Eve of Winter

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“You must live like a monk!”  These were the words of one of my bosses.  I really couldn’t deny it.  I try to lead a quiet life of reading and writing and I do try to avoid extravagances.  My contemplative life suits me.  Every now and again, however, busy stretches come and distort my perspective.  Thinking back over this autumn on the eve of December, that season has been one of those times.  So much so that I haven’t been able to watch much horror, which is one of my usual seasonal avocations.  I suppose it started when a scammer emptied out our bank account in early September.  That entire month is a blur of fear, depression, and anxiety.  Those emotions have settled down, but the trauma and financial loss have remained.  

Toward the end of the month, my daughter moved.  Thankfully not too far away, but parents often feel the need to help when their only child is not yet well established in a new area.  October grew so busy that we had no time to decorate for Halloween.  We did manage to carve some pumpkins, but the weekends—the only time anything for real life actually gets done—were all eaten up and I entered November with that crowded head space that accompanies a monk lost in the secular world.  Looking back, I finished fewer books than usual and I’ve already mentioned about the movies.  This year I was pretty sure I’d be attending the American Academy of Religion and Society of Biblical Literature annual meeting in November.  I had missed the past two years, not really mourning the loss, but preparing for the trip occupied part of October.  Halloween came and went, taking the first weekend of November with it.

In November we had guests come and the second weekend disappeared.  The next weekend I had to get into high gear for my trip to Boston.  That was when I had the flu shot that wiped out a weekend.  I awoke groggily on Monday realizing that Friday I’d be on Amtrak’s Northeast Regional.  I’d never been to Metropark before and the conference itself ate up the fourth weekend in November.  After that, we turned around and spent Thanksgiving with some longtime friends in New Jersey.  Then we learned a Pennsylvania friend had spent the holiday alone and decided to make a celebration for them yesterday.  So here I find myself on the eve of winter with a fall that somehow disappeared.  Busy spells can be refreshing, even for the monkish.  But tomorrow is back to work as usual as December sets in.

Books and Mormons

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Some time ago we went to see Book of Mormon on tour.  I really knew very little about it other than it was consistently praised as being very funny.  I’m always a little concerned about poking fun at anyone else’s religion because I know people take their beliefs very seriously.  As I reflect on the show (which was quite funny) it seems that it wasn’t so much poking fun at the Latter-day Saints so much as it was poking fun at religion itself.  That’s less problematic as it’s not singling anyone out for ridicule.  It’s a system that’s being made light of.  Or at least any religion that is an effort to convert others.  There’s a kind of violence to it.  And if Book of Mormon is about anything, it’s about missionaries.  Amid the laughs it makes some valid points—trying to convert people without first trying to understand their culture is a fraught activity.

People want religious specialists who thoroughly understand their tradition.  I can say from experience, both as an erstwhile seminary student and a seminary professor, that the time given to become an expert is insufficient.  The older I’ve grown the wider the perspective I’ve tried to step back to see.  To be an expert on a religion really requires some facility with understanding other religions.  To understand, say, Methodism, you need to understand Anglicanism.  To understand Anglicanism, you need to understand Catholicism.  To understand Catholicism, you need to understand early Christianities.  To understand early Christianities, you need to understand Judaism.  And so the widening concentric circles go.  Nobody can be an expert in all of them, and each of these religions mentioned has, in its own right, sub-specializations that have their own experts.  Who has time to learn the religion of those they intend to convert?

Any religion that makes supernatural claims (and many of them do; it’s their nature) makes extraordinary allegations.  Those allegations, when examined closely, reveal some improbable elements.  Trey Parker and Matt Stone, two of the authors (most famous for South Park) apparently said that they had no intention of making fun of anyone’s religion and a spokesperson for the Latter-day Saints indicated that no real offense was taken, acknowledging that it’s parody and parody is only offensive if it’s taken seriously.  Many religions have thin skin when it comes to parody or satire.  The serious part is that some religions, in real life, take conversion of all others with a zeal that could (and does) become dangerous.  Still, this musical is very funny, as long as it’s not taken too seriously.

Existing Stance

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You know, I’ve referenced eXistenZ several times on this blog without really writing about it.  How rude of me!  Well, the fact is eXistenZ is one of my “old movies”—those that I knew from the days before I started this blog.  I have watched it since 2009, but early on I didn’t review movies unless they had religious elements.  Having recently referenced eXistenZ yet again, I figured it was time to look directly at it.  When I first watched this movie I had no idea who David Cronenberg was.  The film was recommended to me by one of my students at Nashotah House.  In those days there was no streaming so I had to purchase the DVD.  The movie is a science fiction horror film, primarily body horror, which is kind of Cronenberg’s shtick.  It’s also about gaming and I’m not a video gamer at all.  Still, I really like this film.

Perhaps presciently, Cronenberg set the movie in 2030.  Computer gaming has become biological with organic ports that have to be punctured into players’ spines so they can use an “UmbiCord” to connect to the pod.  Rewatching it, this seems almost too plausible.  In any case, as the movie goes on it becomes less and less clear what is real and what is part of the game.  Reality becomes distorted.  eXistenZ came out about the same time as The Matrix (probably why my student suggested it to me).  Given the very high profile of the latter film, eXistenZ never really broke out.  Cronenberg seldom breaks through to the mainstream, but I know a lot of people were talking about his remake of The Fly in 1986.  I even saw that one in the theater with some seminary friends.  In those days I didn’t know enough about horror to know what to expect from a Cronenberg film, which may be why it had such an impact on me.

In any case, eXistenZ remains underrated.  I see more recent films that appear to nod to it.  The horror aspects tend to be the slimy, gooey aspects of the game world which—spoiler alert—is, diegetically, the one in which the viewer resides.  There are indeed a few parallels to The Matrix, but eXistenZ has creatures and horror themes.  Sci-fi horror is a sub-genre that often works.  Critics tend to refer to such things by the older category of “science fiction,” but it is close kin to horror, a genre only separated out in the early 1930s.  Now as AI takes over the world, it might be a good opportunity to watch eXistenZ and ponder just how far you want to let it go.

Thanksgiving Reentry

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One of the facets of attending AAR/SBL that I’d forgotten is how international attendees marvel at American Thanksgiving.  While it is far too focused on food for my liking, it is nevertheless an oddity among late capitalism’s sops.  I’m slowly becoming acclimated to the 9-2-5 environment I so desperately wanted to avoid in my career, but I’ve noticed that, at least in my case, the three publishers for which I’ve worked have this in common.  What is “this”?  The only four-day weekend in the entire year is Thanksgiving.  Probably that stems back to the fact that it falls on a Thursday and employers probably don’t want bloated, food-comatose employees trying to keep awake on Friday, and failing.  Perhaps there’s also the kinder motivation in realizing that by this point people have been working hard for many months and the US has comparatively few paid holidays.

I’m thankful for being home after the conference.  My trip to Boston underscored how much of a hermit I’ve become.  Afraid of crowds because of Covid, and not having ready cash as a result of being scammed, staying home has become a comfortable idea.  Being with others, I was glad to find, provided stimulation.  There are colleagues, both in publishing and in academia, that I look forward to seeing.  I’ve been slow to admit, I suppose, that my ouster from the latter is indeed permanent.  It’s wonderful to see friends who remember me when.  Looking back, I was very naive, even as a professor.  And I see many who, pardon my saying so, still are.  Unless you’ve been in the business world where a four-day weekend is a big deal, living in the ivory tower shelters you from much.

So I’m still in the “reentry phase” of conference recovery.  Although I was thankful to have been able to travel to Boston by train, getting home on a rainy night with heavy New Jersey traffic was a test of endurance.  In my hermit’s life I drink a lot of water and even rehydrating after shorting myself for five days takes an effort.  I’m thankful for the opportunity to have been in New England again.  And for friends on both ends of the trip who appear to welcome me for what I am.  What I’ve become.  Even though sleeping in a luxury hotel where the thermostat isn’t kept quite as chilly as we can afford to keep it at home, I’m thankful to sleep once again in my own bed knowing that there is a wider world out there and I can still function in it.

Spades Are Trump

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Sometimes it feels like the world is against you.  I can imagine that if you’re African American it feels like that much more often than if you’re not.  Racism, systemic and horribly pervasive, should disappear with education and with exposure to other people and cultures.  Still it persists.  Faridah Àbíké-Íyímídé’s novel Ace of Spades, conveys what it feels like to be singled out because of race.  This it does in a dark academia setting.  Nevius Academy is a private school where typical teen concerns loom large—sex, drinking, getting into a good college.  Chiamaka is a queen bee, a hard-won position that she struggles to keep her senior year.  Devon is also a senior, but from a poor family.  His mother works hard to keep him in the music program there, with the hopes that he’ll make it into a premier program to develop his talent.  Then threatening things start to happen.

Not natural allies, Chiamaka and Devon eventually team up when they realize that Nevius Academy’s secret society, Aces, attempts to destroy the lives of students of color.  The plot runs very deep; a white supremacist faction runs the school and for the pure thrill of it, ruins the chances of the two Black students they admit every ten years.  These two victims fight back.  Added to the racial drama, Devon is also gay.  As the story unfolds, Chiamaka discovers that she is also.  This proves yet another facet of life that leads to ostracism and, in Devon’s case, beatings.  In other words, this isn’t exactly a cheerful story.  Given what has happened politically in the past year it becomes believable that such places might exist.

The darkness of this academia is right there on the surface in this novel.  Our high school years are formative ones and the decision to build up only to destroy during this period is a particularly monstrous one.  In this case the school itself almost becomes a monster.  Fueled by the collective hatred of generations of administrators and alumni, it consumes students of color.  Of course, this story was likely intended as a parable.  Fiction is often where we cry out to be heard.  Àbíké-Íyímídé’s novel became a bestseller a few years back, so hopefully that cry has been heard.  To be effective, however, hearing is nothing without action.  Books can be agents of change.  Our current climate of trying to ban them only perpetuates misplaced hatred.  If only we could encourage reading and understanding instead.

That Was Quick

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It happened when I wasn’t looking.  If you’re a regular reader you’ll know that I’ve been in Boston since Friday for the AAR/SBL Annual Meeting.  This is a work event for me and I’m pretty much in meetings from 8:30 (or earlier) to 5:30 (or later) each day.  I always come home with “conference voice”—I can barely speak until Thanksgiving.  In any case, while I was distracted in Boston this blog slipped past a milestone.  At some point over the weekend I surpassed a million hits.  Given how rare large numbers are in my life, this is kind of a big deal for me.  I know websites that get attention and critical acclaim hit the million mark within months, or even weeks.  Still, at the ripe old age of sixteen, I’ll take it.  And I’m very grateful to any and all of you who’ve taken a moment to read my musings over the years.

During the conference I was talking to a friend who’s become a celebrity on TikTok.  I also spoke to another friend who’s become a more traditional media darling.  They both outshine me by orders of magnitude.  Attending events like this is always an humbling experience.  I’ve managed to hang around since 1991, with a few gaps, and although it’s always a grind to get ready and get myself out the door, I always walk away amazed at how much so many people have achieved.  Mine is not the only story of a first-generation college student finding a place in the professional world, even if it may not be exactly the place I’d hoped for.  I’m in good company.  I do suspect that most of my readers are not people from this venue.  If I’m wrong, please feel free to comment to let me know.

Mostly since being here I’ve been musing over Edgar Allan Poe and worrying about the traffic I’m sure to encounter once I get off the train and have to drive home during rush hour in New Jersey.  But I’ve also been listening to the stories of friends and colleagues.  They may think they’re pitching me their latest book, but what I’m hearing is their story.  That’s perhaps the most wonderful thing about conferences.  Being distracted enough not to notice when good news creeps upon you.  I know blogs are old fashioned and generally considered outdated.  That describes me as well.  But it warms my heart that so many viewers have stopped by.  My profound thanks to you all!

Boston’s Poe

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Among my parasocial relationships, the strangest are those with people long dead.  Poe is among them, and, I suspect, this is probably a common thing.  As I age and find it difficult to muster the energy to attend large meetings with lots of people, the one factor that excited me about this year’s AAR/SBL, apart from being in New England again, was meeting Poe.  Now, I know that “Poe Returning to Boston” isn’t actually Poe himself.  But I do believe that places retain something of the essence of what happens in them.  Poe was born in Boston, on Carver Street.  The building itself was demolished some time ago.  I set out to see the site yesterday morning before the conference began, only to find that it is now fenced off, having been acquired by MassDOT.  As I stood there, wondering, fearing, it occurred to me just how much of a role pilgrimages play in our lives.

I’ve written about my SBL experiences before on this blog—look at my November posts for many of the years I’ve been doing this—but Boston is by far the most personal.  Part of it is certainly the fact that I lived here for about three years, but Poe is definitely part of it too.  As I went to do an uncrowded photo essay of Stefanie Rocknak’s statue, although it was quite early on a Sunday morning, and also quite chilly, I wasn’t the only one there.  A couple came along to pose with Poe.  When I took my initial photo (on my Saturday morning post) I had to await a different couple consorting with Poe.  I know this isn’t Poe, but it has come to represent his presence is my favorite city.  The mingling of emotions was strong.  

The sign designating this as Edgar Allan Poe Square is faded and weather-beaten.  I can imagine that local politicians have headier issues with which to wrestle, beyond replacing an aging sign for aging tourists.  And having read J. W. Ocker’s Poe-Land, I know there’s a bust of Poe in the Public Library now.  I walk by it each morning and evening, but the conference schedule keeps me out.  Poe himself was no great fan of Boston but this is where the world first met him.  I know that I should get my head in the game of academic conferencing, but I’m a little distracted by the presence of a friend I never met.  And breathing the rarified air of New England.

Old School

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How often do hotels refurbish or do they all look the same?  I met someone in the lobby of a hotel in which I had stayed, okay, 26 years ago.  Nothing about it looked the slightest bit familiar .  Look, I grew up poor and only remember one hotel from before college (we never stayed in them)—the one I remember was a place we stayed on a family trip to Washington DC.  Ironically, I had a stuffed elephant toy with me on that trip.  With the career upgrade to professional and conference attendance, stays at hotels became more common, although they’re still somewhat infrequent.  Conference organizers entice with luxury hotels in major cities.  Some remain in memory.  Most don’t.

I know hotels pay a lot to decorate and brand, yet the places of the monied seem anodyne.  This hotel could be just about anywhere and will eventually blend into that haze of places somehow very alike that cost many hundreds of dollars to stay.  I might’ve stayed here before.  Maybe not.  This lobby doesn’t look familiar but the street outside does.  When I stayed here in 1999 [check] my wife and daughter were able to come.  Not being an editor, we’d been to the New England Aquarium that day and my daughter wanted a seahorse rubber ball as a souvenir.  On the way to this hotel she dropped it and it bounced into Tremont Street.  In a poor object lesson, I ran after it.  I wasn’t hit by a car, but my doing so traumatized my daughter enough that she still won’t talk about it as an adult.  That’s how I know we stayed here before.

When I visited Boston for work I 2012, I stayed in a hotel I remember but whose name I do not.  It’s never been a conference hotel or I’d choose it.  It was a bit run down, but it had character.  I don’t even know if it’s still there.  Cities change.  Some parts of Boston are unrecognizable since I lived here.  Even the hotel in which I’m staying (which is nice enough, except for the loud music that suddenly starts at 2 a.m.) used to be a school.  I suppose that’s appropriate for a hotel used as an educational conference venue.  Generations of young people were once educated where I’m trying to sleep as the room shakes with someone else’s rock beat.  I may remember this hotel as a place where sleep fled, or I may find it fading into that space where all conference hotels merge even as a poignant thought arises that nothing ever remains the same.

Revisiting

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It’s funny returning to a city you once felt you knew well.  Cities are constantly evolving creatures and even though I got around Boston as a student and then as an employee of Ritz Camera, there were places I simply never found.  There was no internet in those days so we relied a lot on word of mouth.  If others weren’t talking about it, I’d never hear.  I first realized Boston had a Chinatown when attending my first AAR/SBL here.  That was in the day when you had to mail or fax hotel registrations in, if I recall, and I do remember staying up to midnight to try to get first choice after that.  Ironically, this year I again ended up in that neighborhood, south of the modestly-sized Chinatown.  I really didn’t mind, though, since the hotel isn’t too far from Edgar Allan Poe.

I first learned about “Poe Returning to Boston” from my daughter.  She saw it while visiting Boston with a friend.  I learned more about it by reading J. W. Ocker’s Poe-Land.  When I lived here, from 1985 through 1988, I knew of no public markers of Poe’s presence.  None of the more prominent ones were here then.  On a trip to Boston for Routledge I sought out the Poe birthplace plaque—the actual house had been torn down—and found it.  It’s still here as I saw last night.  But the place that was formerly marked only by a painted electrical box now has a statue.  Poe, preceded by his raven, walks across the area named for him with a suitcase in hand.  Behind him, pages from his manuscripts lie on the ground.

It’s long been known that Boston and Poe had an ambivalent relationship.  Poe was born here and lived here for a time, but never felt that the city accepted him.  He lived in New York City, Philadelphia, and Baltimore for some time, but mostly considered Richmond, Virginia home.  That’s where the Allans lived and where his mother is buried.  Poe himself famously and mysteriously died in Baltimore.  He had some measure of fame at the time but still lived in poverty.  The feeling seems to be that Poe would’ve liked to have liked Boston—it has been my favorite major US city ever since I first moved here four decades ago.  Now, of course, I only get back on occasion, mostly when AAR/SBL comes to town.  Although Poe wasn’t here the last time I was, I always find something new when I return.

Boston Bound

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Honestly, I’ve reached a stage where travel seems quite a burden.  I’m a creature of habit and I haven’t had to interrupt that habit for three years now.  I missed the last two years of the AAR/SBL conference due to a variety of issues.  I’m pleased that this meeting is in Boston, a city of which I have fond memories.  Still, getting there from here isn’t as easy as you might think.  It’s simple enough to catch a direct train from New York or Philadelphia, but I don’t live in either.  To be there in time for my meetings later today I have to catch a fairly early train.  That’s not a problem; I’m an early riser.  To get to a station where a car might safely be left for four nights is a bit more difficult.  It involves an hour’s drive no matter where you end up going.  I’ve driven in Philly enough to know that I don’t like driving in Philly.

Although Allentown is the third largest city in the state, there is no train service from it to the Amtrak lines that lead up and down the coast.  So I’ll be driving a while.  Once on the train at least I won’t have to worry about traffic.  At least for a few days.  In Boston I wasn’t able to get into one of the close hotels.  In warmer months that wouldn’t be much of an issue, but November in Massachusetts can be chilly.  I remember that from living there.  There are shuttles from my hotel to the conference center, but I like walking Boston.  It brings back memories.  Beantown is one of those places that many people fall in love with and want to stay after they get there.  Although I lingered three years that didn’t seem enough.

Photo by todd kent on Unsplash

I was a young man when I moved to Boston.  Looking back, I knew so very little.  Almost as little as I know now.  For this conference, I’ve stayed in this same distant hotel in the past.  It’s in a part of town I’d never explored as a student.  It isn’t far, however, from Edgar Allan Poe Square.  I’m hoping the weather allows for some photographic opportunities around there.  The conference itself, in my more familiar Back Bay, is work.  Not much time to relax and see the sights.  Still, I know that once I get there I’ll again feel the old attraction.  It happens every time I go.  Even it means a drive and a train ride into late November.

Sleeping Below

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I’m not sure how I missed What Sleeps Beneath.  I suppose it’s a matter of being time-starved in a world with so many websites.  That, and I’m only now starting to get integrated into the horror community.  A comment on this blog brought What Sleeps Beneath to my awareness.  A horror review site—they feature both books and movies—it’s based in that epicenter of weird (at least in my experience) of Pittsburgh.  I lived in the city for a couple of summers and grew up between it and Erie.  And, of course, Pittsburgh is George Romero territory, the birthplace of the modern zombie.  I often reflect on it.  Growing up in a small town north of there, I was fascinated by large cities.  When I was in high school, Pittsburgh was the 16th largest city in the country, now it’s down in the 200s somewhere.  That’s what happens when a big industry packs its bags.

Photo by Vidar Nordli-Mathisen on Unsplash

In any case, I haven’t been able to keep up with all the horror websites.  Again, it’s a matter of time. One reason is reasonable precaution.  I believe in vaccines.  I hate being sick in any way, and I’m of an age that I’d probably have been long dead without the many sticks I’ve had in my life.  However, time is precious and I’ve lost two weekends this year just to vaccine recovery.  Keenly aware that I no longer have all the time in the world—this dawns on you with a kind of horror fierceness as you read obituaries of friends who seemed so much better adjusted than you—the loss of a weekend is a kind of major deficit.  It’s sort of a sloppy reboot.  You enter a weekend with anticipation of how much you can get accomplished without the 9-2-5, but instead you have a day or two as groggy as your computer is when you first turn it on.

I say all this because I’d been planning to explore What Sleeps Beneath then I lost this past weekend to recovery.  Pittsburgh, like most places, has an identity to it.  And like most places that identity evolves over time.  Tomorrow I head to Boston, a city I used to know, for the American Academy of Religion and Society of Biblical Literature conference.  I’ll also be visiting, I hope, the Poe Returning to Boston statue in Edgar Allan Poe Square.  What with Boston making a belated overture to Poe and Pittsburgh embracing its zombies, maybe horror is starting to become mainstream after all.  Now I just need to get the time to explore What Sleeps Beneath.

Hunting Season

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Back when it came out in 1997, I’d heard that it wasn’t a particularly happy movie.  It was a good movie but it dealt with two damaged men.  I was frightened off from seeing Good Will Hunting until it became associated with dark academia.  Will Hunting is a genius but he was born in a bad part of town and earned himself a police record.  He works as a janitor at MIT, but he also solves proofs instantly that professors labor over for years.  The only way he can keep out of jail, however, is with the help of a therapist.  Sean Maguire, who teaches at Bunker Hill Community College, is a psychologist who shares the background of Will’s rough neighborhood, but who recently lost his wife to cancer.  He’s been traumatized by his life and the two come to realize, once Will learns to trust, that they have helped heal each other.

The darkness in this academia is mostly social.  Even today, those of us who grew up in rougher locations don’t easily fit in academia.  We’re blithely ejected from it in favor of those with more proper backgrounds.  And connections.  There were a few personal triggers for me watching this movie, but I had been wanting to see it for some time.  Robin Williams, who plays Maguire, had starred in what may be the epitome of dark academia movies, Dead Poets Society.  In both he plays his part convincingly.  The term “dark academia” wouldn’t be coined, however, until the year after he died.  Education is supposed to lead us out of darkness, but given what humans are, it creates its own form of gloominess.  That’s probably why some of us find the category of dark academia so intriguing.  Compelling enough to get us to watch films that will perhaps come with their own brand of trauma.

Children born into similar, or nearly identical situations may react to it quite differently.  Although both in academic settings, Will and Sean have different experiences of it.  With his life experience as a war veteran, and an educated world traveler, Sean invested his life in love and helping others.  Will struggles with his fear of rejection to finally try to love someone more than upholding his own walls of self-protection.  There’s some real depth here.  It’s no wonder that the screenplay won more than a couple awards.  It would take another couple decades, however, until the category of dark academia would be named.  And if it hadn’t, I wouldn’t have risked watching this amazing movie.

Not Personal

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I’ve read that horror and dark academia go together.  You might almost say like peanut butter and chocolate.  One example of this is Confessions, a novel by Kanae Minato.  There are no monsters in it, but two people driven by revenge.  The difficulty with such a book would be to describe it without giving too much away.  So I’ll start by placing it in the category of dark academia.  It is a middle-school story with a distinct darkness and dread to it.  As a kind of epistolary novel, it’s told in several voices, beginning with a teacher in Japan and her final lecture to her students.  The lecture is final because her four-year-old daughter had died on the school grounds.  More than that, she was murdered by a couple of the students.  The novel explores the motivations and actions of the students involved, and sometimes their parents.  The school setting makes it dark academia.

The horror part comes through the slow building of the ruined lives that follow in the wake of the murder.  Believing that one form of revenge is at play, the reader finds subtle shifts as characters become monstrous.  One is clearly a sociopath.  Another is becoming one.  The idea of people harming one another because of their grievances is real enough.  We are emotional beings and sometimes our pain for those we love reaches a point of striking out.  Most of us learn to refrain, accepting that suffering comes into every life.  A minority insist on bringing others into their personal hell.  This novel explores people like that.  This makes it a horror story.

Originally written in Japanese, it has a kind of gentleness to it.  A decorum.  Underneath, however, trouble is brewing.  It accumulates over the novel as additional perspectives join the narrative of what happened.  Stories like this take a bit of rethinking for those of us who like to believe our narrators.  Most events have more than one outlook and Confessions ably guides us through several, reaching a conclusion that is both satisfying and chilling.  This is one of those novels that underscores what a fraught time middle school is.  Powerful emotions are at play and even though they may be sublimated for adults in society, they still exist.  We learn when we can and can’t act upon them, and how we may do so.  That’s a large part of education, beyond simply learning from books.  As reading becomes more and more electronic, I do wonder if we’re ushering in a new darkness that hasn’t been fully considered.

Bibliography

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For serial readers, my Horror Homeroom piece is now live, here.  Speaking of websites and blogs, you never know where a project might go when you start it.  This blog has a search function, as well as category options, but I know I have a few readers on Facebook and Goodreads who might never set foot here.  The other day someone asked me about a book and I had to do a search myself to see if I’d ever blogged about it.  This project has been going for more than a decade and a half and it’s nearing 6,000 posts.  I can’t remember everything.  Then it occurred to me: I could put together a bibliography for this blog.  This has to be a long-term process, though.  As a test, I scrolled through the first year, writing down the books.  There were about sixty of them.  Since there are over 170 months to go through, well, it’ll be a big bibliography when it’s done.

I’ll need to find a way to note the books I haven’t read.  Sometimes I’ll post on a book, or mention it, without having read the whole thing.  I don’t want to misrepresent myself here.  Other times I mention a book obliquely without actually citing it.  I need to include those as well.  Only, however, if I’ve actually read them.  Then there’s the problem of not remembering if I read a book or not.  After 2013 I can check on Goodreads, but between 2009 and then, I rely on memory.  Those were tumultuous years.  In 2009, just before I started this blog, Gorgias Press let me go.  I made a living for a couple of years as an adjunct professor at both Rutgers and Montclair State Universities, feeling like I was driving at night without the headlights on.  I was reading a lot, but job security was a mere myth.

Then in 2011 Routledge recruited me and my commuting life began.  I started reading about 100 books a year as I commuted my life away.  Most of those got discussed on this blog.  I was still at Routledge when I began my Goodreads account, not aware that there was employer writing on the wall.  I started my current job that same year and commuted to Manhattan for five more years, reading all the while.  It’s going to be a big bibliography when it’s done.  The nice thing is I don’t have to annotate it since that’s what this blog does.  Since I’ve got about a thousand other projects going, and a 9-2-5 job, don’t hold your breath for it.  But the bibliography’s been started and, God willing and the crick don’t rise, it’ll eventually appear here.  That’s the way of ongoing projects.

Woodwork

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It’s not often that I get to see a new horror movie on opening day, but I managed to swing The Carpenter’s Son with a screener, courtesy of Horror Homeroom.  I’m not going to say much about the movie here, because you should go there to read my response—I’ll let you know when it appears.  But I should try to whet your appetite a bit.  Among those of us who read and write about horror and religion this was a much anticipated movie.  A horror movie about Jesus.  Such things have been done before, but this one is played straight with an interesting premise.  It’s based, loosely, on the Infancy Gospel of Thomas.  This isn’t to be confused with the Gospel of Thomas.  Early Christians, it seems, favored the doubter’s point of view.  The Infancy Gospel is the story of Jesus’ miracles between the ages of five and twelve.  Even among early Christians these accounts weren’t taken as gospel truth.  They make for an interesting movie, however.

I think about horror and religion quite a lot.  Since the late sixties the two appear together frequently and, according to many surveys, make for the scariest movies.  Religion deals with, not to sound too Tillichian, ultimate concerns.  In the human psyche you can’t get much larger than death and eternity.  These are the home turf of religion.  Of course, death can be handled in an entirely secular way, but there’s a reasons hospitals almost always have chapels in them.  Eternity may be slotted in cosmology, but what it means comes from religion.  Forever seems pretty ultimate to me.

One thing I didn’t give in my Horror Homeroom piece about The Carpenter’s Son is my thoughts as to whether it’s a good movie or not.  Did I like it?  To a certain degree, yes.  Although I’ve been impressed with Nicolas Cage in horror movies lately—he can really rise to the occasion—sometimes, as in The Wicker Man, he just becomes, well, Cagey.  This happens once in a while in The Carpenter’s Son too.  When he’s questioning Mary about where “the boy” came from, his voice gets the wheedling, whining, kind of mocking tone that doesn’t set him as his best.  Likewise, when he tries to instruct young Jesus in various ways, it seems far too modern to fit the palette of a period drama.  I watched it a couple of times to write the article and I have my doubts that I’ll watch it again.  I did think the portrayal of Satan was good, and appreciated some of the dialogue about evil.  It wasn’t my favorite horror movie in recent weeks, however, even though I saw it before it opened.