Flighty Thoughts

Life, domain, kingdom, phylum, class, order, family, genus, species.  My apologies if I’m bringing back bad memories of high school biology, but I’m doing an experiment.  It has to do with the class level.  (I have to confess that this has become more complicated since high school since there are a lot more of them than I remembered.)  Specifically, I was thinking of those of us with backbones (which seems to exclude many congressional Republicans these days), namely fish, amphibian, reptile, bird, and mammal.  I read somewhere—I can’t recall where; I seem to be reading all the time—that the only other order of animals that human beings see every single day, apart from other mammals, is birds.  I suppose some of this depends on location, but it seems to be true even for landlubbers who don’t work in zoos.  I’ve been watching, however, to see if I do see birds every day.

I work in an office with two windows, one facing south and another facing west.  There are trees outside the west window and during spring, summer, and fall birds are abundant.  Yes, I see them every day.  Winter, however, is a bit more dicey.  Songbirds famously either migrate or retreat into more sheltered places for the season.  The other day, during a cold snap, I got to thinking I hadn’t seen any birds at all.  The only thing that rescued the allegation was that I remembered I saw some birds that I startled out on my jog, before it was fully daylight.  The rest of the day I keep my peripheral vision on alert for any motion outside my windows.  Late in the day I saw a crow dart between two trees.  I do see birds most days, but I’ll be keeping a watch this winter for birdless days.

It’s not that I want to prove this author wrong—I can’t even remember who s/he was.  No, this experiment is driven by pure, naked, curiosity.  I’m pretty sure that the author wasn’t writing in a literalist tone (that’s more of a problem with my wiring).  The point that was being made is that people pay special attention to birds since they are so prevalent in our world.  They’ve adapted from conditions of arctic to desert and they can get around many obstacles that might prove troublesome to our class, even bats.  I know that I rarely see amphibians, reptiles, or fish.  Certainly not on a daily basis.  So birds do seem to be top of the class, and, so far, I have seen at least one every day since reading this from a fellow mammal.


Mighty Mouse

The only way I write my books is by living a regimented life.  It’s front loaded too.  Most of the work is done sometime between two and seven a.m., before starting work.  Disruptions to that time aren’t welcome, but then, many things in life aren’t.  Perhaps the most disruptive weekday event is when a mouse makes its way into the house.  We live in an old house and mice find their way into even more recent structures.  I can’t see killing them for doing what they’re evolved to do—we began using a humane trap when I found a mouse trapped by its paw back at Nashotah House.  I couldn’t stand seeing its distress, so we bought a cage trap that works pretty well.  Fortunately, we don’t get many rodentine visitors, but when we do, my crowded morning becomes even more busy.

I jog at first light and this time of year it’s straight to work after that.  I like to take our mice into the woods, far enough away that they’re not likely to find their way back.  Ideally that means driving, but since my wallet’s in the bedroom where my wife’s still asleep, during weekdays it generally means somewhere along the jogging path.  The trap is probably on the scale of a room at the Ritz for a mouse, and I don’t want to be scolded if I choose to release them in the wrong place.  I put the trap into a bag, for privacy.  Now, I normally jog to the trail but the trap rattles and I can’t imagine how horror movie this must be for a mouse.  Besides, running down the street with a bag in your hand in the dark isn’t at all suspicious.  Why not just paint a dollar sign on the outside of it and be done with it?

 I try to make sure the release spot is across a big road or a river.  There are places like that on the jogging trail.  But then, with the mouse safely released, I have to find an inconspicuous place to leave the trap in the bag so that early-morning garbage collectors don’t take it.  Jogging with a rattling trap is just a bit too strange for even me.  Although I’m an early jogger, I’m seldom the only one on the trail just as it’s light enough to see.  All of this adds up to considerable time carved out of my usual writing period.  And all because of a mouse.  The small can be significant.  Maybe I should write a book about it. 


House Spiders

I give them names, the spiders who choose to live in our house.  That’s how I named Henry, shown in the photo.  I grew up with an almost debilitating arachnophobia, and as with most of my fears, worked hard to overcome it.  So when a spider moves in, I let them stay.  Unless they’re too big.  Here’s where it becomes interesting.  Like quantum mechanics, there seems to be an arbitrary point when something is “too big” for the rules to apply.  What is that tipping point?  The other day I bumbled into the kitchen early to get some water, having given up coffee years ago.  There was a spider that I could see from across the room.  It was very large.  It’s a sign of how much I’ve overcome my phobia that I was able to walk around the counter and to the sink to fill up.  I kept a wary eye across the room, however, in case Octavian made any funny moves.

The spider held very still, as arachnids often do when they know they’ve been spotted.  I sometimes wonder if they know how scary they are to other creatures.  I searched around for a jar large enough to catch and release, without pinching any legs, and crept over.  Turns out Octavian was faster than I am first thing in the morning.  And, honestly, I was still recovering from a vaccine that had knocked me out the day before.  At least I can blame that.  I wonder if that’s one of the reasons fear of spiders is so widespread—they’re fast.  Or is it something inherently menacing about those eight legs?  I’ve never experienced any kind of octopus phobia, so I can’t think that it’s merely the number.  The jointed legs?  That seem disproportionate to the body size?  Whatever it is, days later I’m still cautious in the kitchen.

I have a great appreciation for spiders.  I don’t like to be startled by them, but otherwise, if they keep their distance, I’m fine with them.  I do wonder what they think, living in a world of giants.  Some insects, in the same size range as arachnids, seem ignorant of the human threat.  It’s not unusual for an ant to find its way inside and walk right up your foot and leg, oblivious to the danger.  They seem to have no fear.  Spiders, however, do.  They’re very good at running and hiding.  I like to think they know our house is generally a safe space, until the vacuum cleaner comes out.  When I’m behind it, I always try to give Henry and his friends a chance to get out of the way.


Fly by Night

Nightwing is a movie I learned about by reading Stephen King’s Danse Macabre.  The idea has merit but falls below the expected level of any horror film of the era—and I’m a fan of seventies horror.  Those in the know suggest that this was supposed to be Jaws with vampire bats in the era when horror movies started to re-realize the dangerous potential of nature itself.  A basic problem underlies the dull pacing, non-indigenous actors playing Indians, and fatally overstuffed plot: vampire bats aren’t dangerous.  Bats are highly advantageous to the ecosystems in which they thrive and the idea that six or seven bites could drain a person of blood is ridiculous on the surface and looks rather silly in execution.  At least the later movie Bats (also bad) had genetically mutated mammals.  Eco-horror can be effective.  Natural bats are difficult villains, though.  

So, on Hopi lands an elderly priest summons the end of the world.  Releasing a god, the bats form the precursor to a native apocalypse.  Two tribes with differing views of white drilling rights on their lands argue over this while killer vampire bats attack.  They kill a group of Quaker missionaries.  Luckily, a British vampire bat killer is after the swarm.  He travels around killing bats, which, he says, are pure evil.  The deputy of the “good” tribe, which resists white incursion, eventually teams up with the bat killer because he saved his girlfriend who was going to leave him for medical school.  For some reason, two kinds of plague (including bubonic) are released but when the tribal priests all die during a rain dance it’s because of natural causes.  The leaders of the two tribes keep trying to catch each other out.

As the movie plods along, making the viewer root for the bats, the several dropped plot lines are left dangling like so many participles at the end.  The plagues?  Red herrings.  The tribal conflict?  Unresolved.  The special poison brought in to kill the bats?  Unused.  Total number of people killed to justify a wholesale bat massacre?  Nine.  Anytime I’m viewing a horror movie and I find myself repeatedly glancing at my watch, I know that something’s off.  It’s October and bats are a typical aspect of Halloween decor.  Nightwing, however, just doesn’t make them scary.  The movie was based on a novel which I’m now strangely tempted to read.  By all accounts, even though the author was partially credited with the screenplay, the book, as usual, is better.


Nibbles

With a career as prolific as Roger Corman’s was, it’s difficult to keep up.  I knew his horror movies mostly from the sixties and maybe early seventies.  Having stumbled upon Humanoids from the Deep, which he produced rather than directed, I was pointed to Piranha.  I knew about this movie, of course, but never had a reason to watch it.  Well, Corman rabbit holes are easy to tumble down.  Corman was the executive producer of Piranha and since I was already splashed with water-themed horror, well, why not?  As with Humanoids, it has a different feel from movies Corman directed, but some of the trademarks are there.  Piranha has so many shark-sized holes in it it’s not difficult to believe that it was exploiting the popularity of Jaws.  In fact, the movie opens with one of the characters playing a Jaws video game.

So the government had been weaponizing piranhas to help in Vietnam but when the war ended they kept the program going.  A woman who finds missing persons releases these fish into a Texas mountain stream.  Anyone on the river is in danger and, of course, it flows past a new resort that is having its opening weekend downstream.  The government wants a coverup because the colonel in charge has invested heavily in the new resort.  You get the picture.  Lots of people screaming in the water and a gratuitous use of movie blood and a story that keeps the viewer asking “why?” The film has a way of somehow steering just clear of bad movie territory.  Also, it becomes obvious, that even without appropriate music cues, this is a horror comedy.  I lost track of how many unanswered questions there were within the first fifteen minutes.

Piranha is a sort of fun knockoff from Jaws.  There’s nothing really profound here, although one scene did make way for a little social commentary.  When Maggie (the skiptracer) wants to distract an army guard with her feminine wiles, she wonders if he might be gay.  This was in 1978, well before “don’t ask, don’t tell,” and she asks with a pre-Trumpian nonchalance that it’s downright refreshing.  Otherwise it’s pretty much your typical exploitation film.  The concept has led to a couple of remakes, so watching swimmers getting nibbled to death obviously has some appeal.  The plot is so outlandish that there’s nothing scary here, even though it’s clearly horror.  There’s even a scene with some stop-motion animation of a creature in a subplot that’s simply dropped.  There are worse movies for summer escapism, given that we’re now post-pre-Trump again.


O Deer

I spent my tween and majority of my teen years in a house that backed up to some rather extensive woods.  We lived on the edge of town.  I spent quite a bit of time wandering among the trees and deer were never an unusual sight.  Opening day of deer season was a literal school holiday, but I was never a hunter.  Since we’ve killed off many deer predators, cars may be their biggest natural enemies these days.  I recently found deer droppings in the yard of my current house, right next to the newly mown down hosta.  I see deer all the time while out jogging.  A few years back I even saw a doe giving birth in a secluded glen along the trail.  I guess we do kind of live at the edge of town here too, but the woods don’t begin until across the road, and the jogging trail, and they aren’t as extensive as those I grew up with.

I’ve started to notice that deer are creatures of habit.  These are the common white-tails that predominate around here.  I often see them in the same area while on my crepuscular jog, sometimes multiple days in a row.  The other day I saw a young buck up on its hind legs to reach some low leaves on a tree.  I’d never seen a deer do that before.  There’s a spot a little further on where a doe and her two, sometimes three, fawns hang out.  I’ve seen them several times.  Recently they were in their accustomed place and when I reached the end of the trail and headed back, they were still there.  These deer aren’t too skittish around people and sometimes I can get quite close before they bolt off.

This particular day, however, I learned something.  Deer can vocalize.  I knew that elk did, but I’d never heard a white-tailed say anything.  Even when giving birth.  I thought they were completely silent, and as an introvert I tend to understand.  Coming back, the doe had crossed the trail and two fawns were on the other side as I approached.  The young ones ducked into the trees and one of them called for its mother.  I almost stopped in my tracks.  I didn’t know that white-tails vocalized.  I had to consult the internet when I got home just to make sure I had actually heard what I thought I had.  I’m at an age where motivating myself to get out and jog at first light isn’t always easy.  But when nature makes it a learning opportunity, well count me in.  

Image credit: USDA photo by Scott Bauer, public domain, via Wikimedia Commons

Cat Tales

Sometimes I go into an independent bookstore and just look what’s on the shelf.  Often this ends up being an attempt to find a book that isn’t monstrous in length.  Much of what’s currently on offer is long, but I grew up reading 128-page paperbacks (not great literature, granted) that set my expectations.  Now, I do read long books.  Since books and movies are staple topics for discussion on this blog, however, I need to keep things moving in both kinds.  All of which is to say that I picked up Sosuke Natsukawa’s The Cat Who Saved Books because it was short.  This particular bookstore was one where I know and trust the owner’s taste.  I’d bought Haruki Murakami’s works there before.  I really didn’t know what I was getting into this time, though.  I like cats.  I like short books.  I like the Japanese authors I’ve read.  So.

The BISAC code on the back of this one didn’t state that it was fantasy.  I like some fantasy fiction, but my tolerance is limited.  The fault is mine entirely; I own that.  I enjoy speculative fiction and a book with a talking cat felt like it might fit that niche.  I thought the story of The Cat Who Saved Books was good, and the message was sound.  But it felt a bit trite.  The previous Japanese author I’d read was Murakami, and he’s pretty incredible.  I can give you a taste of this book, however, and raise a question about it.  A teenage boy is left taking care of his grandfather’s bookshop after his guardian dies.  A talking cat appears and leads him to four labyrinths where the boy has to rescue books that are being misused.  His arguments to save them don’t seem profound, but something might’ve been lost in translation.

The question is that one of the characters claims to be a book almost two-thousand years old that has had more influence than any other book. Was this the Bible?  Interestingly, nearly every book mentioned in this novel is from the “western canon.”  I have to wonder if this particular book, which is a rather severe character, is the Good Book.  I don’t suspect there’s any way to find out, really.  Still, it seems to fit the sense that Natsukawa uses.  This is an innocent enough fantasy novel.  I guess I prefer my fantasy to have solid rules laid down so that I have an idea what to expect.  But then again, my perspective is that of a primarily western reader, and one who craves short books now and again. I’m open to learn.


Big Bites

Although Jaws takes place on or near the fourth of July, it’s not holiday horror.  Holiday horror draws its source of fear from the day, and although Mayor Vaughn—like many politicians—insists holiday income is more important than a few lives lost, the fear derives from the shark.  I can’t remember when I first saw Jaws.  It couldn’t have been during its initial theatrical release (I was too young), I do know that I read the book first.  I wasn’t expecting Hooper (then my favorite character) to survive.  I was also surprised when I heard people starting to refer to Jaws as horror.  When I first saw it, whenever that was, I wouldn’t have called it horror—it’s just a movie about a shark.  Since thriller and horror bleed into each other I’m more open to the designation now.  Besides, animal attack horror is its own well-established category these days.  Jaws, half-a-century old this year, is experiencing a comeback but the shark never left.

JAWS, 1975

My wife surprised me by suggesting we watch it last weekend.  We’d seen it together on television many years ago.  A number of analyses have been appearing in the media, highlighting the importance of the movie, and I noticed a few things watching it again.  Probably the most obvious shift, for me, was finding Quint the most engaging character.  I don’t know how many times I’ve read Melville’s Moby-Dick, but it’s been at least two times since seeing Jaws the last time.  The connection was much clearer with this viewing.  Quint is after sharks because of their attacks on crewmen of USS Indianapolis in World War II.  Quint was a survivor but his life’s mission is revenge on sharks.  So much so that he smashes the radio to prevent Brody from radioing in an SOS.

So here was a confluence.  I watch horror movies.  My favorite novel is Moby-DickJaws falls somewhere between the two.  The mainstream success of the latter may have been an early contributing factor to the grudging admission that horror can be good cinema.  Just in the past two or three years standard media outlets have been valorizing some horror and in this summer’s movie season, eyes have turned back to Amity and its local Captain Ahab and great white.  The great white shark, mainly feared because of this movie, is considered a vulnerable species.  As with Moby Dick, I felt sorry for the animal, watching the movie.  Both seem to have revenge on their minds as well, whether it’s a holiday or not.


Dead, Not Sleeping

A Nightmare in New Hope is a fairly intimate space.  The owner told us that the collection will change and grow, given that he’s still collecting.  Having a particular interest in Tim Burton’s Legend of Sleepy Hollow—having a book (ahem) on the subject coming out soon (cough)—I was particularly anxious to see what props they had.  To make sense of this it helps to have seen the movie, but you’ll catch on, even if you only know the Disney version of the story.  There were three main items from the movie that they have on display.  One is the wax seal used for the Van Garrett will, used as the movie opens.  The seal is quite large.  Of course, movies substitute props from time to time, blended by celluloid magic.  CGI doesn’t leave as many tracks.

The second artifact is one that wouldn’t have occurred to me to have even existed.  This was the animatronic horse’s head for Daredevil, the Headless Horseman’s mount.  There are a couple scenes in the film involving horse acting, and I’d just assumed that trained animals were used.  Being up close and personal with this artificial head, a couple thoughts came to mind.  One is that right next to it, it’s quite obvious that it’s artificial.  The second thought was just how much thought and effort goes into a big-budget movie.  For a few seconds of a close-up horse head, this model had to be constructed and used and then set aside.  I asked the owner about how such things were acquired, and he noted that production companies don’t keep everything.  He also noted that movie artifact prices have skyrocketed.  Both because horror is now popular and because CGI, as noted, doesn’t leave tracks.

The third, and most proudly displayed Sleepy Hollow piece is the Headless Horseman’s sword.  This appears in the movie far more often than either Daredevil’s head or the wax seal.  One of the aspects of Washington Irving’s story I discuss in Sleepy Hollow as American Myth is that the Horseman’s weaponry changes over time.  I won’t say more since, like museum owners, those who write books hope that they well sell a few copies.  I’ll be revisiting A Nightmare in New Hope from time to time.  For the items on display, I’d seen probably 90 percent of the movies, and a few of them I’d discussed in some detail in either Holy Horror or Nightmares with the Bible.  Of course, the Sleepy Hollow book is forthcoming (ahem).


Pseudo-documentary

Documentaries have an honored place in visual education.  Of course, there are some who want to spice them up a bit with dramatic re-enactments.  These are sometimes called docudramas.  Then there are those who fake the documentary style to make mockumentaries, generally as a species of comedy.  Sasquatch: The Legend of Bigfoot is none of these.  A pseudo-documentary, it comes with “The Beast” collection I’ve mentioned before a time or two (mainly to excuse my bizarre viewing).  It presents itself as a documentary, but pretty much everything about it is fake.  The only real people are Roger Patterson—the movie shows his famous Bigfoot film—and perhaps the miners at Ape Canyon.  Oh, and Teddy Roosevelt.  In any case, the movie follows seven men as they make their way into remote British Columbia where “the computer” tells them sasquatch likely live.

The pseudoscience is easily enough spotted early on, but the movie never lets up its purported intent to bring low-budget proof back from the wilderness.  I’m not sure how the actual wildlife footage was captured.  In this slow-paced horror film there is quite a bit of actual nature thrown in.  I also wondered how they managed to get a cougar to attack a horse train and a bear not to maul one of the incompetent actors.  These two scenes aren’t special effects, and it strikes me as being either foolhardy or that trained animals were used.  It doesn’t seem to have had the budget for the latter, but a real mountain lion does land on one of the horses before quickly making an escape.  Although shot at night, the bear attack doesn’t seem entirely fake.  These things kept me wondering.

After about two months of horseback riding the crew makes it to the computer-predicted sasquatch homeland.  Bigfoot attacks the camp at night—no question that this one is fake—and after all these weeks of riding they decide to leave the next day.  Getting there is, apparently, most of the fun.  Fun, however, isn’t a word I’d use to describe this movie.  The hokey caricature characters (the old-timer, the dopey cook, the injun, the scientist—who does nothing but measure a thing or two) are worth a pseudo-laugh or two but the story struggles to keep the viewer awake on a cold weekend afternoon.  I kept wondering, in the Pennsylvania chill, how the weather in northern Canada was better in late September than it was around here in April.  I had to remind myself that Bigfoot was big in the seventies.  Big enough to handle both documentaries and fiction, and movies that are the latter, pretending to be the former.


Not Schrödinger’s

It’s quite a dilemma.  It’s Schrödinger’s cat without the box.  Well, it’s a dead cat in my yard.  It’s not my cat and I only know about it because the next-door neighbor saw it while out mowing.  (It’s on the thin strip between our houses and we seldom make our way over there.)  Death is always a problem.  I don’t want to bury it since it looks like it was a pet.  Said neighbor is the only one I know around here but I know some pets have tracers/implants to help owners know if something happens.  So I tried calling the local animal control companies.  They don’t deal with cats.  There is a county service, in the next town over, but we’re across the border in a county that doesn’t deal with cats or dogs.  The DOT won’t get involved unless they’re on the street.  The local municipality also handles them only on the street or sidewalk.

Now, I own a shovel and I’m not afraid of hard work.  I am a bit squeamish, though.  I’ve handled half-squirrels from some hawk with eyes bigger than its stomach.  I also have to take care of dead birds and squirrels that get into the garage.  This is a bit bigger than I’m used to.  I’m not even entirely sure if it’s a cat, really.  Once an opossum got into our compost bin and the fur looks like it could be an opossum.  It doesn’t smell bad, though, and possums don’t have the most pleasant bouquet even when they’re alive.  The flies seem to like it okay, however.  The space between our houses would be challenging for the turkey vultures I see around daily.  They must be mad with frustration circling up there.  If it’s somebody’s pet I’m sure they’d like to know, but it’s looking like I’ll be digging—but you’re supposed to call Angie first, right?  In case of buried cables?

Death is entirely natural.  Ironically, I live two blocks from a pet crematorium.  I wonder if they make house calls?  Then again, it wouldn’t be cheap.  We expose ourselves to loss when we bring pets into our families.  My own beloved childhood beagle was hit by a car.  Meanwhile, I know that we shall all meet on that beautiful shore, by and by, and when we do I hope someone recognizes their cat from this side of the vale of tears.  Or at least outside of Schrödinger’s box.

Image credit: Greudin, public domain, via Wikimedia Commons

Thinking of Home

The earth, and even life on it, will, I’m confident, outlive our petty desires for money and being the king of the hill.  Scientists are getting tantalizingly close to demonstrating something that many of us already know—life exists elsewhere.  Chemical signatures of life appear as close as Venus and as far as K2-18b.  I suspect our universe is full of life.  And life is more than just rationality.  We’re creatures driven to survive and that level of will appears to be universal.  As Ian Malcolm says, “Life will find a way,” or something similar.  Earth Day should be a celebration but under too many Republican presidents it has become a plea to please stop intentionally harming our planet.  I grew up in that distorted religion known as Fundamentalism.  I learned that the destruction of the world was necessary to force God’s hand with the second coming.  The planet was here to exploit and waste since he’ll be back any day now.

Unlike many of my cohort, I decided to learn more about that perspective.  The more I learned the more shocked I became.  A warped and twisted message had been passed along as Gospel truth, and that the care the creator bestowed upon creation was merely a smokescreen to hide Jesus’ return.  I still believe we are not capable of completely destroying the planet.  Life will continue with or without us.  Life is persistent and hopeful.  That doesn’t mean we shouldn’t take care of it.  Earth Day has become a rallying point for those who see the world sensibly.  We have so much wonderful life on this planet.  In our arrogance and in our tendency to take mythology literally, we have assumed the worst.  Why not take care of what we were given?  Jesus may not come back, but perhaps the Lorax will.

There are ways to live sustainably on this planet.  It does mean that some of the richest will need to surrender some of their wealth and power.  We need to learn the habits of requiring less and appreciating more what we have.  Like most people born into the world in this era, I struggle against the desire for new things.  Novelty is natural to such curious creatures as ourselves.  But there are other such curious creatures too.  They have a place here, even as those which seem to have no curiosity do.  It’s a planet big enough for all of us.  We just need to be sensible about it.  And remember the earth today and be thankful for our home every day.

Image credit: NASA/ISS Expedition 28, public domain from Wikimedia Commons

O Levels

Out jogging last week, I was thinking about a harsh interview I once had.  It was in Manhattan.  The woman interviewing me made no attempt to hide her disdain.  I’m not sure if it was for me personally or what I represent.  She did not smile at all, not even for the usual niceties.  She asked me whether I was better at speaking or writing.  I said they were about equal.  “No,” she briskly corrected.  “Which is it, one or the other?”  This came to me while jogging because I was reflecting that public speaking and writing are really the only two things I’m any good at, and I have worked on both for my entire life.  These years later I still can’t say which is stronger.  That was appreciated by my students and fellow scholars in my teaching career, if reviews are anything to go by.  I like to communicate.  (My wife might say too much so.)

Owls are difficult to spot in the wild.  Just last week I’d seen only my second in some sixty years.  This was a screech owl.  It’s not unusual to hear them when jogging at dawn.  This time my right ear picked up on it more than my left as I jogged past a grove of trees.  I looked but saw nothing.  The trees were budding and some had small leaves already.  I reckon I’ve seen my fair share of bald eagles.  They’re large and they’re pretty obvious when they’re in the area.  Owls are more secretive.  Good at hiding.  I reached the end of the path and turned around.  As I reached the stand of trees, now on my left, it screeched again and I saw a blurred flapping of wings as it disappeared in flight.  I couldn’t identify this owl in a line-up, but then again, that’s not something I’m good at. The voice is distinctive, however.

The person hiring is a bald eagle.  Bold, aggressive, and sometimes literally bald.  I’m more like that screech owl.  Their public speaking is distinct and isn’t really a screech at all.  I can’t speak for their writing ability.  Life is our chance to come to know ourselves.  We may think we have it figured out in our twenties, but each score of years makes you question past assumptions.  Two things I always thought would be part of my career—public speaking and compelling writing—have both fallen by the wayside.  At least professionally.  What we say to others has an impact.  Especially if we’re eagles.  All things considered, however, I would rather be an owl.

Photo by James Toose on Unsplash

More Rats

I’ve asked other survivors of the 1970s if they knew that the Michael Jackson hit “Ben” (his first solo number one recording) was written about a rat.  Most had no idea.  The song is the theme for the sequel to Willard, namely, Ben.  Now, I have a soft spot for seventies horror movies.  Before the days of streaming I repeatedly looked for Willard in DVD stores and never did find it.  I eventually found it on a streaming service and even wrote a Horror Homeroom piece on it.  One winter’s weekend with not much going on, I finally got around to seeing Ben.  Neither are great movies, but I’ll give them this—people in my small hometown knew about them.  Everyone I grew up around knew that “Ben” was a song from a horror movie.  In case you’re part of the majority, Ben is the chief of the intelligent rats who turns on Willard at the end of his movie.

An incompetent police department and other civil authorities can’t seem to figure out how to exterminate rats when they begin attacking people.  A little boy, Danny, has no friends.  He is apparently from an upper-middle class family, and he has a heart condition.  Ben finds him and the two become friends.  Danny tries to get Ben to lead his “millions” of rats away from a coming onslaught, but for some reason Ben decides to stick around and nearly get killed.  In the end, badly injured, Ben finds his way back to Danny.  Cue Michael Jackson.  It really isn’t that great of a movie—the number of scenes reused during the tedious combat scene alone belies the pacing of a good horror flick.  I felt that I should see it for the sake of completion.  Check that box off.

It’s a strange movie that ends up with viewers feeling bad for the rats.  They’re not evil, just hungry.  They do kill a few people (poor actors, mostly) but it’s often in self defense.  The best part is really the song, and the premise behind it—boy meets rat, boy falls in love with rat; you know how it goes.  Michael Jackson famously loved horror movies, and as many of us have come to realize there’s not much not to like.  This movie is pretty cheesy (with the rats attacking a cheese shop, but only after an unintentionally hilarious spa scene) but it has heart.  And it has a fair bit of nostalgia for those of us who grew up in the seventies.


Call Me AI

Okay, so the other day I tried it.  I’ve been resisting, immediately scrolling past the AI suggestions at the top of a Google search.  I don’t want some program pretending it’s human to provide me with information I need.  I had to find an expert on a topic.  It was an obscure topic, but if you’re reading this blog that’ll come as no surprise.  Tired of running into brick walls using other methods, I glanced toward Al.  Al said a certain Joe Doe is an expert on the topic.  I googled him only to learn he’d died over a century ago.  Al doesn’t understand death because it’s something a machine doesn’t experience.  Sure, we say “my car died,” but what we mean is that it ceased to function.  Death is the overlay we humans put on it to understand, succinctly, what happened.

Brains are not computers and computers do not “think” like biological entities do.  We have feelings in our thoughts.  I have been sad when a beloved appliance or vehicle “died.”  I know that for human beings that final terminus is kind of a non-negotiable about existence.  Animals often recognize death and react to it, but we have no way of knowing what they think about it.  Think they do, however.  That’s more than we can say about ones and zeroes.  They can be made to imitate some thought processes.  Some of us, however, won’t even let the grocery store runners choose our food for us.  We want to evaluate the quality ourselves.  And having read Zen and the Art of Motorcycle Maintenance, I have to wonder if “quality” is something a machine can “understand.”

Wisdom is something we grow into.  It only comes with biological existence, with all its limitations.  It is observation, reflection, evaluation, based on sensory and psychological input.  What psychological “profile” are we giving Al?  Is he neurotypical or neurodivergent?  Is he young or does his back hurt when he stands up too quickly?  Is he healthy or does he daily deal with a long-term disease?  Does he live to travel or would he prefer to stay home?  How cold is “too cold” for him to go outside?  These are things we can process while making breakfast.  Al, meanwhile, is simply gathering data from the internet—that always reliable source—and spewing it back at us after reconstructing it in a non-peer-reviewed way.  And Al can’t be of much help if he doesn’t understand that consulting a dead expert on a current issue is about as pointless as trying to replicate a human mind.