (for movies tend to be shown in urban settings) is the weird religion of the country cousins.  Both the words “pagan” and “heathen” are references to those who dwell outside urban areas.  “Pagan” comes from Latin for rustic, while “heathen” means those out in the heath.  Mainstream religion is that of the cities—the Vatican is located in Rome, and the large mosques, synagogues, and cathedrals are in population centers.  There’s no telling what the country dwellers might get up to if left to their own devices.  And religion taken seriously can be quite dangerous to outsiders, as we’ve seen time and time again.  Folk horror never really went away but it is undergoing a resurgence at the moment.  As the documentary suggests, this tends to happen in times of social instability.  At least we have something to look forward to as the world collapses around us.  Folk horror will help us cope, if my experience is anything to go by.


Homegrown Haunts

The thing about the unknown is that it’s, well, unknown.  Like many people I’m interested in getting at the truth behind ghost claims, so American Hauntings: The True Stories behind Hollywood’s Scariest Movies—from The Exorcist to The Conjuring, by Robert E. Bartholomew and Joe Nickell looked helpful.  Indeed, it is.  To a degree.  The book, however, devolves at points to debunking cases that aren’t in the movies and frequently asks “Why didn’t somebody take a picture?”  (In cases where there are pictures they say how they could be faked.)  Given the authors, you kind of know none of the claims will be accepted.  Even so, there’s a lot of good information here.  They do a great job of outlining the very probable hoax at Amityville.  For some of the lesser known cases they offer explanations harder to believe than the poltergeists they so abhor.

That’s the thing: for all the “hauntings” they default to poltergeists and then explain how poltergeists are faked.  They begin with An American Haunting, and move on to The Exorcist, Poltergeist, The Conjuring, The Amityville Horror, and The Haunting in Connecticut.  Sandwiched in there is also the non-movie Don Decker case.  What struck me as strange is they often seem offended that movies embellish stories.  That’s what movies do.  They’re quite right about the money aspect, however.  They also take in films that make no claims about being true, such as Poltergeist, which drew inspiration from an actual case but didn’t make that assertion.  It’s also odd that they didn’t ask some of the writers about this.  I once met Brent Monahan, author of An American Haunting.  He readily admitted some of it was made up.  In other words, taking offense at the “based on a true story claim” feels a bit naive.

In some cases they speculate what might’ve happened without visiting the location.  It’s hard to tell if a leaky roof can explain things when you don’t specify if the room is on the first or second floor.  Also, suggesting a young boy is faking because a professional magician can duplicate effects raises its own set of questions.  If a kid is as good as a professional, why doesn’t s/he go on the circuit and make some money from it?  That kind of question, by the way, characterizes much of the skepticism in the book.  Why not become a magician?  Because we don’t have the whole story.  It seems to me that dismissiveness doesn’t really help to get at the truth.  Nevertheless, this book contains much that is useful and skeptical voices should always be included when attempting to sort our extraordinary claims, even if you never , ever want to be caught without a camera.


Phobia Therapy

I don’t like being scared.  That’s why I watch horror.  You see, many people deal with fear by running away from it.  Embracing artificial fears, however, prepares you for the horrors life will inevitably throw at you.  We humans have created an artificial environment for ourselves with many natural dangers removed.  For example (and there are always exceptions) we’ve been able to seal ourselves up in our homes and wear masks in public to avoid a killing virus.  For the most part we’ve destroyed our large predators.  As a society we tend to avoid the things that make us afraid which, in turn, makes us fragile when we have to face truly frightening situations.  I wouldn’t suggest becoming a fear junkie, but experiencing scary scenarios can diminish the overall  fear factor.

People often make assumptions about those of us who watch horror, even though it is the majority of Americans.  We’re seen as creepy people who lurk in dark places, unable to get along with our fellow human beings.  Perhaps it’s true, or perhaps it’s a reasonable coping technique.  I tend to think of it as a spiritual practice.  Spirituality is often about feeling, but it’s not completely divorced from rationality.  Often it has to do with that gut feeling that this is really real.  This is something that my years on this weary old globe have taught me is true.  Many times it’s this way in the face of evidence.  Others have trouble believing it, although some bearded guy alone on a mountain top says it’s true.  So life goes.

Spirituality is important.  I have many humanist friends and they are often uncomfortable thinking about spirituality.  It seems dangerous, a superstition that somehow survived enlightenment.  Enlightenment, however, is itself a spiritual idea.  There’s something inside of us that makes us who we are.  Whether it’s something physical or something else, it requires nourishing in order that we might thrive.  We expend a lot of energy arguing about the right (only right) way to do it.  The way to be a more spiritual person.  To me it seems that it’s about discovering what replenishes us.  What makes us into better people.  You find that and you feed it.  Spirituality comes in many forms and shapes.  Some of us have it fed by what others dismiss as mere horror.  There’s more to it than meets the eye, however.  I watch it to learn not to be afraid.


Wicker Redux

The Wicker Man (1973) is a cult classic.  If it had had proper distribution and promotion it might’ve become a more mainstream hit when it was released.  Instead it was a slow burn.  Once it reached cult status controversy grew.  The movie doesn’t acknowledge, but was clearly influenced by, the novel Ritual by David Pinner.  I reviewed the novel earlier, and it isn’t particularly great.  The movie changes so much that it maybe was “inspired by” rather than “based on” the novel.  Several years later the director, Robin Hardy, decided to novelize the film.  His The Wicker Man also credits Anthony Shaffer because a good deal of the dialogue is lifted straight from the screenplay Shaffer wrote.  But the novelization also changes things.  That means there really is no novel that gives the full story of the film.

The creative process is never-ending.  Anyone who’s had a story published knows the tinkering that goes on, even after it appears in print.  The last word’s never truly that.  It takes restraint to leave something alone.  So Hardy wrote one of the more important characters out of his novel and wrote in another who seems to have very little connection to the story itself.  I’m still not sure what the point of adding him might have been.  Incidents that seem to be bracing for a sequel are present, and indeed Hardy wrote a spiritual successor that became a less impressive movie some years later.  Sometimes you do get it right the first time around.

Not that the movie is perfect—none are—but it has held up considerably well, growing in stature over the years.  A novelist, however, tends to have a deft touch that seems to be lacking here.  There’s a great deal of telling instead of showing.  Hardy’s Howie almost becomes a Mary Sue.  Tying his love of birds into the plot of the novel would’ve been one such deft touch.  Instead we have here a serviceable novel with much that’s familiar and even some that is strange and provocative.  It does restore some of the famously edited footage from the first cut of the film.  It tries to make Howie’s religious conviction clearer.  Changing parts of a story comes with the territory of those who spin yarns.  Hardy never really rose again to the heights he achieved in directing The Wicker Man.  It’s no wonder, then, that he felt compelled to return to it in literary form.


Day of the Lord

The kindly folks at Horror Homeroom recently asked me if I’d review the new movie, The Great and Terrible Day of the Lord.  Since I’ve been occasionally writing on religion and horror for them for a couple of years now, they knew I’d be interested.  The review just dropped and you can read it here.  Since this blog is a less formal place I’ll say a bit more about the film here, while encouraging you also to read the review.  They won’t be the same.  The movie, which is independent of any of the big studios, is hands-down the most theological horror I’ve ever seen.  That’s because it’s fully based on a religious idea.  It consists almost entirely of dialogue, so some will doubt it’s horror at all.  What is being said, however, can be quite scary.

Using only two characters, the movie would work well as a stage play.  The story revolves around a couple on a romantic weekend getaway.  Far from any other people, they’re enjoying a fancy cabin in the woods when suddenly he (Michael) reveals to Gabby (her), that he’s God.  Not all the time.  In fact, he’s come to her at this moment without Michael even knowing it because she’s going to die that weekend.  He wants to ensure she can get to Heaven.  Throughout the weekend Michael switches back and forth between being himself and being God.  Gabby fears she’s trapped with a psychopath, but as God Michael knows things about her that she’s never told him.  They discuss the problems with God’s existence and the issue of theodicy as Gabby slowly comes to accept she will die there.

My Horror Homeroom piece has spoilers, but I won’t put them here.  Horror fans might claim this isn’t horror at all.  There’s no bloodshed, very little violence, and no monsters play a role (unless you count the Devil).  Still, it is psychologically tense and it raises some scary questions.  I was raised as a Fundamentalist.  The fear implanted early that you might die not right with God has stayed with me all through my years of working in religious studies.  From my perspective this was a pretty scary film.  The script is very well written.  So much so that I wonder if Jared Jay Mason, the writer, hasn’t taken a course or two in theology.  My formal review gives quite a bit more detail, but you might want to watch the movie also.  I found it surprisingly effective.


The Mystique of Research

One thing that many people may not understand about research is that those trained in it are basically learning how to find stuff out.  It doesn’t matter what the subject is, research is a matter of learning what’s available to help you understand that particular subject.  Typically it involves becoming familiar with the classic “standard books” on the topic then branching out.  Even the internet, however, has its limitations when it comes to trying to find out what’s available.  My curiosity extends far beyond the religion I often blog about.  I write about religion because I’ve studied it all my adult life.  When I discover a new area of interest, or rediscover it, I often wonder how to get the salient books on the topic.

Amazon isn’t a bad place to start, but they don’t have everything.  I’ve run searches on its powerful algorithms that come up with no results.  Bookfinder.com is great for locating out of print material, but it also depends on you knowing what to search for.  WorldCat and Google Books also help.  The one thing you really need, however, is time.  Research requires a lot of time.  You find a book on the subject and read.  Then you look up the sources the author used.  Search the names of other authors to find out what they’ve written.  Watch publishers’ catalogues for the new books they’re producing.  Read journals to see who’s writing on what.  It’s like a never-ending treasure hunt.  It’s beguiling and addictive.  But it’s limited to few full-time—those who are paid to find things out.  The rest of us make what time we can.

Prior to the internet we had, it seems, a lot more certainty.  Much of that certainty was false, but it was nevertheless firmly believed.  Many people despise researchers because they challenge what we’ve always believed about the world.  As if the truth were known x number of years ago and hasn’t changed at all since then.  We want things to stay the same—we want our wallets in the same place we’ve always put them so we can find them when we need them.  Then your told there’s new, virtual currency but you have to mine it.  I know many people who don’t even own computers.  Research opens new worlds, but not all people are natural explorers.  Some prefer to stay close to home and near to the certainties they learned growing up.  Others are restless and have to learn more.  And perhaps go places where we don’t even need our wallets.


Come In

It feels good.  To be invited, that is.  Like many people I know how rare it can be.  When teaching at Nashotah House, invitations were scarce.  It’s a small seminary, not widely known.  Besides, the internet was in its infancy then and a great many people (including the seminary dean) were suspicious of it.  Few invitations came.  None for peer review opportunities, none for interviews.  I was invited to the Ugaritic Tablets Digital Edition project (for which I wrote a successful grant application) but that was because I met one of the lead editors while my wife was studying at the University of Illinois.  It’s strange, but nice, to be invited to things now.  It still happens rarely, but when it does it has two things in common: the invitations come closely spaced in time, and they have to do with horror.

Photo by Stella de Smit on Unsplash

This past week two invitations came.  One was to review an independent horror movie for Horror Homeroom and the other was to have an interview on the New Books Network.  Since this is the internet and since the internet’s endlessly self-referential, I’ll be writing about them both in more detail, directing you to the end results when they arrive.  It just feels good to be included.  I didn’t have many academic mentors at Nashotah House.  I’m a first-generation college-student; I didn’t know what academia would try to do to a person.  I had no idea what a “post-doc” was.  I did publish an article a year and write a second book which, I understood, was the key to getting hired by a “real school.”  I had a few interviews, but I’m demographically challenged, I guess.

Weathering the Psalms was written at Nashotah House but it has only led to one weekend church program.  My books on horror, written post-academe, have managed to get some small measure of attention.  It always struck me as ironic that, although raised among the theology crowd I never really found acceptance among them.  Those who know there’s something to horror, however, are a welcoming crowd.  The other day I was listening to Alice Cooper’s Welcome to My Nightmare and realized, whether intentional or not, the invitation was sincere.  It remains one of the formative albums of my life.  As a child the only invitations I had were altar calls.  I responded to many.  As an adult I’m still inclined to say “yes” when someone invites me in.  Rarity only adds value.


Anticipating Holidays

There’s that mundanity that sets in after the twelve days of Christmas are over that reminds us we’re back into regular time.  Many people no longer believe in the sacred, but the holidays are still sacred time.  January can be kind of stark that way.  Once we reach Halloween the rest of the year seems achievable, but there’s a lot to do between now and then.  Reemerging from the run-up to the holidays—it’s the long period of anticipation for the rest that comes at the end of the  year—back to what is now being called BAU (business as usual) is like cold water on your face first thing in the morning.  Each time I wonder if I’ll have the energy to do it all again.

Holidays punctuate and define our year.  It may be that your December holiday is fading now to a (hopefully) pleasant memory, but depending on your employer you might have Martin Luther King Day coming up soon.  I’ve known people to complain that it comes too soon after they’ve already had a few days off and they’d rather have a different day, later.  That kind of misses the point.  Business analysts (whom business leaders listen too except when they don’t like what they say) suggest that the four-day work week is sufficient to achieve what we need, now that we’re connected all the time.  Some jobs, of course, require your physical body to be in a specific geographic location and there’s not much that can be done about that.  Hours can be reduced if more people are hired, but we’re going through a strange period of people quitting their jobs.  I’ve always wondered what that must feel like.  Is it like a long holiday, only with even more financial worries?

The twelve days are over, and although I didn’t have all of them off I kind of wonder where they went.  Some folks are eager to get the tree down and decorations put away.  To look out at the blank canvas of snow and envision how to paint the year ahead.  Others of us see the wisdom of hibernation.  Bears seem to have the right idea.  Still, I enjoy the starkness of January.  The cold can be bracing and the snow a chore to remove.  But being out in it can become a kind of holiday in its own right.  Our time on earth should be a time of celebration, even as we look forward to the holidays later this year.


Ghost Chasing

I’ve known about Quirk Books from their very first publication.  That’s a rarity, I suppose, since many publishers have been around far longer than I have.  I tend to think of Quirk as mainly a purveyor of unusual fiction.  I’ve pitched a book or two to them myself over the years.  In the last few years they’ve been producing some good nonfiction as well.  The topics are, well, quirky.  I just finished reading Marc Hartzman’s new book with them titled Chasing Ghosts: A Tour of Our Fascination with Spirits and the Supernatural.  It’s a good compendium of material that traces the very long history of human obsession with the restless dead.  It begins with some ancient ideas about ghosts and comes up to contemporary times.  Not all of this can be covered with great detail, of course.  But there’s a lot here.  And it has a great cover.

The chapter on Spiritualism and seances is necessary, but it also reveals one of the reasons, perhaps, that modern skeptics still scoff at ghosts.  Mediums (not necessarily Spiritualists) were often caught in trickery, but as Hartzman points out, that doesn’t logically imply that everything was a hoax.  For me, when the rules start to include special boxes or sitting behind a curtain the old skeptic meter starts clanging loudly.  Still, some of this happened because, it seems, you can’t force a ghost to attend.  If there are ghosts and if they retain personalities, well, how do you like it when people tell you that you must be here at this time so I can make you do what I want you to do?  

The chapter on haunted locations covers many of the expected and a few lesser known haunts.  Often a very real human tragedy has occurred in such places.  Is it unreasonable to think we might impress such things on our environment somehow?  Or that our consciousness—which we still can’t explain scientifically—might not hang around to resolve unfinished business?  The final section on using devices to “capture” ghosts brings us up to the present ghost hunter craze.  The pursuit of ghosts is extremely popular, leading to the predictable result that academics shy away from it.  It’s a shame, really.  A few universities have, and some still quietly do, sponsor(ed) departments or facilities to study such things.  It seems to me that if people have been seeing, hearing, and feeling something for millennia, it might be worth some serious effort to find out what’s going on.  Until then, quirky books like this one will always be a guilty pleasure.