Literary Criticism

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One of the drawbacks to being an editor becomes apparent with much reading.  Some people have writing skills.  Others don’t.  That’s no reflection on intelligence, insight, or even brilliance.  Good writing is part talent and part hard work.  The drawback is when someone thinks they’ve got what it takes, but they don’t.  I’m a gentle guy.  I don’t like to hurt feelings and yet I have a job to do.  You see, good writing involves a few things—writing for your readership, being aware of what that readership likes, and giving new information without being all technical about it.  I’ve read academics who write very high-level monographs, sprinkled with “wells” and “you sees,” which come off like a guy my age trying to impress a twenty-year old by being groovy.  Just admit you’re writing for other scholars and get down to it.

Then there’s the verbless sentence.  You know what I mean—a literary rim-shot, usually at the end of a paragraph, to heighten the drama.  Solid technique.  This only works, however, if you don’t overuse it.  I’ve read books where nearly every paragraph ends with such rim-shots.  Then the author started writing one-liner paragraphs.  This isn’t a Saturday Night Live cold opening.  The writing has to have a certain amount of gravitas.  Especially if you’re wanting to publish with a university press.  I realize that the dream of many academics is to write for a wider readership, but honesty is still a virtue.  When I wrote Weathering the Psalms I pitched it as for general readers.  Ha!  Not even specialized readers have found it that engaging.  It was a book for specialists.  I see that now.

Don’t get me wrong—I read plenty of good writing.  Some of it’s even beautiful.  Editors, however, have to read an awful lot to be able to pick out the gems.  I remember my volunteer experience on the archaeological dig at Tel Dor.  At the pottery reading sessions, a specialist would quickly sort through a box of four-thousand year-old fragments and say within seconds if there was anything interesting (“indicative” was the term she used) or not.  She did this by reading pottery like an editor reads proposals and manuscripts.  You get to a point when you can just tell.  Writing well can be learned.  Some people have an innate talent for it.  Being a gentle guy, it’s hard to be honest sometimes.  I have to keep reminding myself, however, that it’s still a virtue.

The Skinny on Asherah

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After being removed from academia, my work on Asherah started to receive notice.  You see, I’m not part of some academic dynasty and I never landed that prestigious job that would convince people I had something worthwhile to contribute.  Besides, it turned out that several other scholars were writing books on Asherah at the same time I was.  The subject, however, has proven “evergreen.”  Asherah holds a lot of explanatory power, it seems.  She solves mysteries like an antique Holmes or Dupin.  And the Bible is full of mysteries.  The other day I saw an article by Raanan Eichler suggesting that Aaron’s rod might’ve been an asherah.  This is an intriguing idea.  In case your Exodus is a bit rusty, there are two staffs (or staves, if you prefer) that feature in, well, the exodus.  One belongs to Moses and the other to Aaron.  (Keep in mind that they were octogenarians when they began the trek.) Their stories continue through Deuteronomy.

Tova Beck-Friedman ‘s “Excerpts of a Lost Forest: Homage to Ashera,” Grounds for Sculpture

In the narrative sometimes the stick is Aaron’s and sometimes it belongs to Moses.  It transforms into a snake, it turns dust into biting gnats, it divides the Reed Sea.  In short, it’s the kind of staff you’d see advertised as a miracle-working purchase on infomercials these days.  One of its many features is that it produces water from a rock when it strikes said stone.  The problem is God had told Moses to be a stone-whisperer, not a stone-striker.  Because he hits the rock with the staff he’s barred from entering the promised land.  It seems like harsh punishment for a bit of dramatic flair and I suspect that’s why Eichler suggested that the staff was an asherah.  

Of course, the biblical account doesn’t use the word “asherah” for the staff at all.  Although it accompanies the Israelites through the wilderness, and in some accounts is placed inside the ark of the covenant, it isn’t called an “asherah.”  But being in the ark puts it into the tent of meeting, and therefore later the temple.  And we do find an asherah in the temple later in the biblical story.  The thing about asherim is that they’re never defined in the Good Book.  We simply don’t know what they were.  They were made of wood and they could’ve been poles.  They might’ve been trees or statues.  A rod or staff seems to be a slimmed-down version of a full-blown pillar, so who knows?  Maybe an asherah accompanied Israel from the beginning.  Of course, being outside the academy (my own promised land), I’ll never know for sure.

Measuring Humanity

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The humanities have fallen in love with data.  Let me put a finer point on it: those who use the humanities as a profession have had to turn to “evidence based” metrics in figuring out what it means to be human.  As an actual human, I’m feeling data fatigue.  Some of us aren’t good with numbers.  Our teachers encouraged us to move into the humanities.  Now, at an age of not young, many of us are being instructed that we now have to get good at numbers because numbers are the only truth.  I have philosophical and spiritual objections to this, but you can’t get a job as a philosophical and spiritual objector.  Numbers don’t, and can’t tell the whole story.  The term “calculating” used to be used to describe a person without feeling.  Now we’re all just calculators.

Whither can we go to experience true humanities again?  Professorships are “measured” by success factors.  “Key performance indicators” are applied to the gods.  There are immeasurables, but they can’t be slotted neatly into our computer’s algorithms, so they are swept off the table.  If you want to wear a white collar, you have to put business first.  The soul is dying, but that’s just fine as long as we can keep the body alive.  You see, the humanities used to be about those things that can’t be quantified with “evidence based” metrics.  How it feels to be in love, or why we cower in the presence of an unseen deity.  How do you put numbers on artistic inspiration?  Sure, we can “measure” aspects of Beethoven’s seventh symphony, but they don’t explain what it’s like to listen to it.

Kowtowing to capitalism feels shameful to me.  But challenging capitalism is like pacifists standing up to those with assault rifles.  Greed derives its power only from getting everyone to agree on its objects of value.  The humanities try to argue the point, but those with control of the money are in charge of hiring.  And they do it with their abacus always close to hand.  I never learned to use a slide rule but calculators were required to graduate from the academic track in high school.  Now when I’m being asked to apply that kind of thinking again, I have to cast my mind back nearly half a century while my human brain dreams of reading and writing novels, viewing paintings, and listening to beautiful music.  But it’s a work day, and when it’s all said and done, data rules.  Look for no empaths in upper management.

A Theory

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Do you remember that crazy college professor you had?  Chances are there was more than one.  As a late friend used to say, that’s why we pay good money to go to college.  I have an idea, perhaps even a theory, that the neurodiverse used to be largely institutionalized.  And I don’t mean in mental hospitals or “insane asylums.”  I mean in two well-respected social institutions: the university and the church.  Before you can object to the latter, consider that ministers, and before them priests, derived from shamans.  Nobody would doubt that shamans think differently than most people.  So, my theory is that when neurodiverse people came along in capitalist societies, they were shunted toward jobs in higher education and religion.  Out of sight to most people most of the time.  Then capitalism grew.

Both the church and the university became businesses.  Again, if you doubt me about churches, get to know a few bishops.  You’ll soon see.  In higher education, business people were hired as deans and presidents.  Not knowing how to handle their neurodiverse employee pool, they began hiring more “normal” people.  Those who, with no real insight or ambition, figure teaching is a cushy job.  It pays well, and it’s respectable.  But to do the job right you might just have to be neurodiverse.  Now, I don’t have the means to test my theory, but I suspect if you surveyed students over time as they graduated, you’d find fewer and fewer crazy professors.  As my departed friend would likely have said, they’re not getting their money’s worth.

Money doesn’t compromise.  Many people are driven by it without ever asking themselves why.  Do they want to be able to build private rockets to take them to Mars when capitalism finally destroys this planet?  Do they want private jets and the endless headaches of having to worry about getting even more money?  Studies tend to show that wealthy people are far from the happiest on the planet.  In fact, many of them are privately miserable.  They don’t have to work, true, but what do they think about?  Deeply.  I’ve never been driven by money.  I would like a bit more than I’ve been able to manage with my background and specialization.  Enough not to have sleepless nights over whether we can afford to fix the roof.  And still buy books.  It may be crazy to still read like a professor when I’m no longer in the guild.  I like to think I’m participating in a very old tradition.

Final (not) Thoughts

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One thing I’ve noticed as I’ve aged is that I pay attention to necrologies a lot more.  Few people from my college and seminary days stay in touch, and the same is true of my teaching days.  People are busy, I know, but I always look at alumni magazines memorial pages.  Whenever I get on the Society of Biblical Literature website a morbid curiosity draws me to the list of departed members.  I’ve known several of them in past years.  Still, it was a shock to see Michael S. Heiser on the list recently.  For one thing, Michael was younger than me, and for another, I knew him for a long time.  Theologically we were pretty far apart, but that never stopped us from being friends.  We both lived in Wisconsin and we both ended up in academic-adjacent jobs.  We shared an interest in unusual things and we were even blog buddies for awhile.  Michael died back in February.

I hadn’t heard because SBL moved its recently deceased list off the home page (I suspect that’s not the best marketing), so you have to click through.  But when I did I was saddened to see Michael there.  Then I notice two colleagues even younger who’d died in the last few months.  It gives you pause.  There are no guarantees in life, I know.  Those who manage to make it to my age are fortunate, but can generally expect to have a few more years.  That’s not a promise, however.  Having watched a lot (possibly too much) television in my life, it brought to mind a Frasier episode where a colleague the famous psychologist’s age died, sending Frasier into a search for reasons why.  That’s something those older than me tell me that I’d better get used to.

We tend not to want to think about it, but I’ve had both a parent and parent-in-law say how strange it is to find yourself old while still thinking like a young person.  It is bewildering.  And it’s one of the reasons I write so frenetically.  It was after I finished my third book, I think, that I realized I didn’t have all the time in the world left.  I have lots of books I want to write, many of them already started and slumbering on my hard drive.  Michael was also a prolific writer, and a more successful one than I have become.  His blog had more followers.  And it seems like only yesterday that I ran into him at an SBL meeting and he did an impromptu interview with me.  Life’s too short not to stay in better touch.

How to Write a Book

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When I worked at Routledge I was told never to mention William Germano’s name.  I’ve never been one to dabble in workplace politics, but I did wonder why.  Over time, as I tried to commission the kinds of books I knew Routledge for, I was told that they didn’t do those kinds of books.  Not since the Germano days.  Years later I still don’t know what all of that was about, but I do know that Germano wrote a book that would make nearly every academic editor’s life easier if it were handed out at every doctoral graduation ceremony.  From Dissertation to Book is a classic in the field.  Now in its second edition, in it Germano explains, in non-technical language, why and how a dissertation is not a book.  He also explains how to make it a book.

You see, academic editors, such as yours truly, see more dissertations than the most ambitious professor.  The doctoral student, flush with the praise of his or her examination committee, sends off their thesis, largely unchanged, and wants it to be published.  Hey, don’t be embarrassed—that’s what I did too.  The truly amazing thing to me, as someone who’s been both professor and editor, is how little publishing and academia know about each other.  If I had to guess who knows whom better, I’d have to say publishers take an edge over academics.  Their knowledge is far from perfect, however.  Academics have to publish for promotion and tenure, but they don’t bother to learn about how publishing works.  Germano’s book would help them too.

For many years well-known academics have been stating in highly visible places that academic writing is poor writing.  It is.  Germano explains why in this little book.  Better than that, he gives solid advice on how to improve your chances of getting published.  I’ve been working in academic publishing for a decade and a half and I learned quite a lot from this little book.  Dissertations are written to prove yourself to a committee.  Books are written for a wider readership that wants to be able to understand what you’re talking about.  Day in and day out, people like myself read dissertations.  Generally there’s a kernel of something good there.  (Sometimes, honestly, there’s not.  Not all theses are created equal, although that’s not one of the ninety-five.)  Germano’s book offers a way to find and plant that kernel so that it grows into something any editor would be pleased to receive—the proposal for an actual book.  It should be read widely—much more widely than it is.

Human Humanities

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The New Yorker, if it didn’t take so much time to read, would be on my magazine list.  I’m primarily a book man, and there’s so little time these days that magazines seem mere ephemera.  However, someone at work pointed me to a story on the end of the English major that was really about the end of the humanities.  It was most disturbing.  Making the case that college students really prefer the humanities, they nevertheless go to STEM because that, and business, are the only place to find jobs.  In a world where work increasingly demands more hours a day, these young people take employment that kills their souls in order to keep their bodies alive.  The “starving artist” is no joke.  Society has deemed humanity unimportant.

The Rebuke of Adam and Eve, by Charles-Joseph Natoire, Creative Commons CC0 1.0 Universal Public Domain Dedication, via Wikimedia Commons

What happens when we cease to be human?  Artificial intelligence and robots and capitalism.  It’s a cold world where only numbers matter.  I’m not a great one for metrics and “evidence-based” humanities.  No, Romanticism is not dead.  The world where imagination reigns and Adam Smith is not even a shiny shekel in his great-grandfather’s blue eye.  How do I know it was blue?  Imagination.  You see, I’ve written a few novels (unsuccessfully), and I know a few (very few) colleagues who do as well.  Mainly I know that because their novels find publishing houses that know how to get them in the public eye.  I jealously guard those friendships because I’m a Romantic.  I tilt the electronic windmills telling me all of life is statistics and figures.  No, those slowly spinning blades are liable to chop your head off, if you let them.

My friends often express surprise when I reveal that I’m a Romantic.  Books should be evidence enough.  Ideally, work would allow us to bring our gifts to the table—or more accurately, screen.  It would find a way of saying, “be human here because we really mean what we say about diversity and inclusion.”  Instead, evaluations are metrics-based.  The numbers.  The bottom line.  At moments such as these, I throw off my hat and let my thoughts run free.  I daydream about the books I’ve read and those I’ve written.  I imagine life as a place to truly be human.  The humanities are all about understanding what it means to be authentically human.  And let me tell you something—it’s not all about numbers.  In fact, if I had it all to do over again, I think I would be an English major.  With no regrets.

Finally, Therapy

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Like religion and horror, humor and horror can also get along well.  As an aesthetic, it’s not for everyone, but Grady Hendrix does it well.  It took some convincing for me to read The Final Girl Support Group.  I’d read one of Hendrix’s nonfiction books and was impressed, and that led me to his fiction.  It also demonstrates how an academic might actually be able to make a difference.  As you might guess, the novel features “final girls” from several fictional events, made into fictional movies, who get together for therapy.  It’s a funny idea and yet it’s not.  Hendrix clearly wants women to be treated fairly, but he’s also clearly a horror fan.  It’s sometimes a tricky balance to hold.  He does it pretty well in this novel.

The idea of a “final girl” comes from Carol Clover’s crossover academic book, Men, Women and Chain Saws.  This is the book that introduced the concept to the world.  As with most analytic concepts it’s only an approximation.  Clover noted the way that, in slasher films, the only survivor tends to be the virginal girl who doesn’t join in substance abuse.  Since the slasher genre is usually first credited to John Carpenter’s Halloween (Hendrix suggests in his acknowledgments that it’s Psycho), I’ve always wondered because Laurie Strode does take a toke in the car and we’re not really told much about her dating life.  I’m not a big fan of sequels, so maybe I’m missing something.  In any case, slashers have never been my favorites, and as sexist as it might sound, Poe’s observation about threats to beautiful women is something the “final girl” relies heavily upon.

The novel itself is pretty gripping.  I’m not going to put any spoilers here.  I was reluctant to read it but I’m glad that I did.  It’s classed as “horror” because of the theme but there’s definitely a lot of literary finesse as well.  It’s the kind of thing that doesn’t really seem to be deep, but upon reflection, it has more to say than you think it does.  The resolution of the novel is messy.  I suppose that’s one thing that makes it literary.  The characterization is amazing well done.  I had trouble keeping track of the back stories of all the final girls but that’s part of the fun.  While there are definitely horror moments, Hendrix never lets you forget that you are supposed to be laughing too.  It’s a fine balance and he manages to hold it together throughout while giving agency to final girls.

Friends and Dreams

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The mind is a labyrinth.  Ever since the time change (especially), I’ve been waking with the weirdest dreams.  One involved someone I haven’t really thought about for years.  Someone I knew in college and who was a close friend, but who’s fallen out of touch.  (And who would likely not approve of my evolving outlook on things.)  Why she came out in a dream is a mystery to me.  It does give me hope, however, that all those things I think I’ve “forgotten” are really still in there somewhere.  A friend once told me that it’s not a matter of “remembering” but of “recollecting.”  He claimed that the memories are still there.  Ironically, I can’t recollect who he was, although I think it was someone I knew in college.

My generation’s ambivalent about the internet.  Most of my college friends I simply can’t find online.  I recall one of my best friends saying he would never use a computer.  I suspect he’s had to backslide on that, for work if for nothing else, but he’s not available online at all.  The same goes for people my age at seminary.  Some I occasionally find through church websites, but honestly, most of them have better pension plans than I do and have retired to become invisible.  We children of the sixties are likely the last generation that might be able to make it through life claiming never to have given in to computers.  It took quite a bit of effort to get me over the reluctance.  One of my nieces set up this blog for me nearly 13 years ago, otherwise I’d still be hard to find.

But minds.  Minds can, and do change.  My mind was dead-set against computers in college.  For one class I was required to do one assignment via computer, and I did that task and that task only.  Seminary was accomplished with a typewriter and snail mail.  Even my doctorate, done on a very old-fashioned Mac SE, was purely a feat of word processing.  Nashotah House was wired during my time there, but that was mainly email.  My mind was slowly changing at each step of the way.  I wasn’t becoming a computer lover, but I was realizing that I was learning something new.  Now I can’t get through the day without writing and posting something on this blog and sharing it on Twitter and Facebook.  And checking email—always email—to see if anything important has come in.  And, perchance, someone I had a dream about might actually email me out of the blue.

Rock the Absurd

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Okay, so it was bound to happen eventually.  You see, the internet makes us all interchangeable in a way.  I occasionally lament being confused by various algorithms with other “Steve Wigginses” out there (and there are many).  So while innocently checking my personal email after work the other day I spied a message clearly not sent by one of the many organizations that spam me constantly.  It was an invitation to participate in a conference.  Now, with a 925 job that’s just not possible, but I always appreciate being asked.  Then I read what the conference was about.  Agriculture.  Why were they asking me to attend a conference on agriculture?  Then I recalled, one of the other Steve Wigginses is a professor of anthropology, specializing in agriculture.  Was this an electronic mail mishap?

It also made me wonder if this poor soul (I don’t know him and have never met him) has been receiving email about horror films and wondering why.  His research trajectory has him trying to help people (which is why I wanted to be an academic in the first place) in a real down-to-earth way.  This made me realize the dilemma of other biblical scholars I know who are interested in monsters and horror, but who also realize that we need to help the world.  I can say from experience that it’s a lot easier to do as a professor than it is as an editor.  At least a professor has a platform to stand on.  And all of this brought to mind the theater of the absurd, tying me back to my younger days.

As I started high school I learned about the existentialists.  Looking at my own life, I saw it was absurd.  The times when I start to get down are when I’ve started to take all this seriously.  This Steve Wiggins, in any case, spends his life trying to figure things out.  But he lives in a world where two and two don’t always come to four.  Anyone who’s been inside an organization with open eyes knows the absurdities—large or small—that go on within it.  As old Ecclesiastes says, the race isn’t always to the swift.  That’s biblical and bankable.  So it’s a bit absurd that three (that I know of) Steve Wigginses are or have been professors.  It’s absurd that we don’t all use our full names because most two-name combinations on the web are going to lead to duplicates.  Mix-ups are bound to happen and we should just enjoy the absurdity we see.

Photo by Steven Weeks on Unsplash

Hard to Say

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There’s no easy way to say this, so I probably shouldn’t try at all.  Still, I feel compelled to.  You see, I’ve sat on admissions committees and I’ve written my fair share of letters of recommendation.  The former (admissions committees) have a difficult kind of calculus to compute.  Schools need students and their tuition money—this is, after all, the capitalist way.  (Yes, there are alternatives, but boards of trustees have severe deficits of imagination.)  Some schools get around this by being elitist.  Generally they have endowments of very old money and can weather all but the most severe of storms.  Such universities are in the minority and so the rest, and various small colleges, need to compromise from time to time.  Money or integrity?  You cannot serve both God and mammon.

At the graduate level this becomes even trickier.  Grad students bring in more money, and getting into grad school used to (and here’s the difficult part) require what some admissions folks secretly call “special intelligence.”  The paperwork and in-person interview reveal it clearly—this candidate (not always from a privileged background) displays a canniness that suggests they might really have a truly unusual ability to reason things out.  This is someone who should be admitted for advanced work.  But if you apply that principle not only will you be called “elitist,” you’ll also run out of lucre.  The solution is simply economic—let those who don’t have this kind of special intelligence in.  I have seen Ph.D.s after names from schools that I had no idea offered doctoral-level research.  And they legitimately call themselves “Doctor.”

When choosing a grad program—go ahead, call me elitist, but then interview me and see that it’s not true—I knew it had to be at a world-recognized research institution.  I ended up at Edinburgh, and my bubble was already deflated when I told family from western Pennsylvania and they supposed I was going to Edinboro College (now Edinboro University of Pennsylvania), located maybe 50 miles from where I grew up.  I had been accepted at Oxford and Cambridge, however, neither of them could offer scholarships to a penniless Yank, but the famously frugal Scots were far more generous.  And let’s face it, Scotland is more exotic than England.  You have to admit that much.  Of course, the deciding factor was, in my case, money.  You have to wonder if there’s any possible way of escaping it.  From all appearances, mammon wins.

More Dark Academia

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It could be that I’m not smart or sophisticated enough.  Or maybe I’ve just lived a sheltered existence, although I grew up with an alcoholic parent and among a blue-collar drug culture.  Despite this, I attended a “preppie” liberal arts college, but it wasn’t in Vermont.  All of which is to say I had a difficult time getting into Donna Tartt’s The Secret History.  There may be spoilers here, so if it’s on your reading pile, maybe wait to read this.  Then tell me if you don’t agree.  So here goes.  The narrator, a perhaps unreliable Richard, is from a working-class dysfunctional family (check).  He attends a liberal arts college on scholarship (check).  It’s modeled on Bennington (the checks start stopping here).  There he works his way into an exclusive group of five highly intelligent students in a private study Greek curriculum (this is also a partial check).

The days are filled with intensive work in Greek and the nights with alcohol and drugs and cigarettes.  So many cigarettes.  I found myself wondering how such highly intelligent students accomplished so much when they were stoned all the time outside of class.  In any case, with two of the now six students not present—including Richard—they accidentally kill a man during a Bacchanal.  Their professor covers for them.  Then the other excluded student finds out and begins blackmailing the four.  Like the rest of them he’s fond of booze and he begins to let slip what he knows.  Spoiler alert: so they kill him.  This is followed by more drugs and alcohol and when the professor finds out he simply leaves his tenured post to do something else.  A rift develops in the remaining five that ends—another spoiler—the way dark academia often does, with a suicide.

Overall the story is captivating.  Overdone on the substance use and abuse, but it does keep you engaged, once you get through the first hundred pages or so.  I like dark academia, but I also like characters with whom I can sympathize.  Like Richard, I’d gone to what was at the time a selective college from a working class family.  There was drinking even at the notoriously dry Grove City College, and there were drugs.  Perhaps those from elite families indulged.  I hung out with scions of middle-class families (I didn’t know anyone else that was poor) and they didn’t spend their hazy nights under controlled substances.  Having been a professor at a gothic school, and having studied Classics-adjacent, though, I found much of this hard to believe.  It’s a book that becomes better upon reflection than in the actual reading.  Still, I’m sure that I didn’t get it because I’m not sophisticated enough.

Something I Said?

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I’m very aware of my own insignificance.  I know that I’ll die and be forgotten, just like everybody else.  Even if I manage to survive by some “Kilroy was here” action, the sun will eventually red giant all of this out of existence.  Still, sometimes I wonder if it’s something I said.  You see, I really didn’t know where to start when I published Holy Horror.  I was an editor myself and thought maybe the secret handshake would earn some kind of attention, but no.  And when I wrote both Nightmares with the Bible and The Wicker Man, both were with established series.  And in latter cases, the editor I was working with (long-term employees, both) left.  Left before the book was published and I was left wondering.  Was it something I said?

Not to brag or anything, but I’ve got about the lowest self-image a person can have.  When life beats you up repeatedly, starting at a young age, you quickly learn your place.  But still, all this leaving.  I’m a member of a faith community (if you want to know which one you’ll need to get to know me personally).  This particular tradition requires a meeting with the minister before joining—something that makes good sense.  The first church where we tried this, the minister was in the process of leaving and couldn’t schedule us in.  Then we moved and in our new area, the minister left about a month after we started attending, before we could meet.  Was it something I said?

I ask this question half in jest.  Still, having a father leave when you’re only two or three, you start to question just about everything.  I’m sure retirements, new opportunities, or just fedupness with the job (which I certainly understand) caused these changes.  But then I was ousted from three jobs in fairly quick succession.  During my interview at Rutgers University the chair of the religion department said “You must feel like you have a target painted on you.”  Leaving is a natural part of life, I know.  As an editor I know that leaving such a post is somewhat unusual because where do you go from here?  Ministers, well, they’re leading the charge during the great resignation.  Maybe they’ll become editors?  As for the rest of us, we’ll just continue to spin dizzily on this globe until old Sol stretches his arms and lets out a big, red yawn.  I won’t be here by then, but wherever I am at that point, I’ll be wondering if it was something I said.

Internet of Nothings

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I don’t suppose it’s actually a confession, since my background’s available publicly on my CV, but I do admit to not being a media expert.  As is often said, the British higher education system doesn’t so much make one an expert as it teaches one how to become an expert.  The truth of the matter is, the critical thinking skills of higher education, plus your own reading and analysis, are what eventually produce expertise.  Still, I miss not having taken a degree in media studies and what I anticipate I’d have learned, if I had.  You see, what I miss, even on the internet (which is mainly trying to sell you things), is basic data.  Okay, so Wikipedia has it, but not enough of it.  Not enough to keep up with media, in any case.  I recently came by a couple of series on IMDb that I wanted to know more about.  Neither had a synopsis and neither was on Wikipedia.  The open web search that followed, even with “quotation marks” simply led to blind alleys, where, it turns out, you can buy stuff.

We are producing media at such a rate that keeping up is simply no longer possible.  While I was working on my doctorate in Edinburgh, I tried as hard as humanly possible to find and read everything previously published on Asherah.  I think I did pretty well for pre-internet days.  Now when I try to find everything on a topic I’m limited to the internet, and it simply doesn’t contain enough information.  Take these two series, for example.  No amount of searching brought up anything significant about them.  They weren’t exactly obscure, either.  Information was simply missing.  Like after the 1965 MGM vault fire, the information was just not to be found. 

It may seem impossible to believe, but there remain tons of information, trivial and important, that simply can’t be found on the web.  As a student in religious studies I learned about what used to be called Religion Index One.  It was a resource published by the American Theological Library Association and it listed just about all the articles published on a topic.  (It’s gone electronic now, I believe.)  I keep thinking there most be something like it for media studies.  But the new material keeps coming thick and fast, like a blizzard, and I’m not sure that such an index exists.  I use IMDb a lot, but even that’s not complete.  And nobody, it seems, is an expert on the entire internet.  If you are such a person, please let me know.  I have a few questions about media studies.

Everything

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It’s been getting a lot of press, Everything Everywhere All at Once has.  It’s been winning awards and it demonstrates that absurdism isn’t dead.  Absurdism is an essential element of existentialism, the philosophical school with which I most closely identify.  I had no idea others found it so appealing.  This movie’s difficult to encapsulate—the summary on Wikipedia is actually not bad—but it has to do with human potential when living in a multiverse where every decision splits the ‘verse into new bubbles where your actions play out in all possible ways.  And, of course, it’s tax season.  There are clearly elements of The Matrix here, as well as Brazil.  And it’s distributed by A24.  The message is good, as the story plays out.  The images are impressive and confusing and will make you think.

From the time I left home I’ve looked for two main elements in movies—they should make me feel and make me think.  When they do both they are successful.  Everything Everywhere All at Once is successful.  It also reminded me of how healing existentialism can be, which is what drew me to it in the first place.  Life, or to point a finer point on it, consciousness, is absurd.  You can follow the same rules and get different results each time.  And you have to live with the consequences.  If you think about it too much it leads to despair.  I need, and it seems others do as well, to be reminded once in a while that absurdity is endemic in this universe.  How else can we explain Trump?  Existentialism breaks in on reality and I used to self-medicate with Nietzsche and Kafka and Camus.  Lately I’ve been using horror.

The thing about absurdity is that it’s funny.  We may not laugh about what the universe hands us as much as we should.  Existentialism also holds that darker element called dread.  Sometimes that comes to the foreground.  In my own life, I guess I thought getting a Ph.D. from a major, internationally renowned, research university might help.  I had forgotten the role absurdity plays in all of this.  Everything Everywhere All at Once shows the universe, or multiverse, is the ultimate trickster.  There are those, serious scientists, some of them, who believe that each decision does split off another universe and that all possibilities play out somewhere in the multiverse.  Even if that’s true, we’re stuck in this one.  It makes sense, therefore, to laugh at it once in a while.