Apocalyptic Dreams

Words. They can be slippery sometimes. Take for example the word “revelation.” It can be secular or sacred, and if the latter, general or specific. Many recognize it as the title of the final book of the Bible, and some can’t even get enough of it and make it plural—Revelations. “Revelation” is actually a translation of the Greek word apokalypsis, the “original” title of the book. It has been a source of contention as well as fascination just about since John—whoever he was—put quill to parchment. Elaine Pagels, whose work is always rewarding to read, plays on the singular/plural convention that raises the ire of many a biblical scholar. Revelations: Visions, Prophecy, and Politics in the Book of Revelation is a refreshing change from what I read in college and seminary. No book exists without a history and that of the Apocalypse is colorful indeed. And it revolves around what has been traditionally taught about “revelation.”

The current final book of the New Testament presents itself as a revelation. It isn’t, however, the only book from this time period to do so. Many revelations existed, as did many gospels, in the first couple centuries of the Common Era. Some early leaders of the Christian movement who became inordinately influential decided that John’s revelation would be okay to keep but the rest should be destroyed. And they very nearly were. Some were recovered by the fortuitous discovery of the Nag Hammadi library in Egypt. These texts have preserved some of the other gospels and revelations that rivaled those of the current canon. It is in her close observations about their continuities and the motivations behind the politics of early Christians that Pagels sheds fascinating light on how Revelation became a tool of manipulation in a power struggle, primarily for centralized religious control of Egypt. Looking at headlines even now we know that it never really worked.

Revelation very nearly didn’t make the canonical cut. Many church leaders of the fourth century believed it spurious and not entirely helpful. It has, however, arguably become the most influential book of the Bible. Evangelicalism is hard to imagine without some kind of end times dispensational viewpoint that owes its existence to John of Patmos. Reformers, while not caring for the book, saw Revelation’s usefulness as a cudgel to strike at Rome. The papacy likewise saw it as a vivid threat against reformers. Those who took sola scriptura a little too literally used Revelation as the focal point of their hope and practice. Today we’re left with Left Behind and the Rapture and the Antichrist, whether they occur in Revelation or not. (They don’t, but who’s counting?) Pagels will give anyone plenty to think about here, and she’ll do it in surprisingly few words.


Night and Day

Jim was aghast. The joke had been entirely inappropriate. I had asked him about the Pentecostal service we’d just left. Jim was my college roommate and had invited me to see what his tradition was all about. I’d witnessed speaking in tongues before, but never on such a scale. That wasn’t what was bothering Jim, though. The minister had told a joke about a demon. It had something to do with a man possessed by a coffee demon. The exorcist declared to the demon “You have no grounds to be in him!” Inappropriate. It might make people think there weren’t real demons. We used to disagree on many points, but remained friends. I lost track of Jim. He dropped out of college to go follow a spirit-filled man in Waco who’d learned Hebrew and Greek without ever having studied them. His concern about that joke, however, raises an interesting question.

I’ve just finished reading Ralph Sarchie and Lisa Collier Cool’s book, Deliver Us from Evil: A New York Cop Investigates the Supernatural. It’s hard not to like Sarchie. A rough and tumble associate of Ed and Lorraine Warren, he is most sincere law enforcement officer (now, at my age, retired). Openly believing in the supernatural, claiming his traditionalist Catholic faith, he hates demons for the misery they cause both humans and God. I admire such unquestioning faith. At the same time he’s clearly aware of his own foibles and weaknesses—something we might like to see more often in the police force. He doesn’t doubt, however, that demons are real. The concern, however, is that he might sometimes be a bit harsh on non-Christian religions. He admits that he’s not the most studious of demonologists.

No doubt, belief is important. Belief with knowledge is even better, it stands to reason. Problem is, academic or scientific studies on demons are sorely lacking. Sarchie was an associate of the controversial Malachi Martin (whose book Hostage to the Devil I blogged about some time ago). I feel for someone who wants to know more but runs into the limits imposed by academia. Where do you find information if the recognized specialists in a discipline don’t write about it so regular people can read it? It is a real dilemma. A scientific approach would declare the events in Deliver Us from Evil (also published as Beware the Night, before being released as a movie) are anecdotal. This is technically correct. No laboratory procedure exists to confirm something science denies exists in the first place. The only weapon against such a foe is faith. Thinking back to college, I don’t know what happened to Jim, but on this point I’m sure he would have agreed.


Might As Well Read

During my recent travels I had a layover at Sea-Tac Airport. Since I don’t get out much, I always find a walk through the airport a way of measuring what other people find important. At least in a circumscribed way. When you’re traveling you’re limited in your options. Most airlines have addressed passenger ennui by offering devices with electronic entertainment. Instead of an in-flight movie, you’ll have choices of what you want to do, courtesy of the endless magic of in-flight wifi. So the thinking goes. Airports, it would stand to reason, will offer plenty of travel-size diversions. The kinds of things you’re allowed to take onto a plane but which won’t or can’t be used to harm others. A sign at Sea-Tac reads “Books. Food. And yes, beer. Just ahead.” An interesting choice of offerings.

I was strangely heartened by the pride of place given to books. Yes, people still find the book on a plane satisfying. Stories have a way of drawing us in. Making us forget that we’re in a cramped space filled with strangers and recirculated, pressurized air. Books have the ability to take us far away. It’s a magic that movies can’t always achieve. Books leave more to the imagination. I recently rediscovered this on a solo trip across the Atlantic. I used the opportunity to read a novel cover-to-cover. The impact was incredible. For those six hours I was on the ground, following the adventures of young people caught up in the liminal zone of adventure and love. It was a powerful experience.

On my daily commute I tend to read non-fiction. Perhaps it’s the result of earning a doctorate, or perhaps it’s the stigma of enjoyable reading being “fluff.” The great majority of books I read this way teach me a lot. I read about many different subjects, and have recently learned to make commuting time a type of research exercise. But then, a cross-country plane ride is different. While an evening commute from New York City can stretch to three hours or more, that’s fairly rare. Instead, air time is unbroken time. I look forward to it with the prospect of a good novel. Airports are one place where hoi polloi don’t mind hanging out in a bookstore. Yes, the fare will be mostly bestsellers, but anything that gets people to read is a good thing. And, of course, if that doesn’t work for you there’s always beer. Just ahead.


Making Excuses

Those of us who watch horror are often asked “why?” Many of us have a difficult time answering that question. To be sure, there are those who like thrills, blood, and violence, but some of us do not. We can’t seem to help ourselves—watching those in difficult, dark places hardly seems edifying, and yet we do it anyway. After reading Jason Zinoman’s book with the supernaturally long subtitle, Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror, I may have gained a little insight in my own case. Zinoman is a film critic, so he has an automatic excuse. What I found interesting among the narratives of the directors and writers of modern horror is that these were largely men who grew up with absent fathers. Not all of them, of course—demographics are never so neat—but enough of them to start to discern a pattern. The world can be a scary place without a father.

It’s no accident that some religions use the father image to refer to God. Amid the chaos and uncertainty of life that has evolved to benefit the aggressive, the more contemplative often experience fear. Having grown up without a father, I think I might have a better idea now about why I watch what I do. As I’ve often told family and friends, I do not like being scared. Startle moments in movies bother me. I don’t like blood and gore—I’m squeamish both in real life and in the diegesis of the film I’m watching. Yet something compels me to keep coming back. Is it related to the fact that many of those who gave us the classics in the field (and yes, there are bona fide, canonical members even in this genre) know this same sense of childhood alienation that I did? The missing father is, in our culture, a source of horror.

I don’t mean to overly psychologize what Zinoman is doing here. He’s telling the untold story of the auteurs of the field. Some of them are familiar and others less so. They tended to grow up reading H. P. Lovecraft—I’m more of a Poe fan, myself, although Lovecraft still manages to deliver an existential angst that will do in a pinch—and they found ways of expressing the anxiety of being alive. Most of them are highly intelligent people. Some have even been professors. They learned to tap a deep source of fundamental fear that speaks to some of us on a level that other emotions don’t. I still can’t say why I enjoy a good horror film, but maybe now I’ll be able to do so without feeling like I need to make excuses.


Making Lovecraft

Perhaps it’s all just coincidence, but once in a while a number of unexpected things come together. Since I do a lot of reading this often happens in the context of books. The current case begins with my first noticing Matt Ruff’s Lovecraft Country. I saw a review online, and since I enjoy contemporary novels that build on the worlds created by H. P., I added it to my reading list. The first coincidental aspect of it was that I found in Buffalo Street Books in Ithaca. Like most independent bookstores, it’s not huge, so the selection of books that cater to my odd tastes is always adventitious. I found it on the staff recommendation shelf and recalled that it was on my reading list. A second coincidence came in finding Neal Stephenson’s name under a cover blurb. My brother-in-law’s name is enough to get a book onto the bestseller’s lists, but I had no idea this kind of book would be to his tastes as well.

I began reading it right away. The third happenstance is that Ruff crafted a biblically literate story here. In a day when those of us associated with the Bible are definitively passé, it is nice to see popular fiction fighting back a little bit. Not that Ruff is advocating or proselytizing, but his finely tuned story is definitely enhanced with a bit of biblical knowledge. He’s unapologetic about it. In our religion-critical outlook these days we sometimes forget that the Bible has several stories that maintain, and even reward, contemporary interest. The most obvious example in Lovecraft Country is the story of Cain. There are plenty of others that can be dug out as well, and Ruff even leaves some on the surface so that they aren’t hard to find. Not that this is a religious book. It’s just not afraid of religion.

Some may find that odd in a homage to the noted atheist Lovecraft. What they may not see is that the master himself used religion from time to time in his tales of horror. Also, for those who are willing to be honest, we know that an unsavory racism resided in Lovecraft’s outlook. Ruff, like other writers who see the positive side of this author’s work, tells a story of African-American struggles in the “idyllic” 1950s. The protagonists, dropped into a world of real Lovecraftian magic—and in a very self-aware way—are all a close-knit black family and their friends. Which led to another coincidence. Quite unconnectedly, I’d been reading Dr. Jekyll and Mr. Hyde. This plays an important part in the story as well. Sometimes reading itself can lead to a cascading set of coincidences. Lovecraft Country is one instance where it happened, but that may just be my unusual taste in books.


No Place to Hyde

“I was driven to reflect deeply and inveterately on that hard law of life, which lies at the root of religion and is one of the most plentiful springs of distress.” These words occur near the beginning of Dr. Henry Jekyll’s confession, the very manuscript that closes Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Upon reading the book, along with the preface and afterword clearly meant to pad out the thin volume, I realized that I was not alone in having known the story all my life but never having read it. Western culture is steeped in the idea like so much strong English tea. The story of the divided self. The eternal question of who I really am. Like Frankenstein’s creature, Jekyll and Hyde found immediate resonance in the pantheon of monsters. Here was something with which we could all identify, but which we all would deny. Or would we?

Jekyll notes that the root of religion—proper behavior, moral living—is a source of distress. And this before the era of Nones and non-believers. Religion has that reputation. “Be good or else!” Or fire insurance, as some call it. Religion, in the popular imagination, isn’t so much about sublimity any more. Or transcendence. Somewhere along the way it got fixated at about the level of our genitals and what we should never, ever do with them. Hyde’s sins, as commentators frequently note, are anything but explicit. He tramples a young girl and kills an old man. Beyond that we know nothing of his monstrosity. Is it so hard to believe the restraint concerns his sexuality? After all, his friend Utterson—well, Jekyll’s friend Utterson—enjoys his wine. Both respectable men seem to have hearty appetites. Apart from violence, what other dissipation is there?

Like many first-time readers I can’t recall how I first learned of the mad scientist and even madder thug that make up the namesake of this story. For some reason I never made—even remotely—a religious connection with it. It was a monster story, after all. Innocent fun for a Saturday afternoon. The experience of reading the book was a bit more jarring than that. Jekyll’s confession isn’t exactly easy to read. It is like going to the confessional with the curtain drawn and all the lights on. And yes, the implications are religious after all. It is a little book with a big point to make.


Average Reality

One of the stranger dynamics of higher education is its unquestioning acceptance of a one-size-fits-all methodology. Don’t get me wrong—the empirical method works. The only real problem with it is that not all phenomena in the universe cooperate with human observation. It’s something I call the problem of occasional phenomena. Perhaps because of the rancid taste left in scientific mouths by lingering creationism, anything that isn’t slow and regular enough to be directly or theoretically observed simply can’t fit in this old world. The weird, the anomalous, the strange—these open the door to possible spirits and spirits have no way of being measured. At least not yet. The most convenient way to deal with them is to call them superstition and end the discussion right there.

The larger problem is that people see things. Unless said people are scientists, they are considered amateur observers, liable to mistake what they see. The classic example of this is ghosts. From the beginning of recorded history people have claimed to see them, or hear things go bump in the night. Some of the first modern people to make a profession out of exploring such things were Ed and Lorraine Warren. Unfortunately, they didn’t write books about their experiences. Largely because of movies made about some of their high profile cases, there has been a resurgence of interest in the couple and the books originally published by other presses, such as Prentice Hall and St. Martin’s, have been reissued by Graymalkin Media. These are co-written tomes of uneven quality. They’re also like candy—once you start on them it’s hard to stop. Gerald Brittle’s The Demonologist is one such book. More than others in the collection that I’ve read, it concentrates on a single phenomenon that overlaps with the world of religion—demons. Unlike trained religion scholars, however, the Warrens aren’t shy about declaring what demons are (fallen angels) and how they differ from devils (it’s all about rank).

What makes these books so interesting is the dispassionate description of the cases the Warrens investigated. Unless they are pathological in their connection to telling untruths, there’s some very odd stuff that goes on out there. Although they declare once in a while that other religions and their practitioners can also deal with demons, there’s a simple kind of black-and-white view of morality that fits what you might have learned in Sunday School. One of the reasons for this, I suspect, is that most academics don’t take an academic interest in demons. Once they’re filed in the mythology folder there’s no reason to try to figure out what they might “really be.” The Warrens’ outlook, therefore, has become canonical among ghost hunters. They certainly have more credibility in that crowd than most Harvard Ph.D.s. It’s funny what can happen when you refuse to explore what the average person considers to be just as real as the physical world we all think we know so well.


Literary License

Whenever I orient myself to a new place, I tend to do so by the writers who’ve lived there. As a family we used to take “literary trips” to visit locations associated with famous writers. While in the Midwest it was often Laura Ingalls Wilder, and once, Mark Twain. Here in the east there has been considerable diversity. Several locations associated with Edgar Allan Poe have informed our travel plans. H. P. Lovecraft (although, to be honest, we always had other reasons to be in Providence) naturally followed on from Poe. We visited the property of Edna St Vincent Millay in Austerlitz, New York, and later in the same trip Sleepy Hollow, to find the haunts of Washington Irving. Famous writers can be found in just about any major city and many small towns. Now that Ithaca is in our regular orbit, I’ve begun to consider the implications.

Carl Sagan is probably the most well-known of the city’s past celebrities. His premature death added an almost Gothic element to his fame. Certainly among the sphere of his fellow academics known for fiction is Vladimir Nabokov. An entomologist by trade, Nabokov turned to writing and teaching. His lasting renown in this field was for the novel he tried to burn before it was published, Lolita. Before I knew Ithaca would be in my future, and indeed, before I knew that Nabokov was either a former resident or an entomologist, I read the novel. It’s a challenging book. Humbert Humbert is as flawed a protagonist as one might find, and any character guilty of child molestation is difficult to read even in the protection of fiction. Perhaps that’s why the novel won such acclaim. The experience of men and women who read it, I suspect, is very different. It’s a novel of moral urgency.

In perhaps a more innocent time, E. B. White attended Cornell. Apart from The Elements of Style, his book-length oeuvre was mostly in the realm of literature for children. This brings the the focus back to youth. Our childhoods—whether we acquiesce to what fate seems to demand or challenge our lot hoping to improve it—make us who we are. As the years increase in number the memories become more fiction and less fact, they nevertheless remain the touchstone for anchoring our understanding of self. Some of us constantly measure ourselves against the future we clawed for as a child, like those pencil marks on the doorpost showing our physical progress. Having been unable to afford the luxuries of travel when I was young, I add a notch to my literary belt every time I travel to Ithaca, knowing full well that only the slimmest of minorities could find my very obscure hometown on a map. If I remember correctly.


Epics of Humanity

The Epic of Gilgamesh survived only by being buried. Its survival is perhaps less surprising than its discovery after having been lost for many centuries. Reading Andrew George’s translation of the tale reminded me of reading Beowulf. Not only are the two of them hero tales, they are both “sole survivors” in the sense that they define the literature of their respective eras in a way no other text does. Yes, there are other Mesopotamian epics, but Gilgamesh, it was immediately recognized, deals with existential issues in a way that’s thoroughly modern. It is set apart from other ancient literature for that singular achievement. Fear of death leads Gilgamesh to amazing feats even if it only ends in a yad wa-shem. We can feel for Gilgamesh. Although he’s a king, he has to face the demise common to all people, and the language used to express his emotions is touching even today.

Beowulf, while singular in a way Gilgamesh isn’t, also leaves the reader wondering what is left of life if not some kind of fame. Beowulf may defeat Grendel, but the dragon mortally wounds him. If his tale had not survived in the back of an old book we wouldn’t be discussing him still today. How narrow that gap between fame and obscurity turns out to be. For the vast majority of us obscurity awaits since few can be recognized by the many. Like Gilgamesh or Beowulf, we know the consciousness inside this head and we feel that somehow we have a purpose. It takes daily life to drive that out of a normal person. The hero, however, refuses to let the odds win. There’s a profound hope here, in these narratives of denying the final fear the final say. In George’s edition the inclusion of other Gilgamesh tales outside the epic texts reinforces that point repeatedly.

Humans are meaning seekers by nature. Some simply accept the illusion of apparent reality and ask for little besides. Others cannot rest knowing that there is more to be understood, or, in the parlance of outmoded means of expression, to be conquered. When life says “Enough,” Gilgamesh refuses to acquiesce until his options run out. For many centuries his story was set to be lost forever. Latter-day restless minds, however, dug in the dirt until something truly extraordinary was discovered there, free for the interpreting. So it is that heroes come from nothingness. Many return to obscurity. Those that are found and venerated experience a resurrection the envy of many a god. Speaking to strangers across millennia is indeed immortality, even for those whose lives must end like all others.


1985

My edition of 1984 contains an afterword by Erich Fromm. I’m afraid I’ve been in publishing long enough to be somewhat cynical about “value-added content” that’s used to sell subsequent printings. Those who buy a book off the shelf want the text of George Orwell’s classic, not the comments of some academic, right? The intended market, however, is for classroom use—the sweet spot for academic publishers. A few adoptions at major university and what is otherwise any old tome from the used book market becomes a profitable venture. My edition of 1984 is a 62nd impression with a copyright of 1961. The class I took where it had to be read was two decades later than that. In any case, Erich Fromm. I first learned about him in college, and given the underlining in his essay I know I read it back when I took the class. In rereading it decades later, an un-remembered point came clearly to me—Fromm’s brief essay is on prophecy.

In the popular mindset, prophecy is predicting the future. While there’s some element of that in the Bible, by far the majority of prophetic texts serve as a warning to change how things are done before it’s too late. There’s a contingency about it. “Or else.” If there’s no possibility of change, why castigate people you’re only going to destroy anyway? Prophecy, despite its often dire outlook, is ultimately hopeful. Wrote Fromm “it was quite obviously [Orwell’s] intention to sound a warning by showing where we are headed.” But more important are the next words: “for unless we succeed in a renaissance of the spirit of humanism and dignity” all will be lost. The spirit of humanism.

Fromm was writing during the nuclear fear that I recall very well from childhood. As soon as I was old enough to comprehend what we had created, I feared we would eventually loose it upon ourselves. I was hardly a humanist at the time, but I was, even in my young days, an unwitting advocate of its spirit. I believed all people had a chance, or should have a chance. Foreign evil, as it was being presented by Ronald Reagan, seemed more fictional than Orwell. The average person didn’t want war. It was the Party that needed our fear. I graduated from college, seminary, and my doctoral program, eventually forgetting Fromm’s words. The Whitehouse had finally found its way out of the Bushes and into moderate humanism. Then Fromm came back.


Editing Sheep

Many academics I know dismiss editors as just another species of laity put on earth to serve the guild. There’s perhaps some truth to that. Without people to write books—and few beyond the professorate are granted the time and leisure to do so—we’d be without a job. One of the more hidden aspects of being an editor is, however, its prophylactic role. One thing that those of us who’ve written books know is that we get pretty close to our subject. We have to. Writing a book while viewing your topic from a distance is possible, but not desirable. Being too close to your subject, however, often leads to extreme myopia. Many are those who are quick to dismiss editorial suggestions wonder later why their books didn’t do better. Think about it. Editors, by definition, read all the latest stuff.

We’re kind of like shepherds, my fellow editors and me. We try to keep the ideas in order. We’re not the owners—the authors are—but without an able shepherd you soon find yourself lacking the sheep that make you wealthy. The benefit of an editor is having dispassionate eyes—often knowing eyes—viewing a nascent book without the love of a parent. Don’t get me wrong—we often have great fondness for those books we didn’t write. We can tell the author something s/he is too attached to the text to notice. We can help the writer avoid mistakes. Not that we’re perfect, but we are critical because we’re rooting for you. Facilitators.

It used to be common for editors to be authors. With the growing atomization of specialization, however, this is fairly rare these days. As a colleague of mine once put it, editors are more like deans than faculty. We look at book budgets and statistics. We face the harsh realities. And some of us were once faculty. I receive dismissive notes now and again, supposing that I’m an English major who made it good. Unlike many editors, however, I write. I’ve sat on both sides of this desk and when I offer advice it’s for your own good. Academics and publishers need each other. For one, without books there’s no promotion. Without books, for the other, there’s no paycheck. Like any shepherd, however, we know that the sheep are the important assets. We shepherd ideas into books. But you have to trust the shepherd to do the job.


Sky Blue

How do you capture a true and abiding fascination in words? That’s a thought that comes to me once in a while when I think about the sky. It’s so hard to define, yet it’s always there. To quote myself: “To understand the weather is somehow to glimpse the divine” (used with permission). I waited for The Imagined Sky: Cultural Perspectives, edited by Darrelyn Gunzburg, for years. I think I first saw an ad for the book two years in advance of publication (yes, scholarly presses can do stuff like that). I kept stopping by the Equinox booth at AAR/SBL to see if it was available. It was the same kind of drive that led me to write Weathering the Psalms. That hope of grasping the intangible. To hold the sky itself. One of my early creative writing club stories was about a boy who wanted the sky. I wanted this book.

Like all books of essays from different authors, it’s a mix of fruits and nuts. There’s some very interesting pieces in here while others seem to have been made to fit only with some difficulty. Still, the sky. I admit to being somewhat disappointed as I read along. This wasn’t for research—my book on the topic is already done—it was for pure intellectual curiosity, what passes for pleasure among academics. Many of the pieces were mired down in detail. Written bout the sky, they refused to soar. Then I came to Tim Ingold’s essay. Here’s what I’d been looking for. Someone who knew the sky could only be approached in terms that contradict themselves at every turn. There is something to say about the daytime sky. It has to do with the nature of light. And of the sky seeing us.

The sky, by definition, is larger than this rocky substrate we call home. It encompasses everything above us. I work in a cubicle with no access to outside windows. I wilt daily like a plant deprived of sun. (Although the wonderful article on light pollution by Tyler Nordgren gave me pause over even that.) I need to see the sky. When clouds block my view, my outlook begins to suffer. It’s that ethereal cerulean I crave. Without it I am but a troglodyte eking out a minimal survival on toadstools and lichen. The sky is our orientation. It is our timepiece. It is eternal. Of the things we do that are evil, polluting the sky is one of the most unforgivable. The key may be in the word “imagined,” but if we could only understand the sky we will have found true religion. They’re called “the heavens” for a reason.


Serpent Number One

I haven’t read The Essex Serpent by Sarah Perry. Yet. My reading list is frighteningly enormous and constantly growing. I just can’t seem to get on top of it. In any case, my wife sent me an NPR interview with Perry that set me to thinking about monsters. (It really doesn’t take much.) One of Perry’s answers in the piece by Ari Shapiro stopped me in my tracks. Perry admits that recent political events have made her question her belief in benevolent humanism. I’d never thought of our current crisis in that way before. This is one example of what happens when it’s—pardon the expression—every man for himself. We’ve stepped away from religion as any kind of public conscience. The religious right doesn’t fit any classification of religion that I know of, so I’m discounting it as a legitimate form of belief. When we look out for number one, a self-appointed number one takes over.

With an insidiousness that can only be called evil, our elected “representatives” tried to sequester away the facts of their healthcare bill that they wanted to ram through in order to give the wealthy serpents tax breaks. The thing about looking out for number one is that you’re only number one to yourself. There can only be one one. Lining one’s pockets with the tax money of others is a trick as old as civilization itself. In ancient times, however, they at least called themselves kings and emperors and made no excuses for what they were doing. We said we were advanced enough to do without the religion that supported these outdated views. We’re back to the days of kings and emperors. Anyone who believes differently is fooling him or herself. There have been snakes in the garden from the beginning. Getting rid of religion won’t clear them from the grounds.

There are many benevolent humanists. There are many more who are suffering under the weight of current political systems. Unhappy people elect dictators. It has happened before—in the current lifetime of many, no less. The warning signs are all there to be ignored. The fruit sure looks nice, hisses our constant companion. Looking out for number two is the first step. Then number three, and twenty, and eight-billion. That’s benevolent humanism. Anything less is, well, a walk down the garden path. We’ve been down that path before. Those who trust serpents must learn to count. To do anything less is less than human.


Media May I?

“Television today plays too great a part in our national life for us to allow it to fall into misuse by unprincipled hucksters. We must demonstrate at the polls tomorrow that we will not be treated like suckers at a nation-wide Republican carnival.” The words aren’t mine. Nor are they of this decade. Orson Welles (not the actual source) was reputedly speaking for Adlai Stevenson in the 1956 campaign against Dwight D. Eisenhower. There is a larger context, of course. That context, with a changed cast of characters, reaches right up to this minute and is explored in David Haven Blake’s Liking Ike: Eisenhower, Advertising, and the Rise of Celebrity Politics. In the 1950s Eisenhower disliked and distrusted television as a serious political tool. As Blake traces the story, however, his televised likability led to key components in the elections of John F. Kennedy and the once Democratic Ronald Reagan. Americans, swept off their feet by media advertising, ceased to elect the better candidate, starting over half a century ago.

Don’t get me wrong—Blake is no conspiracy theorist. His book was published before the otherwise inexplicable election of Donald Trump. It is a disturbing thesis to contemplate. The progression is impossible to miss. Eisenhower permitted Madison Avenue ad men to commodify him, reluctantly. John F. Kennedy embraced the media. He was, however, a career politician. Richard M. Nixon tried to play the game, and did so sufficiently to win. Meanwhile, Ronald Reagan, a Democrat inebriated by the money and power of big business, was a B-movie actor cum politician. He won elections like any high school popularity contest. The course was laid. Elections would be won or lost on superficial appeal. No longer would education, intelligence, and the good of the nation be primary in the minds of the electorate. We would vote the way the media decided we would vote.

Blake’s book, as stated, was written before Trump. Many noted last year, although the media was against him, it handed him the election. Front and center in headline after headline, in retrospect how could the election have gone otherwise? His narrow victory (and downright landslide loss in the popular vote) required every bit of energy on the side of reason to combat. Reason, however, is hardly a worthy opponent to media. We want an entertainer, not a leader. After all, that’s what television’s for. Even now the Tweeting’s on the wall. We mainline our news and wonder why things are the way they are.


Science of the Immaterial

One of the truly frustrating things for the honestly curious is a lack of good resources. Specifically here I’m talking about ghosts. More generally, about the supernatural. “Don’t worry,” laugh the reductionists, “there’s no such thing.” But some of us are seriously curious. Those who are willing to admit candidly the events of life will eventually confess to things they can’t explain. People have been seeing ghosts since at least the Stone Age, and yet finding a serious, non-dismissive approach to the topic can be annoyingly difficult. Curious about the background to the film The Conjuring, I wanted some kind of objective treatment to the Perron family haunting. One of the girls involved has written a three-volume treatment, but that will take some time to get through. So I turned to the investigators, Ed and Lorraine Warren.

The Warrens were (Lorraine is still alive) some of the world’s first ghost hunters. Self-taught and deeply religious, they referred to themselves as demonologists. Lay Catholics, they couldn’t perform exorcisms, but they could assist in them. Apart from the Perrons, they investigated Amityville, the haunted doll Annabelle, and the Snedeker house, and many other famous cases. A guilty pleasure read, Ghost Hunters, written by Robert David Chase, along with the Warrens, thumbs through several of the investigations. When all is read and done, however, people who claim to know better accuse the hauntings of hoaxing and since there is no arbiter, the curious are left with that unsatisfying state of “he said, she said,” but no real answers. Ghost Hunters contains a potpourri of cases, mostly of demonic possession. Nothing about the Perron family, though.

No doubt much of the hoopla around reality television ghost hunting is clever marketing and nothing more. Even the acclaimed Ghost Hunters were caught gaming the system a little on their Halloween specials. That doesn’t stop people from seeing ghosts, however. Some academics have attempted to address the issue and soon find themselves in untenured positions (so much for freedom of speech) or mocked by their more “serious” colleagues. What ever happened to old fashioned curiosity? Materialism isn’t the only show in town, is it? We need treatments of the subject that move beyond the anecdotal. It’s difficult to get a ghost into the machine, apparently. Science hasn’t figured out a way to study the immaterial yet. Until it does, those who want to know the truth will be left relying on those who make a living by addressing questions even empiricists fear to ask.