Aging Goddesses

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While not a woman, I am over fifty and I have both a personal and professional interest in goddesses.  Some friends recently asked how I came to write a dissertation on a goddess, and thinking about that has revealed some aspects about my outlook, but those will need to wait a little.  We read Goddesses in Older Women by Jean Shinoda Bolen because my wife wanted my opinion on it.  We read books together while washing dishes—we’ve been doing this since we married over thirty years ago—and despite my not requiring the subtitle, Becoming a Juicy Crone, I was game.  I have been curious about the experience of others since I was quite young.  Since half the others in the world are female, it makes sense to be in dialogue and to be willing to learn.

Bolen uses classical goddesses as Jungian archetypes to help post-menopausal women sort out their feelings and spirituality in what has been called the “crone” phase of life.  This is part of an antique triad that many would rather dismiss: virgin, mother, crone.  Still, Bolen embraces it as fairly common in women’s experience.  Men, although they can be elected to the White House while doddering old fools, don’t pass through such distinctive stages.  In fact, some never mature.  Women’s lives are defined by reproductive capabilities in ways men’s simply aren’t.  Instead of dismissing half of human experience as irrelevant, we should listen to the accumulated wisdom of women.  Bolen, who is an M.D., isn’t an historian of religion, but her remarks about the various goddesses explored (Asherah isn’t one of them) are insightful.  I listened as my wife read, and this was quite a learning experience.

We have, as a species, often failed our females.  Males, using that “might makes right” physiology and theology, have often assumed masculine agendas are the only ones that matter.  Look around the world today and see where that’s gotten us.  We’re killing our own planet in the name of greed and ignorance just so that nobody can be richer than me.  I think it’s time we let the women have a chance to run things.  Even though ancient mythologies often reflect the patriarchies under which they were written, many allow women more powerful and authentic roles than they currently have.  Even El, the head of the Ugaritic pantheon, could change his mind when approached by Asherah.  I learned much from this book, just as we learn so very much by listening to those who differ from ourselves.  And the goddesses, almost always, are the ones who possess true wisdom.

Job’s Jobs

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Many years ago, after Nashotah House decided it no longer required my unique outlook, I bought a book.  (That’s my default reaction.)  This book was on how to write killer cover letters.  I don’t remember the title or the author, but I followed the advice, well, religiously.  It got me nowhere.  Business tricks, at least historically, don’t work in academia.  Sitting at home, pondering my sins, I flipped to the chapter on advice to take if none of the rest of this was working for you.  Here’s where the human side began to show through.  Have you been eating onions or garlic before your interviews? it asked.   Do you need to lose weight?  Try dressing nicer.  It occurred to me that the business world lacks the imagination required for denying jobs.  And besides, who was getting any interviews before which I shouldn’t eat garlic?

Business advice is, in a word, shallow.  It assumes that if you’ve got the goods there’s no reason you won’t get hired.  Reality is a bit more complex than that.  I often ponder how people simply go for what they want.  They reach for the biggest piece without pondering the repercussions of their actions.  I see it in my small world of publishing all the time.  Those who are “hungry” (read “greedy”) succeed.  Those who wait behind to help others simply can’t compete.  So the cover letter book did get that part right.  Is it possible, however, to devise a society where everyone fits?  Not all are created equal, perhaps, but do we have to reward those who seem to care only for themselves?  Let them eat garlic.

The cover letter book, in the end, never really did me any good.  I found my way into publishing by being willing to aim low.  I’ve written many cover letters since leaving Nashotah House, and only two ever led to a job.  Those who work in business, what with their concerns about readers’ aromas and weights, seem never to have considered the intricacies of the intellectual job market.  What strikes me as particularly odd is that there are plenty of smart people out there, and yet they haven’t organized to offer alternatives to the greed-based structure on which our work lives are based.  They can’t, it seems, gaze beyond capitalism as a mechanism for helping individuals lead productive lives.  Business operates on the principle of replaceable parts, many of which happen to be human.  And even those who know how to write can’t hope to compete against those who prefer cogs that know to avoid onions.

Powerful Wink

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Those of us who became academically aware (in the biblical field) in the 1980s knew the name of Walter Wink.  Now, if you’ve ever become academically aware, you know that we all know some names vaguely, as if seen in a glass darkly, and some more intimately.  Wink fell into the former category for me.  He specialized in “the other testament,” and although I read Greek quite well, my academic track led me through Hebrew to Ugaritic and beyond, in the opposite direction.  I taught New Testament in my academic career, but never found the time to go back to Wink.  I knew he’d written about “the powers,” and the idea was interesting, but I had other research I was doing and I never got around to him.  Now I’ve finally finished the first volume of his famed trilogy on the powers (Naming the Powers).

“Powers” was a circumlocution for many things in antiquity.  It is a high abstraction.  Why do you do what you’re told?  The powers.  They can be human, such as bullies or governments (which are increasingly difficult to distinguish), or they can be supernatural.  Much of Wink’s book is technical—this isn’t easy going, even if it’s theology.  He looks closely at the terminology of power and exegetes it minutely.   The book comes alive, however, in part 3.  There were quite a few worthy insights here, but the one that struck me the hardest is how institutions generate a power that no one individual can control or contain, let alone comprehend.  As Wink points out, a school isn’t a building.  What goes on inside such a building takes on a power that reaches beyond any of the individuals involved in teaching or learning.  Think of Harvard.  What is it?  Who is it?  It bears power simply by the citation of its name.  No scientist can quantify it, but none will dispute it either.

Thinking about “the powers that be” in this way is transformative.  Wink draws this into the ancient perception that what is happening “down here” is merely a reflection of what is taking place on high.  Not unique to Christianity, or even monotheism, the idea that our lives reflect the reality of some higher power is pervasive in human thought.  And institutions.  Harvard, as most prestigious universities, essentially began as a place to train clergy.  Even at this stage it began to exert a power.  Today Harvard (and many other schools) still hosts a seminary and training ground for clergy.  They face a largely unbelieving society when they’re done.  And if they’re at all like me, it might take them decades to realize something may be missing.

To Be Continued

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I’m about in the middle of Neal Stephenson’s Fall: Or Dodge in Hell.  I’ve also just about finished Walter Wink’s Naming the Powers.  At the same time I’m revising the draft of Nightmares with the Bible, which will become my fourth published book.  While doing all of this at the same time (and working about nine hours a day), it occurred to me that to really “get” an author you should theoretically read her or his oeuvre from start to finish.  Ideally, to trace the arc of thought, you shouldn’t leave anything out.  The reason that this is as important as it is futile is one of the nagging problems that came to me while working on my doctorate: how do you know what a source you’re citing is really saying?

Pardon my nihilism, but this is an important matter when it comes to academic practice.  Academics cite many sources, and often miscite them.  I’ve seen it regarding my own work.  One scholar argued the exact opposite of what I published in an article and even made the point that he was building on what I’d stated.  Clearly he was digging where I’d been building or vice versa.  We were going in opposite directions and what I’d written was to undermine what he was arguing.  The thought came to me now because both Stephenson and Wink are the writers of many volumes.  I need to cite my sources, but it’s clear that the books are merely slices of lifetimes of thought.  Academia wants you to show your work, but its dated even before you press the “send” button.

I’m not knocking scholarly process.  It’s the best system we’ve come up with for getting near to the truth.  Since no one person has the entire truth, however, we get closer still if we follow a writer from start to finish.  Those of use who use pseudonyms in order to keep our day jobs only complicate things.  Our works (which we hope will outlast us) are only fragments of a larger world of thought that goes on behind the writing of books.  And what about weblogs, or “blogs”?  The million-plus words on this one are a stream of consciousness that weave within, behind, and outside of the books, articles, and stories I write.  Some writers make bold as to attempt biographies of other writers.  Some try to read everything said writers wrote.  Even so they’re only getting part of the picture.  To understand where a writer’s coming from requires more commitment than we’re likely willing to spare.  Now, if you’ll excuse me, I’ve got some books to finish.

Honest Labor

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When an artisan begins a new job, s/he must acquire the tools of the trade.  During a period of unemployment I seriously considered getting certified as a plumber.  I’d done some plumbing repair and, unlike many people, I wasn’t afraid of it.  (I am, however, terrified of electrical work.)  When I was looking into it, it became clear that there would be a significant outlay of tool purchasing up front.  While all of this may seem obvious, people are often surprised to learn that writing books also involves tools acquisition, although it generally pays far less than plumbing. The tools used to be made of paper, but they can wrench pipes apart and rebuild a bathroom from scratch.  I’m referring to books, of course.  In order to write books you have to read books.

Long ago I gave up on trying to read everything in an area before writing.  There’s just too much published these days.  When I was teaching and actually had a modest book allowance I would attend AAR/SBL only to come back with armloads of books that I needed for my research.   Of course I had the backing of the seminary library as well, so I could find things.  As an independent scholar doing the same work, however, you have to do a lot more tool acquiring since no library will back you up.  Nightmares with the Bible came back from peer review with a standard-issue academic who wanted me to “show my work.”  (I.e., document everything.)  Apart from slowing the book down (it is written), this also means acquiring tools.  AAR/SBL always reminds me of just how much is being published these days and that my toolbox, although already quite hefty, isn’t nearly big enough.

As I’m going through Nightmares rewriting and adding footnotes, I’m discovering more and more material that could be included.  As an editor myself I try hard to keep to assigned word counts, and the entire allotment could easily be taken up by bibliography alone.  I am very modest in my spending at conferences now—independent contractors have to be.  Nightmares will likely be my last academic book; I can’t afford to keep going like this.  I don’t plan to give up writing, of course, just academic publishing.  Both this book and Holy Horror were written for non-specialist readerships, to showcase my non-technical way of explaining things.  Both ended up with academic presses and are slated to be among those specialist tools that the beginning artisan covets but for which s/he has to budget.  And when this house is finished it will have an impressive, if most unusual, private library.

Mad Dog

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Like those who write long books, those who write very many books ask for some level of commitment from their fans.  I’m sure I’m not alone in wishing I had more time to read.  I tend to be driven to Stephen King’s novels by the movies made around them, and there’s nothing wrong with that I suppose.  I decided I wanted to read Cujo some years back when I was on a werewolf kick.  I knew it wasn’t a werewolf story, yet as one who suffers from cynophobia even a large household pet will do.  I didn’t know the story in advance, and I had no idea how it ended.  It’s good to read novels like that sometimes.

I took it with me to San Diego and read most of it on the plane, finishing it somewhere over the mountain west.  It is a bleak story, one of King’s more drawn-out and wrenching tales.  It’s made more so by the fact that it could happen, at least in the main storyline.  Or could have happened.  Maybe I waited too long to read it, but I kept thinking as I was going through—today we have cell phones.  A large part of this story unfolds because of Donna Trenton’s inability to contact anyone while a rabid dog keeps her trapped in her car during a record-breaking heat wave in Maine.  I suspect it’s kind of a story about redemption, but I really need some time to think about it before rushing to such conclusions.  There’s not much you can really consider religious in this particular tale, and perhaps it’s because Cujo is a very natural kind of monster.

I saw my first rabid dog when I was maybe five.  My brothers and I reported a dog acting strange to our mother, after which she kept us in the house.  That wasn’t the origin, I don’t think, of my cynophobia.  Two of my brothers were bitten by a family dog when I was little, and I was once chased by a dog about as big as I was, certain that it was going to eat me.  At the same time, we had dogs as pets, and apart from the one that liked to bite, they never gave cause for fear.  Cujo tapped into those memories and made me reflect on what it means to befriend wolves.  It won’t be my favorite King novel, but it did help to pass the time from coast to coast.

Sister Monsters

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Every once in a while you read an inspirational book.  I’m hoping readers will keep in mind that inspiration comes from different locations for some of us.  Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction, by Lisa Kröger and Melanie R. Anderson, is a source of inspiration.  With the usual Quirk Books touches, this isn’t a tome heavy on literary criticism, but it is a wonderful compendium of brief bios on women who walk(ed) on the dark side.  I find books like this encouraging in a number of respects.  First of all, these are women who did what they loved and were recognized for it.  Secondly, it gives the rest of us some hope that getting through the establishment to actual publication isn’t as impossible as presses would have us believe.  And third, it’s also a lot of fun.

It isn’t often pointed out that women played a major role in the development of the horror genre.  Some of the earliest Gothic novels were by Ann Radcliffe and Margaret Cavendish.  Probably the first fully fledged horror novel was Frankenstein, by Mary Shelley.  The real learning kicks in when the other names come out—many women found, and continue to find, the genre compelling.  Most of them, like most of us, are lost to history, but many of them have been rediscovered.  Here again is cause for hope; those of us who write, I think, have our eyes set on the far distant future.  We’re inscribing our “Kilroy was here” on paper—I still can’t think of ebooks as actually existing—in hopes that those down the road might know us a little better.  The fact that some of our sisters have been found suggests that we too may be resurrected some day.

There’s no plot here, and the point isn’t to present some great discovery.  This is a book that encourages women to be who they are through example.  The fact that it involves monsters and horror is simply a bonus.  As a non-female reading this it struck me time and again that women have long been informed of what they should or could do by men.  Men don’t like to see women knowing as much as they do about the shadow side of human existence, even as they relegated them to the shadows.  It’s my hope that this book will inspire women to be themselves.  And if they want to invite monsters along, so much the better.

Frozen Streams

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I was walking in Ithaca, with my feet not far from Sagan.  Winter had settled in prematurely, as it often does in upstate.  I was wearing a hoodie and old fleece combo and I suppose I looked a bit tatty.  My wife and daughter had gone to see Harriet, but movies about how badly people have mistreated others, strangely for a guy who watches horror, really depress me.  Ithaca, until recently, supported three independent bookstores, so I figured I could pass the time easily enough.  It was growing dark and breezy, and I visit bookstores only with a list, otherwise it’s too dangerous.  Autumn Leaves, a used vendor, I’ve visited many times.  Their religion section is disappointingly small, but I tend to find offerings in other areas when I blow in.

Buffalo Street Books is the last remaining indie that handles new books, but I stopped by The Bookery, now closing, on my way.  This was saddening.  Ithaca houses both the ivy league Cornell and the highly regarded Ithaca College.  I suspect many of the street sweepers hold doctorates.  Has book culture entirely bent the knee to Amazon?  At the end of the last millennium, Ithaca housed 25 independent bookstores.  Today it’s evident that Buffalo Street (formerly The Bookery II) struggles to keep its hold.  I feel ethically obligated to buy something there, to take one for the team.  I had a short list and the shelves in The Bookery had been nearly bare.  It was just too depressing to stay there.  I found an inside bench and sat to read until the movie was over.

Or so I thought.  I ventured back outside and now it was fully dark, being six p.m., and I wandered back to the familiar Ithaca Commons.  I went into a couple of shops, but they looked at me as if I were homeless.  (I suppose I was, in a sense.)  I haven’t had a haircut in a while, and my beard is scruffy and white.  My hoodie and fleece don’t speak to affluence.  I had unconcealed books—I routinely refuse bags—and I suppose I could come across as a touch eccentric.  (I don’t have enough money to be authentically eccentric.)  I wondered how street people do it.  Outside the east wind was decidedly sharp and windbreaks on the pedestrian zone are few.  I came to the monument to Martin Luther King Junior.  I was walking in Ithaca but I really felt that books could make that dream come true.

Dead Language

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Tis the season for returning from the dead.  Goodreads is one of the few websites that I allow to send me notices.  I try to check them daily, and I even read their monthly updates of new books by authors I’ve read.  I was a bit surprised when November’s newsletter began with The Andromeda Evolution by Michael Crichton.  I really enjoyed The Andromeda Strain when I was in high school.  The fact that I was in high school four decades ago made me wonder about the robustness of Dr. Crichton, especially since I knew that he had died over a decade ago himself.  I don’t know about you, but the writing industry feels crowded enough without dead people keeping in the competition.  It’s like those professors who refuse to retire, but also refuse to teach or do research.  Some people, apparently, can never get enough.

We live in an era of extreme longevity.  In the scope of human history, people haven’t lived so long since before the flood.  Some of us—not a few, mind you—work in fields with limited job openings.  We are the sort who don’t really get the tech craze, intelligent Luddites who’d rather curl up in the corner with an actual book.  There are very few professorates available.  Even fewer editorships.  And anyone who’s tried to get an agent without being one of the former knows that there are far too many writers out there.  Now the dead keep cranking ‘em out.  I’ve got half-a-dozen unpublished novels sitting right here on my lap.  Crichton’s gone the way of all flesh, but with an active bank account.

The end result of this Novemberish turn of events is that I want to read The Andromeda Strain again.  I haven’t posted it to Goodreads since when I read it the internet itself wasn’t even a pipe dream, except perhaps in the teenage fantasies of some sci-fi fans.  Since you can’t rate a book twice on Goodreads, and because paper books don’t disappear when you upgrade your device, I can do it.  I can actually walk to the shelf and pull a vintage mass-market paperback off it.  Even if the Earth passes through the tail of some comet and all networks are down.  And I seem to recall that the original strain came from outer space.  As did the strange radiation that brought the ghouls back to life on The Night of the Living Dead.  Now if only some of the rest of us might get in on the action.

The New Light

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Sometimes you meet kindred spirits in books.  Barbara Brown Taylor’s Learning to Walk in the Dark has been waiting patiently.  It’s one of those books that I suspected would meet me where I live, and regarding this I was correct.  Brown Taylor, a former Episcopal priest and professor of religion (both of which I attempted but failed to achieve), has the courage and insight to suggest that darkness might just be a friend.  The darker half of the year settled hard on me this year.  As its black wings gathered about me I reached for this book.  I’ve been struggling with a question I’m sometimes asked: why do I let my thoughts linger in what must be considered darker corners?  I watch horror and write books and stories about monsters.  What’s wrong with me anyway?

One accusation may be fairly leveled at much of American religion is that it is shallow.  Light is uncritically accepted as good and dark becomes somehow evil.  There are biblical prooftexts that can be used to “prove” this, but they change color when you wrestle with them.  Learning to Walk in the Dark contains many ways of reflecting on realities which are inevitable.  Brown Taylor visits museums that give the sighted the experience of being blind in a safe environment.  She spends time in caves.  She stretches out beneath the stars and contemplates the dark night of the soul as well as the cloud of unknowing.  These latter two are, of course, spiritual classics.  There’s quite a bit that can be learned from experiencing darkness and listening intently.

My own predilections toward subjects called “dark” are forms of therapy.  My religion simply can’t be shallow.  I need enough water to swim.  And yes, I’m afraid of deep water.  Darkness perhaps comes more naturally to those of us who are awake for every sunrise.  If I move far enough north that may cease to be the case, but for the last decade or so my internal alarm goes off a couple hours before the first sliver of light creeps over the eastern hills.  And I seem to have assimilated to it.  As I read Learning I could imagine the accusations flying from my former Nashotah House context.  Looking at that patriarchal theology of sin and misery, however, I think there’s no question whence true darkness comes.  Without the dark we could never tell that it was light.  Since we need both, it seems wise to follow the sage advice here offered and get to know the dusky side a bit more intimately.

Panic at the Bookstore

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Usually it works like this.  I go into a used bookstore with a list of titles I’d like to find.  Yes, I know I can look them up on Amazon and pay some price gouger more than the book’s worth, but you sometimes find things forgotten on a shelf out of the reach of technology.  When I went into a used bookstore in the vicinity of Ithaca last month I didn’t have my list with me.  When I visit such a store, especially the first time, I don’t like to walk out empty-handed.  The word “Exorcism” on both the spine and cover of Ken Olson—excuse me, Dr. Ken Olson’s book on the subject, well, how could I not?  Exorcism: Fact or Fiction? is published by Thomas Nelson.  That immediately told me something of what the book would be like.  It wouldn’t be an academic treatment, and it would be somewhat evangelical.  Still, I didn’t have my list with me.

Olson hasn’t had an easy life.  His license to practice psychology was revoked after he performed an exorcism and my sympathies are always with those who have lost jobs.  Rejection is, after all, a form of violence.  The book, however, isn’t so much about exorcism as it is about evangelical views of it.  Written around the time of the satanic panic in the 1990s, the book takes seriously the claims of the alleged victims and also the physical existence of the non-corporeal Satan.  This actually leads to a few logical brick walls.  Referring to the body parts of non-physical beings can be an exercise in metaphor, but evangelicals tend to be literalists otherwise.  This discrepancy begs for discussion but receives none here.

The history of moral panics is interesting.  We live in the midst of them pretty much constantly now.  The internet doesn’t really help.  Moral panics are times when particular concerns spread rapidly (for which the web is ideal) without having any critical questions asked.  They often lead to a mob mentality that can victimize the innocent.  Although that’s clearly not his intent, Olson’s book tends to do this too.  If a victim is female, as is often the case, conservatives blame her for such things as abortions, forgetting, it seems, that a male was involved.  Since abortion scares are another example of a moral panic, it’s not surprising Olson treats them along with other forms of spiritual warfare.  Those who turn to the book looking for The Exorcist will be disappointed.  You might find a copy of that, however, at your local used bookstore.

After Easton

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I’m still recovering.  The Easton Book Festival was a fine example of liminal time.  Ordinary time—the day-to-day, or “workaday” variety of time—may pay the bills but comes up short on meaning.  Literary time is rare and sacred.  No, there weren’t great crowds at my two sessions.  In fact, the crowds were modest.  More people showed up for my church presentation on Sunday morning than came to either of my more “secular” presentations.  The festival, however, wasn’t about numbers.  It was about the love of books.  Much of the time those of us who love reading are perceived as “Poindexters” who deny the excitement of a life spent in sports and adventure.  There’s no reason, however, that the two can’t get along.  After all, authors write about adventure and sports as well as religion and philosophy.

As Halloween nears and November encroaches on the days of trees losing their leaves, I reflect on how my entire October was leading up to this.  Half a year ago I was contacting libraries and bookstores about doing Holy Horror presentations in the autumn.  Only the Moravian Book Shop and the Easton Book Festival took me up on my proposal, but they allowed me, as my wife expressed it, “to put myself out there.”  To be part of the conversation.  People are busy, I know.  Still, I came away with the business cards of a few more successful writers, and I gave away a handful of bookmarks for my too-expensive tome.  I was after conversation, not fame.

Although I met the director of the festival a couple of times, I don’t know the results.  I do sincerely hope that another will be offered next year.  Gatherings of the bookish are dicey affairs.  I attended the banquet not knowing a soul, but left having learned of others nearby who practice the craft.  Many had made that transition from workaday to writer.  I learned that getting the pennies I do for my books is, really, an aberration of the academic publishing scheme.  Most academics have good paying university jobs and don’t really need the cash.  Book festivals are opportunities to learn, classrooms in everyday life.  I met authors of topics more obscure than my own who’d earned healthy advances.  This was liminal time indeed.  I feel honored to have been included among those feted for putting their words out there for reading and possible rejection.  Books are conversations, and in a world far too busy, book festivals are a source of truly significant discussions.  Long may they continue!

Rivers and Books

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“You can’t” Heraclitus said, “step into the same river twice.”  The same also applies to reviewing books on Goodreads.  I met my official pledge of 60 books “officially” a couple weeks back, but I had re-read two books already reviewed during the course of the previous month, so I’m actually up to 65 at the moment.  Not that this is a contest.  Well, it sorta is.  But the one thing that keeps coming back to me is that my reviews of the same book change after a couple of years.  In general I’m not a re-reader.  There are lots of books I want to read for the first time, and there are few, historically, that I’ve gone back and read again.  Right now, however, I’m working on a couple of books that require some going back and checking facts.  Whenever you write “X does not” you need to make sure X doesn’t.

Reading is a self-rewarding enterprise.  I’ve not stopped reading when I don’t post about books, but I’ve been reading bigger books.  Despite my academic background and current job as an editor, I’m a slow reader.  I always have been.  I set my Goodreads goal based on the fact that without commuting I hope to read five books a month.  I have to throw in some short ones to make such a goal, and I never count the children’s books (I read The Lorax several times this year) and I can’t count the books I read for work that haven’t yet been published.  Nevertheless I keep making my Goodreads pledge—it gives me a goal I can attain—and in a life where meeting goals is becoming more difficult all the time, I appreciate those I enjoy reaching.  Enjoy reading.

Goodreads is a community.  Some of my friends there comment on my blog posts, which is really neat because almost nobody comments on my blog itself.  It’s nice to have that little extra extension.  I skim through the reviews that come to my email inbox every day.  I like to know what others are reading and I get tips for future goals from the books my Goodreads’ buddies post.  And now that November looms—and over its shoulder I can see December—I think of the Modern Mrs. Darcy’s reading challenge.  I generally meet that goal by about September.  Reading books is like meeting new friends.  And some of them, unlike Heraclitus’ river, you can meet twice.

Read a Book

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A huge shout-out to Andrew Laties for conceiving and organizing the Easton Book Festival!  Easton may not be the largest city in the state, but the Lehigh Valley is Pennsylvania’s fastest growing area.  As we discovered when we moved here almost a year-and-a-half ago, it is a region that supports bookstores.  Even before the Festival we’d explored some six or seven and after moving from central New Jersey—where keeping a small shop or two open was a struggle.  We’ve become spoiled for choice.  Writers may not be the easiest people to herd—many of us are quiet and tend to live in our own heads quite a bit—but the festival has brought some 200 of us together, and we write on all kinds of things.

Although the panel on which I participated had religion as one of its themes, my wife and I noticed that at each session we attended religion was mentioned.  Either it was in an author’s background, or it figured into their writing, or most embarrassingly, it objected to and tried to silence them through censorship.  Although my book’s subtitled The Bible and Fear in Movies, it was evident that I wasn’t the only person who found the Bible’s effect on people scary.  And the theme continued into the evening as I attended the author’s banquet solo.  Many of the people I met had religion in their background or in their present motivations for writing, and not one of them was judgmental toward a guy like myself who’s trying to find his way.

The Easton Book Festival is in its first year.  Although by late afternoon the weather had deteriorated into the rain we can’t seem to shake around here, it was wonderful to see people walking around with festival booklets (there are enough events to warrant one) and not bothering to conceal and carry.  Books, that is.  For a moment, they were cool.  My second session is this afternoon.  As I learned both last weekend at my book signing and at sessions yesterday, a sell-out crowd is unlikely.  This is a free event and even authors who had more fingers than attendees were gracious and glad for the opportunity to explain what they were trying to do with their writing.  And they unstintingly shared what they’d learned with one another.  This was community, centered around books.  It was a small slice of what Heaven could be like, if we’d all just take an interest in each other.  Even if we’re shy and secretly would rather be home writing.

Book Festival

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So it’s here.  The Easton Book Festival begins today.  The weather?  Partly sunny, temps in the mid-60s.  There’s no excuse not to go!  (Well, actually, there are plenty of reasons, but if you’re in the area please consider it!)  I have to admit that my involvement with it was opportunistic.  I contacted the organizer because I was looking to promote my autumnally themed book, Holy Horror, in the season for which it was written.  I understand delayed gratification.  What author isn’t delighted when her or his book arrives?  Thing is, mine came around Christmas time, and, while a wonderful gift, nobody was thinking about scary movies during the joyful winter season.  My observation is this: books are lenses to focus thoughts.  I enjoy Halloween, but I also enjoy Christmas.  One follows the other.  The Easton Book Festival just happens to be during the former rather than the latter.

It’s heeerrreee…

My own involvement with the festival doesn’t start until tomorrow.  Today’s a work day, after all.  Employers don’t give days off for self-promotion (or even for writing books) so festivals are extra-curricular activities.  I’ll be on a panel discussion tomorrow at the Sigal Museum and on Sunday afternoon I’ll be doing a presentation on my book, same venue.  Maybe I’ve got this backwards (nobody tells you these things), but I’m not doing this primarily to sell books.  I’m doing it to promote dialogue.  During my less-than-stellar book signing last week at the Morvarian Book Shop I had only one brief conversation of substance.  It was with a scientist who pointed out that science and religion had nothing to do with one another.  I guess my hopes for the events of the next two days are that folks might want to discuss the ideas in the book.  Or at least think about them.

Sunday morning I’ll be giving a church presentation on the book as well.  Being in the publishing biz I’ve learned the importance of authors getting out there to talk about their books.  Hands up, who’s read a McFarland catalogue lately?  Case in point.  The only problem with all of this is that I still have to get my weekend errands done.  My daily schedule doesn’t allow for trips to the grocery store or even putting gas in the car.  And no matter how much time I put into work, there’s always more to do.  Festivals, of course, are intended to be time set apart from regular pursuits.  So I’m going to put on respectable clothes and I’m going to speak about what’s on my mind this time of year.  If the Lehigh Valley’s in your orbit, I’d be glad to see you there.