One of Us

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I suspect quite a few people are thinking about Jesus today. He does seem to be in the public consciousness with appearances on both Newsweek and the Watchtower. Newsweek, I have to admit, was an impulse buy. I’m flying to London today and I wanted something light to bring on the plane, so why not take Jesus along? I’ll have to report on the contents later. What caught my attention was the contemporary, very Caucasian Jesus standing in what appears to be Times Square. Since I walk through here a couple times a day, the immediately striking aspect is how unremarkable this would be. Perhaps that’s what the cover artist was going for, but people who think they’re Jesus—or at least a close approximation—are hardly rare. It seems that many of them are interested in running for president. Many others run Megachurches. Very few live on the streets.

My Jehovah’s Witnesses friends stopped by recently. I used to chat with them when I was unemployed, but I’m no longer home during missionary hours. This edition of Watchtower also features a very Caucasian Jesus, but one who wears his hair in a style no first-century Jewish man would have. He has been stripped of his own faith heritage just as surely as the blue-eyed Jesus on Newsweek. The funny thing about Christianity is the chimera they make of the human half of Jesus. This is one part of the Bible nobody wants to take literally. Does Jesus need to look like us to effect salvific results?

It is often said that beauty is skin deep. One has to wonder just how profound faith is as well. People seem to be better at believing what they see. When it is time to consider what God might look like, we inevitably consult a mirror. Where is the comfort in an all-powerful being that looks like he’s not one of us? Well, maybe we could ask women what it’s like. For all the variables in Jesus’ appearance, he’s always male. Funny, so are the people who profit most from promoting his brand. Maybe my ideas are just taking a flight of fancy. The rest of me is on a flight as well. And I have no idea what the captain looks like.

Robot Crossing

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With my new job I haven’t been able to be as active on our high school’s robotics team this year. Not that I ever contributed much beyond moral support, but there is a very profound satisfaction at seeing teenagers concentrating on such technological marvels and building self-esteem. Yesterday was spent at a regional competition. Noisy, colorful, chaotic—it was like being a teenager again myself. I overhead engineers talking during the course of the day about the great technological marvels of the future made possible by robots. These people have no apocalypse hidden among their endless optimism. We’ve got robots on the ocean floor and rolling around on Mars, snaking into our bodies even down to the cellular level. No end of times here, only forward motion. I know that computers now define my life. If I miss a day on this blog I grow dejected; one of my biggest worries about going to Britain later this week is how I will continue posting from overseas. But I sometimes feel as if our love of technology will be our undoing.

Experts—of which I am not, I hasten to add, one—tell us that within a lifetime artificial intelligence will be indistinguishable from real intelligence. As I watched the robots playing basketball (this year’s FIRST Robotics challenge), I began to wonder about the motivation of our robot slaves. Humans are driven by biological and emotional needs. Robots, as far as we can tell, do not want anything. It is a vacuous life. Yet as the robots played basketball all day, I noticed they didn’t suffer the obesity problems so evident among humans, nor the weariness that accompanies having to awake before dawn to catch a school bus to the competition. They are built for a purpose and they stick to it. Even as I watched hours of competition, I began to miss my laptop—driven by my own emotional needs as I am. I begin to wonder who is really the slave here.

Last night my family participated in Earth Hour. We try to do it every year with a kind of religious fervor. Turning off all electronics, including lights, we sit in the dark and talk by candle light. There is a profound peace to it. As my daughter commented on how spooky the shadow play could be, I imagined our ancestors who had no choice but to rely on pre-electric light in drafty houses where real wild animals still prowled the dark nights outside. How quickly that would become a trial for us. The same thought occurred to me as I watched M. Night Shyamalan’s The Village again last weekend. We are helplessly tied to our technological advancement. We might like to get away from it all for a few days or weeks, or even months. But we want the comfort of knowing that the robots are waiting for us when we turn back to reality again. Perhaps no apocalypse is needed after all.

Robot crossing

A Tiger’s Tale

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When my wife finished Yann Martel’s Life of Pi she said, “You’ve got to read this book!” Philosophical novels don’t often capture the interest of publishers or agents, but when they manage to slip through the fine-mesh mail-armor of the guild, they sometimes become best-sellers. Publishers often underestimate the intelligence and the hunger of the average reader. I was glad to have something so provocative to read on my long daily commute. Since the book was published in 2001 I won’t worry too much about spoiler alerts. It should come as no surprise that the biblical flood theme comes through a book where a zookeeper’s son is stranded on a lifeboat with various forms of wildlife. The most unexpected and endearing member of this menagerie, the tiger Richard Parker, is also the most deadly. How easy it would be to spin off in a Melvillesque direction of the beast as a representation of an uncomfortable God! Indeed, when Richard Parker scampers away when the boat runs aground, Pi laments how it was like losing God.

Setting the stage for this development is the tale of three religions. As a boy raised in India Piscine (Pi) is surrounded by traditional Hindu culture. On a family vacation he notices that atop the three hills are three houses of worship: Hindu, Christian, and Muslim. Curiosity draws the young boy in, and by the end of part one he is happily and concurrently Muslim, Hindu, and Christian, to the deep chagrin of the various religious leaders. They, coincidentally, all meet Pi with his parents one day in the park and each insists that although they encourage the boy’s continued membership in their tradition, he must drop the other two. Like any sensible person, Pi has chosen the safe road when it comes to conflicting religions: accept them all. It is only religion itself that deconstructs his triune belief system.

After his eventual rescue, Pi is questioned by insurance agents concerning the fate of the ship. They cannot believe his incredible tale, because they can only believe what they have seen for themselves. Pi asks, “What do you do when you’re in the dark?” An appropriate question for us all. This story is a parable about perceiving more than what can be seen. Tigers are hidden all around. Sometimes we call them Hobbes. Sometimes Richard Parker. They are protectors and they are dangerous. Some people call them God. In the end our protagonist is left without the divine presence that had kept him alive all the way across the Pacific Ocean. When the book is over, I think we would all admit, it is the tiger that we miss most of all.

Unholy Brides

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Hollywood is seldom accused of being a religious venue. Indeed, carrying on from an earlier distrust of theater as idle entertainment, some Christian groups early on deemed movies as tools of the devil. (Some relaxed that harsh assessment when Cecil B. DeMille came on the scene and started offering biblically based epics.) Many directors and writers, to judge from recent vapid box office successes, consider action or titillation sufficient to draw in the dollars. Yet, movies have often proven to be an outlet for the intellect as well, with profound, intricate, and important themes unfolding against the silver screen. The movies we watch reveal much about who we are. A surprising number of them, despite early evangelical concerns, have decidedly religious themes or messages. My regular readers know of my confession to being one of the monster kid generation, and as an adult I re-watch those movies with senses attuned to their religiosity.

Last night, as I watched The Bride of Frankenstein, I was repeatedly reminded of the role religion plays throughout the film. From the opening lines of Lord Byron through to the monster’s moral judgment on humanity as he is about to pull the switch, religious language, symbols, and implications practically tumble over each other to get to the audience. The concept of life—the divine prerogative—being absconded by human scientists forms the skeleton of this story based on Mary Wollstonecraft Shelley’s original work. While Shelley can hardly be considered the poster-girl for religious scruples, her work, and its adaptation into this movie, bristle with the implications of usurping the divine. In the words of Dr. Pretorius, “To a new world of gods and monsters!”

The Bride of Frankenstein is not alone in this aspect of mixing religion and monstrosity. Hollywood of the 1930s was a money-hungry haven, but the classic monster tales that began to shape movie-watchers’ sensibilities often included religious themes. Dracula has his resurrection and aversion to crucifixes. The Mummy arises from ancient Egyptian ritual magic. The Wolfman suffers a gypsy curse. Frankenstein is the power of God incarnate. When the final reel is placed on the projector, we discover that God has rejected all these human attempts to ascend to the heavens. Hollywood gives us conventional religious endings. More recent and daring approaches have emerged, but seldom have they captured the American imagination like the creature features of the 1930s. The religious veneer may have been thicker in those days, but the underlying message could have chilled the blood of the finger-waving evangelists. Even the Bible, from the beginning, has its monsters.

Battle Billboards

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Perhaps the oddest intangible accompanying democracy is the concept that all things are negotiable. Add to that a capitalist sensibility that everything has its price and even truth itself feels like a matter of debate. We see this all the time with Creationists so desperately wanting the Bible to the “true” that they twist science into a fairy tale noose from which to hang their literalist god. The tendency, however, does not stop with them.

Surely one of the most tense stretches of pavement in the country is NJ 495 leading into the Lincoln Tunnel. The aorta pumping countless metallic cells into the heart of Manhattan, drivers and passengers often sit motionless in it for seemingly endless periods to crawl forward like an inchworm entering the Olympics. It is there that Battle Billboards takes place.

I have followed the Atheist billboard development with some interest. In my limited experience with the Lincoln Tunnel, I have noted the digital billboard on the Jersey side bears the message of atheist.org near the major Christian holidays, so as Easter approaches the newest one reads “Celebrate Living Without God” to promote a rally on the Mall in DC. Both religion and science make claims of how to know the truth. Truth with a capital T should be non-negotiable by definition. The problem is that nobody has the Truth. We’re still trying to figure it out. Atheist.org holds a firm conviction that life would be better without religion. Clearly not everyone agrees. Clarity, it seems, is the chimera of debates over Truth.

A few seconds after the atheist.org ad flashes off the big screen, an ad for Wrath of the Titans (coming soon to theaters) flashes on. Irony can be sweeter than honey and as bitter as the Dead Sea. The most recent Clash of the Titans (2010) borrowed little from classical mythology beyond the names and large plot lines. An atheistic Perseus just doesn’t fit the classical taste. In the new film, Zeus—surely one of the prototypes for modern conceptions of God—is captured by Hades and has to be rescued by his unbelieving son. Could any movie be a more thinly disguised Easter story? Atheists? Wrath of the Titans? Which way to jump? Fortunately for me, traffic going into the Lincoln Tunnel in these lanes is one way. That’s the kind of certainty we all can live with.

Light from above or hopeless ambiguity?

Battle the Angels

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Over the weekend I finally got around to watching Battle Los Angeles. Now, I’ve never been a fan of war movies, but I do have a soft spot for aliens, so I decided to tough it out and see who won. I knew the historic event upon which the premise of the film was based took place in 1942, before flying saucers captured the American imagination. The official Air Force story suggests that old nemesis to our control of the air: weather balloons. Considering that Los Angeles was blacked out and ground forces lobbed 1,400 artillery rounds at the things, I wonder why the balloons at my daughter’s birthday parties never managed to last the night. In any case, the movie runs with the premise that aliens have taken over the city of angels and the U. S. Marines are the ones to get the job done when it comes to taking out aliens. (The Air Force, one expects, is too busy chasing weather balloons.)

Gratuitous aliens and science fiction action may be merit enough to get into this blog, but there is actually a more compelling reason. Back in my teaching days, I tried to demonstrate to students how deeply the Bible pervades our culture. When I taught those long summer and winter term courses, sometimes lingering four hours into the night, I would break up the inevitability of my lectures with a few movie clips to show them just how often the Bible shows up in films. Sometimes the cameo appearance is a matter of fleeting seconds, but when directors pay attention to every detail of a scene, we can be sure that Bibles don’t just show up by accident. Battle Los Angeles is no different. As our platoon is being air-lifted into the alien hot zone, one of the soldiers (I couldn’t figure out which one, since most of them get dispatched in fairly short order) is shown reading the Bible. The camera hovers there a second before pulling back to show the pre-battle chatter.

The viewer is probably supposed to be reminded that there are no atheists in foxholes, as the saying goes. Or it is a sign of how serious this is: before the big guns come out, bring on the Bible? In our culture the Bible has that kind of role. I recently read of a Catholic astronomer who was seeking alien civilizations in order to convert them to Christianity. The premise is as intriguing as it is arrogant. Human beings can be tenacious when it comes to matters of belief. In Battle Los Angeles, however, we speak with our guns and our missiles. But first we read our Bibles. Without wishing to ascribe to much intentional subtlety to the movie, this might be the underlying paradigm. Once the battle begins in earnest, the Bible never comes back into play. It is human ingenuity that wins the day, and perhaps the aliens are being taught to pray.

Map is Territory

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Far be it from me to challenge the established certitudes of the experts in academia, but I’ve been beginning to think maybe map is territory. This insight came to me from an unorthodox source (of course). I was watching War of the Colossal Beast over the weekend—among the corniest of corny 1950’s sci fi flicks. If you were born around the middle of the last century you already know the premise: a nuclear device has converted a man into a towering giant who resists all attempts to stop him or keep him under control. The reason that map and territory came to mind was that this 60-foot tall man (an apt companion for the 50-foot woman) could not be found by the authorities although he was terrorizing Los Angeles. Just as I was climbing on my high horse I realized that the problem they faced was communication. (And maybe they needed glasses.)

From the perspective of the twenty-first century and the vast network of instant communication (you can tweet your latest observation while on public transit, deep under the Hudson), map has become territory. There is nowhere left for the sixty-foot giant to hide. I am not the only one to speculate on the effect this shift will have on religion, but when we have become so intricately inter-connected, we seem to have squeezed the mystery out of life. Every trail has been blazed, every path has been trod. Old Ecclesiastes is laughing up his wizard’s sleeve. If a giant escapes among us its location will be texted across the territory second by nano-second. There is nowhere for us to hide either.

Our dependence on electronic media has changed part of the human race. It is easy to forget that in places not too distant, some of them even in the developed nations, there are human beings untouched by the revolution that has compressed map and territory. I have to wonder if their lives are better or worse for the ease that pervades our culture of flying fingers and ultra-dexterous thumbs. Avoiding the concept of the noble savage, I sense of kind of purity in the life free from the constant buzzing of 3G and 4G networks, wi-fi hotspots, and microwave towers disguised as trees. Theirs is a life where map is not territory, where being unplugged is natural and normal. It is a world where giants might hide in the night, and those who fear them may be all the more human for doing so.

Sacred Philadelphia

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What makes a space sacred? There is no agreement on that issue, but it is clear that considering a specific location numinous, holy, or just special is something that even the most secular do. We trek to the places where something happened, maybe hoping for a personal epiphany or enlightenment. So yesterday I found myself in Philadelphia on the trail of Edgar Allan Poe. Like some other famous figures of the past, Poe was essentially homeless—no place claimed him (though now many do). Several years of his short life were spent in Philadelphia, and only one of his residences still survives there. On a pleasant Saturday it was clear that many others were drawn to this sacred space on pilgrimages motivated by diverse needs and curiosities. My family has gone on literary trips for many years, visiting the places of writers—for, at the end of the day, every piece of sacred writ has a writer.

Poe's house on Spring Garden

I can’t recall a time, after I began to read, when I did not favor Poe. Like some other inspirational figures he lived a short life, frequently rejected by his peers. Sad circumstances haunted him and he expressed them so well. His was a rare gift. Standing in his Philadelphia house, I guess I might have been hoping that, on some level, he might know that his life had touched mine. We all seem to leave an intangible part of ourselves in places we have been. Even the hardest skeptic of the “paranormal” will travel countless miles to come to some location of significance. There is no logical reason to do so. It is perhaps the most human of religious impulses. I saw no specters, heard no ghostly voices. But I saw and listened and wondered.

Writing is among the canon of sacred activities. It is taking what is hidden safely inside the confines of our minds and offering the opportunity to others to read it. Frequently it is ignored, lost in the noise. Life is too busy to sit down and read unless some teacher or professor assigns a task with grade consequences. We miss, however, so many opportunities to explore the legacy bequeathed to us by great minds. Our lives are driven by economics, not enlightenment. Poe died poor and largely unmourned in Baltimore after having called many locations home. Those locations are now shrines. I suspect he may have been very surprised to learn that over a century and a half later some people would attempt to follow in his footsteps for what can only be described as religious reasons.

Saints and Snakes

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I am not now, nor have I ever been, Catholic. So why am I wearing green today? It could be that a drop or two of Irish blood courses through my veins from a stow-away great-great-grandmother, or the assurance that, as an American mutt some Irish must have gotten in somehow. Or maybe it is more than that. From my youngest days, even before I knew of my family history (and nobody had bothered to inquire), I still wore green on Saint Patrick’s Day. Getting off the bus at school and seeing so many people with otherwise so little in common coming together to wear shades of green on the same day was somehow inspiring and made me feel like part of something larger than myself. It was a day of fun, and decidely not one of doctrine or repressive decrees about women or homosexuals or even Protestants. It was a day of unity.

Can a day based on church mythology ever long remain a day of peaceful inclusion of others? In college I met militant Protestants who insisted that orange be worn on Saint Patrick’s Day to stand in solidarity with the Protestant minority. I heard news reports of gays being excluded from otherwise festive Saint Patrick’s Day parades in major cities. Maybe the snakes driven out of Ireland have lodged themselves in the souls of those who plant divisiveness—but it occurs to me that I’m being unfair to the snakes.

In a tiny time capsule of twenty-four hours, Saint Patrick’s Day is a miniature paradigm of the ambivalence that we call religion. At its best it draws people of all backgrounds together for a celebration as large as life itself. At the same time, it is the ultimate in exclusion—the statement that we are special in a way you are not. Green, the color of Ireland, is an apt symbol for the day. In the planet world, the large swaths of earth seen from high above, green is the color of life. Each spring the shooting forth of green is eagerly awaited as the plant kingdom reveals to us that a refreshing change is in the air. Among many animal species, however, green stands for illness, and perhaps impending death. So here I am wearing green—not Catholic, not plant, not wishing to make unequal divisions. It is just like a religious holiday to celebrate ambiguity.

What's love got to do with it?

Tattered Dreams

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If I sometimes wax rhapsodic about Bruce Springsteen, it is partially because the world is sorely in need of believable prophets. I’m not the only one to notice this phenomenon. Writers on American culture and religion frequently cite Bruce, and his message has been called everything from a prayer to a gospel. The fact is he, like the best of prophets, is one of us. To those of us who grew up in working class families, Bruce seems like the torchbearer who encourages us to keep going. We may end up still in the darkness, but we’ll be a little closer to the light. Sunday’s paper has a review of Bruce’s latest concert tour kickoff, and there is some sadness there at those who’ve been lost. Although I haven’t yet had time to listen to Wrecking Ball, I did read the tribute to Clarence Clemons in the liner notes. It reads like a secular liturgy.

The word “liturgy” means “the work of the people,” or some such concept. And that is what Springsteen has always projected, the honor, the angst of the working class. There is trouble in paradise, from Cadillac Ranch down Thunder Road to My Hometown. Through it all, despair is always tinged with hope in, for lack of a better word, resurrection. In times when many artists focus on the escape, Bruce reminds us that hardship is real. Escape may be a possibility but even Born to Run still ends in New Jersey. Unlike many, the Boss is not willing to give up on this humble state. Perhaps the most diverse mix of people in the country, New Jersey is the American dream, scars and all.

Although his music has brought him fame and wealth, Bruce has not forgotten whence he came. Social inequality has been highlighted throughout his oeuvre, from the late 70’s on, and guess what? We’re still there. Like children of alcoholic parents we’ve grown used to promises being made that will never be kept. After reading what contenders for the presidency are saying, I cower, shivering with fear. I’ve never been one to believe a good beating is the way to solve anything. How is it possible that we’ve come so far only to have left so many behind? The American dream is indeed tattered, a mirage thrown to those slowly dying of thirst. If we’re going to make it through difficult times, we’re going to have to do it together. I guess that’s why I keep coming back to Bruce. In a world where lies are the coin of the realm, the words of true value can still be found, even in New Jersey.

Sh*t Apes Say

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Knowing from experience that when I stay alone in a hotel, despite my best intentions, I will get bored and end up watching Mudcats or Dual Survival until my brain feels like a boiled egg, I anticipated my trip to California. I packed Planet of the Apes, the original and best of the lot, hoping for some intellectual stimulation. Having grown up in an anti-evolution household, we were curiously allowed to watch Planet of the Apes, a kind of forbidden zone of the mind. It remains one of my favorite movies of all time. It is also a manifesto of science besieged by religion. Note what Dr. Zaius says, “There is no contradiction between faith and science… true science!” And he is the Minister of Science, and Chief Defender of the Faith. The trial of George Taylor, a thinly disguised parody of the Scopes Trial, has Honorious (read William Jennings Bryan) stating, “It is based on our first article of faith: that the almighty created the ape in his image, that he gave him a soul and a mind, the he set him apart from the beasts of the jungle and made him lord of the planet,” and turning on his fellow apes Zira and Cornelius, he accuses them of being “perverted scientists who advance an insidious theory called evolution!”

Dr. Zira, as one of these “perverted scientists,” asks Cornelius (incidentally, the name of the first non-Jewish Christian, according to Acts), “How can scientific truth be heresy?” This is echoed by Dr. Zaius in the trial where he states, “It is scientific heresy that is being tried here.” Indeed, the entire simian culture is based on the blurring and blending of science and religion. Throughout the film various characters make barbed statements about the human propensity to ignore the obvious. Landon, challenging Taylor about the time change they experienced in space, says—in a line that could come straight from Answers in Genesis—“Prove it! It’s still just a theory.” The exact rhetoric currently used by creationists in school board meetings around the country. To which the most apt reply seems to come from Dr. Zaius, speaking of humanity: “his wisdom must walk hand-in-hand with his idiocy.”

Occasionally even the gun-toting humans get the picture clear. In his opening monologue George Taylor wonders about the world seven hundred years from now, “Space is boundless. It squashes a man’s ego. I feel lonely. That’s about it. Tell me, though. Does man, that marvel of the universe, that glorious paradox who sent me to the stars, still make war against his brother? Keep his neighbor’s children starving?” This seems to be the true measure of heresy—a religion that puts fellow humans on the same level as animals (and even animals deserve far more credit than we are willing to give). Among my favorite lines is Cornelius’ response to Taylor shaving his beard; “Somehow it makes you look less intelligent,” he opines. Endlessly remade, Planet of the Apes is a movie that still answers some of the issues that plague our society nearly half a century later. Perhaps the last line should go to the apes, adjusted of course, for gender sensitivity, “[hu]man[ity] has no understanding.” Well said, Dr. Zaius, well said.

A piece of childhood

Dreadful Dander

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When it first appeared, mash-up literature seemed strangely novel for such a derivative art form. I read Pride and Prejudice and Zombies with some amusement, but a nagging suspicion kept asking if I was being fair to the genius of Jane Austen. At the same time, I like zombies. A lot. I decided to give the genre another try with Coleridge Cook’s mash-up of Franz Kafka’s classic, The Metamorphosis. During a long, late-evening flight from Los Angeles to New York, I finished The Meowmorphosis with a sense of dread. Instead of seeming funny, the idea of trying to make light of Kafka’s profundity felt like a devaluation to the classics of existentialist writers. Nobody writes like Kafka, Camus, and Durrenmatt any more. These are writers who welcomed me to an adulthood that seldom makes sense, but which is often generous with pain and angst.

The story of The Metamorphosis is well known. In the Meowmorphosis, obviously, Gregor Samsa is transformed into a kitten and is thrown into the same dilemma. The book takes a detour into Kafka’s The Trial along the way, and my memory of The Castle is rusty enough that I may have missed if it was referenced as well. Kafka’s work passes over from the entertaining to the profound. Perhaps that is the mark of classic writers—they seldom make a career of their literary efforts, for most people who read do so for entertainment. The Metamorphosis is not easy going. Perhaps that’s why I reacted so viscerally to Kafka’s truly horrendous bug being presented as a fluffy kitten. The idea is funny, but Kafka seldom smiles.

My reaction shed some light on the concept of sacred writing. Historically, the first book to receive that accolade seems to have been the Bible. Specifically, the Torah. There are sacred writings older, I know, but the reception is what makes a book sacred, not its words. Anyone who has read the Bible knows that it is a mixed bag of profundity, tedious lists, and literary beauty. Even Fundamentalists seldom quote 1 Chronicles 1-9 with the same ardor as Genesis 1-11. It is our reception of texts that make them sacred. Perhaps Christianity was premature with its insistence on closing the canon. Some of the best literature, the most inspirational words ever to be penned, lay centuries in the future. Our world would likely be a better place if sacred texts continued to keep their borders open and would admit texts that had passed the test of time. In any honest Bible including the twentieth century, The Metamorphosis would find a place. What a world it could be.

Tortured Gospel

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Tornadoes? I don't see any tornadoes.

It is a little difficult to force yourself to think of tornadoes when you’re in sunny California. On my flight into Santa Barbara I could see the tail end of the gray whale migration from a few thousand feet in the air. Outside the tiny municipal airport (with its full-body scanner) I see palm trees swaying in the wind. The air smells like flowers. Life is too easy in California for me ever to live here. I need more angst in my diet. I can’t come to the sunny coast, however, without the Eagle’s “Hotel California” replaying endlessly in my head. It was the running joke at Nashotah House that the real Hotel California was located in the woods just outside Delafield, Wisconsin. The haunting lyrics by Don Felder, Don Henley, and Glenn Frey managed to capture the witch’s brew of mind control, humiliation, and desire that laced that little, gothic seminary in the woods. Yet even sitting in California with its full greenery in March, I see that Pat Robertson is blaming the devastation of the recent tornadoes on lack of prayer.

Blaming the victim is a classic fascist technique, and it is very easy to proclaim one’s own righteousness when not in harm’s way. Herein lies the darkest sin of the self-justified; they think themselves specially blessed and therefore not responsible to help the victims. While flying over the Santa Ynez Mountains, seeing the smoke from California wildfires climbing like the terminal flames of Babylon, I could hear a voice like a choir of fascists singing, “Alleluia And her smoke rose up for ever and ever.” Schadenfreude fuels too much of the evangelical worldview. According the Gospel writers, when Jesus foresaw the destruction of Jerusalem, he wept. WWJD, Rev. Robertson?

Tornadoes look so much like divine judgment that it is almost understandable how a naïve believer might see them as coming from God. We, however, are the gods destroying our own planet with the accompanying degradation of the weather. Neo-cons deny the fact of global warming. It is not a myth or a theory, there is inconvertible proof that it is happening. Still, it is more convenient to blame God. After all, chances of him showing up to deny false charges, as history repeatedly shows, are very slim. Ask any innocent woman tied to a stake in Medieval Europe accused of being a witch. Apparently the divine calendar is too full to worry about the troubles of hundreds of thousands, or even a few millions who are falsely accused. Why not send some terror from the sky? It is hard to think of such things in sunny California. Yet as the “good news” of the televangelists spreads to the ends of the earth, even those forever in the sun will need to stand in judgment before a very capricious deity.

Book Me

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I’m a reader by nature. I grew up, however, with television. I recall somewhat precisely when reading really grabbed me. Starting in fifth grade I began to stash cheap books in an old duffle bag in the room I shared with my brother. We lived in humble circumstances and bookshelves were a luxury, but I kept my precious books together so that I could always find the one I wanted. Eventually I upgraded to a suitcase made out of what appeared to be cardboard. This fascination with books would stay with me my entire life. So would the television side of my education. When I wasn’t watching cheesy B movies or World Federation Wrestling, I was watching documentaries. A few weeks ago, I posted about a documentary site on the web, and I have discovered another site as well, Documentaryz.

One of the benefits of the web is the access to free information. I regret not having the time to watch all the quality material that can be found with a bit of poking around. Documentaryz has several categories of shows available including, as befits this blog, religion titles. The documentary has clearly become an art form as well as a source of information. The problem with the web, however, is so little material is peer reviewed. I can imagine a better world where political speeches and sermons would have to stand before a board of peers to justify their often phantasmagorical claims. A world where someone can make no claims to special knowledge because an old man laid hands on his head or because he has too much money and wishes to run other people’s lives.

So it is that I come back to my books. On the bus, or in the airport, or train station, I often feel hopelessly outmoded as I sit among people with beeping, chirping, or rhythm-and-blues spewing devices. I sit holding a book. It’s bulky, and sometimes requires both hands to keep open. It doesn’t make any noise. I am the librarian of public transit. Sometimes well-wishers suggest that I might cull the herd a bit, get rid of some of the books I’ve spent a lifetime gathering. I think back to a little kid in a stuffy room with a duffle full of paperbacks and I realize that books are a lifestyle choice. They are a part of me. As much as I enjoy watching documentaries, I begin and end my day with books. It may be a parody or some bizarre irony, but the only room in our apartment without books is the bathroom. They are not the waste products, but the stuff of life itself.

Attack of the 50-Foot Women

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A society will be remembered by its lowest common denominator. At the mention of the Roman Empire many people immediately think of the decadence of that once mighty power in decline. Rome ruled the world at one time—or so it seemed—but Nero had his fiddle and Caligula favored his horse Incitatus as a senator (today we’re more accustomed to seeing asses in government than horses). The madness of Napoleon. The insanity of Hitler. Mighty powers crumbling under their own weight. Walking through Times Square is an education. Recently a fifty-foot woman appeared, looming over the heads of commuters, tourists, and the homeless. Unlike the classic 1958 sci-fi flick, this woman is apparently happy, smiling broadly, and nearly naked. She is an advertisement for Sports Illustrated’s soft porn swimsuit edition. Stories above us all, she pulls back her hair and, if she weren’t a fantasy, I’m sure she’d be chilly dressed like that in a New York winter.

We’re talking lowest common denominator here. As I man I can’t help but to understand the appeal. Advertisers know it too. At the corner of 42nd and 7th, there is another fifty-foot woman, apparently nude, sitting in an office chair for Go Daddy with a QR card across her torso offering to those who would scan her, “See More Now!” It is difficult to be judgmental when advertisers are using basic psychology to sell their products, and studies have shown that men are very easily aroused by visual images—our juvenile imaginations never do grow up. But women this large? In 1958 Nancy Fowler Archer was salaciously considered a monster, but the producers knew teenage boys would watch in fascination. Such simple creatures.

There is a disturbing subtext here. Men are weaker than they pretend to be, but that doesn’t bother me much. Vulnerability is where humanity is most authentic. The problem with the fifty-foot women in Times Square is the message to American society that women are a commodity. They, like everything else in Times Square, can be purchased and owned. They exist solely for the pleasure of men. I am not a prude, but I do believe that such blatant shows of the female body for sale bear as a subtext “mene mene tekel upharsin.” A society that cheapens its women in such a forum is creating the standards by which a hopefully more advanced future will remember it. Standing beneath the open thighs of the fifty-foot woman on my way to work, I am profoundly sad. This is Rush Limbaugh’s American Dream writ large.