“Has anybody seen my god?” So we might imagine an ancient victim of godnapping wailing after a hostile takeover raid. We might smirk to ourselves, knowing that gods only really come in paper or plastic. The only godnapping that goes on these days is when someone hacks our credit card number. These were my thoughts when a friend sent me a link from ASOR’s website, “‘Godnapping’ in the Ancient Near East” by Shana Zaia. Stories of godnapping are known from the Bible, like where the Philistines defeat the Israelites and take the ark of the covenant to the temple of Dagon. It’s easy to congratulate ourselves in this post-theistic age that we’ve developed more spiritualized versions of deities to disbelieve. At least we didn’t believe some hunk of wood was an actual god. We at least had a person nailed to it.
I used to ask my students what the difference between an “idol” (not the American variety) and a “god” was. The usual understanding is that an idol was made out of something like wood or metal. The ancients weren’t so naive, however, as we suppose them to have been. Before any carven or graven image could be considered a “god” it would have to undergo a ritual to make it one. Elaborate ceremonies attended the process in which even ancient sophisticates realized that this piece of rock or wood wasn’t actually the fullness of the deity it represented. It was a symbol. A symbol invested with power, to be sure, but a symbol nevertheless. What was an “idol” then? Merely a modern way of degrading another religion. “Idol” can never be a neutral term.
Imagine the ark of the covenant in the temple of Dagon. It was a box overlaid with gold, on top of which sat cherubim. Two of them. Images, but not “idols.” Inside, depending on what passage you read, you might find the original ten commandments, a jar or manna, or Aaron’s rod. Or all three. You might find nothing inside. The point was in the power of the symbol. Godnapping was a real fear in ancient times. A deity captured left its people vulnerable to the whims of others. Today we may rely on the high priests of encryption to keep our divine numbers safe from those who hack at the new idols. Gideon, after all, was the original hacker, and we all know how he ended up. Those who destroy others gods often fall into worshipping them once the hewing is done. The only question left is if one prefers paper or plastic.
Posted in Bible, Deities, Posts, Religious Violence, Sects
Tagged Ancient Near East, ASOR, Dagon, Gideon, idol, Philistines, Shana Zaia
Just how many gods are there, anyway? Well, that’s not really a fair question. For one thing, do I mean “real gods” or gods that people believe in? Do I mean “believe in” or made up? Do I mean “made up” or intentionally fabricated? And the nesting questions could go on and on. Over the years in my professional capacity as an erstwhile teacher, I accumulated books listing the deities of various cultures with brief descriptions. I once even argued that using “god/goddess of” (the divine-genitival construct) as a phrase distorted ancient concepts of divinity. The fact is people have believed in many gods in many different ways. As modern scholars of religion we’ve only begun to reach the heavens (or underworld, or anywhere in between, for deities may be found anywhere). This issue comes to mind because a friend recently shared a story from IFL Science about a new Etruscan goddess. The piece by Ben Taub mentions a stone recovered from Poggio Colla, a site in Italy, written in Etruscan. The stone seems to mention a new “fertility cult” goddess. And once again religion and science have met, but not quite kissed each other.
Photo credit: Jastrow (2006), Wikimedia Commons
Let’s begin with the Etruscans. Before the Romans, Etruscans lived in Italy, giving Tuscany its name. We know very little about them, as their language (Etruscan) is rarely found and imperfectly understood. Some of the classical gods may go back to Etruscan originals, and the Etruscans seem to have known of at least some of the cultures of the ancient Near East, or ancient West Asia. We have no idea how many deities the Etruscans recognized. Polytheism, for all its heathenish exuberance, never had a problem with adding more gods. Interestingly, the “new” goddess mentioned here, Uni, is someone I used to talk about in my Rutgers classes on ancient Near Eastern religion some five-plus years ago. Pardon my crowing—I seldom get to suggest I was ahead of my time.
What really interests me here is that websites that advocate science still take an interest in religion. Although belief is relegated to inferior minds (generally) science does admit, from time to time, that it’s interesting. The study of religion, in at least some schools, is a scientific enterprise. No, we don’t put gods under microscopes (telescopes might be more useful) but we use the same techniques as empirical studies of nature use in order to try to draw some conclusions about religion. Despite the fact that the vast majority of humans on the planet are believers, higher education has consistently under-funded or disbanded departments who apply rational thought to religion. We suppose that someone else can pick it up and study it, coming to useful conclusions without putting in all the homework. Don’t mind me, though. I’m just basking in the light of having known about Uni years before she was discovered.
Posted in Archaeology, Classical Mythology, Current Events, Deities, Higher Education, Memoirs, Posts, Science
Tagged Ben Taub, divine genitival construct, Etruscans, fertility gods, gods, IFL Science!, Italy, Poggio Colla, polytheism, science and religion, Uni
One of the unspoken prompts for writing Weathering the Psalms was the unscientific idea that God is somehow associated with the sky. To my mind this has more to say about what religion is beyond the recognition that Anu, El, Nut, and kin were primordial deities of the celestial sphere. We’re all drawn to the sky. One of the earliest fictional pieces that I polished had to do with our desire for the sky—it’s something we deeply crave but cannot control. We dream of flying. Although flight seems almost casual these days, it is anything but. We still refer to satellite photos as being “God’s eye view” of the earth, knowing full well that the ancient cosmology of the three-tiered universe was simply a misconstrued view of how nature really works. Still, we want to embrace the sky.
Perhaps the cruelest aspect of work in the commercial sphere is the prevalence of “workstations” with no outside views. I’ve held two jobs since leaving academia where my “cubicle” was/is in a windowless room. Cut off from the sky, I’m supposed to focus on the glowing screen in front of me as if that could ever inspire me like a mountain sunrise or the silent crescent of the moon gracefully arcing across the sky. It could be night or day, snowing, raining, or brilliant sunshine, and for eight hours of each day I would never know. We call it efficiency. I think back to that story I wrote as a child about wanting the sky. If there are gods anywhere, it’s up there.
The perspective from above can change everything. On a small plane tour at 7000 feet, you can get a sense of what you’d never expect from the ground. Sharing the view of gods and angels, the land is laid out before you. “Distances,” our pilot says, “are very deceptive from up here.” Indeed, a few minutes aloft and it’s easy to forget what things looked like on the land. Pedestrian. Street-level. Quotidian life. Up here, isolated in a different way, I am seeing what the ancients could only imagine what the gods might see. For the moment I’m one with the sky. For the moment the world of everyday life is far away. That dark and gloomy cubicle no longer exists. In fact, from the sky I cannot see it in its windowless dungeon. We can’t own the sky. Being up here I start to suspect that neither can the gods.
Jasper Fforde is one of those writers who blends nonsense, deep thought, constant plot twists, and polished writing into compelling novels. His labors are always fun to read and often leave me with something profound to ponder. I haven’t followed his Thursday Next stories in any kind of strict sequence, but I figure that I can sacrifice a few of his abundant references to previous events to read through the latest installment I can get my hands on. The Woman Who Died a Lot was the most recent of these books for me. Thursday Next is a literary detective and her exploits often lead, certainly intentionally, to a feeling that in Fforde’s world libraries and reading are even more than fundamental. Everyone wants to be prided on literary achievement. His universe wouldn’t exist without books and those who love them.
In The Woman Who Died a Lot (and since I haven’t read all the books in the series I have to confess that this theme might’ve been developed earlier) in Fforde’s Swindon, religions have been united into the Church of the Global Standard Deity (GSD) and this GSD drives much of the plot. As Thursday races to solve the latest literary crime, the GSD has decided to smite Swindon. A number of global smitings have already taken place and everyone knows what to expect. A plasma-like discharge, of precise dimensions, wiping out a specified sinful part of the city. The sin here is greed and such smitings have lead to new kind of tourism where the morbidly curious gather outside the boundaries to watch the show, much like Jonah outside Nineveh. As in most Fforde novels there is both a touch of ridiculousness and social critique combined here. I can’t tell you how the smiting ends or you might not read the novel yourself.
The story is populated with peculiar religious orders that always evoke a laugh, and even a Ministry of Theistic Defense charged with finding a way around the smiting of a God willed into existence by the very people the GSD will destroy. I sometimes wonder if Fforde was ever a seminarian. We fabricate our own doom in this literary universe. It’s all in good fun and is reverently irreverent. Virtue is rewarded and in many respects the religion is conventional. The deity can be bargained with, but the law, once laid down, is inviolable. Casuistry is, of course, always an option. It’s a story told with tongue solidly in cheek, but also with brain fully engaged. Fforde is an author not afraid of religion. Indeed, he knows it can lead to a remarkable plot with consequences that will leave a reader scratching one’s saintly head.