Four-leaf Clover

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It was recently my late mother’s birthday.  I didn’t post about it on that that day since it might become a security question some day.  In any case, it was a somber day for me.  It’d been raining on and off for several days straight and I was wanting a picture of her for my bulletin board.  I remembered that I had inherited one of her photo albums.  This was the old kind with black paper onto which you had to lick and stick corners to hold the pictures.  Many of the photos had fallen out even back when she asked me to hold onto it, but there were some still there of her as a young woman.  As I was looking through them, something inside the front cover caught my attention—the crumbly brown remains of three four-leaf clovers that she’d glued there.

Since this isn’t likely to be a security question, I can say that her home life wasn’t ideal.  The page with the young photos of her were obviously from a day that she and my father were taking pictures of each other as young lovers.  They were outside a house on a summery-looking day.  Smiling and looking for a better future.  Four-leaf clovers.  My father was an alcoholic, and my mother knew that, but hoped that she might change him.  I don’t know the dates of the photos so I’m not sure if they yet knew they’d be parents.  One of the oddities of life is that about the time the questions occur to you, your parents might already be gone.  I wanted to ask about that happy day.  Those clover leaves.  The sunshine.

Rain and gray clouds persisted.  That particular day I had little human interaction, and I felt her presence with me.  I’m not a minister, as she always hoped I would be.  I could never find a job closer to home, as she wished time and again.  I didn’t even get to see her before she died.  Instead I had a photo album on my lap and rain falling.  And work for the day looming.  Her birthday is an engrained date in my mind.  Those last years we tried to find appropriate gifts for a woman who always said, “I don’t need anything.”  A few of those gifts are scattered around our house now.  One that gives me hope is a vase with flowers made from colorful paper that we purchased at a craft show for her.  I look at it and think of crumbled four-leaf clovers.

Going Viral

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Okay, so there are some pretty big plot holes, but Viral is nevertheless an effective horror film.  The “virus” is actually a parasite spread by blood, which carriers cough in your face, if they don’t kill you first in a fit of parasite-induced rage.  The really scary thing is that this movie was produced before Covid-19 and the government response, as presented in the movie, is somewhat believable.  Nevertheless, it retains its ability to be a story about family and loyalty.  There are some missed opportunities in that regard, but overall it’s fairly well done.  It certainly keeps the tension going and I feel some spoilers coming on so I’ll warn you here.  A Blumhouse production, it seems to have had a reasonable budget.  And there’s a solid attempt to have a storyline with characters you care about.

Sisters Stacy and Emma are trying to adjust to a new school system as news reports increasingly focus on a new, and lethal, virus.  Their California community is the site of the first U.S. outbreak and the initial panic isn’t unlike what happened in 2019.  I’m a little surprised that, given that development, the movie didn’t gain more residual watching.  In any case, a quarantine and curfew are set up, but the teens of the housing development decide to have a party.  Kids will be kids, after all.  Of course, an infected guy is there and Stacy, the older sister, gets infected.  Their parents were caught outside the quarantine zone, so they have to try to survive on their own.  Emma has a new boyfriend—the guy next door—and he urges Emma to leave her sister, but she won’t.  Martial law is declared and “nests” of the infected are being bombed by the government.  Emma and boyfriend manage to survive, but the rest of the town’s a wasteland.

As I say, the implications are the really scary part.  Governments have the mandate to protect the greatest number of people—isn’t that utilitarianism, by default?—and decide to cut their losses and destroy infected communities because there’s no stopping the disease.  Even as the gaps in the story kept coming up, I was asking myself would our government do such a thing.  I could find nothing to dissuade me that it would.  Self-preservation is human nature.  As is might makes right.  Our government, for my entire life, has consisted of the wealthy and one thing we know about those with money is that they’ll do whatever they can to protect their interests.  Oh, and there are a number of effective jump startles as well. But they’re not as scary as the government.

Remembering Consciousness

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I recently inadvertently read—it happens!—about anesthesia.  I’ve been relatively healthy for most of my adult life and have experienced anesthesia only for dental surgery and colonoscopies.  I’ve actually written about the experience here before: the experience of anesthesia is not like sleep.  You awake like you’ve just been born.  You weren’t, and then suddenly you are.  This always puzzled me because consciousness is something nobody fully understands and there is a wide opinion-spread on what happens to it when your body dies.  (I have opinions, backed by evidence, about this, but that’s for another time.)  What I read about anesthesia made a lot of sense of this conundrum, but it doesn’t answer the question of what consciousness is.  What I learned is this: anesthesiologists often include amnestics (chemicals that make you forget) in their cocktail.  That is, you may be awake, or partially so, during the procedure, but when you become conscious again you can’t remember it.

Now, that may bother some people, but for me it raises very interesting issues.  One is that I had no idea amnestics existed.  (It certainly sheds new light on those who claim alien abduction but who only remember under hypnosis.)  Who knew that even we have the ability to make people forget, chemically?  That, dear reader, is a very scary thought.  Tip your anesthesiologist well!  For me, I don’t mind so much if I can’t remember it, but it does help answer that question of why emerging from anesthesia is not the same as waking up.  Quite unrelated to this reading, I once watched a YouTube video of some prominent YouTubers (yes, that is a full-time job now) undergoing colonoscopies together.  They filmed each other talking during the procedure, often to hilarious results.  The point being, they were not fully asleep.  The blankness I experience after my own colonoscopies is born of being made to forget.

I think I have a pretty good memory.  Like most guys my age, I do forget things more easily—especially when work throws a thousand things at you simultaneously and you’re expected to catch and remember all of them.  Forgetting things really bothers me.  If you haven’t watched Christopher Nolan’s early film Memento, you should.  I think I remember including it in Holy Horror.  In any case, I don’t mind if anesthesiologists determine that it’s better to forget what might’ve happened when the last thing I remember is having been in an extremely compromised position in front of total strangers of both genders.  My accidental reading has solved one mystery for me, but it leaves open that persistent question of what consciousness really is.

Dark Smile

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Romance.  It’s not the same thing as Romanticism, but it’s often part of drama.  It can, and often does, feature in horror.  Tender feelings toward someone we really love seem to be a human universal, even if social structures don’t always support such feelings.  Maybe I’m trying to make excuses for why I watched Mona Lisa Smile, but there is an underlying reason.  More than one expert considers it an example of dark academia.  I was curious, and honestly, it’s easier to get my wife to watch dark academia than it is horror (for that I’m on my own).  This was a film I’d heard about many times, but hadn’t watched any trailers for, so I wondered what it was all about.  In short, Wellesley.  One of the seven sisters.  But more than that—women struggling for equality in the 1950s.

A fictional Katherine Ann Watson takes up a post teaching art history at Wellesley, back in the day when a doctorate wasn’t required.  In order to demonstrate her expertise to her very well prepared students (I never, in nearly 20 years teaching, had students show that level of eagerness for any subject) she introduces them to modern art.  Traditional Wellesley isn’t prepared for that.  Moreover, she encourages them to develop careers of their own in a period when the MRS degree was still a main reason for women to attend college.  Watson’s own life isn’t without romance; a boyfriend back home in California and another professor at Wellesley both vie for her affections.  Some powerful students, however, make her life difficult and despite her popularity as a teacher, the administration allows her to remain, but with severely clipped wings.  She decides to fly instead.

Amid all the social commentary, a darkness remains.  A large part of it is patriarchy, but academic politics—driven by money—is the main culprit.  As Watson is essentially forced out, her students see her off with a display of camaraderie, making this, in some ways, quite similar to Dead Poets Society.  There were a few triggers for me.  Years ago I was indeed called into the Dean’s office and handed a letter to read.  While not nearly as dramatic as either Dead Poets Society or Mona Lisa Smile, I had students demonstrate their support for me as I was forced out.  Katherine Ann Watson seems to have had better prospects than John Keating, but both movies remind us that academic politics are dark indeed.  Even if it’s couched in the genre of romance.

Craving Enchantment

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I really want to know, but just can’t figure out, how to write like Katherine May.  My wife and I read her book Wintering and now have added Enchantment.  In many ways I seem to be like May; we may be different shades of neurodivergent, but I understand what she says.  Indeed, at one point in Enchantment she talked me down from a writer’s dilemma that had me worked up for days.  But I can’t write like her.  I have times when my rhetoric for a blog post or two might come close, but I have tried to sustain it for an entire book, so far without success.  My background was perhaps too sullied by academic writing, although May is also an academic, so I may simply be making excuses for lack of talent.

That’s too bad because Enchantment is meant to improve your outlook.  Subtitled Awaking Wonder in an Anxious Age, it consists of life lessons the author learned during the pandemic.  I often, if I allow myself in this constant struggle for my time, experience the sense of wonder May describes.  I enjoy walking in the woods, watching heavenly bodies, staring into a river or pond, and trying to draw lessons from such things.  Lately, however, I find myself rushing through them because I have something else I have to do.  Daily, it’s the 9-2-5, of course.  That schedule overloads my weekends with things that have to be done even if I want to spend time appreciating the enchantment I can find, if I have the time.  Sorry, I’m letting the anxious part take center stage.

This is a wonderful book.  I admire the way that May is able to face down her own struggles with grace and remain open to possibilities.  I found such things much more readily when I was at Nashotah House.  There were moments between classes and there were semester breaks.  We lived in the woods.  By a lake.  There was wonder there, for the taking.  Having a young child to introduce to the wonders of nature definitely helped as well.  Children force you to see through new eyes (it’s not a surprise that May has a young son when writing).  Too quickly we grow up and let capitalism tell us what to do.  It takes so much from us and gives so little.  I’m looking out my window at nature, as I write this.  I know it has enchantment to offer.  I also know that work begins in fifteen minutes.

Fabric of Time

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I’m not a sewer.  I mean, a person who sews.  I know people who are, though, who are quite distressed that JoAnn Fabrics is going out of business.  In an effort to console such folk, I indulged in an online search for fabric shops that led to a couple of conclusions.  One is that the internet is lousy at clean-up, and the second is that big box stores have ruined the ability to find things, funneling all purchasing to Amazon.  Let’s take these one at a time. 

If you’ve ever searched for a physical store (fabric or otherwise) online, you know that sites like Yelp are full of artifacts.  Stores that closed a long time ago and have never been removed.  In fact, when I commuted to New York City I sometimes walked several blocks on my lunchtime, looking for a store only to learn that it had closed five or ten years ago.  It still beamed happily on the web, though.  I have driven to bookstores that no longer exist, based on their location being proclaimed loudly online.  Regarding fabric, I located directories for Enright’s Fabric Warehouse, in nearby Bethlehem.  Nothing online indicated that they were long out of business.  I street-leveled the address on Google Maps and found a building I’d driven past many times; I’d actually driven by it the day before.  It obviously was a large factory-like building, but it hadn’t been a fabric store in the seven years I’ve lived in the Lehigh Valley.  This isn’t the only time I’ve searched specifically for a company/store with the query word “bankrupt” or “out of business” to find Hal-9000 saying, “I can’t let you do that, Steve.”

The second point.  Big box stories come to town, drive smaller stores out of business, then fold themselves, leaving us all poorer for it.  As big boxes go, I liked JoAnn’s.  Probably because they were failing, they had lots of things besides fabrics that I could look at on family outings.  But the fact is smaller fabric stores (which still appear online as existing) went out of business when JoAnn came to town.  There were two JoAnn stores in the Lehigh Valley.  Smaller places closed, and now we’ll be running around naked before we can find a fabric store willing to sell.  I’ve seen this happen with other industries as well.  There was a fine office supply store in Oconomowoc, Wisconsin when I was at Nashotah House.  Staples came to town and closed them down.  If you’ve been in a Staples lately, you know the writing’s on the wall.  I know we’re stuck with big boxes.  More often we turn to Amazon where a few keystrokes will get you what you need.  Check and mate.

Unholy Conception

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Religious horror is difficult to get right.  Immaculate received reasonably positive reviews, and did well enough at the box office.  Its message of women being forced into reproductive roles unwillingly is certainly timely.  Viewers with religious training, as well as experience viewing quite a lot of horror, might be less impressed.  The basic premise isn’t bad: a convent in Italy, which has one of the nails from Jesus’ crucifixion, is using the biological material on the nail to genetically engineer a new messiah.  The movie follows the novice/nun Sister Cecilia, a virgin, as she joins the convent and discovers that she’s pregnant.  The entire community—apart from a jealous nun and a friend trying to warn Cecilia—welcomes the news, presenting Cecilia as the new Mary.

The convent, which has a history of torture, realizes that Cecilia might be reluctant.  Past sisters have, and she isn’t the first immaculate conception the resident priest (a former biologist) has engineered.  Realizing, by the second trimester, that something sinister is going on, Cecilia tries to escape but is caught and confined, and her soles are branded to prevent her from running away.  After killing the Mother Superior, a Cardinal, and the resident priest, she does escape, gives birth, and kills the baby.  It’s not difficult to see the social commentary involved, but this is body horror and it’s not about gross outs.  It is pretty tense and has several scary moments, but the plot leaves some rather large holes that might following it difficult.  It’s never explained, for example, how the genetic material ends up inside Cecilia without her knowing it.  For those who’ve spent years reading about Marian devotion, this is not an unexpected question.

Although this would be a candidate for Holy Sequel, there’s just something off about the religious elements of the film.  Having never been a nun, I can’t say for sure, but the convent life (apart from the engineering a messiah) seems inaccurate.  And although the Bible is quoted, it’s presented in an almost Protestant way.  The underlying religious imagery feels slightly askew.  Judging from what critics have said, that doesn’t seem to bother many viewers.  If you’re going to make a religious horror movie, it is possible to get away without doing your homework.  In the end, however, it shows.  The acting is quite good and the theological message is worth arguing over, but like many other religious horror films, it has been weighed in the scales and found wanting.

Late Shift

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M. L. Rio is best known for If We Were Villains, a book I have on my shelf but haven’t read yet.  She’s one of those rare PhDs who can write, and her punchy, irreverent style has a way of drawing you in.  Graveyard Shift is actually a novella (a cynic would say a way to get you to pay a full novel price on a piece a bit too short to qualify), so it’s a quick read.  It’s a little difficult to classify, genre-wise.  The copyright page suggests thriller, which means not-quite-horror, but with elements of it.  Taking place over one night (and just over 100 pages), its the story of how a college student journalist and her friends crack the case of a mysterious shallow grave they discover one night at their usual hangout, behind an abandoned church, Saint Anthony the Anchorite.  Edie, the journalist, has to find a story to headline the next day’s edition, and the grave provides it.

The story involves mushrooms and rats, sleep deprivation, and lots of smoking.  Still, it’s a well-crafted tale that holds your interest.  Of course, I noticed the centrality of the church to the story.  It’s so much a part of things that the disparate group of friends identify themselves as Anchorites.  An anchorite is essentially a hermit—a monk who prefers not to live communally (cenobites, a name taken up by the Hellraiser franchise, are monks in community).  Of course, the friends aren’t monks, just young people in a college town who like to be out at night, and maybe solve mysteries.  The church is both a focal point and a kind of vector in this world where unusual activities take place after dark.  It shouldn’t be a spoiler to say the friends solve the mystery and begin to help address one another’s problems.

I like brief books.  I don’t mind moderately long novels—when they start getting over 400 pages I get a bit anxious.  I have to admit that Goodreads has made me conscious of how many books I read in a year.  And since I like to blog about books, it also helps to finish them in a timely way.  Besides, escapism is especially important at the moment.  If you like stories about college kids, under-employed professors, bartenders and others who manage to eke out a living before family and mortgage change everything in your life, you’ll probably like this one.  It’s not really a horror story, but it’ll keep you turning pages, which is what books of any size are meant to do.

A Different Village

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If I’m honest I’ll admit that I first found out about John Wyndham’s The Midwich Cuckoos from The Simpsons.  In one of the episodes, “Wild Barts Can’t Be Broken,” a “clip” is shown of a horror movie called The Bloodening.  A spoof on Village of the Damned, the scene caught my imagination and I was able to learn that it’d been taken from this movie.  This was many years ago, of course.  In any case, I went out and found a DVD of Village and found it less frightening than anticipated, but it left me curious.  It was easy enough to find out the book it was based on (it’s in the credits).  Now, well over a decade later I finally read it, but I’d forgotten nearly everything about the movie but the glowing eyes.  Having read the novel, I had to see the movie again.

Interestingly, the book is generally considered science fiction and the movie horror.  The two genres are closely related, of course.  The explanation for the children in the movie is a little sci-fi, but the framing is horror.  So much so that in Britain in 1960 it was nearly given an X rating (the censors didn’t like the glowing eyes).  As typical, when compared to today’s fare this is a tame little piece about some unruly children.  Of course they do get blown up at the end.  That may have been a spoiler.  I guess I can be unruly too.  In any case, sequences of self-harm, and even suicide, make this a reasonably scary movie.  The film has the same stiff upper lip that the book does, but otherwise it’s a modern horror classic.  I haven’t seen the 1995 remake, but it didn’t get very good reviews.

The movie doesn’t have as much moralizing as the novel does, but it raises the very real issue of how we socialize children.  I do suspect, however, that blowing them up when they’re all together is probably not the message they wanted us to take home.  Although far from a flawless film, this is quite intelligent for horror of the period.  Consensus is that horror “grew up” in 1968, but there were some premies, it seems.  Night of the Demon is another one from the period.  Horror has, I would argue, been intelligent from the start.  Dracula, although not a perfect story, has become a bona fide classic, and Frankenstein before it, had already been a literary touchstone for decades by the time the former was published.  Not bad for watching an episode of The Simpsons.

Think

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Those of us who write books have been victims of theft.  One of the culprits is Meta, owner of Facebook.  The Atlantic recently released a tool that allows authors to check if LibGen, a pirated book site used by Meta and others, has their work in its system.  Considering that I have yet to earn enough on my writing to pay even one month’s rent/mortgage, you get a little touchy about being stolen from by corporate giants.  Three of my books (A Reassessment of Asherah, Weathering the Psalms, and Nightmares with the Bible) are in LibGen’s collection.  To put it plainly, they have been stolen.  Now the first thing I noticed was that my McFarland books weren’t listed (Holy Horror and Sleepy Hollow as American Myth, of course, the latter is not yet published).  I also know that McFarland, unlike many other publishers, proactively lets authors know when they are discussing AI use of their content, and informing us that if deals are made we will be compensated.

I dislike nearly everything about AI, but especially its hubris.  Machines can’t think like biological organisms can and biological organisms that they can teach machines to “think” have another think coming.  Is it mere coincidence that this kind of thing happens at the same time reading the classics, with their pointed lessons about hubris, has declined?  I think not.  The humanities education teaches you something you can’t get at your local tech training school—how to think.  And I mean actually think.  Not parrot what you see on the news or social media, but to use your brain to do the hard work of thinking.  Programmers program, they don’t teach thinking.

Meanwhile, programmers have made theft easy but difficult to prosecute.  Companies like Meta feel entitled to use stolen goods so their programmers can make you think your machine can think.  Think about it!  Have we really become this stupid as a society that we can’t see how all of this is simply the rich using their influence to steal from the poor?  LibGen, and similar sites, flaunt copyright laws because they can.  In general, I think knowledge should be freely shared—there’s never been a paywall for this blog, for instance.  But I also know that when I sit down to write a book, and spend years doing so, I hope to be paid something for doing so.  And I don’t appreciate social media companies that have enough money to buy the moon stealing from me.  There’s a reason my social media use is minimal.  I’d rather think.

A Different Lord

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I just wanted to learn the basic outline of Lord Byron’s life without having to commit to the hundreds of pages most of his biographies boast.  Something brief, but authoritative.  Something for which I could be sure the author was vetted.  I hadn’t read any of the Writers and their Works series before.  It gets good reviews and here was the story of Byron in less than 100 pages!  I was excited to get started.  Then I discovered this is mostly about his poems rather than his life.  It contains 21 pages of biography and 60 of poetic analysis.  I really should’ve checked more reviews.  I’m not really into poetic analysis.  I know that those of us who create tend to think of our creations as extensions of ourselves.  I’ve made 3-D art (kind of like sculpture), I’ve drawn, I’ve painted, I’ve written.  These are parts of me that exist in the world.  But really, I just wanted to know what Byron’s life was like.

Actually, I did learn the answers to some of my questions.  Although a “lord,” he didn’t inherit much wealth.  Indeed, the opposite.  His eventual wealth came from his poetry.  This is nearly an impossible dream these days, of course.  His fame brought the spotlight onto his personal life and politics.  A man who easily “fell in love”—he was a Romantic, after all—he had affairs and his politics weren’t those of the majority.  He left England at the advice of a friend, never to return.  He was friends with Percy Shelley, which is common knowledge.  As he made a home, actually several homes, in Europe, he continued to earn good money for his poems.  He was famous and feared, it seems.  Although the book doesn’t describe it, he gave the world its Byronic hero.

I haven’t read much of Byron’s poetry.  That style of writing has never appealed to me.  The poetic life, however, is of endless interest.  Shelley drowned on a boat trip home after visiting him in Italy, and Byron was present at the cremation.  (And I got yelled at in the New York Public Library for trying to snap a picture of the fragments of Shelley’s skull that were on a special display.  Byron had been there in person, of course.)  A few short years later Byron also died while helping to plan and finance the Greek war for independence.  Still, there is more I’d like to know.  But probably not enough to read a biography of several hundred pages, though.

Cuckoo’s Roost

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John Wyndham is someone I discovered through movies.  Often considered a science-fiction writer, his works cross over into horror, particularly on the silver screen.  Many years ago I read Day of the Triffids and, having seen Village of the Damned, wanted to read The Midwich Cuckoos.  It was a pretty long wait.  I kept thinking I might find a copy in a used bookstore, but it never happened.  When I saw a reprint edition I ordered it with some Christmas money.  There are some horror and sci-fi elements to the story, but there’s also a bit of thriller, as it’s called now, thrown in.  The book is quite philosophical because of the character Gordon Zellaby, a Midwich resident who keeps thinking about what is happening in terms that don’t match the expectations of other, more prosaic thinkers.  In case you’re not familiar:

Midwich becomes unapproachable for a period because an alien ship (the sci-fi part) has covered it.  Everyone in the village is asleep for a couple of days.  When they awake, generally no worse for wear, they soon discover that all the women of childbearing years are pregnant.  They all give birth about the same time to children that look eerily alike and have bright golden eyes.  The officials know this has happened but adopt a wait-and-see attitude.  Meanwhile, the locals get on with things but they discover these new children develop about twice as quickly as humans do and they can control people with their minds.  They also have collective minds so that their brainpower is quite above that of Homo sapiens.  Zellaby makes the connection with cuckoos—birds that lay their eggs in the nests of other birds and after they hatch shove the other chicks out of the nest.  Indeed, this is a story about what if cuckoos were humanoid aliens who tried the same thing with people.  Told with a British stiff upper lip.

The story slowly unfolds and gets scary as it grows.  I saw the movie quite a few years ago and the details were lost on me, so I was learning as I read.  I suspect that it differs from the book quite a bit.  Perhaps it’s the Britishisms that make this story less of a horror tale.  There’s a kind of jocularity to the style, at least for a good bit of it.  The serious issues of how governments and individuals interact is raised and discussed to a fair extent.  Even though the book is fairly short, there’s a lot going on here.  But now I need to watch the movie again.

Bad Taste

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There is a reason for watching bad movies, apart from the fact that they’re often found streaming for free.  Sometimes that reason is that they’re so bizarre that they’re almost surreal.  And sometimes the circumstances surrounding them are equally strange.  Michael Findlay’s Shriek of the Mutilated was included in the set of movies I bought for Zontar: Thing from Venus.  Not one to be wasteful, I’m finally dutifully watching these before allowing myself to purchase new fare.  Given the fact that this had a theatrical release, I’m surprised that it’s not compared more often with Ed Wood’s oeuvre.  In any case, this is a very convoluted story and spoilers will follow.  You’ve been warned.

An international group of demon worshipping cannibals have a member who’s a professor that takes students on a “yeti hunting” expedition every few years.  The students are all killed but one, so that the yeti story can continue.  Viewers (if any) aren’t clued in to this until the last few minutes of the film but early on you can spot the cannibal theme.  So four students in the professor’s Mystery-Machine-like van, go on a hunt while staying with a “colleague.”  Naturally the students start getting killed.

Using some of the worst dialogue ever written, the clueless coeds keep allowing themselves to be led into situations no sane person would.  The chosen “survivor” discovers the plot and is amazed that the creature was (blindingly obviously) a guy in a suit trying to scare them to death.  The cannibals prefer their meat with no bruises.  Much more could be said about the ineptitude of the movie but it ends up having an interesting, if tragic, coda.

Michael Findlay, who made exploitation films with his wife Roberta, was actually sliced to death in a helicopter accident on top of the (then) Pan Am Building in Manhattan.  This happened three years after this movie was released.  In those three years he’d directed eight more films, so his last movie before being mutilated was not the one in my Beast collection.  Quite often when I watch bad movies I have trouble finding any discussion of them at all.  Shriek of the Mutilated is discussed at some length in two books—not surprisingly published by McFarland (they have great pop culture titles).  Until I discovered this movie, in with ten others in a collection, I’d never heard about it.  Of course, the theatrical release was for drive-ins and was limited to Texas, Florida and California.  There can be a lot of information to dig out when people stoop to talking about bad movies.

Release Date

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July 16.  That’s the release date for Sleepy Hollow as American Myth.  If you’re so inclined, preordering helps to earn a book attention.  (I know it’s pricey, but thanks for considering it for a second.)  This book has been, like most books, a long time in the making.  As my wife will attest, reading the proofs nearly sent me into a spiral this time around.  It wasn’t because they were bad (I only found 7 mistakes) but it was because of my own doubt about how well I’d done this one.  I found myself between elation at some parts, and dread at others.  I really like this book but I spent my proofreading journey anticipating what critics would say.  I do take a few chances in this one and it has what I believe to be an important message.

Writing books is like walking into a library naked.  There may not be many people there, but those who are can see more than you want them to.  I love the Legend of Sleepy Hollow.  I learned a lot about Washington Irving doing this research.  I learned a lot about Halloween—that’s one of my favorite chapters.  I also like the conceit I applied to the book itself as a labyrinth.  And I’m already looking forward to reading more renditions of the myth once the dust settles a little.  Reading the proofs took a good portion of the weekend, as well as after-work time the previous week.  I could focus on little else.  Books, you see, are parts of their authors.  I feel a little bit crazy for even writing them in the first place.

That having been said, I’m chuffed with a July publication date.  The best time for Halloween books to be available is the summer.  My last two Halloween titles (Holy Horror and Nightmares with the Bible) both came out in November or December.  Not that there were angry mobs at Barnes & Noble demanding them at the end of October.  The other deadline I’d set myself was to have this published before Lindsey Beer’s reboot of Sleepy Hollow hit theaters.  I seem to have managed that one by quite a margin; there’s still been no release date announced.  For her, that is.  I just received mine yesterday.  I guess it’s time to start touching base with those good folks in the Hudson Valley who expressed an interest in the project when I first told them about it.  I’m anticipating Halloween already.

The Talk

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Sex.  It’s the great forbidden topic.  This extends to the truly staggering number of words that have been coopted, either as slang or circumlocutions, to discuss anything related to sex.  The other day I wanted to use the phrase, “finger in the dike.”  I was thinking of that illustration of a little Dutch boy preventing a flood from some of my childhood reading, but I quickly realized that it could be construed as insensitive.  When I was a child I wasn’t like other kids.  Some referred to my interests as “queer,” although I am not a homosexual and am not afraid to admit that I have many friends who are.  That word, though, can’t be used without being thought to refer to sex.  While this is true of many words that were once slurs, such as “gay” and the whole arsenal of derogatory words associated with denigrating our sisters and brothers, other—more neutral—words also fall into this category.

The sheer number of words we use to refer to our genital organs would stun alien (off-world) linguists, perhaps confirming, in their own minds, the advantages of telepathy.  Who isn’t slightly embarrassed when someone introduces himself as “Dick”?  I remember a good friend, who happened to be a bishop (now, sadly, departed), who introduced himself to me as “Dick.”  (I was a seminary professor at the time.)  I had trouble calling him that, although we met on many informal occasions and he even wrote me letters of reference.  Sometimes I ponder how sex has become the most talked about stigma there is.  I’ve been on a private campaign against stigmas lately.  I know this is a fight I cannot win, but still, isn’t it worth talking about?

Probably the most frequently used adjective, among many subcultures, is the f-bomb.  No matter how many times we hear it used (and books have been written on it), it always manages to shock.  Even the word itself has spun a whole effing set of circumlocutions to refer to the word itself.  This is truly a remarkable state of affairs.  I’ve studied linguistics enough to know that some topics are like this, but I’m hard pressed to think of any others that reach the level of sex.  Many are the times when I want to use a phrase I was taught as a kid that I now have to resist.  I had a colleague once respond with open-mouthed shock as I used a word in public that remains perfectly innocent (which is how I was using it) but which could be construed the wrong way. Such is our world.  Ironically, you can see sex in the media quite easily.  Movies, television, the internet.  Just don’t talk about it.

Photo by Gama. Films on Unsplash