Shatner’s Space

Leave a comment

We constantly underestimate the power of fiction.  It’s difficult to break into getting fiction published.  It wasn’t always that way.  When the pulps were still a thing often it took a thimble of talent and a handful of persistence.  Publishers were looking for content and those with typewriters were clacking away as fast as they could.  Ding!  Carriage return.  These days it’s harder.  This came to mind in thinking about William Shatner’s trip to space and his subsequent reaction.  As several news outlets said in anticipation of Shatner’s new book, the experience made him feel profoundly sad and not a little cold.  So much empty space and we still haven’t figured out how to travel fast enough to reach our nearest neighbors.  We don’t even know if we’ll like them when we meet them.

Others, in defense of space exploration, were quick to counter Shatner.  He’s not a real astronaut, after all, having spent nine decades earth-bound.  Or so they said.  But I think I understand, as a fellow land-lubber, where he’s coming from.  We’ve only really got one chance on this planet, being the only creatures evolved enough to type, to capture our thoughts—our essence—in words that can be preserved.  And wildlife statistics are showing an alarming decrease in other animals since the 1970s.  If we’re all that’s left and we can do no better than to elect fascists, well, stand me with Captain Kirk.  We look to the skies and see, well, empty space.  And besides, we need to get home because it’s supper time.

Image credit: NBC Television, public domain via Wikimedia Commons

The reason Shatner got a free ride to space was, of course, fiction.  Star Trek captured the imagination of my generation and those with actual science ability started to put that kind of future together.  Today we can talk to computers and they still mishear us, often with laughable results.  But if writers of fiction hadn’t been available the show would never have succeeded and what would a Canadian actor have had to do?  Maybe a crime drama or two?  And even those require writers.  It seems to me that we should be encouraging fiction writers with talent.  Believe me, I’ve read plenty who really haven’t got it (often in the self-published aisle) but I know firsthand how difficult it is to get fiction noticed.  It’s like, to borrow an image, being blasted off into a dark, cold, empty space and looking at the blue orb below and wanting to be home for supper.

Free to Listen

2 Comments

It was a delightful conversation, as always.  Robin and Debra from The Incarcerated Christian podcast always amaze me with both their program and their enthusiasm.  I’m still bit nonplussed that they find my work interesting.  They invited me back for an October discussion around Nightmares with the Bible, located here.  Although the book has not yet sold enough copies to have earned any royalties (i.e., it hasn’t covered the cost of its own publication yet), it has nevertheless led to four interviews and even had a Choice review.  Granted, a good part of the lack of enthusiasm is its Elon Musk price point, at least that’s what I tell myself.  I’m still hopeful that a paperback will be out next year.

I suspect people are interested in demons.  Considering that movies keep on being made about them and doing well, I hope it’s only a matter of time.  While I’m waiting, however, I’ve got some good listening over at The Incarcerated Christian.  The podcast addresses a couple of issues: one is spirituality and the other is the effects of being raised in a religion that boxes or cages a person in.  The proprietors are among the few who realize that there’s a spirituality to horror.  I’m reading a book just now that considers thzt question.  And I know of others, active ministers among them, who find spirituality in horror.  I don’t know their backgrounds well enough to know their carceral status, but to me the connection makes sense.

Photo by Marco Chilese on Unsplash

I’ve written before that I’ve come to rely on experience as a source of knowing.  Not entirely, of course, but it’s clear that those who don’t trust their experience end up incarcerated.  My experience of organized religion suggests that it has many issues that require professional help.  That’s one aspect of having been a seminary teacher, and administrator, that has fed into my experience.  Having seen how that happens, and knowing the kinds of people who rise to the top—just look at politicians, particularly on the right-hand side—my experience suggests that ecclesiastical corruption is far more common than most people suspect.  In order to accomplish big things humans have to organize.  And in any organizational structure there will be climbers.  In general you don’t get to be clergy (apart from those non-denominations that’ll hire anyone making certain claims) without seminary.  And seminary isn’t what it seems.  To me, watching horror makes far more sense than befriending the jailer.  Take a moment to listen; it’s free.

Love for the Sky

Leave a comment

People long for the sky.  We look at birds with envy and we have historically treated the weather, or the sky itself as divine.  To get oneself into the air is an expensive venture, no matter how it’s done.  One of the earliest forms of overcoming gravity was the hot air balloon.  The principle’s pretty simple: hot air rises.  Trap that hot air in a container large enough and it will lift a person, or people, to the sky.  Today ballooning remains popular, although not generally used for long-distance transit.  Still, to be in the sky is a consolation all its own.  Various hot air balloon festivals tour the country, but the Lehigh Valley Spooktacular Hot Air Balloon Festival was the first time I’d ever been close to an actual hot air balloon.  While not asking, I’m sure it is quite pricey to own and operate one.  Given the number of people there, it’s a safe bet that others are fascinated by the sky too.

Apart from one vampire balloon, two things made this “Spooktacular.”  One was the fact that it’s midway through October, the month for scares.  The other was the vendors selling Halloween merchandise.  Options for disguises have come a long way since my childhood.  Blinking LED lights dangling from tentacles and battery-operated masks of black that show patterns in glowing colors on the faces of the wearers were both popular among attendees.  And not just with children.  Although the festival runs all day for Saturday and Sunday there are those of us who came for the evening finale—a mass inflation of balloons followed by a laser show and fireworks.

Such shows as this obviously require a ton of tech and a lot of set-up, but I couldn’t help but think as I watched that the sky, so eerily lit up at times, that in ancient times this would certainly have been considered as a theophany, an appearance of the gods.  Projected onto the sky itself, or penetrating that very sky, the lights could be made at times to dip, creating the impression of something large descending from above.  It was a show worth seeing.  As we drove home—it was past my bedtime and I had the passive role of passenger—I spotted a large bird winging through the night, dark against a low cloud.  Too dark to identify (although probably an owl), I thought how birds have a view that’s still rare among land-dwellers.  Theirs is the realm of the gods.

Halloween Mothers

Leave a comment

There’s an irony in seeing Samhain returning back to Ireland as Halloween.  One movie that ties its Celtic roots in particularly well with the denizens of the Otherworld is You Are Not My Mother.  Written and directed by Kate Dolan, it’s an intensely creepy film set in Dublin as Halloween approaches.  A dysfunctional family of grandmother Rita, mother Angela, and daughter Charlotte have a family history of changelings.  As the tension grows in the family the viewer, and Char, must decide whether to believe her mother or her grandmother.  Particularly disturbing are the actions of Char’s classmates as they bully and threaten her in truly horrific ways.  All of this happens as Halloween nears and adds to the uncertainty.

I really don’t want to give too much away as this is a movie well worth watching.  It satisfies an October itch.  It’s also a fine example of both “elevated” horror and folk horror.  Although filmed in Dublin, the landscape—particularly the river, plays an important role in the story.  The film even helps us out by having a museum tour explain what liminal spaces are and although much of the action takes place indoors, these outdoor places are essential.  There’s an awareness of landscape and what it implies regarding the Otherworld.  As with much intelligent horror, there’s little bloodshed but plenty of tension.  And the moody atmosphere of overcast Irish skies makes it possible almost to feel the chill in the air.

The families shown in the movie are working class, which adds to their emotional resonance.  Houses are lived in and not spic-n-span.  Work provides enough to get by but not much else.  In a strange way, having the Otherworld break through in such circumstances isn’t all that unusual.  Here is something to anticipate, to look forward to.  Something that might lift you out of the mundane workaday life.  Folklore began long ago and served a similar function, I suspect.  Surviving is difficult work.  Even the tradeoff in modern times of giving most of our waking time to our jobs is a reflection of this.  It’s not difficult to believe that there’s something a bit more stimulating, if dangerous, out there.  Something we want to avoid but that we can’t help but be fascinated by when we encounter it.  Horror offered by women directors is often thoughtful in that way.  You Are Not My Mother will help to set the mood for Halloween, as it’s done in the old country.  In its own way, it’s a changeling.

Green Pagan

Leave a comment

The folk tradition doesn’t encompass folk horror only.  I’ve been working on The Wicker Man, one of the initial folk horror classics, long enough that I sometimes need to remind myself of that.  Of course, it was the cover image featuring said movie that drew me to David Huckvale’s A Green and Pagan Land: Myth, Magic and Landscape in British Film and Television.  The descriptive subtitle more or less informs the reader what the book is about although it reaches further than that.  Huckvale also interprets novels, short stories, and classical music pieces according to landscape.  And sometimes it ranges beyond Britain, especially to other Anglo-Saxon cultures.  Richard Wagner, for example, plays a prominent role in one of the chapters.

Having written about popular media myself, I’m aware of how such issues can easily arise.  A movie too good not to discuss falls out of the precise range you’ve set for yourself.  And no matter how much media you can consume there will be tons more that you could, had you the time, add to your experience of it.  This book looks at mostly British media with an eye toward the pagan landscape.  That doesn’t always mean horror, but sometimes it does.  Huckvale always has interesting things to say about the media he addresses.  Whether the pieces go back to Arthurian legend or to more recent fictional pasts, the landscape has a role to play.

Indeed, folk horror is generally defined by landscape.  That makes sense considering that it’s all around us.  Many people in urban settings may have to struggle to find it.  Indeed, when they want to get away they head for it.  In Britain—and anywhere in which invasion has taken place—the earlier pagan ideas are imprinted on the land.  In Britain they’re perhaps more obvious; think of Stonehenge.  As later interlopers modern people see them and wonder.  And then we create stories—literary, musical, or visual—about the experience.  I’m so used to reading about folk horror that I’d finished the book before I realized it wasn’t really the focus of the entire thing.  While I don’t live in a major city, I too have blinders on for much of the time.  I’ve got a book deadline and I wanted to read this before making final revisions.  I’m glad I did.  There were places where I was just in the backseat, along for the ride, but there were also chapters where The Wicker Man was a crucial component.  And it reminded me of why I enjoyed living in that landscape for a few years.

Bad Dog!

Leave a comment

A few years back, it was, when I saw my first video of a robo-dog.  I don’t mean the cute ones that you might fool yourself into thinking, on an off day, might be a real mammal.  I mean the bare-bones, mean-looking robot kind.  If was, of course, being developed by military contractors.  Then just days ago I saw something truly frightening.  In a video from China, one of these robo-dogs with an assault rifle and a ton of sensors mounted on it, was remotely air dropped by a drone and began policing the area.  Knowing that fleets (I’m not sure that’s the right word) of thousands of drones have been coordinated for entertainment purposes, and aware of how much money and tech militaries have, well, let’s just say nightmares aren’t just for sleeping any more.

Image credit: DARPA, public domain via Wikimedia Commons

Dogs, until they mostly had it selectively bred out of them, are killers by nature.  The wolf has to be a predator to survive in the wild.  As much as we like bipedalism, it has to be admitted that four legs (or more—imagine the robo-centipede, if you dare!) benefit locomotion quite a bit.  You may get a lower angle of view but a boost for speed.  And if you see a robo-dog, especially one with a machine gun for a nose, running is where you’d want to excel.  But we’ve taken our companion—our “best friend”—and made it into yet another engine of fear.  As someone who grew up with an inordinate number of phobias, I really don’t need one more.  Of course, it’s a truism that if a technology comes from the military it will be cause for alarm.

I’m capable of dreaming.  I can dream of peace and cooperation and what we could build if we didn’t have to worry about the aggressive, the greedy, and the narcissist.  Those who never learned to play well with others but who make money easily and spend it to bend the world to their bleak, bleak vision that lacks a happy ending for all but themselves.  I can envision meeting people who are different without the first thought being exploitation—what can I get out of them?—or fear that they wish to harm me.  Humans are endlessly inventive, especially when it comes to ways to harm one another.  If our creativity could be set toward working for the benefit of all, dogs would be for petting and drones would be for seeking out new ways to solve the problems that beset us all.  Instead we make them into new nightmares.

Flavor of Childhood

1 Comment

Giant, telepathic crabs whose molecular structure make them impervious to bullets, explosives, and fire, and that know how to use dynamite and who plan to take over the human world?  A group of scientists trapped on an irradiated Pacific island that is slowly sinking into the ocean?  This must be Attack of the Crab Monsters!  I was born during what is generally considered the dearth  period of the American horror industry.  Roger Corman, however, was working hard outside of the studio system to cater to that new demographic—teens with spending money.  Drive-in theaters were big and for about $100,000 you could shoot a double-feature and bring in ten times that much.  If you shoot quickly enough you can produce several of these in a year and not have to worry about the big studios.

It’s been fashionable to laugh Corman off, but he knows how to live the teenage dream.  Monster movies were part of the childhood of many of us during this “dearth.”  Yes, sophisticated frights were yet to come, but these creature features were full of creativity and escapism.  And so many unanswered questions.  How did those giant crabs chop all the radio wires to bits with those indelicate giant claws?  If they could smash through the outside wall of a house, why couldn’t they break through a light-weight door once inside?  And why, knowing that bullets and grenades can’t possibly hurt them, do scientists keep firing away?  What was that oil subplot all about anyway?  And how do you end a film with the lines “He gave his life,” followed up by “I know”?  This is stuff, like Strawberry Quik, I couldn’t get enough of as a kid.

No, this wasn’t intelligent horror—it was often laughable—but it made an impression.  As an adult I can’t recall which of these movies I’ve seen before and I suspect it would take a lifetime to watch all the films Corman directed or produced.  Along with his contemporary indie director/producer William Castle, Corman may be inordinately responsible for my tastes as an adult.  I’ve grown more sophisticated (I hope) in some ways, but I’m at a pay grade where free on Amazon Prime often decides a weekend’s entertainment.  Besides, these movies struggle to top out an hour’s running time.  You can still get a lot done in a day and still have time for a monster crab, giant leech, or wasp woman.  With enough radiation, and imagination, anything can happen.

Former Education

Leave a comment

Like most people I don’t have time to sit around thinking much about college.  Once in a while you’re forced into it, however.  This time it was by an NPR article.  I attended Grove City College for a few reasons: it was a Christian school close to home, it wasn’t expensive, and, perhaps most of all, I knew campus because the Western Pennsylvania Conference of the United Methodist Church held its annual conference there.  I’d been several times during high school.  It didn’t hurt that I was a Fundamentalist at the time.  Grove City was a college of the Presbyterian Church and I loved having debates about predestination with professors who actually believed in it.  At the same time, I was encouraged to think things through, which liberal arts colleges are known for promoting. Is it now “conservative arts?”

Photo credit: The enlightenment at English Wikipedia

The NPR story my wife sent me was about how Critical Race Theory is disputed at my alma mater (sic).  I noticed in the article that Grove City is no longer affiliated with the Presbyterian Church.  It’s become much more right wing than that.  At the same time they ask me for money on a regular basis.  What made them think they had to go hard right?  Are they still educating students or are they indoctrinating them?  It reminded me of a sermon I heard at yet another conservative school I was associated with: Nashotah House Episcopal Seminary (or at least it was then).  The priest made an entire sermon about how it was right to be conservative, as if no matter what the issues there was some creed to get behind in staying behind.  As if virtue exists in never admitting you were wrong.

I suspect that my failure to attain a full-time academic position at a reputable school was because of what looks like a conservative outlook, despite the evidence of this blog.  Yes, I grew up Fundamentalist—you grow up the way you were raised.  Hopefully, however, you start thinking after that.  And experiencing.  And yes, using critical thought.  There comes a time when “because I told you so” just doesn’t cut it anymore.  For many of us that’s when we go to college.  If it’s a good one you’ll be encouraged to debate with your professors.  Not one of them has all the answers, I can assure you.  Education is, by its very nature, progressive.  We learn and we continue to learn.  We don’t stand still and say the 1950s was when God reigned on earth.  It wasn’t.  And it wasn’t any time before that either.  Now we know that Critical Race Theory should be taught.  We know Black Lives Matter.  What I personally don’t know is what became of a college that was once conservative, but at the same time, believed in education.

Stinging Days

1 Comment

It doesn’t take much to encourage wasps.  Even after a few unseasonably cold weeks in autumn, one warm day will bring them back, poking along the siding looking for a nesting place.  My most recent stinging incident occurred in October.  It’s fitting, then, I suppose, that to try to keep awake late one October weekend afternoon that I watched The Wasp Woman.  These creature features were what I grew up with, and this was a Roger Corman brief film from 1959.  In fact, it was so brief that eleven minutes had to be added to make it a stand-alone television release.  It was originally part of a theatrical double feature.  Finding out about added time explained why Dr. Zinthrop’s accent changed from the first eleven minutes to the rest of the film.

Women have the same right as men to be made into monsters, of course, but there’s a poignancy to this storyline.  Janice Starlin is the owner of a cosmetics company but profits have been declining since she’s showing signs of aging.  Her customers want a younger looking woman providing their beauty products.  As is to be expected for a movie from the fifties, it’s a pretty sexist storyline.  Still, through the plodding plot the viewer can’t help but to feel for Ms. Starlin.  So when Zinthrop shows up with an extract made from wasp royal jelly (a secretion that actually comes from honey bees) that reverses aging who can blame her for trying it?  Of course it turns her into a giant wasp woman.

These kinds of mad scientist movies with their inevitable results perhaps injected a sense of caution into those of us who grew up watching them.  They weren’t great works of art, but that doesn’t mean they didn’t have something to say.  What I heard, watching this one, was that women exploited for beauty products suffer from natural aging processes.  And any formula that reverses aging come with its own set of problems.  The only other scary part of the film was when employees have to get to the upper floors to prevent Starlin from killing people, they have to wait for the elevator.  Their sense of frustration, although funny, is nevertheless a reality of working in a high-rise.  These movies from the late fifties seem to me to be a cry for help.  The sexist, button-down, white shirt world isn’t all it’s advertised as being.  Mad scientists are needed to help us cope.  Or at least stay awake on a sleepy October weekend afternoon.

Reading Algorithm

Leave a comment

I appreciate help.  I really do.  It’s easy to feel overwhelmed in this world and others offering to help out are welcome.  But you do have to wonder about algorithms.  They seem to lack human sympathy.  And perhaps the ability to count.  Every year I enter the Goodreads Reading Challenge.  I would read without it, of course, but having that extra pressure doesn’t hurt.  Because of my convoluted mental makeup, I try to get things I have to do done early.  That means I want to finish my reading challenge before I have to.  In my commuting days I read about 100 books per year.  When I stopped commuting I had to bring that number down by about half—frankly, I don’t know where the time went, but I do spend more awake time with my family, which is good.

So I’ve settled on setting my Goodreads goals at about 50-60 books per year.  I often exceed it, depending on how many big books, or ponderous academic tomes I read.  Lately I’ve set the goal at 55, which is just over a book a week.  That seems doable to me.  This year I achieved that goal in September, but that doesn’t stop me from reading, nosiree!  I’m currently somewhere near the 60 book mark and I’ll keep going.  Now the help I was referring to is this: Goodreads typically sends an encouraging email in October suggesting how to meet your goal.  My message showed, via tracker, that I’d already met my goal, but telling me I could still meet it with these suggested books.

The books suggested are fine, I’m sure.  And that this message was sent via some formula that I have no hope of being able to comprehend, I’m also sure.  An algorithm, however, doesn’t feel for you.  I’m relieved to have the goal behind me and to continue pressing on regardless.  I could use some help in getting the lawn mowed, should an algorithm like to apply.  I particularly resent having to do so while wearing a jacket and stocking cap.  It’s time for the grass to be settling down for its year-end nap, isn’t it?  Or maybe an algorithm could do my job for me.  I guess that’s not funny, because that fate has befallen many humans, I suppose.  Maybe the solution is simply to read more.  That’s not a bad thing, but I don’t need an algorithm to get me to do it.

Kings and Gods

Leave a comment

Kong has never been my favorite monster.  Perhaps because it is more of a sad story than a scary one, and in movies of gigantic animals, there always seem to be scaling problems.  The monsters are only reacting to the circumstances in which they find themselves and humans prove to be the real problem.  In ways nearly impossible to conceive, less than a century ago films like the original King Kong shocked and stunned audiences.  Humans are such visual creatures and no similar spectacle had been seen before.  I recently watched the 1976 reboot for the first time.  I’d seen clips, of course, and kids in junior high were talking about it back when it came out.  For me it was more like “if you know the story already, why see another attempt to tell it?”

Visually, there is a lot of nice cinematography in the film.  We’re all used to CGI so the animatronic Kong isn’t really believable, but nevertheless, our emotions map onto his with the prolonged shots of the gorilla’s facial expressions.  That part was effectively done.  Much of the rest of the movie left too many questions for belief to be suspended.  The heartlessness of corporations was too real and perhaps the scariest part of the movie.  Watching any movie with explosions on the twin towers brings back a kind of post-traumatic 9-11 reaction.  Prolonged, nearly Russian-length, death scenes personally don’t do it for me.

The reason I was watching, however, was for the religious aspect.  This is underplayed, but the islanders clearly worship Kong and consider him a god.  (I did wonder what he ate since no giant fruits were shown, but the immense snake tells us not all was revealed.)  In one reflective moment on the oil tanker back home, Jack Prescott says that they’ve taken the islanders’ god and their society will fall apart.  Western enterprising does have much blood of this kind on its hands.  And no matter how it’s dressed up King Kong always appears to be a racist story.  Some critics say the 1976 version isn’t horror, but instead a kind of bizarre love story.  While I don’t think much thought went into the implications—it seems the movie was a showcase of state-of-the-art animation for the period (otherwise the long scenes of Kong changing faces and blowing on Dwan make little sense)—that accidentally play into tropes of gods falling in love with women.  Maybe there’s a reason I haven’t watched any of the other reboots.

No Donations

Leave a comment

They’re after my blood.  In fact, they repeatedly call on my work phone asking for it.  But when I go in they won’t take it.  There are blood shortages, I know.  My wife and I used to be regular donors.  Then we moved to the United Kingdom for my doctorate.  Although largely vegetarian even then, Britain came to be under the “Mad Cow” disease scare just at that time.  Bovine spongiform encephalopathy seems to have been caused by adding filler from other animals to cattle feed.  Naturally vegetarian cattle—vegan as adults—were being fed animal by-products.  Anyone who lived in the United Kingdom during the height of the scare is banned from ever donating blood in the United States, no matter how severe the shortage.  That doesn’t mean they won’t continue to call and make you feel guilty for not donating.

Image credit: C. W. Love, public domain via Wikimedia Commons

Medical care is culture-specific sometimes.  We once knew a woman who was a medical doctor in Sweden but who could not practice medicine in the United States.  At least not without undergoing extensive medical retraining.  I think of wonderful organizations such as Doctors without Borders where medically trained people help out those in less developed nations.  Nations may be a necessity, but nationalism quickly leads to problems, many of them major.  I realize that mixing medical techniques can cause complications, but I wonder if sometimes we go too far.  And I often think about the medical problems caused by consuming too much meat.  Raising cattle and hogs, especially, leads to huge environmental problems.  There are better ways.

It’s been about five years now since I’ve been more or less fully vegan.  Eating options have expanded enormously in that time.  There are plenty of options for eating out, although most restaurant chains still seem to equate the practice with consuming animal products.  For me the process was gradual.  While living in Scotland in the late eighties to early nineties we cut most red meat from our diets.  When my daughter turned out to be a natural vegetarian, I joined her.  After several years living that way (over two decades now), I finally made the leap to being vegan.  Animals should have rights.  Nature can be cruel, I know.  Still, to exploit other species for our gain and their sacrifice bothers me.  I like to share.  I even like to donate blood.  I’m still asked to do it and am turned away when I show up at the door.  I can’t help but to think there’s a better way.

Forbidden Things

1 Comment

I owe Douglas Cowan a debt of gratitude.  Spending evenings at the American Academy of Religion and Society of Biblical Literature annual meeting curled up with his then new book, Sacred Terror, I was amazed.  Vaguely in the back of my mind I knew that film scholars were writing about horror, but I didn’t know that religion scholars even could.  Of course, later I discovered that Cowan had predecessors, as do we all, but that still didn’t change the fact that he opened my eyes to possibilities.  Being a slow reader with an unrelenting 925, I can’t keep up with any one author’s total output but I knew I’d need to read The Forbidden Body as soon as it was announced.  Subtitled Sex, Horror, and the Religious Imagination, it covers many aspects of what’s being called embodiment studies.  And there are, of course, monsters.

Where he finds the time to read so much and watch so much I can only guess.  This book covers a lot of territory that I can’t even begin to summarize here, but it goes without saying that Cowan’s many observations are worth paying attention to.  If I were to try to find a main theme I think it would be bodies out of place.  At least that what it seems to me.  Bodies out of place can mean many, many things.  Horror isn’t shy, of course, about showing you many of these.  As always, the unexpected part is religion.  Better, religious imagination.  I’ve been trying for years to articulate how religion and horror are related, and this is obviously something I haven’t been the only one pondering.  Cowan offers trenchant thoughts on this and even gives you some glimpses of unexpected monsters along the way.

Horror is often considered puerile, I know.  You get an image of a bunch of guys in business suits or military uniforms shaking your shoulders and saying “grow up!”  But what is it we’re growing up for?  To feed the monster.  So that those who are the monster can pamper their bodies with the luxuries everyone else works to provide.  Religion often serves to motivate those who are on the production end of this scale, but there is a truly Ottoian fear that compels us, lying not so very far beneath the surface.  Religion reaches out to those who encounter the monster.  And those people have bodies.  Cowan touches on many aspects of horror here from Corman to Lovecraft to Sade.  My response, perhaps appropriately, is that my head feels like it’s exploding.  I have so much yet to learn.

Past Knowing

Leave a comment

It’s like watching a fall in a movie in slow motion.  You know you can’t really stop it, as much as you’d like to.  We see the collective world pieces moving into place for a third world war and thinking people worldwide are wondering why countries such as Italy and Sweden are electing hard right candidates.  Especially when Russia is invading countries at will.  I’m no politician and I resent having to be drawn into political topics, but at times you just have to say something.  Even if it won’t change anything.  Parts of the Bible are like that—witnesses simply wanting it to be noted.  Something seen, something said.

My family wasn’t political as I was growing up.  They pretty much just voted Republican, being in a rather Pennsyltuckyish county.  When I was nearing voting age I asked my mother about the political parties.  We’d learned about hawks and doves in school, and having been taught that Republicans tended to be those who started wars I wondered why Christians voted for them.  She really didn’t have an answer for me and I later came to realize that as a certain segment of Protestantism is actively attempting to bring about the second coming, this fits the plan.  One way to do so is by initiating wars—environmental degradation is another—because they believe it’s all going to end soon anyway.  Although Jesus advocated for peace, they choose war, ironically, to bring Jesus back.  That was the start of my journey to the Democratic party.  War serves no purpose.

In democracies worldwide right-wing parties are propagandizing heavily to urge nationalism.  Separatism.  Fear of the stranger.  Many in Russia believe Putin’s rhetoric that Ukraine is a dangerous threat to the largest country in the world.  China, the largest country in terms of population, feels threatened by the small island nation of Taiwan.  Borders around much of India are disputed.  The control of resources, in thrall to capitalism, makes people want to close borders and watch out for their own.  At least their own that are members of their party.  From my perspective it’s difficult to see a peaceful way out of this.  Even the world’s oldest democracy falls prey to the propaganda of a known swindler.  Human society is complex.  We have enough resources to meet the needs of all except the greedy, but it’s the greedy who run for office.  We have, it seems, forgotten the last century entirely.

Photo credit: Remember, public domain via Wikimedia Commons

Eclecticism

2 Comments

Eclectic.  An eclectic approach is experiential.  I don’t mean to be obscure here, but I was once an academic.  Let me try to spell this out a little more clearly.  You’re reading along in your academic study—perhaps it was assigned to you for a class, or perhaps you have unusual interests, or maybe you want a deeper treatment than you find in Barnes and Noble or on the internet.  In any case, what you’ll often find is academics like to glom onto a theoretician that they follow.  Applying Derrida to this, Lacan to that, and Bakhtin to the other.  In doing so they establish their mastery over complex theory, and earn their ticket into the academy.  You, the poor, curious reader, are left wading through explanations of the theory when what you really want is the content—the actual subject of the book.

My own work has been rightly accused of lacking theory.  Or, more precisely, not following a consistent theory.  It’s eclectic.  That’s because I believe in an experiential approach to research.  I trust my own experience.  Your experience is different, I know.  Trust it.  We learn things through experience.  Perhaps others were raised by parents who read and thought deeply and introduced their children to Deleuze (and perhaps Guattari as well), but most of us weren’t.  And some of us came to trust both raw logic and intense feeling.  We call it instinct in animals, but in people we expect more.  What’s wrong with being eclectic?  It seems to make sense.  If Foucault had it right, shouldn’t it be obvious to all of us?

What’s always amused me about this is that such theoreticians—and I don’t know how you become one without basing your work on your own experience—come and go like fashions.  Ricoeur was the big name a few years back and now I haven’t seen anybody writing about him for a couple of decades, at least in the fields I’m reading.  I tend to read primary material and think as deeply as I can on it.  Yes, I read others who write on the topic and sometimes I’m even quite taken by someone else’s approach.  Still, my experience tends, alas, toward the Baconian—an embarrassment for a vegan, I suppose—that of gathering information and seeing what makes sense of it.  I read the theoreticians from time-to-time and then I read those not classically considered experts.  We’re all in this knowledge game together.  Even Lévi-Strauss and his school.