Literary Floods

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Oryx and Crake ends with a cliffhanger. I read the book at the suggestion of a friend and found a dystopia that simply continues along present trends. Naturally I had to read the second part, Margaret Atwood’s The Year of the Flood. I had picked up this book first, not realizing that there was a previous novel, because I supposed the eponymous flood to be that of Noah. I was not disappointed on that score. In keeping with her strong biblical awareness, Atwood has given readers the creation in Oryx and Crake, and the deluge in The Year of the Flood. Set in the same forlorn future, those who survive the pandemic described in the first book seek to survive in a world where most of the people are gone. Many of the survivors, as we learn in the second installment, are former members of an alternative religion, God’s Gardeners. This quasi-cult, led by Adams and Eves, prepares for the waterless flood (pandemic) by caching Ararats—supply stores—around the broken-down city they inhabit. As in Genesis these Noahs and Mrs. Noahs are replications of Adam and Eve.

Not only is Atwood an engaging author, she supports the green causes advocated by her books. This is a more honest form of religion than most sharply chiseled theologies that do nothing to improve the lot of a suffering world. Academic religionists like to tell us exactly what God is like while shrugging shoulders over the destruction of everything he putatively made. In Atwood’s world, those who believe in God express it through care of their planet. As always, however, they are the modest voices easily drowned out by the unconscionable greed of the powerful. In the words of John Dickinson from the musical 1776, “Don’t forget that most men with nothing would rather protect the possibility of becoming rich than face the reality of being poor.” Rare is the person willing to take the higher road and set aside his or her own wants for the benefit of others.

Ethics, at one time, meant seriously considering the implications of what we do. With the morals of our “leaders” it is pretty difficult to hold to that illusion any longer. Yesterday I sat through another round of ethics training and learned nothing that I hadn’t learned in Sunday School as a child. Be nice to others, don’t use them for your own advantage, help those who need assistance. It really isn’t that hard. Newt Gingrich with his highly unethical treatment of his ex-wife, Anthony Weiner’s peccadilloes, Sarah Palin’s revisionist reality—these scarcely inspire confidence. The flood is upon us. I think I might rather live in a world the Margaret Atwood would envision, as long as she was there too, to show us how to survive.

A Midsummer’s Daydream

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Solstices and equinoxes are among the earliest religious festivals in the world. While there is no means of proving this, the signs are fairly indicative; ancient peoples were close watchers of the sky. Like many other species of animals, they used subtle clues to help them determine which direction to go at what time of year. Once agriculture developed, the sky contained the key of when to plant and when to harvest and when to thank the gods. It is no surprise that when the classical religions developed many of their festivals centered around, especially, the equinoxes and the winter solstice. Did they even bother with the summer?

The summer solstice tends to get lost in most modern festive calendars: it is summer, a time when we are busy relaxing—the crops are in the ground, firewood need not be gathered just yet, and life is perhaps just a tiny bit easier (except for those poor kids who still have to finish out the school year!). No cause for wonder that this particular holiday (traditionally Midsummer) is most evident in northern Europe where in just six months days will be dreadfully short and very cold. Midsummer celebrates light, fertility, and healing. Some traditions claim that witches meet on Midsummer as the sun begins, once again, its inexorable journey south (from the northern hemisphere perspective) nearly to disappear in the dark December.

The modern day Midsummer celebration held by reconstructionist Neo-Pagans is Litha. The name is borrowed from the Venerable Bede but the observance of the solstice is certainly authentic. It is often celebrated with fires to shorten the already apocopated night. It is the time when darkness is at bay. It is perhaps telling that the major religions have little to add to days of relatively carefree existence. People need their religion when things go bad, but when the struggle is minimized we might leave angry gods behind for a while and just bask in the ease of it all. But, as the Neo-Pagans and witches know, the longest day of the year also foreshadows the darkness that, until this day next year, will never again allow us as much light.

Northern European Midsummer's bonfire

Stranger Tides

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Yo, ho, ho and a plate of spaghetti

The closest I’ve come to appreciating pirates is the command of the Flying Spaghetti Monster that its devotees must wear pirate costumes. Nevertheless, being only human, I was curious about the fourth installment of Disney’s Pirates of the Caribbean series although the old storyline had mercifully died out. This weekend my family joined a handful of others still showing interest and went to watch Captain Jack Sparrow’s antics on the silver screen. Perhaps it was because this movie actually followed, loosely, an actual book instead of a theme-park phantasmagoric pastiche, but I found the movie surpassed my expectations. I’m discussing it here because of the heavy dose of religious concepts brought into the story by the inclusion of a missionary.

In typical Pirates fashion, the character introductions are unconventional, and so it is with Philip, the missionary. Tied to a mast on Blackbeard’s ship as a kind of human talisman, the poor man is cut down by Sparrow and a crewman during a mutiny. The crewman declares to Philip, “You are either for us or against us!” to which the missionary replies, “I am neither with you, nor am I against you!” The crewman asks Sparrow if that is possible, to which Captain Jack replies, “He’s religious, I believe it’s required.” This was possibly the funniest line in the movie, but it was so because of the underlying truth. The sarcasm here is directed at a representative of a church that will ultimately lead to the destruction of eternal life. Granted, the agents of that destruction are Catholic, presumably.

Once the fountain of youth is discovered and Blackbeard and Barbossa engage in their swordplay, Spanish troops arrive and promptly destroy the pagan fountain declaring that the church (presumably Catholic) is the only means to eternal life. The Protestant missionary, meanwhile, in an act of self-sacrifice returns to free a misunderstood mermaid. (This is Disney, after all.) The dialogue is difficult to remember from a single viewing, but the addition of religious elements beyond the supernatural lent a gravitas to this final Pirate film that the others lacked. Even placed among the fantastic, the religious elements grounded it in a reality where faith, sacrifice, and fortitude became intrinsic to the story. I doubt I’ll head off to the Spanish Main any time soon, but I appreciate movies that offer a bit of substance along with their entertainment on that transatlantic crossing.

The Big Man

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“When the change was made uptown/And the Big Man joined the band…”

Clarence Clemons (from WikiCommons)

Among the earliest markers of religion in human culture is the advent of music. While still disputed, bone “flutes” from about 40,000 years ago seem to indicate that early humans knew the value of music. Driving around now that the weather has warmed up, it is clear that people still find music so important that they like to share it from their open car windows at a volume I find uncomfortable even across the street. Like religion, music is an intensely personal aspect of life. Although I mention bands I like occasionally in this public forum, I never parse my music tastes too much because they are a little too revealing. With Clarence Clemons’ death yesterday, however, it is appropriate to pause and give my respects.

Those who know me sometimes wonder at the fascination I have with Bruce Springsteen; I am not an idol-worshipper and not all of Springsteen’s work appeals to me equally, but he represents an appreciation of the ordinary person. What first drew me to his music was the fact that he understood blue-collar mentality and angst generated by an unfair society. In an interview on his Born to Run special edition, Springsteen notes the seminal change that Clarence Clemons made in the E-Street Band, as reflected in the opening quote from “Tenth Avenue Freeze-Out” above. The playing of Clemons’ saxophone was so distinctive that even my very untrained ear could often pick it out on other artists’ albums even before reading the credits.

The E Street Band, of course, changed over time and lost a first-generation member with Danny Federici’s death three years ago. Although Bruce Springsteen is alive and well, and still active in causes to help those who are victims of an uncaring system, the E Street Band will never be the same without Clarence Clemons. The old camp song says that music never dies, and that is a hope we can hold out for the impact of remarkable performers as well. When I walk into a classroom with kids who have no idea who the Beatles were and who’ve never heard of Alice Cooper, Deep Purple, or Pink Floyd, I feel my age. But it is okay as long as I can still listen to the music once I get home (I never play the stereo while driving—I prefer to concentrate on the music a little too much). It is like a religious experience. I am sure the cosmos is a more harmonious place for having hosted Clarence Clemons, even if just for a little while.

Zombie Friday

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New Jersey is known for its zombies. Last October Asbury Park gained admission to the Guinness Book of World Records for the largest zombie walk (exception is made, of course, for daily life in Washington, DC). The movie zombie, in its now classic form, was reborn in western Pennsylvania, but New Jersey is the place where strange afterlives appear to gravitate. Yesterday Stephen Finley was sentenced. Finley, a mortician, had been convicted of selling the healthy organs of his dead customers to earn a little extra on the side. Given that the governor, Chris Christie, might rival Vlad the Impaler in his zeal for chopping, this really does not surprise me at all. Is it not the ultimate triumph of the free market to consider human beings commodities to be packaged, used up, repackaged and resold? Moral rectitude is on the side of the strong arm.

As someone who has been on the receiving end of the chop more than once, and reduced to a zombie-like state of perpetual job-insecurity, I think I know how the undead feel. Not having a place in the normal world of the living, but not quite dead, the zombie wanders about looking to feed on brains. This idea of brain-lust seems to stem from the cult classic The Return of the Living Dead, although, not being a film specialist, I would welcome correction on this point. Nevertheless, like the modern zombie I hail from western Pennsylvania and nothing satisfies me like a good brain (metaphorically, of course).

The idea of harvesting the organs of the powerless dead also suggests the endlessly referenced Soylent Green. Here the staunch NRA promoter Charlton Heston fights against the establishment that is turning (spoiler alert) people into Soylent Green, the ultimate solution to food shortages! For, after all, are people not just commodities? America’s thirst for zombies reflects our growing sense of victimization: the zombie is primarily a creature without a will, brought back by powers beyond its control. In the original vodun context the zombie was a source of cheap labor. Is it any surprise that West African slaves brought the concept to the New World with them? Today, of course, those with the cash may simply purchase the organs they desire, cutting out the middle man and going straight to the source.

Funny Faith

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The entertainment industry is a window through which we might see what it is we value. After all, our mad-money and disposable income are often channeled toward the things we want, as opposed to what we really need. Living near New York City, it is clear that entertainment is also big business. Last night Spider-Man opened on Broadway to decidedly lackluster reviews. The web-slinger has had quite a journey from comic book to the musical stage—sometimes making it big, other times getting squashed. Earlier this week, however, it was The Book of Mormon that was making the news. Winning nine Tony awards, this musical is the first thing to pop up on a Google search when “Book of Mormon” is typed in (at the moment), I suppose, much to Mitt Romney’s chagrin.

A friend recently asked me why people take religion so seriously. To me it seems that it is a matter of historical development. Most religions developed before the culture of leisure took over. As I tell my students each semester, even in the early part of last century most people lived on farms rather than in cities. Time for leisure was rare and life was taken seriously: all work and no play. If we push that back a century, when the Church of Jesus Christ of Latter Day Saints was started, the effect was even more widespread. Go back to the days of Muhammad, Jesus, or Moses and the struggle to survive gets increasingly more difficult. Religion is a coping mechanism. When worries about food and shelter become less onerous, we can laugh at the path that led us here. Along the way few of us have met radioactive spiders, but most of us have been warmed, singed, or wholly consumed by religion in some form.

Well, in the entertainment industry talent also plays into it. But it has to be the right combination of talent. Matt Stone and Trey Parker have been making the social commentary A-list for several years now. (Bono and the Edge have too, but Broadway just doesn’t seem to be their genre.) Maybe trying to convert those of vastly different culture to white-shirt-and-tie, clean-cut American values is inherently funny. I suspect there is something more at work here. We are allowed to laugh at Mormonism—the other white religion—without too much recrimination. It is safe. What I doubt we’d ever see on Broadway is The Book of Common Prayer: the Musical. On the other hand, I wouldn’t be surprised to see the Incredible Hulk lurch onto stage and burst into song.

Everybody dance!

Religious Raven

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Having seldom achieved any sort of public recognition in my youth, I have been gratified to observe the approbation my daughter frequently earns. One such instance occurred yesterday as she won an Outstanding Presenter award at the state level of 4-H. For her presentation she introduced and recited Edgar Allan Poe’s “The Raven” from memory. As much as I like to take credit for some of her taste in literature, her remarkable memorizing ability that has impressed several judges and parents along the way is the result of her own determination. “The Raven” has always been among my favorite poems. As I listened to my daughter’s recitation yesterday, once again the wealth of religious and biblical images stood out.

Starting subtly with the perching of the raven on a bust of Pallas, Athena, the protective goddess of Athens itself, Poe adds the supernatural to his lamentation on the death of his wife. The bird’s origins on “the night’s Plutonian shore” also point the reader to the classical underworld toward which the poem inevitably points. The last five stanzas, where Poe’s verse turns directly toward his black thoughts at the decline of his wife, introduce the presence of seraphim—the turning point in the poem—angelic beings mentioned as attendants to God’s throne in Isaiah. The divine presence, however, offers Poe no comfort as the raven refuses to relinquish his memories of his love. Asking with Jeremiah (and citing the bird as prophet) if there is balm in Gilead, the poet is informed no such comfort exists. Calling God in Heaven as witness the bereaved asks if in Eden (Aidenn) he will be reunited with his bride, only to be informed such will not be the case. The raven, compared to devil, thing of evil, and a demon, represents for Poe the ultimate reality.

“The Raven” is a dark poem, tinged with religious imagery that was freely drawn upon in the nineteenth century. Having heard it recited many times over the past few months, I have come to believe that Poe would have been in accord with my belief that religion and fear are close siblings. When the climax of the author’s pain and sorrow is reached, the religious imagery predominates. This is a paradigm of many human lives. How many non-religious folk seek to make their peace with the supernatural when death is imminent? “Eleventh hour conversion” may be a trite trope, but it does point to something that Edgar Allan Poe recognized long before me—when we find ourselves most afraid religious impulses are frequently at hand.

Blood Lust

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They emerge at night. They take your life-essence. They are very difficult to remove. In a particular political party their ruthless ways are highly praised. Yesterday I had occasion to watch the History Channel’s Vampire Secrets. Frequent readers of this blog know of my contention that horror films generally convey religious fears and certainly the vampire is prominent among such hosts of fear. Although superstition has held that actual creatures drew actual bodily fluids from their victims as far back as the Sumerians, today’s perception of the vampire has gone through several transformations. This particular documentary attempts to trace the origins of the modern vampire fascination through its major stages, beginning in ancient times. The writers and editors seem to favor a Far East origin of the concept, but linger for several minutes on the character of Lilith in Jewish folklore. Although Lilith does not really fit the profile of a classic vampire, she does contain a key to understanding the transformations: they are religious in nature.

People have believed in blood-suckers long before the GOP took on its recent transformation; there is no doubt, however, that the blood-lust of the vampire developed in the light of Christian ideas about the crucifixion. The regular imbibing of “blood” was an aspect of early Christianity that led to problems with the Roman authorities supposing this was some sort of precursor to Vampire: the Masquerade. By the time stories began to circulate about Elizabeth Bathory (ironically, at the same time the King James Version of the Bible was being translated) and her famous blood-lust, and after Bram Stoker later selected Vlad Tepes as a fictional model for his Dracula, blood-ingestion had become the singular hallmark of the vampire. In both cases, despite their historical facts, religious elements had entered in.

One of the most disturbing transformations, however, is that whereby religion itself becomes vampiristic. Originally established as a means of propitiating angry deities, religion very early assumed the aspect of blood-letting as a means of accomplishing that propitiation. With the development of religious abstractions, however, literal bloodshed has become distasteful and less common, but the deities still demand sacrifice. Even in the twenty-first century many accepting people are informed of the pecuniary sacrifice desired, commanded even, by the gods. While the occasional poverty-stricken cleric may occasionally appear, many far surpass the status quo in their crystal cathedrals while many of the faithful suffer want. The History Channel found vampire subcultures in the streets of New York City. They might also have found them in just about any town in any country of the world.

Saint or sinner?

Faith Value

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An interesting op-ed piece by Doyle McManus of the Los Angeles Times appeared in today’s newspaper. McManus notes that twenty-eight of the forty-four Presidents of the United States have come from just four mainstream Protestant denominations. This year’s Republican front-runner list contains no mainstream Protestant denominational candidates at all. This McManus takes to reflect a growing tolerance among the American populace, but also shows how deeply rooted religion is in what has become, in a covert way, a theocratic state. Religious sentiment rules politics and savvy politicians know how to play the religion card to achieve the power they crave. As McManus’ column makes clear, when campaign season rolls around candidates begin attending church again. Of course, the average American accepts their sincere proclamations of religious faith at face value.

McManus also points out that the front-runner for the GOP, Mitt Romney, will face some difficulty as a member of the Church of Jesus Christ of Latter Day Saints. Most evangelical Protestants reject Mormonism from their fold, claiming that they follow a different shepherd or just see everything through rose-colored glasses. Mormonism, however, is among the fastest growing denominations in the country (the claim for fastest is staked by far too many to get an accurate count; it is a safe bet, however, that it is evangelical). Mormons tend to come down on the right side of conservative social issues, but without the seal of mainstream approval, the bid for presidency remains a difficult goal.

The other corollary that McManus points out is that mainstream denominations are losing their place of social prominence. Today it is far more likely that a person refers to a Pentecostal or non-denominational believer (or even a Catholic!) as a “Christian” than they would refer to a Methodist, Presbyterian, or a Lutheran as such. Both the political and religious rules have changed. Americans want a Christian President, but they have lost sight of what that actually means. In the mud-slinging that accompanies any campaign season, suspicions cast on a candidate’s political orthodoxy will be sure to score big points. It is an open question whether a democracy and a theocracy can truly coexist.

WWJ(S)D?

Robopocalypse

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Yesterday the long anticipated novel Robopocalypse was released. Although I seldom indulge in hardcover fiction, I headed to my local Borders to purchase a copy. Sadly, it seems, my local is cutting back on first-day releases because I walked out of the store empty handed but with a robotic Armageddon in my head. Last summer I became acquainted with Daniel H. Wilson’s How to Survive a Robot Uprising, but word on the street is that this novel is serious. Steven Spielberg purchased the movie rights even before the book was released. And the concept owes its existence to religion.

If it were not for human religious sensibilities, would the concept of an apocalyptic end have ever arisen? Probing into the ancient psychology that lead Zoroastrians to suppose an ultimate conflict was just down the theological road, it is clear that even a strong moral sense alone does not dictate ultimate dissolution. By personifying evil in the form of Angra Mainyu, Zarathustra gave a (divine) human face to wickedness, and thus opened the possibility of battling against it. Evil as an abstract, non-personified force might simply be accepted as part of the universe we inherited. By providing it with will and intention, however, Zoroastrians allowed for a natural human response. Fight or flight is hardwired into our brains, but would we have dared fight a foe that is immaterial, amorphous, and completely abstract?

The nature of the enemy has transformed itself many times over the ages. Wilson, a scientist working with robotics during his education, has taken a religious theme and placed it in the context of a godless world of cybernetics. I must use caution here, since I haven’t yet acquired a copy of the book, but it remains clear that it is the humanization of non-human entities that gives force and pathos to a final conflict. Jesus charging his white horse into a foul-smelling cloud lacks the same impact. Thus mythologies are born. Mythologies that people live by and for which they frequently die. I do hope it all holds off until I can get a copy of Robopocalypse to read. Better yet, the end won’t come until after the movie is released.

Not So White

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Over the past two decades, an interest in presenting fairy tales more akin to the spirit of the brothers Grimm has blossomed into its own industry. For those of us who were reared on Fractured Fairy Tales, this is a welcome development. Among the more creative approaches to this genre is the 1997 movie, Snow White: A Tale of Terror. Hampered by lack of theatrical release in the United States, this gothic attempt at telling the story in its original, dark form has gone largely unnoticed. I recently viewed the movie for the first time myself, and although the basic storyline is somewhat trite the Grimmesque features redeem it at many points. (Who doesn’t secretly want to see the pretty-boy prince charming thrown out of a castle tower window?) Perhaps the most unexpected addition to the Disneyfied tale we all know is the religious component to the movie.

“Snow White”—never named so in the movie—has been raised by a pious father who wears a cross and insists that she say her prayers and read her Scriptures. Being a local lord, he suppresses ruffians who populate the woods, including a band of not-so-merry men who incorporate some that were tortured for refusing to go on crusade. When the not entirely wicked step-mother needs Lord Hoffman’s blood to raise their stillborn son to life, she lashes him to a crucifix, saying to the corpus that occupies the other side, “now you shall have company.” (Did I mention this is a horror film?) Along with the unexpected twists that those conditioned to happy endings find so disturbing, the film actually contains a subtlety on matters of religion that is frequently missed. It also resists corny dialogue that so often plagues films where the storyline cannot bear any substantial weight.

While it will never be my favorite movie, this particular film was an effective adult retelling of a familiar tale with more depth than the common story might suggest. The Germanic folklore collected by the Grimm brothers often reveals a depth of insight into humanity that is bleached out by Disney’s bright colors and cheerful smiles. It is more true to the human experience. The scene that remains seared in my mind is where one of the seven miners (only one is a dwarf—another is actually a friar) is revealed to have been disfigured by crusaders off to liberate the Holy Land. Refusing to participate, he had to watch his family burned at the stake and had a red-hot iron cross pressed to one side of his face. (Did I mention this is a horror film?) As in the days of Grimm and continuing into our own, the church continues to scar many even as it attempts to heal others.

Crossing Over

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The periodic reforms that have swept through the church like so many Massachusetts tornadoes have often whirled around the matter of ceremony. Certainly there have been disputes over obtuse points of esoteric doctrine for which there is no final arbiter, but frequently the rancor involves what the faithful do when they meet together. In keeping with ancient templates, religion is generally a matter of what people do more than of what they believe. I personally had my love of ceremony beaten out of me by its plangent and perpetual repetition at an institution so enamored of it that humans and their needs were viewed as mere obstacles to sacerdotal perfection. Nevertheless, as the school year winds down, ceremony is all around us: graduations, awards dinners, rites of social passage. Last night I attended a Girl Scout bridging ceremony. Bridging is the symbolic crossing of a bridge to indicate a new level of commitment and integration into the larger Girl Scout community.

It's just a bridge.

As I sat staring at the bridge, waiting for the celebration to begin, it occurred to me that this was very much like a religious service. A group of spectators had gathered to watch a ritual unfold—a ritual that involved everyday objects invested with a new significance by the context. The bridge is just a small arch bridge over artificial water; before the ceremony kids run and jump over it with no fear of divine reprisal. Once the correct words are spoken, however, crossing the bridge becomes a solemn act. The ceremony opened with a kind of invocation, a creed (the Girl Scout law), a kind of Scripture reading—complete with exegesis of what that “Scripture” means and a reference to God as creator of all—a sacramental act of transformation, and even a hymn or two. The main difference I felt between this ceremony and most religious events was that the Girl Scouts are far more accepting and affirming than most religious conglomerations. Of course, there is the matter of gender distinction, but what is a church without any exclusivity?

I have great admiration for the Girl Scouts. In the face of a community that continues to act out male supremacy as a matter of God-given right, the Girl Scouts (and other similar organizations) offer a place for young women to assert their sense of belonging. Religion has just as often been used to suppress aspirations as it has been to uplift them. Life is difficult enough without God breathing down our necks. Human institutions that encourage thoughtful regard for those who are different, or underprivileged, or simply overlooked, often fill the gaps that religions callously leave behind. Yes, some religious institutions still display a social conscience, but if we wait for the religious to solve the suffering of the world, it is good to have groups like the Girl Scouts around who actually put their beliefs behind their ceremonies into action.

Dusting the Lilim

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Having grown up on a literary diet of comic books and Doc Savage novellas, I have always had an appreciation for the fantastic. Since our town was relatively dull, it helped to have flights of imagination within the price range of those with humble means. I discovered Neil Gaiman (it seems that many profound writers are named Neil or Neal) through the machinations of one of my Rutgers students. After reading American Gods, which was an obvious starting place for someone of my erstwhile profession, I have sampled a bit more of his fare. I long ago gave up on comic books since I prefer the pictures I make in my own head, although I must admit that the few graphic novels I’ve tackled have required considerable thought. So it was that I came upon Stardust, a graphic-turned-prose novel.

Stardust serves up a number of folklore themes with the charm and wit that Gaiman generously doles out. It is a story replete with witches, fairies, and storm gods. A figurative smorgasbord of the mythical. What particularly arrested my attention was Gaiman’s use of the title Lilim for his witches. Lilim (or lilin) are mythical creatures of Semitic pedigree related to the (in)famous Lilith. Some traditions make the Lilim her children, and it has been suggested that they also put in an appearance or two in Mesopotamian mythology. Gaiman’s portrayal is fairly accurate here with the Lilim being selfish thieves of the night, but not entirely evil.

Beyond the escapism of relatively happy endings, this mix of evil tinged with the helpless inevitability of aging speaks paradigmatically of mythical ambiguity. Many modern-day religions tout the answers, but mythology parades the possibilities. The mythology of old continually returns to us in new forms. Using a mix of fantastical creatures from various eras of human story-telling, Stardust is a gentle fairytale for adults. Like the book of Ecclesiastes the story has a fatalism to it, no real happy ending but no hair-rending tragedy either. Turning the classic quest for the father into an unwitting search for the mother, the novel offers seemingly endless potential for hope. Although penned a few years ago, that message is still desperately needed today.

I Can Haz Edukashun?

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Myths are alive and well. One of the most pervasive myths, along with the one that says clergy only work on Sundays, is the concept that educators take the summer off. Undoubtedly some do, but the summer is traditionally the time for professors to conduct research without having to break up their concentration with several classes a day. Those were the halcyon days. This morning’s newspaper slapped me like a fistful of razors as I read the story of Rutgers University’s president’s resignation. I knew about the resignation, but being fumblingly employed part-time by his mighty university, and having to take annual ethics training for the pittance I’m allowed, I blanched as I read these two sentences: “McCormick earns $550,000 a year as president and is eligible for a $100,000 yearly bonus, though he hasn’t taken the money in recent years due to the university’s budget troubles. Ralph Izzo, chairman of the board of governors, said he thought McCormick would be worth his [continued] $334,000 professor’s salary.” A few pages later the headline tells how Chris Christie, New Jersey’s cut and bleed governor, took a state helicopter ride to get to his son’s baseball game. Also, he wants to prevent state employees from making a viable living.

In this twilight zone of an educational nightmare, a guy with professional ethics training just wants to close his eyes and make it all go away. For what are we educating our young if not for greed? What professor is worth more than 100,000 dollars to any university? In the old days, back with ethics had intestinal fortitude, the term for such folks was “sell outs.” Is there really any drive for excellence at such pay scales? It is no wonder we are raising the “entitlement generation.” Actions used to speak louder than words. State-mandated ethics training has now corrected that little oversight. Higher education used to be about ideas; today it’s “show me the money.”

The truly sad part of all this is that we keep pretending. We preach the myth to a public easily pacified and crucify those who beg to differ. Back in my Nashotah House days a trustee once hushed me so that the board might listen to a student with “fire in his belly.” My belly’s a blackened cinder by now. Is anybody listening? Mythology, particularly in the Greek world, revolves around the concept of hubris. It is a concept with which modern university folk are clearly unfamiliar. It goes something like this: like most people I think I am better than others. In order to prove it, I’ll increase my blandishments until there is no longer any doubt. Is that Olympus straight ahead? I might as well take that as well!

I’d love to stay and lecture some more, but I’m apparently entitled to more state ethics training.

Malleus Practice

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Misfortune takes a quiet seat in the back of the bus for many people, but it is always there riding behind you. My recent trip to Salem is now over, but it has left me with that haunted feeling that sometimes tragedy just won’t let go. Reading up on the history of witches and the belief therein, it is pretty clear that the whole idea began as a form of theodicy. Misfortune happens. When a one-to-one correspondence attends it, people don’t worry too much. (John has a stomachache. We know that John slapped Bob, and Bob punched John in the stomach so there’s no supernatural agent at work here.) When the adversity comes out of nowhere, to all appearances, we naturally look for a cause. As long ago as ancient Sumer, and probably before, the answer was sometimes the baleful influence of enemies with supernatural powers. The witch was born.

This idea has remarkable longevity. Even as the eighteenth century dawned, just a few short years after the tragedy at Salem, Puritans and politicians embarrassingly looked at their feet and admitted this mockery of justice had been an unfortunate error. Yet they still believed witches existed. The concept is alive even today in parts of the world minimally influenced by schooling in science and logic. (I taught at a seminary where various witch hunts still took place; books were even burned.) Who doesn’t know the feeling that a totally natural disaster was in some way targeting them? Whether tornadoes, tsunamis, or rain on your Memorial Day picnic, the normal human response is one of a minor (or major) persecution complex.

To solve the riddle of witches, horseshoes and witch bottles are not necessary, but education is. Witchcraft was not considered Satanic until the late Middle Ages when apocalyptic fever raged through Europe with the Black Death. Not understanding microbes, the populace supposed a great war presaging the end of times was escalating between God and Satan. The minions of the Dark Lord were spawned by witches and demons. (Add Tim LaHaye and you’ve pretty much got Left Behind.) To solve the problems of the righteous, sacrifice a few innocent victims. If we call them witches—actually any undesirable name will do, eh, Senator McCarthy?—we will feel justified in doing so. The real solution, namely, working together to overcome natural and human-made afflictions, is really just too hard.