Ban This

It should be a scarlet letter week. In honor of Banned Book Week, I’ve started to re-read Kurt Vonnegut’s Slaughterhouse-Five. Somehow I made it through high school and college without having been exposed to Vonnegut. A friend started me reading his works when I was about ready to start my Master’s degree, and I’ve always enjoyed coming back to him. When my daughter asked me why Slaughterhouse-Five had been placed on The List, I honestly couldn’t guess. Banning books, of course, is a scheme chiefly intended to keep children unexposed to ideas that adults find uncomfortable. We can’t go around telling other adults what not to think (although that hasn’t stopped many a religious tradition from trying), so some individuals figure that we can protect our unthinking young by putting in the corner literature that asks awkward questions. More radical conservative elements suggest destroying them. These are the true grapes of wrath.

Ideas can be wonderfully dangerous things. We now face a brave new world of internet access where ideas float lightly on the web and unless we watch our children constantly, we can’t control what they might see. Ideas as traditionally expressed in literature go through a tremendously long and convoluted birth process. We even use the language of conception to describe how they begin in one’s mind. Ideas implant, gestate, and grow. For the writer this might represent weeks, months, or years of writing, erasing, re-writing, and yes, parenting the idea. The written book has to meet the approval of publishers and only after yet another editing process are they pronounced fit to see the light of day as books. Having passed through many hands, many heads, such ideas become part of their culture. If we find them objectionable, well, isn’t that just part of life? Perhaps that is the largest message to be gleaned from the world of books: no one will be pleased with them all. Even the diary of a young girl will raise alarm.

Some of the finest literature to escape human minds has been challenged or banned. Ironically, in the land of the free and the home of the brave fear of books runs at a fever pitch seldom encountered elsewhere. Afraid of mice and men. What has made this country such a wonderful experiment—the embracing of diversity—has somehow morphed into a neighborhood where nobody feels safe if there are objectionable words on the bookshelf. Ironically Ray Bradbury’s critique of banning books, Fahrenheit 451, is itself a banned book. What most proponents of stopping literature probably don’t realize is that according to OCLC, the source for library data, the most banned book of all time is the Bible. To be honest, those who’ve read it know that it has sex and violence and many other adult situations. In the original languages there are even “swears.” Maybe it’s time people just grew up. The best way to accomplish that is to read a book. Hey, it’s a jungle out there.


Bretz v. Noah

Until I met my wife I’d never been west of the Mississippi. Or even Ohio for that matter. Together we’ve traveled, in a fashion broken by years, from coast-to-coast and even overseas. Nothing in my life had prepared me for seeing the American West. No, I’ve not seen cowboys, but the landforms are so different from the weathered, ancient Appalachians among which I grew up. Eastern Washington is a fascinating landscape and with my occasional flirting with geology, I recently read John Soennichsen’s Bretz’s Flood: The Remarkable Story of a Rebel Geologist and the World’s Greatest Flood. Within the last couple of years I’d read about Glacial Lake Missoula, a juggernaut of an ice age lake that had flooded parts of Idaho and Washington thousands of years ago when its ice dam gave way. J Harlen Bretz was a turn-of-the-(previous)-century geologist who defied convention and insisted that the evidence of eastern Washington proved that a massive flood washed over the area, giving distinct shape to the region that empties into the Columbia River basin. For much of his career he was ridiculed by other geologists. The reason? The Bible.

Geology was the science that gave Darwin the idea for his evolutionary theory. The factor that had been missing from science, before geology, was time. The 6000-year-old earth just wasn’t old enough to account for the slow changes required for one species to morph into another. As scientists came to realize that billions of years were available, it became clear that change occurred even more slowly than the GOP is happy with. For geologists, anything that happened quickly was anathema. As Bretz’s Flood makes clear, a sudden flood sounded far too much like old Noah to be science. Catastrophism had been cleanly rejected by geologists because even if the evidence supported it, it looked like a return to mythology and superstition. Interestingly Bretz began his academic life among the Methodists of Albion College, and continued to quote the Bible to his last days. He was, however, an atheist.

The Bible has shaped our culture more thoroughly than Noah’s putative flood has shaped geology. I’ve read many geological studies over the years and any that are written for non-specialists never mention great floods without at least a nod to Noah. In fact, as Soennichsen points out, Bretz has ironically become a hero of Creationists who see the Missoula flood as Noah’s event. A large portion of Bretz’s career, however, was dogged by geologists duty-bound to deny a sudden flood just because the Bible tells us so. Sudden events are smeared with the residue of the divine.

J Harlen Bretz is hardly a household name, but his career is a microcosm of American culture. Glacial Lake Missoula did exist, as geologists now accept, and long before Noah was a twinkle in Moses’ eye. When the dam burst, the fable did fall, and down came the ark, Noah and all.


Guide Me, O Thou Great

You are an apostate, or worse. Unless, that is, you belong to the relatively select religion known as Jehovah’s Witnesses. Having grown up in a town bereft of Witnesses, my first exposure came as the result of an American Religions course. Grove City, Pennsylvania was not an ideal locale to experience religious diversity, outside the Protestant Neapolitan flavor. When we had to visit a religious service outside that milieu, I joined some classmates for a trip to the local Kingdom Hall. There are few situations as uncomfortable as watching other people being religious. It is so intimate. When Watchtower study began, my classmates and I, good Christians all, were shocked to hear even a young child answer one of the questions put by the leader with “the Christian apostates!” She was quite enthusiastic. If you were not a Witness you were an apostate.

Since that time, Witnesses have been no strangers to my door, so I read Andrew Holden’s Jehovah’s Witnesses: Portrait of a Contemporary Religious Movement (Routledge, 2002) with interest. Holden is a sociologist who undertakes an analysis of the ascetic, millenarian group in a conflicted situation. Modern society proves quite difficult to reconcile with Witnesses’ authoritarian biblical literalism. The assertion, now quietly overlooked, that the world did not end on cue has proved an embarrassment more than once. Most recently Armageddon was scheduled for a 1975 time slot, but this stubborn, old world just keeps limping along. In many ways, it is a sad tale. Witnesses advocate clean living and fair dealing, but if you’re not part of the club you are a danger to those who are. Non-monastic, they nevertheless shut themselves off from much that the world has to offer.

Holden’s study is a model of fair-minded analysis. He is not out to humiliate or insult the Witnesses or their lifestyle. He remains true to the evidence (but not the doctrine) and offers a rare, objective look at a New Religious Movement. Distinguished as one of the few religions to have started in Pittsburgh (the city that also gave us the cinematic zombie), Witnesses are now a six-million strong, worldwide religion. While Holden gives only a cursory glimpse of their doctrine, he does offer a rare view into an exclusive faith struggling for the end of a pluralistic world. It is a study well worth reading. Especially for an apostate.


Deadly Morass

Swamplandia! is a novel ensconced in the reality of death. It is one of those books that I knew I would need to read as soon as I heard about it.  Alligator wrestlers, ghosts, and even a biblical-sounding Leviathan theme park based on hellish imagery create an eerie, almost supernatural feel to the narrative.  At the same time, it is a very human story of loss, assimilation, growing up, and more loss that might be gain.  I’ve read many novels where the characters and events faded relatively rapidly after I closed the back cover.  The cast of Karen Russell’s Swamplandia! has stayed with me, wraith-like, for several days.  As I’ve tried to work out why the story sticks so close at hand, and I think it may be because so many of the characters—the entire protagonistic family—are outsiders.  The loss of the mother spirals a carefree, largely off-the-grid family in a Floridian swamp into a forced confrontation with the mainland.  In these times of economic hardship, the loss of a dream is something too many people can understand.  I certainly can.
 
Death, in whatever form it may appear, is a religious issue because it deals with ultimates.  Paul Tillich, a theologian of the last century, famously declared that God was that on which a person staked their ultimate concern.  For many people today, by this rough definition, death has become a kind of god.  In the ancient world s/he was literally so. Of course, death is entirely natural.  Consciousness is the factor that makes it seem foreboding and dreary.  Swamplandia! deftly ties death and love, hope, and a kind of diminished redemption together in a tale where a young girl travels through an unlikely underworld to rescue a sister who saved her own life by her doubt.  It may not be the most profound novel, but it is certainly a moody one.
 
On my campus visits I’m increasingly hearing that novels are favored by some instructors to get at deep truths that textbooks miss.  Indeed, the analytical urge is strong, but not omnipotent.  Sometimes the truth can best be experienced by letting yourself go and just feeling what is happening rather than thinking it through.  Swamplandia! does a bit of that. Thinking back over my own long, academic tenure, I realize that the teachers I enjoyed most were those who had me read what were, at the time, unexpected things. In a world where education has become nothing but job training to produce satisfied cogs in the corporate machine, death as a character in our own stories can’t be far from the truth. Sometimes even alligators and ghosts aren’t the scariest features of our non-fictional landscape.


Two Ways

In my own attempt at balance, I turned from reading about the world of literary possibilities to a book on the inevitability of the scientific method. Robert Park’s Voodoo Science: The Road from Foolishness to Fraud is an enjoyable jaunt through the distressing world of pseudo-science. The reader quickly discovers, however, that Park shares in the same scientific orthodoxy as Richard Dawkins (and many others) that claims since science works it is obviously the only way of demystifying our world. I admit that when I read of our government spending billions of dollars on projects put forward because our elected leaders know less about science than I do as a specialist in religion, I grow quite upset. More money than most of us will ever earn in a lifetime has been poured into projects that defy laws such as First and Second Thermodynamics. I learned those laws in Junior High physics and have never attempted to violate them. Even when scientists explain to elected officials in congressional hearings why these proposals simply can’t work, the pork barrels, once opened, are difficult to close.

Like many scientists, Park envisions a world where religion (same as superstition) is slowly losing its explanatory power and people will eventually have to admit that we are just acting out the role pre-determined by the laws of physics. We are fleshy machines, sometimes pretty flabby, but still machines. Ironically, when Park wants to express the seriousness of scientific review, he resorts to religious language. In explaining how peer review for scientific journals works, he notes that objectivity is a “sacred obligation.” Now, of course, one can argue that this is just a metaphor, language that non-scientists can understand. I wonder if it goes deeper than that. Reality, whether sought by scientists or religious believers, rests on the idea that there is only one truth. This, and not the incidental differences between theologies, is the reason for nearly all religious conflict and the “war on science.” There is, we are told in our Aristotelean world, only one possible Truth. Why?

Scientific theory, no less that superstitious theology, finds a unity of truth sensible and comforting. I wonder if the truth (and I use that word advisedly) is more complicated than that. No strict necessity exists for a single truth. (I am awake of Occam’s razor, but I don’t shave.) In fact, truth is a philosophical, not a scientific, concept. The problem is that societies tend to break down if they don’t share a view of the truth. There can be no doubt that science, done properly, works. The existence of the very internet where these virtual words reside is proof of that. That does not mean, however, that other truth can’t exist side-by-side, simultaneously with it. Scientists are duty-bound to declare a singular, physical universe because of the sacred trust of seeking the Truth. My bi-cameral mind just can’t see the necessity in that. But then again, I prefer a world with some mystery left in it. No thanks, I don’t shave.


Kermit’s Secret

When I was a post-graduate student in that Gothic city of Edinburgh, I decided to spend some time reading Umberto Eco’s Foucault’s Pendulum. It was intended as harmless entertainment, but as anyone who has read it knows, the story soon unravels into an unbelievable world of dark religions that haunt a naive protagonist. While I was reading it, a packet, hand-addressed to me, with no return address, came to my student mailbox. The contents consisted of several tracts, in German, warming of the dangers of Satanism. No letter, no explanation. Foucault’ s Pendulum had me paranoid already, and this strange package completely unnerved me. Well, I’m still here to tell the tale. While reading Victoria Nelson’s brilliant The Secret Life of Puppets, I learned that she had a strange episode while reading the same novel. It was an apt synchronicity.

Nelson is a scholar who should be more widely known. I found her because her recent Gothicka was prominently displayed in the Brown University bookstore in May. I saw it after taking a personal walking tour of H. P. Lovecraft sites. Synchronicity. I had read, in a completely unrelated selection just a couple of months ago, Jeffrey Kripal’s Authors of the Impossible. Synchronicity. For many years I have honed my Aristotelean sensibilities, following devotedly in the footsteps of science. Problem is, I have an open mind. It seems to me that to discount that which defies conventional explanation is dirty pool in the lounge of reality seekers. I have always been haunted by reality.

I’m not ready to give up on science. Not by a long shot. Like Nelson, however, I believe that there may be more than material in this vast universe we inhabit. Indeed, if the universe is infinite it is the ultimate unquantifiable. The Secret Life of Puppets is alive with possibility and anyone who has ever wondered how we’ve come to be such monolithic thinkers should indulge a little. For me it was a journey of discovery as aspects of my academic and personal interest, strictly compartmentalized, were brought together by an adept, literary mind. Religion and its development play key roles in the uncanny world of puppets. Those who wish to traverse the realms they inhabit would do well to take along a guide like Nelson who has spent some time getting into the puppets’ heads.


Puppet Master

Usually I resist mentioning books I’m reading on this blog until I have finished them. It is probably because of some misplaced Protestant guilt at taking a small measure of undeserved satisfaction at claiming an achievement that I haven’t legitimately earned. Or maybe it is my innate fear that the author will say, on page 200, “by the way, everything before this is wrong.” In any case, sometimes I forget the important initial stages of a grand argument by the time I reach the final chapters, neglecting any ideas that may have arisen along the way. I just started Victoria Nelson’s The Secret Life of Puppets. I read her Gothicka earlier this summer, and couldn’t wait to get started on Puppets. Besides, when was the last time I saw an academic book with a back-cover sound-byte by Neil Gaiman?

The idea that is so compelling in The Secret Life of Puppets is that in the modern era religion and art have reversed roles. That is to say, people tend to turn to literature (and movies or other media) to discover a sense of transcendence—previously the bailiwick of religion. Religion has transformed into the receptacle of literary imagination instead of remaining the inspiration for it. New Religious Movements grow out of fictional sources—consider Scientology or Jediism or the religions growing from Avatar. But the connection runs to even more profound depths. Quoting a screenwriter she met, Nelson points out that horror movies are often the only genre of film in which God comes naturally into the conversation. Elsewhere God-talk feels high-handed.

Religion has become a kind of fiction while fiction writers preserve the prerogatives of the divine. We suffer from repressing our intuitive way of knowing. Perhaps it is only logical that I select an example from science fiction here. Since the late ’60’s the figure of Mr. Spock has stood sentinel over the neurosis of the flawlessly logical. Just one glimpse and we know this is not homo sapiens sapiens’ behavior. We think with both halves of our divided brains. Scientists sometimes commit the oh so human fallacy of supposing evolution is robbing us of passion. Falling in love would be a lot less enjoyable if it made sense. No, we have not outlived our need for the gods. I think Neil Gaiman would back me up on that.


Nine Lives

A warm and wet holiday weekend is a good time to watch movies. Since my daily work schedule leave scant time to view anything from most Monday-to-Fridays (and it would claim even more if I’d let it), relaxing often involves watching. I first saw Cats as an ambitious stage production for a local outdoor theater some years ago. Andrew Lloyd Webber has acute talent when it comes to mixing show tunes and popular music; so much so that even a vague storyline will do to carry a show. Cats, of course, is based on a set of children’s poems by T. S. Eliot—Old Possum’s Book of Practical Cats. There is no narrative, and they show’s emotionally charged hit “Memory” had to be culled from among Eliot’s other poems. Nevertheless, the musical, now long off-Broadway, exists in a film version that is heavily endowed with religious themes. This weekend I watched it for the n-th time, and each viewing brings out new nuances.

The “story,” such as it is, has two very basic events: Jellicle Cats choose who can be reborn on the night of the Jellicle Ball, and Old Deuteronomy, the patriarch of Jellicles, is kidnapped (cat-napped?) and must be recovered before the choice can be made. The vignettes feature cats dealing with loss, love, and crime. The character who resonates with many viewers is Grizabella, the glamour cat. She is the has-been who sings “Memory,” the cat who was somebody before her fame and fortune faded to a tawdry existence among questionable society. The musical is about transformation, however. Transformation is a religious theme, the desire we have to be something more than we are, to transcend the hand life has dealt us. Now, I’m no theater or film critic, but I have to wonder whether the obvious fades and duets of “Memory” point to Grizabella as the older but sadder version of the young and lively Jemima.

Certainly as the finale builds, Grizabella is chosen to be reborn and is sent to the Heaviside Layer, but the camera keeps coming back to Jemima. She is often framed in the center and the suggestion is made that the new life has already begun. Religion thrives on transformation. I suppose that is the reason I find it so ironic that in politics religion, Christianity in particular, is championed as the pillar of the status quo. Whether they are new or old, religions serve no purpose if they do not challenge the “business as usual” model of the secular world. Perhaps that’s why successful artists such as Andrew Lloyd Webber thrive—they can pack theaters of seekers weekend after weekend, even for decades sometimes. Even those of us watching on the television at home click the eject button with a sense of hope that seems possible only on a holiday weekend.

A stray Jellicle cat?


Goats and Sheep

Having missed the movie, when I found a cheap copy of Jon Ronson’s The Men Who Stare at Goats, my curiosity was piqued. With such a title I had assumed it to be fiction, but, proverbially it turned into the truth stranger than. The book explores the weird world of the X-Files chestnut, the super-soldier. There is no doubt that despite science’s discomfort with the paranormal, government agencies have utilized psychics for some years now, hoping to gain some advantage over the other guy. Not everyone agrees on how effective such tactics are, but they exist nevertheless. The Men Who Stare at Goats (TMWSAG) provides a rare glimpse into that world where no one knows who is telling the truth (otherwise called “government”); we live in an era when truth has become negotiable.

One of the accidental recurring themes in my recent reading has been the horrendous abuse of power at Guantanamo Bay and Abu Ghraib. Far from placid eyes, the land of the free advocates torture to get prisoners to talk. After years of government bungling, it is no surprise that misguided efforts at torture on the part of a democracy would invariably be discovered. It would be easier to doubt that governments kept lethal secrets if they didn’t keep getting caught in flagrante delicto. Who can you trust when governments, ruled by gods of their own making—in their own image—preach the gospel of torture? TMWSAG weaves this sordid story in with 9-11, Uri Geller, Branch Davidians, Heaven’s Gate and Deuteronomy 18—what’s not to like?

I’ve been alive long enough to know that some supremely odd stuff goes down. TMWSAG provides a service in demonstrating that the government takes some of this mysterious reality seriously. It also shows the twin surfaces of resistance: religion and science. Science has a difficult time admitting what can’t be seen; with few exceptions psychic phenomena are considered not even worth the bother of a lab test. Religion, at least in its biblical, American incarnation, lumps all spooky stuff together with the devil, something Jon Ronson declares that even high-ranking generals in the military believe. So when I put this little book down I was left scratching my head. It may just be me, but where have all the sheep gone?


Psychotic Vampires

Over the past several months, and unrelated to the current vampire craze, I have re-watched some of the classic vampire movies: Dracula, Bram Stoker’s Dracula, Nosferatu (both Murnau and Herzog), and even Shadow of the Vampire—a movie about making vampire movies. Although the prototype of the vampire goes far back in civilization, in some form back to even the earliest of civilizations, the modern rendition rests mostly on the imagination of Bram Stoker. I’ve been re-reading Dracula to recapture a sense of why this particular telling of the tale has become iconic. One suggestion that comes as I’m reading is that it presses the religious taboos of its Victorian era sensibilities. Indeed, Stoker consciously wrote religiously provocative elements into his story. Of course, in movie form the story is altered to fit the needs of both time and scope.

A character that transforms in these various films is Renfield, the lunatic. In Stoker’s original Renfield is the foil for Dracula himself, his devotion interpreted as insanity by the science of the day. At one point Dr. Seward, Van Helsing’s protege and the man in charge of Renfield, notes with clarion penetration, “for a strong man with homicidal and religious mania at once might be dangerous. The combination is a dreadful one.” Renfield is, as a servant of Dracula, complicit in both homicide and religious mania. He uses Christianesque language when referring to his master. In describing his devotion, Seward notes, “He thinks of the loaves and fishes even when he believes he is in a Real Presence.” To a generation raised without Bible, this confession makes little sense.

I have contended throughout this blog that religion and horror are intimate familiars. To understand the appeal of the vampire, one must explore the religious context. Surely the simple neck-biting and blood-sucking without religious underpinnings would soon grow tedious. It is the sense of mystery—most fully realized in religious thought—that brings the vampire to life in the imagination of a generation lacking traditional religion. Not to mix metaphors too intimately, but there is a dose of Melville to be mixed in as well. Renfield is the epitome of madness, blindly following where he believes he is called. But the reader knows how sadly mistaken he is. So it is that I return to Bram Stoker’s Dracula and in so doing find a form of true religion.


Wizards and Saints

Hagiography has gone out of style. Since the Reformation we’ve come to see even our most promising lights as flawed and sullied, and no one retains the sheen of unadulterated goodness. It is the new realism. Yet somewhere in our psyches we still need our heroes—those who give us something to which we might feebly attain. A couple years back I visited Edison’s Orange labs in New Jersey—his last inventing paradise—and partook of the mythology that is Edison. Thoughts of that visit keep coming to me, so I read Randall Stross’s The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World. Like a wonder-struck schoolboy, or Homer Simpson, I was ready to find stories of incredible creations Edison conceived. Instead Stross’s account is devoid of hagiography and presents a tarnished hero that is much more in keeping with the spirit of the twenty-first century.

Edison was known, even in the nineteenth century, for his atheistic leanings. He was one of the proponents of the human spirit of achievement, a perennial hard worker who believed we could solve our own problems. In many respects, although he didn’t foresee the practical aspects of his inventions, he was ahead of his time. As Stross points out, during his days as a telegraph operator Edison got into trouble for transcribing Jesus Christ as “J.C.,” following the standard practice of rendering time as “B.C.” (Before Christ). Others saw this as sacrilege, perhaps falling into that perpetual myth that Christ was Jesus of Nazareth’s surname. Abbreviation, no matter how sacerdotal the content, is eminently practical in telegraphy.

When entertaining Henry Stanley during his days of phonograph fame, according to Stross, Stanley asked whose voice Edison would most like to hear from history. (Keep in mind, at this time, before records, magnetic tape, and MP3s, a recorded human voice seemed to be a way of communicating with the dead.) When Edison answered “Napoleon,” Stanley expressed surprise suggesting he would’ve supposed the most important voice to be that of Jesus. Edison replied, “Well, you know, I like a hustler.” Even for Edison hagiography was dead. But he did see that the world had gone after the hustlers. Watching the political game unfold again, of which I’m already deathly sick, I hear echoes of Edison’s cynicism. Political leaders would have us believe they are in it for our best interests. Anyone who has studied history (which most politicians despise and discourage us from doing) knows that Edison was right. For all his flaws, Edison will remain a symbol of light in dark times.


Criticism Is Not Attack

Each administration of George W. Bush was marked by a major disaster. 9-11 was followed four years later by Hurricane Katrina. The United States had received a one-two punch. I recently read Zeitoun by Dave Eggers. This is a book that should be read by every American, and it wouldn’t hurt others to read it too. This account follows the lives of a New Orleans family through the aftermath of Katrina. The main character, a tradesman named Abdulrahman Zeitoun, is a permanent resident of the United States from Syria. His wife Kathy, a convert to Islam, was American. When Katrina bore down on New Orleans, Kathy took their kids to safety with friends while Abdulrahman (known by many as Zeitoun) stayed in the city to look after the properties they owned. When the flooding had engulfed entire sections of the city, Zeitoun paddled about in a canoe, rescuing those he could, and even feeding abandoned dogs. Family and friends urged him to evacuate, but he felt he was doing good. Until he was arrested on his own property and imprisoned for being Syrian.

In a wrenching account based on interviews with Zeitoun and Kathy, Eggers describes how the US government quickly set up Guantanamo Bay-style prisons rather than attempting to rescue those stranded in their homes. Zeitoun was arrested and never informed of the charges, although he heard paramilitary guards armed with machine guns uttering “Taliban” and “al-Qaeda” at him. He watched as a mentally disabled man was pepper-sprayed by soldiers when he clearly couldn’t understand what they were commanding him to do. Despite having government issued ID and good standing as a business owner in New Orleans, Zeitoun was presumed guilty because of his profile: “Arabic” and Muslim. As Eggers reminds us, Homeland Security is now the administrative head of FEMA, and those that Homeland Security distrusts (all of us) are potential terrorists rather than citizens in need of help during times of disaster.

I grew up in a rather monochromatic part of the country, but as I traveled I met and befriended those of differing nationalities, including Syrians. Those considered “the others” by xenophobic bureaucrats are just as kind, loving, and good as those of us born under the sign of the cross with “white” skin. Zeitoun stands as an indictment of the jingoism that has come to be recognized as the only legitimate American citizenship. Zeitoun spent nearly a month in maximum security prison before being released after a makeshift trial, when no evidence existed that he’d done anything wrong. What has happened to the tired, the poor, the huddled masses yearning to breathe free? They’ve become the enemies of the state. I know, Katrina engendered extraordinary circumstances. Extraordinary circumstances, from a “Christian” view, however, demand extraordinary sympathy. Do the nation a favor. Before November, read Zeitoun.


Supernaturally Selected

Things are seldom as simple as they seem. Religion, for example, is frequently cast as the villain or the hero of human society, when, in truth, like most human institutions, it is a little of each. I’ve read many theories on the origin of religion, and none has been completely convincing but most contain persuasive aspects while I’m reading them. After having read several books proclaiming the end of religion in the last several months, I just finished Matt J. Rossano’s Supernatural Selection: How Religion Evolved. Many books with a similar goal begin with the suggestion that religion may have had some biological utility for people at one time, but that we’ve outgrown our need for it and we should classify it with other obsolete, arcane concepts that have no further purpose. Rossano suggest that religion grew out of the need for social bonding and that we could not have become human without it.

Basing his ideas on genetics and anthropology, Rossano notes that even with our genetic similarity to chimpanzees there remain striking differences. Mostly they are social in nature. Many of the differences are reflected dimly in our primate cousins, but the human penchant for gathering in groups with ritual behavior to offset overwrought emotions applies only to us. That ritual behavior includes healing rites, something that Rossano suggests might be the earliest, shamanistic, religion. Back in my teaching days I’d been telling students that the earliest evidence for religious behavior dated to the paleolithic period. This is something I’d reasoned from the artifacts found in pre-historic communities. I was happy to find confirmation in a more competent scholar than myself.

While I’ll no doubt revisit some of the fascinating hypotheses of Supernatural Selection over the coming days, one point especially stood out on my initial reading. Religion is a communal phenomenon in what is a largely individualistic society. In other words, religion itself continues to evolve. Even the hermit in his or her cave is only considered religious in comparison with his or her less dedicated, secular compatriots living la vida de fe. Since religion is communal, Rossano suggests, it is impossible to argue someone out of their religion—based on perceived relationships as they are. Indeed, it seems that his hypothesis predicts a behavior we find only too evident when we prepare to line up at the polling booths, but which will immediately fall into the background again once the level is pulled.


Longer Nights

Those who write put part of themselves into every piece. Sometimes that tiny fragment of the author is nearly invisible, while at other times fiction becomes difficult to separate from biography. One of my daughter’s assigned summer readings is Eugene O’Neill’s Long Day’s Journey into Night. Since I use the opportunity of her assigned readings to catch up on what I should’ve read long ago, I recently sat down to see what the play was about. A dysfunctional family. Alcoholism, tuberculosis, and self-loathing are the unholy trinity of much writing from the nineteenth and turn of the twentieth centuries. But God also comes into the mix. Perhaps the divine was nearer to the surface back in the days when you might assume every other American had been raised in a Christian household. O’Neill’s dark and disturbing Tyrone family might be considered good candidates for irreligion were it not for the fact that being Catholic was so much a part of Irish identity in those days. Perhaps in some quarters it still is.

In Act Two, Scene Two James Tyrone is discussing his wife’s as yet unrevealed addiction with his two sons. Edmund, the scholar (and in reality bearing the family position of O’Neill himself), has rejected belief in God. He asks his father if he prayed for Mary in the days when her difficulties began. “I did. I’ve prayed to God these many years for her,” James Tyrone declares. Edmund responds, “Then Nietzsche must be right.” The debate is the classic issue of theodicy—where is God when things go wrong? Mary, the wife/mother believes she was bound for a convent, having been raised in Catholic school. When her life spirals in unexpected directions, she chooses morphine over faith in God, and the men, soused in whiskey, wonder who’s to blame. James, the father, declares atheism to be the culprit.

I found this an interesting study. Characters either unthinkingly accept the religion with which they were raised, or reject religion altogether. Edmund follows up his declaration by quoting Thus Spake Zarathustra: “God is dead: of His pity for man hath God died.” Nietzsche is never simple to comprehend, but even in the declaration of the divine death is an implicit indication of the existence of deity. The subtle nuances here are often lost in family debates where God’s abstract existence is far less important than the human suffering that raises the question in the first place. O’Neill was writing not only in the shadow of Nietzsche, but also of Karl Marx and other theorists whose nails had been pounded into the heavenly coffin over the past two centuries. So Mary, in her morphine vision, returns at the end of the play to state, “I went to the shrine and prayed to the Blessed Virgin and found peace again because I knew she heard my prayer and would always love me and see no harm ever came to me so long as I never lost my faith in her.” The reader, however, along with Karl Marx, knows that this is really the opiate of the people finding voice through one of the faithful.


NDEs

I love science. Like many young boys, I was probably enticed to science through science fiction. While I didn’t follow science to a career, I used it to study religious texts. Those who’ve never undertaken the challenge of trying to figure out what something written thousands of years ago—on clay!—really says may be surprised to learn just how much science is involved. Nevertheless, as comforting as reductionism may be, something just doesn’t feel right about it. Science is how we explain and understand our world, and it does a spectacular job of it. The problem arises when science becomes what Stephen Jay Gould called a “magisterium.” Magisteria have all the answers. Yes, science explains how matter and energy work and interact, but it has yet to explain satisfactorily what it feels like. Most days I feel like the person I’ve become accustomed to show to the world. That person is very much like every other—being born, eating, breathing, dying. Medical science can explain most of it, but what about the parts it can’t?

I just finished reading Ornella Corazza’s Near-Death Experiences: Exploring the Mind-Body Connection. I remember when the craze about this hit in 1981 with the release of the movie Life After Life. I was fascinated and terrified by it. Since a materialistic view of science dismisses anything that has the residue of spirits or souls, the phenomenon of the resuscitated dead reporting seeing their bodies from above, shooting through tunnels into the light, and sometimes meeting the dead (or God), were explained as last nano-second hallucinations as the brain prepared to shut down or reboot (upon resuscitation). That’s that. The answer, however, didn’t satisfy everyone. What about those cases where the dead person reported, in detail, what happened in other rooms, or things they couldn’t have seen in their own room, had they been conscious? Corazza takes these considerations seriously and tries to understand what may be going on. Obviously, her explorations will not convince a reductionist, but they may give pause to some of us.

What makes her approach so interesting is that Corazza takes into account an alternative way of looking at consciousness. While the facts of science are, by definition, universal, the contexts within which those facts are viewed are not. Having spent considerable time with Japanese scientists exploring consciousness, eastern ideas of the body inform her research. In the western world we have an easy familiarity with the Cartesian dualism of body and soul that does not fit into other worldviews. Corazza takes the interesting step of asking what if we apply an eastern paradigm of the body (one that understands soul as body, and not just in a materialistic sense) and apply it to the question of Near Death Experiences. The results are mind-stretching. I feel as if my consciousness got up from months of laziness and ran a marathon (or at least a 5-K). It’s a bit winded and parts of it are starting to ache a little. No reductionists need worry, however, because in that worldview none of this exists.