In Black

When autumn rolls around my hankering for gothic literature ratchets up.  It’s really my gothic sensibilities that make me watch horror films, seeking some kind of transcendence.  Some time ago I heard about the movie The Woman in Black, but I’ve never seen it.  I learned about the novel by Susan Hill, on which it’s based, and decided to check out the written form.  (I almost always like the book better than the movie anyway.)  The story is indeed moody, set in, as these stories often are, a remote part of the coast of England.  A lonely house cut off by the tide.  A hidden past full of secrets.  The plot is one of a vengeful ghost, and therefore the whole is somewhat supernatural.

I couldn’t help comparing it to Andrew Michael Hurley’s The Loney, which is also set on the coast of England, and also features a house cut off by the tides.  The storylines are quite different beyond that, but it is often the setting that makes gothic tales so, well, gothic.  The Woman in Black builds up the story slowly, intimating that something is wrong near the start, but not really giving too much away until near the end.  It isn’t really the conclusion, however, that a gothic reader is after, as much as the feeling.  Being immersed in a spooky setting where you’re not sure what’s going on.  There’s a kind of release in that.

I’ve often tried to figure out why this type of story appeals to me.  It’s certainly something to do with my childhood.  We didn’t live in a very gothic place.  My hometown was working-class normal, it seemed to me.  When we moved into the first apartment I remember, the setting did become gothic to an extent.  It was an older building that still had gas jets jutting through the walls from the days before electricity.  One of the bedrooms was painted black.  There was a huge crack in the linoleum in the hall that had the potential to trip you if you weren’t paying attention.  It was there that I first became aware of liking gothic settings.  It was the place I discovered Dark Shadows and began to find it strangely homelike.  Many of us, even with less-than-ideal childhoods, often look back to them with a kind of happiness that we just can’t seem to attain as adults.  Mine included some gothic elements, and reading novels like The Woman in Black takes me back there, if only for a little while.

Being Equal

With all that’s been happening lately—as 2020 shudders along—we find ourselves at the equinox.  For some of us the weather has already been unseasonably cool, feeling like mid-October rather than September.  It stands as a reminder that the wheel of nature continues to turn, despite human foibles and plans.  Some trees have begun to sense the change and have started their winter fast while others keep their green to suck the last possible sugar from the sun.  Days have been getting shorter since late June, of course, but now the drama will increase until the winter solstice has us in the dark for much of the time.  It all depends on where you live, but for me the temperate zones have always been home.

I suspect our various predilections toward the oughtness of the world depend in large measure on what we experienced in childhood.  I knew winter before I ever experienced summer and the transitional seasons have always been my favorites.  The idea that we can take more time and reflect, it seems to me, mirrors what happens in autumn.  It’s cooler, so we spend time indoors a bit more.  Some years that doesn’t kick in until later, when the heat is on and there’s a coziness to a house that’s been left to nature’s fever all summer.  Windows are shut and locked.  Artificial warmth reminds us that we can find some solace inside.  Meanwhile the trees show us the proper way to face harsh conditions, and yet half a year from now we’ll be eagerly watching for buds.  The Celts, temperate zone dwellers, thought of this change as the wheel of the year, slowly turning.

From where I sit in my study, with south and west-facing windows, I watch the path of the sun.  Having worked in a cubicle with no outside windows for years, I was always disoriented at the end of the day.  Now I can watch and begin to understand.  The difference is really striking if you have a single place from which to watch it unfold.  The sun is so much higher in the sky in July that it’s evident we’ve entered a new phase now.  Instead of being overhead at noon, the shining orb rolls more to the south, sending blinding rays directly through my window.  When it reaches the west (where it will, before long, sink before touching that window) I know the work day is over.  It’s no wonder our ancient ancestors kept this transition with holidays we’ve long sacrificed to capitalism.  I can still, however, see the changes and appreciate them for what they are.

Marching down the Middle

It is true that I have a fondness for nineteenth-century British novels.  Even though they often lack a strong speculative element they tend to be gothic, at least if written by one of the Brontë sisters.  I’d only ever read one of George Eliot’s novels before, and that was in ninth grade.  Middlemarch has been on my list for many years, but due to its intimidating size I’ve kept putting it off.  Now that I’ve read it I feel like I’ve accomplished something.  I had no idea what the story was about in advance, and no idea how it ended.  Unlike many pieces of literature of its time it hasn’t made a huge impact in pop culture, so this was the opportunity to lose myself for a few months in a world completely unknown.

I’m not foolhardy enough to try to summarize an 800-page novel here, but one aspect that the reader can’t help but notice is the prominence of clergy.  And not only prominence, but prestige.  In a world built around the solid belief in different classes of individuals, where pride takes a place in marriages that are supposed to be within class, the clergy are minor nobility.  Since this is the Church of England the vicars can marry and indeed, one such marriage sets off the tension that lasts throughout the hundreds of pages to come.  The clergy of the time were often gentleman scholars—the role that was envisioned for Charles Darwin as a young man.  Eliot plays on that idea with some of her preachers being amateur scientists.

The conflict—that now feels inherent—between science and religion has less to do with older forms of Christianity than it has to do with evangelicalism.  A relatively new expression of Christianity, evangelicalism set itself against modernity and its science.  Quite often today when commentators rail against “religion” it is really evangelicalism that they have in mind.  In the world Eliot sketches, she sees no difficulties between a rational view of things and an ecclesiastical one.  Clergy are often seen at the whist tables and taking long walks down country lanes.  The distinction between them and the average citizen is that they have been to university to study.  Today, in mainstream Christianity anyway, clergy are educated at least to the master’s level.  They’re no longer among the minor nobility, however.  Middlemarch has more than a hint of nostalgia to it, and the clergy roles show that clearly.

Just the Beginning

It occurs to me that my post on Sunday may have been a touch cryptic.  (I can be naughty at times.)  Horror Homeroom was good enough to publish a piece I’d written about the movie Midsommar, a film that got its hooks into me earlier this year.  Here’s the link in case you’d like to read it (it’s free): http://www.horrorhomeroom.com/midsommar-and-cross-quarter-day-horror/.  It’s not an article using the Bible and horror as in yesterday’s post, but rather it is an exploration of the broader relationship between horror and religion.  The origin of religion has long been a fascination, and the more I look into the connection with what makes us afraid, the more I find in common.  But why midsummer when summer’s only just beginning?

Ancient peoples in temperate zones, according to the records they left behind, carefully observed the change of seasons.  Without a tilted, spinning globe as a model the science of the time (which was likely their religion) suggested that the heavenly bodies were migratory.  If you use raw observation that’s what seems to be the case.  Now that I sit in the same office every day with a south and a west window, it becomes very clear how the sun shifts over the course of the year.  In the winter it seems to be on a journey far to the south.  Religions of such science would want to know, of course, when it would start coming back.  The years were divided into segments—we still recognize four of them in our seasons although, in truth, they are merely gradual changes that take place in the weather as the earth’s tilt moves our hemisphere toward or away from the sun.

Midsummer was a northern European festival to celebrate the longest day.  Whether this is the start of summer or the middle of summer is merely a matter of interpretation.  The film Midsommar plays on the disorienting long span of daylight in northern Sweden.  Without the dark to guide us, sleep and the regular rhythms of daily life can become difficult.  When the people believe the old religion, well, let your imagination run wild.  Horror films often lurk in these transitional times of the year.  We tend to associate them with Halloween, but there’s enough to be afraid of right now.  Not all horror has religious components, of course.  Nevertheless it has been there from the beginning, from when van Helsing pulled out a crucifix to frighten off Dracula.  And it continues, in perhaps more sophisticated ways, even in the broad daylight.

Cross Quarters

Happy Beltane!  We could use a holiday right about now.  For those of us who are under the spell of intelligent horror, May Day brings The Wicker Man to mind.  Not the remake, please!  I first saw it about a decade ago—my career history has made watching horror an obvious coping mechanism—and I was struck by the comments that the film was a cautionary tale.  One of the problems with being raised as a Fundamentalist is that you tend to take things literally and I supposed that the cautionary tale was against Celtic paganism.  The Wicker Man is about the celebration of Beltane on a remote Hebridean island, and it was only as I watched it a few more times and reflected on it that I came to realize the caution was about those who took their religion too seriously, pagan or not.

Photo credit: Stub Mandrel, via Wikimedia Commons

Lord Summerisle, after all, admits that his religion was more or less an invention of his grandfather.  More of a revival than an invention, actually.  In other words, he knows where the religion came from, and he has a scientific understanding of the soil and how and why crops fail.  That doesn’t prevent him from presiding over May Day celebrations to bring fertility back to the land.  The people, as often is the case with religions, simply follow the leader.  Of course, Beltane is a cross-quarter day welcoming spring.  It is celebrated in Celtic countries with bon fires and obviously those fires are to encourage the returning of the sun after a long winter.  The days are lengthening now.  I can go jogging before work.  The light is returning.

Capitalism, which is showing its weak side now, doesn’t approve of too many holidays.  Like Scrooge they think days off with pay are picking the pockets of the rich.  The government stimulus packages show just how deeply that is believed in this country.  Celts we are not.  So as I watch the wheel of the year slowly turning, and see politicians aching to remove restrictions so that money can flow along with the virus, I think that cautionary tales are not misplaced.  The love of money can be a religion just as surely as the devotion to a fictional deity.  Herein is the beauty of The Wicker Man.  Beltane is upon us.  As we broadcast our May Day it could be wise to think of the lessons we might learn, if only we’d consider classic cautionary tales.

Begging Your Question

I still remember when I first consciously heard it.  The phrase “begging the question,” I mean.  I was a doctoral student at the time and one thing you do in grad school is ask a lot of questions.  I asked my advisor what the phrase meant.  “Asking a question when you’ve already assumed the answer,” he replied.  I’ve been writing quite a lot about feedback loops these days, and this was yet another of them.  Begging the question, in other words, is a fallacy where the asker isn’t seeking an answer, but is attempting to persuade another of a pre-decided outlook.  The concept is subtle, but important.  That’s why it disturbs me that most academics these days use the phrase “begs the question” when they mean “asks the question.”

I’m afraid I don’t have statistics here, but I read academese all day long—it’s my job.  I can’t footnote where this occurs but I can attest that it happens all the time.  Whenever I read “begs the question” I stop and reason it out.  Does the author mean “begs” or “raises” or “poses” or “asks” the question?  Begging a question isn’t the same as raising or posing or asking it since the latter three indicate an answer is being sought.  Precision in thinking is difficult work.  It can give you a headache.  We all fail sometimes.  Perhaps that’s why we eschew it, as a society.  It’s much easier to beg the question.  Still, doesn’t that mean this valuable concept is in danger of losing its, well, value?

I realize that posing such a question makes me sound like one of those old guys who says, “back when I was a youngster…” but the fact is the educational system in the United Kingdom made you ask lots of questions.  In a way that’s unheard of over here, where money assures your credentials, I knew two students who failed out of the doctoral program at Edinburgh when I was there.  One of them an American.  It wasn’t just a matter of laying your money on the barrelhead and walking out the door with a diploma.  I’ve read certified copies of dissertations (not from institutions in the United Kingdom) where Zeus was spelled “Zues” (throughout) and the biblical seer was called “Danial.”  Now, I suppose that raises the question of the value of degrees where you don’t even need to spell your subject’s name correctly.  Begging the question is a fallacy, not a synonym for asking.  And I know that if your thesis begs a question then you’re barking up the wrong tree, but that won’t stop you from landing a job in the academy.

Reading Education

Perhaps like me you’re afraid of the news.  Not because it’s fake, but because it’s real.  Then every once in a while curiosity gets the better of me and I uncover my eyes.  Sometimes you can’t help but see.  With the utter mess we’re in over here, it’s difficult to keep up with news from other countries we know.  I’ve lived in the United Kingdom and I’ve worked for British companies.  Needless to say, I wonder what’s going on over there from time to time.  Lately I’ve been getting auto-replies to my emails to British colleagues stating that they’re on strike.  I asked a friend in the UK about this.  It used to be the professorate was treated with some regard in Her Majesty’s domain.  Not being a financially minded person, I haven’t been aware of how deep or devastating our capitalism-induced recessions and depressions are.  Apparently they’ve been bad enough to derail even British higher education.

Compensation for the professorate has been eroded away.  Their pension plans have been depleted.  Knowing the problems we have over here with professors refusing to retire, I was surprised to learn the UK has the opposite problem—professors unable to afford to retire.  Now, lecturing isn’t physical labor, but class preparation (and committee work) take a considerable amount of effort.  I could see not retiring if it meant lecturing only, but with everything else required, not retiring would be, well, exhausting.  As over here the root of the problem is that higher education is the route into which many smart people are steered.  You’d think it’d be a wonderful problem to have too many highly educated people.  It’s not.  With advanced study comes advanced debt.  And limited employment prospects.

There are nations in the world where higher education is deeply valued.  Where educated people are respected.  Ironically, the nations enamored of capitalism aren’t those places.  The only learning that’s required is how to get money from someone else.  Beyond that, the rest is commentary.  British higher education has fallen on hard times since I read for my Edinburgh doctorate.  Schemes have been put in place to ensure faculty are being productive.  Yes, there are some lazy ones.  The majority, however, pull their weight and then some.  And now they’re being told they must do so until the grave.  No retired professor wants to spend her or his old age bagging groceries at Sainsbury’s.  And so they’re going on strike.  If only the world valued knowledge more than money there might be some news worth reading.

Symmetry Synergy

Symmetry.  It’s pleasing to the eye.  And significant dates are often the basis for holidays.  Today is one of those extremely rare palindrome days.  As my wife pointed out to me 02-02-2020 is a configuration that hasn’t occurred since 01-01-1010, or over a millennium ago.  The next one will be after we’re all long gone, on 03-03-3030.  Not only that, but today is part of a holiday cluster.  It’s Groundhog Day.  Yesterday was Imbolc, the Celtic cross-quarter day initiating spring.  Imbolc is also known as St. Brigid’s Day.  Today is called Candlemas, by liturgical Christian tradition.  We are living through a truly unique day.  Every day, I suppose, is unique, but the spirits are afoot today.

I’ve written about Groundhog Day before.  With its prognosticating rodent, it tells us if spring is on the way or if it’s going to be delayed.  Imbolc falls about halfway between the winter solstice and the vernal equinox.  In Celtic cultures this was a cross-quarter day, a time of uncanniness.  Spirits cross between worlds on days such as this.  In days of yore, it was also the feast of the goddess Brigid.  Christianity has always been an opportunistic religion.  When missionaries to places like Scotland and Ireland couldn’t convince the locals to give up their deities, they made saints of them.  St. Brigid is a fabrication of a Celtic goddess, not an actual saint.  For similar reasons in the quarter-year counterpart to Imbolic, Samhain, the church moved All Saints Day to November 1 and All Souls to November 2.  The Celts continued using the trappings of their cross-quarter day and eventually gave us Halloween.  Imbolc never caught on in quite the same way.

The early Christians didn’t know when Jesus was born.  Christmas was established on December 25 because of all of the solstice celebrations at that time of year.  All that pagan jubilation had to be subsumed under a more solemn occasion.  Building on that mythical date, New Year’s Day was January 1 because that’s when Jesus would have been circumcised, eight days later.  Thirty-three days after a male child’s circumcision, a woman was to make an offering for purification in the temple.  According to Luke, Mary did this, and 33 days after January 1, in keeping with our fictional date-keeping, is February 2.  A tradition grew that Christians would bring their candles to church to be blessed that day (Jesus being the light of the world).  This blessing of candles was named Candlemas.  I first encountered it at Nashotah House, where it was still celebrated even as a sleepy woodchuck in Punxsutawney was rubbing his eyes.  Not exactly a palindrome, but there’s a remarkable symmetry to it, no?

Memories of Scotland

I admire those who follow their dreams.  I have been writing fiction for over forty years now, and although I’ve had some success placing short pieces my novels haven’t found much interest.  So when I see the published work of someone who obviously loves writing as much as Ailish Sinclair does, it warms my heart.  Her debut novel, The Mermaid and the Bear, is the kind of historical fiction tinged with a little fantasy, all set in Scotland.  Having spent three happy years in Scotland myself, I like to read native writers.  One of the categories in this year’s Modern Mrs. Darcy’s reading challenge is a debut novel, so all these things came together in this one little book.  There may be a little spoiler info below, so proceed with caution!

Sometimes I read a novel without knowing much about it in advance.  That was the case with this one.  I read Sinclair’s blog posts and appreciate the fact that she doesn’t compose long, rambling essays.  Her posts often make me stop and think.  Her novel follows a love story that turns into a witch-hunt.  Unlike that claimed by those who have the whole world watching them, this was a real one.  The historical notes tell a bit about the characters based on women actually tried in Scotland during those dark times.  In fact, when one of my doctoral advisors gave my wife and me a walking tour of Edinburgh early on in our time there, he pointed out where the witch trials had taken place.  Sinclair captures the rage and frustration of women who had no recourse once such accusations flew.  A religion only too ready to believe the worst about people, women in particular, showed no mercy based on what was only hearsay and jealousy.

It’s difficult to imagine what life would have been like in such times.  Castles and lairds make us think of fairy tales, but reality must’ve been somewhat harsher.  It’s fun to pretend about witches around Halloween, but there’s a sadness that’s difficult to escape as an adult.  That sadness is all the more profound for finding claims of witch-hunts on the lips of abusers and others who do their best to perpetuate inequality.  They dishonor those who actually did die so that men like them could feel smug self-satisfaction in the past.  The Mermaid and the Bear brought a number of these thoughts to mind.  Our society has made some strides towards treating all people as human beings but we’re yet a long way from where we need to be.  Books that remind us of that are always to be welcomed; dreams are worth pursuing.

Homemade Halloween

Halloween is a holiday that brings together many origins.  One of the more recent is the tradition of watching horror movies in October.  I don’t know if anyone has addressed when horror films became associated with the holiday, but Halloween hasn’t always been about startles and scares.  Histories usually trace it to the Celtic festival of Samhain.  Samhain was one of the four “cross-quarter days.”  Along with Beltane (May Day), its other post equinox cousin, it was considered a time of year when death and life could intermingle.  Spooky, yes.  Horror, not necessarily.  Many cultures have had a better relationship with their dead than we do.  We live in a death-denying culture and consequently lead lives of futile anxiety as if death can somehow be avoided.

As a holiday Halloween only became what it is now when it was transported from Celtic regions to North America.  Other seasonal traditions—some of English origin such as Beggars’ Night and Guy Fawkes Night—which fell around the same time added to the growth of trick-or-treating and wearing masks.  At its heart Halloween was the day before All Saints Day, which the Catholic Church transferred to November 1 in order to curb enthusiasm for Samhain.  As is usual in such circumstances, the holy days blended with the holidays and a hybrid—call it a monster—emerged.   When merchants learned that people would spend money to capture that spooky feeling, Halloween became a commercial enterprise.  Despite All Saints being a “day of obligation,” nobody gets off school just because it’s Halloween.

My October has been particularly busy this year.  One of the reasons is that Holy Horror, as a book dealing with scary movies, is seasonally themed.  As I was pondering this, weak and weary, upon the eve of a bleak November, I realized that home viewing of horror—which is now a big part of the holiday—is a fairly recent phenomenon.  Many of us still alive remember when VHS players became affordable and you could actually rent movies to watch whenever you wanted to!  Doesn’t that seem like ancient history now, like something maybe the Sumerians invented?  People watch movies on their wristwatches, for crying out loud.  I suspect that John Carpenter’s Halloween had a good deal to do with making the holiday and the horror franchise connection.  Horror films can be set in any season (Wicker Man, for instance, is about Beltane, and three guesses what season Midsommar references).  We’re so busy that we relegate them to this time of year, forgetting that we still have something of the wisdom of the Celts from which we might learn.

Conservation?

I am not a conservative.  There, I’ve said it.  You have very little control over who your parents are or how they raise you.  As I confessed here many times, I was raised in a conservative Christian home of the fundamentalist stripe.  Like most kids scared of Hell I took it all very seriously.  It is the reason I followed the career path—or perhaps career swamp trek—that I have.  In any case, the other day I was looking through a Baker Academic catalogue.  Baker, in case you don’t follow the high drama of the publishing industry, is one of the many Christian publishing houses with roots in Grand Rapids, Michigan.  Like most publishers in that collective, it tends toward the conservative end of the theological spectrum.  As I flipped through I noticed bio after bio of authors with Ph.D.s from Edinburgh, Cambridge, and other prestigious universities in the United Kingdom.

I hadn’t been warned, you see.  Many conservatives who want a doctorate study in the UK because they can do so without taking all those classes that will make them examine the Bible critically.  That’s not why I went to Edinburgh, but I can see how it might look like that from the outside.  I went to Grove City College—a bastion of conservatism.  (I was raised that way, remember?)  My next educational move should give the lie to my attempt to remain conservative; Boston University School of Theology was considered the most liberal United Methodist seminary in the pre-Internet days.  I attended for that very reason.  Edinburgh, my true alma mater, was selected because they offered a scholarship that made it possible for a poor kid to finish a doctorate.  I wasn’t conservative when I went, and I wasn’t conservative when I came out.

I didn’t get the memo, I guess.  The sneaking suspicion that I might be conservative has dogged my career.  My dissertation can be read that way, but it’s not a conservative argument.  I merely suggested the decision to marry Yahweh off to Asherah was a bit hasty, based on the actual evidence.  I’m all for married deities—they tend to be less frustrated toward humanity.  Maybe the Almighty could speak to Mrs. God about correcting these worries about what I “really believe.”  I went to a conservative college to learn—there were a fair number of attempts to indoctrinate there, but if you thought about things you could see through them, even with a fundie upbringing.  But as I thumb through the catalogue I can see how perceptions can work against you, especially when your first job is at a conservative seminary, eh, Mrs. God?  

Victorian Nightmares

J. Sheridan Le Fanu isn’t exactly a household name, but as a writer from the same era (and perhaps same cloth) as Poe, he was known for his gothic imagination.  Since he was Irish his work never really took off in America as some other writers’ did, and he’s certainly not likely to be found on bookstore shelves because there’s not great demand.  I have a fondness for gothic literature and Le Fanu’s name had been on my list for some time.  At a used bookstore I found one of his books, and as I was checking out the clerk said “I was just checking in another of his books,” so I bought that one too.  (When you’re paying just two dollars a pop for books, it feels like virtue.)  The latter turned out to be In a Glass Darkly, which apart from its biblical title, contains five stories loosely linked by a narrative framework.  Poe wrote that short stories should be read in one sitting, but these tale venture into novelette territory, with some requiring considerable time to finish.

That having been said, the experience was enjoyable enough.  Each story is quite different and they range from the vampire classic “Camilla” to a foiled murder mystery and a canonical ghost story or two.  While better known across the Atlantic, several of Le Fanu’s stories have been translated to film, and he was regarded as one of the best ghost story writers of his era.  Perhaps because modern readers have been subjected to much more subtle foreshadowing, some of the tales are predictable to those on the lookout for twist endings.  The Room in the Dragon Volant, for example, suggests that the mysterious lady at the masquerade is indeed the narrator’s adulteress love interest, although the final twist is nicely wrought.

Probably the most well-known of the stories in the collection is “Camilla,” the account of what’s regarded today as a lesbian vampire.  The tale is well-crafted, but the credulity of the narrator is almost unbelievable as the pieces fall together and the puzzle picture still isn’t seen.  Nevertheless, it’s a creepy account that has captured the imagination of filmmakers through the years.  It took me long enough to finish the book that the earlier stories had faded by the time I’d reached the end, but the fault lies with me, not the author.  As a gothic fix each of the narratives serves quite well.  My other Le Fanu purchase was a much larger book, so it will take some time to achieve that goal.  In the meantime, I’ll look forward to discovering more Victorian nightmares as autumn wends its way forward.

Born Once More

Every once in a while a reader, either here or on other social media, asks me what my religious beliefs are.  The expected answer to such a question is the standard label of a denomination of some sort.  My response, however, is that knowing the group I belong to (and I do) should not effect the way my thoughts are viewed.  With the exception of some groups suspected of mind control, standard religions are generally trusted as being motivated by pure intentions.  Having both attended and taught in seminary settings, and knowing a great number of clergy, however, it becomes clear that denomination is less important than one might think.  In short, I answer this question in the public forum of neither classroom nor blog as I truly believe there’s nothing to be gained by readers/students knowing where I personally seek meaning, denominationally.

It’s no secret that it was once the Episcopal Church.  (I could not have taught at Nashotah House otherwise.)  It was made pretty clear after being at said seminary for many years that the Episcopalians had no official place for me.  Even when I worked a few blocks from the church’s headquarters in New York City I could find no one willing to listen or consider my credentials.  Its Church Publishing branch wouldn’t consider me in their book wing.  Were it not for some former students who still minister to me, it was clear they did not miss me.  So it was with some surprise that I found myself in Nativity Cathedral in Bethlehem on Saturday for their Celtic Mass.  The Cathedral itself is lovely with a négligée of wrought iron tracery for a reredos, appropriate for a city built by steel.  Eight angels with outspread wings stood atop it.  Like most sanctuaries, it was a place of refuge from the busy, noisy street outside.

The reading from Amos 7 stood out to me.  Lectionaries, by definition, take pericopes (selections) out of context.  Amos’ vision of the plumb line is actually part of a series of visions, but here stands alone with the episode of Amaziah trying to send Amos back to Judah.  The prophet responds by saying he’s not a prophet, but just a guy who’s received a message from God.  In ancient times there were prophets paid for their services.  They supported the government positions and governments made sure they were cared for.  The situation hasn’t much changed, at least among conservative religious groups under a Republican administration.  There were other parallels here, but saying too much on them might end up giving too much away.

Fantasy Land

As a naive kid with a solid master’s degree, I was accepted for doctoral work at Aberdeen, St Andrews, Oxford, and Cambridge.  Only Edinburgh, however, was able to come up with some funding that made it possible for me to matriculate.  I’ve always been particularly grateful to Edinburgh since otherwise I would never have made it that far.  Oxford was, also, a little confusing what with all its different colleges and specializations.  As an American in the pre-internet age it wasn’t easy to learn about such things and academic advisors in the US didn’t have much helpful input to offer.  Like Harvard, however, Oxford is the single university that opens career doors for academics in my field.  I didn’t know that, of course.  Still, Oxford is a fine place to explore and despite my grousing about being made to travel, I was pleasantly surprised by the opportunity to partake of a high table dinner in Christ Church Hall.

I’d been far too busy to plan this trip, and I didn’t realize the significance of this dinner until I walked into the hall, and suddenly realized—as everyone else in my party already knew—that this was the Hogwarts Hall from the Harry Potter movies.  There’s an air of ancient tradition here, and it’s clear that my employer is held in very high regard in this particular shire.  I wasn’t aware that this would be part of the meeting I was here to attend, but I did wonder again at just how much popular culture drives our awareness and perception of ancient things.  Even my own reaction of recognizing this as the hall in Hogwarts was instructive.  Had I not seen the early movies of that series I’d likely have been simply impressed by the grandeur of the place itself.  My most recent books explore this same phenomenon, but in a different key.

Between gawking at J. R. R. Tolkien’s house that morning and ending the day at Christ Church, there was an element of fantasy to this trip for which I was simply unprepared.  Of course, it was a business trip, and I have trouble planning to have any fun on such occasions.  I take work far too seriously to let down and enjoy, unless I’m instructed to do so.  As I ran a couple of other small errands in Oxford, I realized there’s much yet to explore about the city.  I spent over three years in Edinburgh and didn’t see everything there by a long stretch.  And I doff my cap to Scotland still, for had my alma mater not made this possible I wouldn’t have had dinner among the Potter fans at all.  If movies didn’t tell us what to think, it would be just another old building in an ancient college defined by tradition.

In Middle Earth

I try to make the best of business travel.  I had all-day obligations this time around, but fortunately my hotel was next to a place of some renown.  The house where J. R. R. Tolkien lived was practically right next door.  This is the place where the Lord of the Rings came into the world.  I have always tried to visit sites of literary significance when in new places.  When we were more able to do so, my family would take such literary pilgrimages annually, especially in the autumn.  Being a believer in the confluence of science and spirit, I can’t help but think there’s something sacred about the place where great literature was born.  Of course, in Oxford you can find sites for Lewis Carroll and C. S. Lewis, as well, among many others.  These days everyone seems to associate the place with Harry Potter, although J. K. Rowling started that particular series in Edinburgh.

Tolkien has become a deity in his own right, I suspect, for creating an entire world to which millions of fantasy fans come.  His actual house, however, is privately owned.  Besides, I’m here on business.  Still, falling asleep so close to where Tolkien dreamed his Middle Earth dreams is akin to inspiration.  Writing as an avocation makes such encounters almost worshipful.  I read the Ring trilogy and The Hobbit many years ago.  I haven’t seen any of the movies, however, since my own imagination seems sufficient for me.  Tolkien took me, for many hours, into another world.  Somewhat like work has done this week, I guess.  Were it not for business, Oxford could be a magical place.  Living in a location where imagination is valued and encouraged makes a huge difference, I expect.

Years ago, Edinburgh was an inspirational place to reside.  Although my main writing output at the time was a 300-page doctoral dissertation, it was a place that has inspired much of my fiction.  Tolkien, in truth, was just as human as the rest of us.  His work was largely based on ancient Germanic traditions that were also reflected in Wagner’s Ring cycle.  We are all borrowers, in some sense.  Adapters.  Oxford is one of those places with a long sense of continuity with the past, in a singular tradition.  It has become modern in parts, but with medieval streets.  There are cars parked along Northmoor Road, and nobody else seems to be here for a pilgrimage today.  Perhaps it’s for the best; how could the workaday world possibly improve for the use of imagination?