Water Monsters

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Chaos is a monster.  More than personal opinion, that’s a biblical view.  If, like many modern people with theological training, you’ve been taught that Genesis narrates a creation out of nothing, you’ve become a victim of this monster.  You see, although ancient Israel had no “systematic theology”—the Bible can be quite inconsistent if you’re willing to read what it says—the view that chaos was constantly lurking outside the ordered realm of creation was a common one.  One of the more intriguing episodes in Ugaritic mythology involves a broken text where the god Hadad, aka Baal, refuses to allow a window in his palace.  The reason?  Apparently he feared chaos (in the form of Yam, the sea) might slip in and kidnap his daughters.

More than a theological statement, the story of creation was actually a singular episode in Yahweh’s ongoing struggle against chaos.  Step outside and look at the sky.  If it’s blue it’s because there’s unruly water being held back by a great dome over our heads.  If it’s gray, it may be raining, or it probably will be soon.  Stroll to where the land ends.  What do you see?  Water.  That water is lapping at land, trying to take it over.  Although the ancients didn’t have geologic ages (the Mesopotamians came close, with ancient kings living thousands of years) rivers eroded land and they had tendencies to flood.  The thing about chaos is that it makes you start again, from the beginning.

One of the many unfortunate things about biblical literalism is that it loses sight of this biblical truth.  It exchanges something everyone can understand for a theological abstraction that makes no sense in the world that we experience.  Ancient belief held that the human role in the world was to fight chaos, not to get to Heaven.  In fact, in the Hebrew Bible there’s no concept of Heaven at all.  Instead, the commandments were all about order.  You can’t build on the water.  What you do build water tries to wash away—Israel has a rainy season, and one of the characteristics of such seasons is the occasional violent storm and heavy rains.  Although we need the water from the heavens, heavy rains cause, well, chaos.  In ancient thought, this was the monster hiding in plain sight.  That blue sky is a reminder that a dragon awaits.  Rather than starry-eyed Heaven-gazers, the ancient biblical person was a monster-fighter.  And that’s the biblical truth.

Childhood’s End?

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Writers are agents against chaos.  Those of you who read this blog frequently know that chaos has been one of my themes lately.  Moving, which is a process that takes months and months of time, is pure chaos.  Whenever I settle down to write, yet another moving-related task comes to me—this box needs to be unpacked, that gap in the fence must be mended, where did I put the toolbox?  Mundane things.  Writers like to think the world conforms, somehow, to their inner lives.  In reality, things are far more complex than that and don’t seem to be getting any easier.  Starting to learn about house ownership is something best left for the young, I suspect.  Every question (where should we put the television?) leads to a daisy-chain of other issues (but first we need to move that hutch, but it’s too heavy for either of us to lift, etc.).

In ancient times water symbolized chaos.  Before we left on vacation, the main issue was to get all boxes off the floor in the garage.  We haven’t had time to move them safely inside yet, what with planning for vacation and all, so plastic became the order of the day.  We do need, however, to get things inside eventually.  A slow process for two middle-aged people with full-time jobs, even without jet lag.  Writing feels like a luxury item, for what is most required is time—time to move things to their proper places.  Time to figure out what those proper places are.  Time to go to work again.

Had we thought this through, we might’ve used vacation this year to unpack.  We bought our plane tickets, however, before we bought the house.  This latter transaction is one of chaos embodied.  Who knew, for example, that the grass had to be cut so often?  That all roofs leak?  That chaos is constant, and not intermittent?  In biblical times, one of the signs of God’s greatness was the ability of the Almighty to hold chaos in constant check.  The waters were always lurking, looking for any opening—except when you need rain and it just won’t come.  Sitting here writing feels like the giddy irresponsibility of childhood where there’s so much to get done and so little time in which to do it.  And neighbors don’t appreciate the lawn being mowed before the sun is properly out of bed.  The renter pays a price for living with, for at least some stretches of time, chaos-free maintenance.  The home-owner quickly learns that any time left over for writing feels like being irresponsible, and a little bit divine.

Chaoskampf

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It’s a poignant thing to hold a dying book in your hands.  What was once, straight, flat, and dry, now dissolves into a pulpy mess that, if it ever recovers, will be warped and distorted out of shape forever.  The loss of dozens of books hit me hard.  I think one of the many reasons for this is that books represent, for me, order.  They stand at attention all in a row, many on shelves I built lovingly for them.  I remember where I purchased them, the thoughts and feelings of that time.  In a world that’s far too bumpy and lumpy, books represented the ultimate in orderly array.  Now The Golden Bough is melting in my palm, smearing my fingers royal blue.  The forecast for the week—more rain.

The story of creation in the Bible—more properly, stories, for there are many—is not creation out of nothing.  Creation is the making of order out of chaos.  Ancient people, including the Israelites, believed that water was chaos, if not an actual dragon, that constantly worked against order.  You can’t build on water, it attacks the shoreline, it drowns those who fall in.  Never a seafaring people, Israel equated big water with evil.  God, then, fought constantly this unruly foe.  Whether it was with word or sword, the Almighty vanquished that sloshing, thrashing element that tries to tear apart everything we build.  Read Genesis 1 closely; the water is already there when the creating starts.

Life has a way of getting out of control.  It’s not without irony, however.  A person buys a house to store their books, and before the books can be moved in, they’re destroyed.  It’s rather like a parable, don’t you think?  If that person unfortunately thinks of him or herself as a summation of the books s/he’s read then the loss is like losing a limb or two in that endless battle against the forces of confusion that attempt to overcome our world.  When this happens some of us turn to books for comfort.  The books, however, are disintegrating in our hands.  My Amazon account, it seems, is mocking me at the moment with it’s mover’s discount.  Why buy something that will only hurt me when the water gets in once again?  The people of ancient times knew that the waters of chaos had to be held in check constantly.  They look for any opportunity to get in and destroy.  Ancient writers knew that in order to defeat them, only the most powerful gods will do.  

Hidden Origins

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This blog was born at the very lake I’m about to leave.  Although it’s relaxing, there’s an element of chaos to a family vacation that stirs up creativity.  Tomorrow’s long day of travel back east, however, will mean another day without a post.  Flights leave so early that you barely have time to slither out of bed to the shuttle, and the airport hotspots want your money to connect.  I’d rather maintain radio silence for a day.  That doesn’t mean I won’t keep my eyes open for religion hidden in the interstices of American life.  Since religion and mythology share sleeping quarters, I’m reminded of something I saw up here in the northwest the other day.  While in a local grocery and souvenir shop (for all groceries in this area carry souvenirs) I saw sasquatch dolls.

Such cryptids are unknown to science, of course.  Even if they really exist, their liminal status now places them firmly in the realms of mythology.  Being in the wilderness can be an uncanny experience.  Long accustomed to dwelling in cities and towns, we feel vulnerable out in the open.  Taking walks in the woods might just put you in the path of black bears, grizzlies, or mountain lions.  Who knows what else might be hiding in these woods?  It’s easy to believe in our myths here.  Vacation, in addition to being the ultimate reality, counts as time borrowed against work and its punishing rationality.  Religion thrives in the quiet moments when you’re not sure what might be hiding just out of view.

Did ancient people devise belief in such circumstances as this?  (Well, without the wifi and indoor plumbing, of course.)  It’s not hard to feel the spirit of the lake.  Standing chest-deep in the water, being rolled by the waves, there’s a kind of secular baptism taking place.  In the quiet unearthly voices can be heard.  No television or newspaper tells you that it can’t be happening.  Listening is much easier with no distractions.  These woods are vast.  Human access to them is limited to marked and maintained trails.  Beyond these borders, who knows?  Science comforts us with the assurance that there are no monsters out there.  Standing isolated from any other human beings, surrounded by ancient trees, you might begin to wonder if such assurance is as certain as it sounds.  The sasquatches are children’s toys, and the sense of the numinous you feel can, like all extraordinary things, be explained away.

Bitten by Religion

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The Essex Serpent isn’t what it appears to be.  Sarah Perry’s debut American novel (although it’s her second elsewhere, publishing being the strange beast that it is) was much anticipated.  Like the serpent itself, the novel is difficult to describe.  It comes down to a minister, a widow, and the people with whom they associate.  Instead of going through the complex storyline, I would instead note that once again a novel that explores religion has garnered quite a lot of attention.  It’s difficult to believe the official narrative that we’re constantly fed that religion is well beyond its expiration date when it continues to appear in print media as a prime motivator for people in all kinds of situations.  Novels, however, aren’t popular in the way television, movies, and video games are, so this is worth pondering.

While novels are sometimes disparaged in higher education, their clientele tends to be an educated one.  It takes more commitment to sit down and read a 400-page tome than it does to flip on some device and meander from app to app, channel to channel, or website to website.  Novel reading takes some concentrated effort.  Remembering characters and connections across a span of days or weeks as you wend your way through.  And one thing novelists do, at least in my experience, is explore the way religion makes us who we are.  I don’t choose novels for that reason; I thought The Essex Serpent would be a monster story (remember, I don’t read reviews before reading the book).

My guess is that if you read this blog you’re a potential reader of novels like this, so I won’t offer any spoilers.  The book is suffused with biblical language, as befits a story with a clergyman as a major character.  The protagonist, however, is an irreligious widow on a journey of self-discovery.  Having been dominated by a wealthy husband, she now explores paleontology in a Victorian context.  Although the year is never stated, the novel manages to find that Gothic near-ghost-story feel with the close interplay of death by consumption and fear of the dark.  It’s not a scary book by any means, although there’s plenty of mist in Essex, and a little gruesome detail of what people can do to each other.  The novel caught my attention via reviews I never read and has left me pondering what I’ve just experienced.  And it has reinforced my conviction that, despite what the critics may say, religion is what motivates us, whether we admit it or not.  And serpents may not be what they seem.

Paranormal Pilgrimages

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Although the Allegheny Mountains are hardly the Rockies—they’re much older and gentler on the eye—they harbor many tourist locations.  Even before my daughter attended Binghamton University, I’d been drawn to the natural beauty of upstate New York.  Prior to when college changed everything, we used to take two family car trips a year, predictably on Memorial and Labor day weekends, when the weather wasn’t extreme and you had a day off work to put on a few miles.  One year we decided to go to Sam’s Point Preserve (actually part of Minnewaska State Park) near Cragsmoor, New York.  It features panoramic views, a few ice caves, and, as we learned, huckleberries.  What my innocent family didn’t suspect is that I’d been inspired to this location suggestion by the proximity of Pine Bush.

A friend just pointed me to an article on Smithsonian.com by my colleague Joseph Laycock.  Titled “A Search for Mysteries and Monsters in Small Town America,” Laycock’s article discusses how monster pilgrimages share features with nascent religion.  People report strange encounters with all kinds of creatures and objects, and science routinely dismisses them.  Odd encounters, however, leave lasting impressions—you probably remember the weird things that have happened to you better than the ordinary—and many towns establish festivals or businesses associated with these paranormal events.  Laycock has a solid record of publishing academic books on such things and this article was a fun and thoughtful piece.  But what has it to do with Pine Bush?

Although it’s now been removed from the town’s Wikipedia page, in the mid 1980s through the ‘90s Pine Bush was one of the UFO hot spots of America.  Almost nightly sightings were recorded, and the paranormal pilgrims grew so intense that local police began enforcing parking violations on rural roads where people had come to see something extraordinary.  By the time we got to Pine Bush, however, the phenomena had faded.  There was still a UFO café, but no sign of the pilgrims.  I can’t stay up too late any more, so if something flew overhead that night, I wasn’t awake to see it.  Like Dr. Laycock, I travel to such places with a sense of wonder.  I may not see anything, but something strange passed this way and I want to be where it happened.  This is the dynamic of pilgrimage.  Nearly all religions recognize the validity of the practice.  It has long been my contention, frequently spelled out on this blog, that monsters are religious creatures.  They bring the supernatural back to a dull, capitalist, materialistic world.  And for that we should be grateful.   Even if it’s a little strange.

You’ve Never Seen

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In spite of accusations of puerile voyeurism, horror is a genre containing many deep films. I have no training as a film critic, but it’s evident that among the more weighty of horror heavyweights is The Exorcist. Mark Kermode is, on the other hand, a film critic, and his book named after the movie demonstrates just how much a viewer can see. I’ve watched The Exorcist quite a few times and there were things I’ve consistently missed. I also realize that I’ve only ever seen The Version You’ve Never Seen (the 2000 theatrical re-release). Having been too young and far too skittish to have seen its debut, I’ve been happy—if that’s the right word to use with such a production—with the version I’ve seen. That’s the human condition, I guess. Kermode made me wonder what it would’ve been like to have experienced it before the spoilers became universally known.

Yes, there are striking special effects—especially for the early 1970s—but the message is what really holds the depth. The story is the classic struggle of good and evil. Demons are, after all, a form of evil personified. The fact that a young girl is the victim may be a little too true to life, but it also gives the drama considerable emotional resonance. In the end, according to the view of the writer and director, good wins. The struggle, as they portray it, is real and costly. It’s always informative to find out what those who made a film thought it was about. Even with the motive of making money, many involved in the industry still have the hearts of artists. Maybe even priests.

Having learned at the feet of post-modernists, we know that no interpretation—even that of the creators—is privileged. Just as there’s no such thing as “only reading,” no one “only watches” cinema. The acts of reading and watching inherently involve interpretation. Kermode draws that out nicely in this little book. His interpretation, as insightful as it is, is but one way of looking at it. Was The Exorcist the version originally released in 1973? Bill Blatty and Bill Friedkin disagreed to the end about what the definitive version was. The many sequels and spin-offs have reinterpreted the story in their own ways. So it is with the struggle against evil. There’s no one single way to go about it. Some make horror movies to demonstrate that point precisely. At least in my view they do.

Wolves Again

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Although I don’t read movie reviews until after I’ve seen a film, I have a confession to make. With rumors swirling of The Conjuring 3, and since a chapter of Nightmares with the Bible will involve The Conjuring, I was a little curious what it might be about. Word on the street—and by “street” I mean “internet”—is that it will feature the case of Ed and Lorraine Warren that’s presented in Werewolf. Co-written by William Ramsey (the victim) and Robert David Chase, the book describes the strange malady of Ramsey, who never actually changed into a wolf, but for inexplicable reasons (at the time) thought himself a wolf and took on a wolfish look as he attacked people. The reports suggest he had preternatural strength at such times.

Since most of the Warrens’ books are concerned with demons, it should come as no surprise that in this case that was the diagnosis as well. With no real reason given, once upon a childhood evening Ramsey was possessed and occasionally broke out into violent fits. He landed in a psychiatric hospital a couple of times, but was eventually released. Noticed by the Warrens on one of their trips to England, Ramsey was invited to come stateside for an exorcism. According to the book, the rite was successful at least up until the time of publication. That’s the thing about demons—you can’t always tell for sure when they’re gone.

It’s pretty obvious why such a story line would appeal for a horror flick. You’ve got a werewolf, an unnamed demon, and an exorcism—there’s a lot to work with here. Weird things happen in the world, and there’s not too much to strain the credulity in this case. It would seem possible that a mental illness could cause much of what’s described as plaguing Ramsey, though. Its episodic nature is strange, I suppose, and the Warrens had a reputation for spotting demons. I did miss the conventional elements of the exorcism, however. No demon forced to give its name, no levitating and no head-spinning. Not even a bona fide bodily transformation. They’ll be able to fix that in Hollywood, I’m sure. Credulous or not, there will always be people like me who feel compelled to read such books. And since there’s no final arbiter but opinion in cases of the supernatural, that can leave you wondering.

What’s the Story?

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Belief is truly an amazing phenomenon. Even as we see it play out daily in the news, rational people ask themselves how people can accept something that all the evidence decries; just take a look at Fox news. In any case, those who study demons come up against the name of Fr. Gabriele Amorth with some frequency. Amorth was a true believer. Earlier this year I read one of his books and I wondered if he might reveal more in An Exorcist Tells His Story. Forgive me for being curious, but I really am interested in his story—how did this man become the passionate spokesperson for exorcism being reestablished in every Catholic diocese? What were the personal experiences that led him to this? Who was he?

Some people can’t write about themselves. Some, and I suspect clergy often fall into this trap, can’t write without the material becoming a sermon. This book is such an extended homily. Along the way Amorth does discuss a few cases of demonic possession and how it is to be confronted, but mostly he discusses the theology of his view of Catholicism and how that is essential to understanding demons. What is most odd about this is the inconsistency of a true believer in Catholicism admitting that Protestants too can drive out demons right after declaring the Roman Ritual is the only way for Catholics to do so. And only bishops, or those priests appointed by them, are permitted as exorcists. Is this a case of the enemy of my enemy is my friend? Protestants, according to the theology he espouses, shouldn’t be able to do this. If they can, why doesn’t it make him question his faith?

Known for his thousands of exorcisms, Amorth continues to have a healthy following. Anyone reading this book for a consistent outlook will be left wondering. How can Catholic exorcism work only if it follows the rules, and Protestant exorcism work when it is done by those who believe falsely? The same applies to his assertions that those who are possessed are not morally at fault, for it is the demon that makes them do evil things. At the same time those who lead “immoral” lives—according to Catholic standards—are more likely to become possessed. A few pages earlier we’d been told about saints who’d been possessed. I don’t mean to suggest anything about Amorth’s faith commitments—it’s celestially clear that he was a true believer. His commitment to help those who were possessed was legendary. Perhaps it’s just that demons are agents of chaos, and in such circumstances even theology can become a victim. I’m still wondering about his story, though.

Behind the Scenes

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Although I confess to being a horror aficionado, it took many years before I could convince myself to watch The Exorcist. I finally saw it in the mid-20-aughts, and have watched it many times since. It’s a movie that I discuss in Holy Horror, and it will star in Nightmares with the Bible as well. Although younger people often don’t experience the movie as scary—certainly the increasing trust in science and growth of secularity contribute to this—there is a sincerity about it that earns it its deserved place in the pantheon of horror. Bob McCabe surely counts as a fan for his The Exorcist: Out of the Shadows. Sub-subtitled The Full Story of the Film, this book is a gallimaufry of anecdotes, interviews, and facts about the movie and even its sequels. It’s like of like a sustained reaction shot.

The book doesn’t lack insight and McCabe is surely right that this was one of the most influential movies of the early 1970s. It has become a frame of reference on its own and it has defined, in large measure, what people believe about demonic possession. One of the quotes from McCabe’s treatment however, uses the phrase “metaphysical unknown” to explain why the film retains its power to scare, and there’s a great deal of wisdom in that assessment. Fear of the unknown, of course, is prime real estate for horror, and one of the most interesting things about demons is how little the Bible, or other ancient texts, really says (or say) about them. They are an embodiment of the unknown that can take over a person and make her somebody else. But it’s that metaphysical that’s really scary.

As we continue into a time of less and less that remains unclaimed by scientific theory, those metaphysical unknowns continue to lurk and to frighten. Maybe it’s the concept of the metaphysical itself that scares—can there really be something larger, more intelligent than us? The human psyche bruises easily, and we don’t like to be reminded that we lack the control we suppose we have each day. The metaphysical challenges all that. Since it refuses to submit to empirical verification, it remains unknown. A great many people interpret this as the same as not believing in it. Every once in a while, however, a powerful statement such as The Exorcist comes along. Few people thought about demons before William Peter Blatty’s novel and subsequent film. Then the world was full of them again. Requests for exorcisms are on the rise, and the metaphysical unknown haunts us now as much as it ever has.

Secularcist

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It should be fairly obvious that I’ve been researching demons lately. In the current political climate, it feels like a natural thing to do. Where there are demons, there are also exorcists. Many times those who write books on their experience in this realm will lapse into something along the lines of, “If there are demons, then Catholicism has to be true. All of it.” Or something like that. I have to admit that reading the better written accounts makes me start to think that way. R. H. Stavis’ Sister of Darkness: The Chronicles of a Modern Exorcist is another approach altogether. A secular exorcist, Rachel Stavis doesn’t use the time-worn rituals of movie fame. And her book offers an interesting rationale for her exorcisms—she sees entities.

I have often wondered if “growing up” isn’t largely teaching ourselves to discount what we perceive as children. I’m sure I’m not the only kid who was told there are no such things as monsters but didn’t fully internalize that “fact.” Besides, some things are worse than monsters. In any case, Stavis states that she sees entities and it’s clear from the book that she does indeed believe this. This isn’t for show. She describes various types of demons and how she learned to exorcize them. It’s a fascinating account. Her explanations won’t convince everyone, and her answers of where demons come from remain somewhat vague, but her clients swear by her methods. And she’s upfront about wanting her work to increase the good in the world by banishing evil.

I know many Christians who’d be ready to stone a pagan even for such a good deed as exorcizing a demon. Stavis doesn’t belittle any religion, however, and leans a bit toward Wicca herself. As I read I imagined what a reader convinced of the rectitude of one and only one religions would say. Only Jesus can drive out demons? (Judaism had, and still has exorcists, as do some sects of Islam.) Since a demon is a Christian monster, only a Christian can drive it out? One of the more interesting facts of the history of exorcism is that it was, in the Middle Ages, sometimes an interfaith exercise. The three major religions represented in Europe (the Abrahamic triad) recognized that any of the three could drive out demons. Each welcomed the help of the others. We’ve gone backwards since then. We haven’t again yet reached the stage where we realize that anyone doing good is on the side of good. Even demons, it seems, are conservative these days.

Spiritual Walls

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I often ponder what a difference walls make. Perhaps our ancient, cave-dwelling DNA just runs away with imaginations, but walls make us feel safe. Most of the time. As I was reading the ensemble-written The Haunted, by Robert Curran, Ed and Lorraine Warren, and Jack and Janet Smurl, the concept of walls showed its other face. In the mid-to late-1980s, the Smurls lived in a haunted house. The West Pittston duplex in Pennsylvania was also home to their four daughter’s and Jack’s parents. And the entity that harassed them there was deemed a demon. It’s easy to be skeptical about such accounts—no physical proof exists, after all, and proving anything is pretty near impossible anyway. Although I wasn’t aware of it at the time, apparently this become quite a media event. It’s easy to question the whole thing. Then I think about walls.

Although there are public haunted buildings, I often wonder about specific residences that foster claims of haunting. If spirits are, well, spiritual beings that can pass through walls, why would they stay in a house? In the case of the demon that everyone in the family saw, what does it mean to see physically a being that has no physical reality? And when the priest exorcised their house, why did they look to see where the incorporeal being might be hiding? It seems that the demon needed walls too.

Human beings are natural actors. We behave differently at home than we do in public. We act differently with friends than with strangers. Even closer to home, we act more natural with our families than we do even with friends. Beneath all these layers of pretending, most of us still act differently when we’re alone. That’s where walls come in. Although knowing someone’s in the next room might temper our behavior, the family unit within its walls is one intimate collective. What was happening within the walls of the Smurl household three decades ago? Any recounting will involve retelling. Interpretation. And we all know what a difference walls can make. The neighbors, according too this book, could hear demonic screams. Some even experienced invasions of their own during the height of the haunting. Books like this have a way of drawing you in, opening windows and doors through the walls into someone else’s life. What actually happens to them, however, is something we’ll only learn when walls begin to talk.

Measuring Immeasurables

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Are demons getting more active, or are people just believing in them more? Quite apart from what’s happening in the District of Columbia, there’s been a surge of requests for exorcisms. This is according to a WBUR story my wife sent me. I’ve been researching demons for a few years now. Initially my concern was avoiding Hell (something I’d still like to do), but as an adult trained in rationalism, I wondered why people still believed in them. Trying to keep an open mind, I read accounts. Yes, misperception is possible. Alternative interpretations. But still…

Fundamentalists say that demons have to exist because Jesus said so. Historically speaking, people have recognized demons from the earliest writing cultures and probably before. What they thought demons were differed pretty wildly from place to place. A good case has been made that demonic possession, as we recognize it today, became popular after The Exorcist. William Peter Blatty researched the topic, and most of what he uses for Regan MacNeil’s symptoms came from medieval accounts. Although some of the descriptions are somewhat extreme, the actions themselves aren’t new to either movie or novel. In other words, according to the eyewitness accounts we have, such things do happen. And when they do, who ya’ gonna call?

Exorcists were mostly extinct by the 1960s. A decade later, after the movie’s release, reports began to increase in number. Malachi Martin’s Hostage to the Devil, which I reviewed here some time ago, was a bestseller. It reinforced the idea planted by Blatty. And the number of exorcism requests hasn’t started going down yet. Are there more demons about, or are we all imagining things? It’s a question not easily answered.

The fact is science can’t measure phenomena that don’t consist of matter or energy. Occam’s razor shaves away the whiskers of the spiritual. Perhaps nature intended for us to be a bit hairier. Spirit is something that has always resisted science and its metrics. We know it when we see it in someone. Or perhaps when it impacts a person’s actions or motivations. It doesn’t impact a scale. It has no visible spectrum. Conventional wisdom says if you can’t see it, hear it, or otherwise sense it, it must not be there. We know this to be shortsighted thinking, however. “There are more things in heaven and earth,” Shakespeare wrote, and we would do well to pay the bard his due. Are there demons? I can’t say. I do know that people have been asking for the services of exorcists more and more. For that there is ample evidence.

Pittsburgh Demons

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Far be it from me to question someone else’s demons, but every story has at least two sides. After reading Bob Cranmer and Erica Manfred’s The Demon of Brownsville Road: A Pittsburgh Family’s Battle wit Evil in Their Home, I have to wonder about the other side. I have no doubts that strange things happen behind closed doors. Indeed, the aspect of space, or location, has far more entanglements than our science allows. I don’t question the haunting described in the pages of this book—Bob Cranmer was once a prominent political figure in Pittsburgh and has the credibility that comes with elected office (or at least used to). What is open to question is the interpretation.

The Catholic tradition, which is involved here, does accept that a demon can infest a house. The way this account is laid out, however, is as a personal battle between Cranmer and the demon. The story is not unlike Amityville—family moves into house, discovers it’s haunted, and has to decide what to do about it. They call in a priest. From there the stories diverge. Cranmer’s family started experiencing various misfortunes. These were attributed to the demon. The story is strongly patriarchal; Bob Cranmer is a take-charge kind of guy and he alone can take on this fallen angel in the final instance. There are priests involved—including a prominent monsignor in Pittsburgh—but also clergy from other faith traditions and a paranormal investigation group from Penn State. Did the events happen as described? I don’t know. I wasn’t there.

A few things seem a little off here, though. A Catholic official stating that sex between married couples drives off demons? The discovery that the sins in this house stem from it being an illegal abortion clinic? That Native Americans murdered a family now buried on the property? The book doesn’t give documentation because it’s not that kind of book. Don’t get me wrong. I’m glad the Cranmer family finally found relief from the presence that was haunting their home. Even watching a movie like The Amityville Horror makes people uncomfortable because the idea is so scary—home is a sanctuary and when it’s invaded by an invisible (in this case sometimes visible) enemy it becomes a nightmare. The reader is left with the impression that it came down to a battle of wills and that of a former Republican politician was stronger than that of one of Satan’s minions. Some things, particularly in the climate these days, are difficult to believe.

Zombie Wars

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I suppose, rationally considered, most monsters can’t possibly exist. Maybe that’s the psychological relief required to enjoy the movies made about them. We can imagine the thrill, but we know we’re safe once we leave the theater. Culturally, monsters fight for supremacy. The early 2000s belonged to the vampire. They were everywhere. I once heard a literary agent advise wannabe authors to write on vampires since the publishing industry was showing no signs of slowing down on them. Then came the zombies. They’re still with us. World War Z came to my attention as a movie, but as one I never saw. I’ve watched many zombie films and none has lived up to the status of the spectacle that launched the genre, George Romero’s Night of the Living Dead. It remains a classic to this day. Still, I was curious and so I read Max Brooks’ World War Z: An Oral History of the Zombie War.

Let alone the chapter after chapter of tough-talking, cool-sounding reminiscers, I have trouble buying zombies. Yes, I get the scare factor, but maybe I’ve read too much science even to visualize myself into a fantasy world where a creature with no digestive system would be driven to eat. It just makes no sense. Human bodies can function with missing parts, of course, but without the integration of muscles, ligaments, digestion, and brain, it seems difficult to accept that they’d keep coming after you when they’ve been decaying for years. It’s all I can do to get out of bed most mornings, even as a healthy, living body. Analysts, I know, talk about zombies as metaphors, but with over 300 pages of stories in no way believable, I had to wonder about the limits of credulity. Maybe Carl Sagan was right after all.

I hope I’m not unsophisticated enough not to realize that the real point in Brooks’ novel is how the surviving humans treat each other. There is a moral to the story. We develop new and “better” weapons to kill one another. We’re smart enough to have world peace and prosperity, but wars are constantly erupting. We have a nation with many brilliant people and yet we elect a Trump. Self-destruction, it seems, is written into our genes. We consume one another. Even when the enemy is completely imaginary we find ways of believing. So I read World War Z, appreciating the irony. I still can’t get over, however, the trope that all you need is a human brain to want to destroy others.