The Grammar of Evil

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I stepped into a devil of a situation. Elevators are strange spaces. Given the choice, I’ll take the stairs any time. At work, however, as one of the many quirks of Manhattan, our elevators only stop on certain floors and we’re not able to use the stairs unless it’s an emergency. After a meeting on a floor where the only option was to elevate out, I stepped into a crowded elevator where a conversation was going. “You always capitalize Satan,” someone was saying. The usual questions among non-religion editorial staff ensued. Why is that? What about “devil”? “It’s never capitalized,” came the reply. My profile at work is about the same as it is on the streets of New York. Not many people know who I am or what I do. Although I’ve struggled with this very issue before, on a professional level, I kept silence and waited for my floor.

So, was the elevator authority right? “Satan” has become a name, rather along the lines of “Christ.” Both started out as titles. In the Hebrew Bible “satan” is “the satan.” The accuser, or the prosecuting attorney—something like that. As one of the council of gods, the satan’s job was to make sure the guilty were charged of their crimes. Diabolical work, but not evil. By the time of early Christianity, however, Satan had evolved into a name. It is therefore capitalized. It was specifically the name of another title, “the Devil.” Or is it “the devil?” Do we capitalize titles?

The Devil wears underpants.

The Devil wears underpants.

In seminary and college the received wisdom among those of my specialization was that there is only one Devil and the title should be capitalized. My elevator colleagues were discussing the number of devils when I stepped out. Traditional theology says there’s only one. Not that the Bible has much to say about the Devil—he’s surprisingly spare in sacred writ. Demons, however, are plentiful. Some people call demons devils, just as many believe that when good people die they become angels. The mythology behind demons seems to be pretty well developed in the biblical world, but again the Bible says little. Demons can be fallen angels or they can be malign spirits who cause illness. Either way they’re on the Devil’s side. But should we capitalize his title? The Oxford English Dictionary doesn’t help, giving examples of both minuscule and uncial. I suppose that’s the thing about the Devil; you never really know where you stand.

Scary Thoughts

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rockoffThose who know me personally—and not just through the internet—sometimes are surprised to learn that I watch horror movies. After all, I’m a pacifist, vegetarian, and a very caring person. Plus I’m squeamish and I eschew violence. Why, then, do I watch such things? I don’t have a good answer for that, but I might be a bit closer now that I’ve read Adam Rockoff’s The Horror of It All: One Moviegoer’s Love Affair with Masked Maniacs, Frightened Virgins, and the Living Dead. Now, I’ve never met Mr. Rockoff, but from reading his book I get the impression that he’s a descent human being and fun to hang out with. He’s also a family man and a sympathetic individual. The Horror of It All is an extended discussion of that troublesome question: why do some of us watch movies of this kind?

It’s pretty clear from this book that Rockoff is way ahead of me in the number of horror movies seen. I’m sure he doesn’t mention all of those he’s watched, but there are some I’ve seen that didn’t make this book and, in my own way, I hope, show that I’m no slouch when it comes to the genre. I’m not in the media like he is and those of us trying to be respectable ex-academics have to read weighty tomes to keep any street cred at all on campus. That having been said, it was fascinating to read how many of the same triggers are at work in not just Rockoff and myself, but in other horror watchers he’s known and interviewed. These films are, for the most part, not just degenerate trash. Many of them have redeeming value and an unexpected profundity. Academics and other society people don’t like to get caught watching what hoi polloi do, but just take a look at the box office take and you’ll see that horror sells. We are not alone.

Ultimately every horror viewer has to struggle with this monster him or herself. Why do we watch? While in grad school I had a sociology doctoral candidate interview me to explore just that question. Why? At the time, admittedly, I had seen only a fraction of the films that I’ve moved on to see since then. One thing I can definitively say—I’m looking for something. Life is plenty scary as it is. A world where a good job can be yanked away from you at will and the specter of a life on the streets leers, can be an intimidating place. In the horror movie you see how it could be even worse. So as my waking hours are increasingly spent in the dark, as if the sun itself is afraid, I see books like Rockoff’s as a kind of flashlight through this forest. If I run into monsters, I want to have prepared myself.

Only October

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trickortreatComfort may be a strange word to describe Halloween, but it is accurate. I’m no specialist on the holiday, although I’ve read a few books on it—most recently Lisa Morton’s Trick or Treat: A History of Halloween. Growing up in what felt to me like an uncertain environment, holidays—and especially Halloween—have left me with positive impressions. Morton’s book explores this strange combination of fear and fun and suggests that many people of my generation do find comfort in its celebration. I grew up without a father in a conservatively religious home. Yet I loved the escape of putting on a mask and being someone else. Coming home with a bag of candy was a bit like that dream I still have of finding a penny on the ground and then realizing there are thousands of them just beneath the surface. There’s a security in that dream and I always find a tear in my eye when I awake from it.

Halloween is, appropriately, a chimera of holidays. It is solidly pagan. It is equally solidly Christian (specifically Catholic). Perhaps to placate those troublesome Celts, the Roman Church moved its commemoration of All Saints and All Souls to November 1 and 2, allowing for the Eve of what used to be called “All Hallows” as a holdover of Hibernian lore. Morton goes beyond the northern European fascination with the darkening of the year to explore other regions and how they mark the season. The southern hemisphere, obviously, doesn’t have the same pattern of autumn and spring, and the holiday has had less success there. The threat of the light never returning has to be real to make the fear stick. The warmest memories of my childhood seem to come from the days artificially lengthened by electric lights and the holidays they spawned: Halloween, Thanksgiving, Christmas. Comfort.

The air has begun to turn chilly around here. I’ve found myself shivering a morning or two while waiting for the bus. As I pull on my coat and step out into the pre-dawn dark, a stop sign creaks eerily on the deserted street. I’m headed to a long day in a city of stone and glass and warmth will be difficult to find. Halloween decorations get lost in the enormity of New York City and its constant quest for money. So I recall Halloweens of my small-town childhood. I tend not to go out at night, but I haven’t always been this way. When there was an unspoken comfort awaiting at home, no matter how frightening it could be at times, I would brave the dark and ask strangers for candy. Is it any wonder that Halloween still glows in a world somehow grown too cold?

October Weekend

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Bright orange pumpkins under a cloudy gray sky. October is surely here. But this is an urban area of the kind in which northeast New Jersey specializes. As I approach I see that it’s a church. A church that has made a truce with Halloween. Judging from the number of people here, it’s a cordial detente. So much of American society lies mired in contradiction that I have to ponder this. Halloween in an age of nones may be simply fun. An opportunity to spend money on pumpkins that won’t be eaten and gourds that can’t be. Decorations for a mildly scary night that somehow makes us feel comfortable and snug at home. October is like that.

Churches have been struggling to maintain active memberships. And although the antagonism has been overblown, Halloween has been an uneasy part of the church calendar. It has, however, become a major commercial opportunity. Depending on the commodity, only Christmas or Easter will draw more lucre from people. The devils and demons and ghosts of Halloween sit awkwardly in the pew next to the victory over death that is the main draw to traditional Christianity. But people will predictably spend their cash for the privilege of carving a pumpkin. Just the memory of the scent, the feel, the contentment of creating a jack-o-lantern makes me want to stop and support whatever denomination this might be.

It is a weekend, however, and I have many errands yet to do. I content myself knowing there are happy people in this temporary pumpkin-patch. The faith of Linus is a powerful thing. To get ready for the week ahead in which I’ll have time only for working, commuting, and sleeping, I keep moving. The orange fades from sight. The cheerful memories of childhood pass. I go on to my next stop. My first errand began at 6 a.m.this morning. Noon is fast approaching. I need a tiny piece of hardware that can only be found in a big box store. I prefer to support the local economy but that shop is all the way across town. Inside the Depot plastic Christmas trees of every description fill the front of the store with winter dreams of even more spending. I forget what I came in here for.

Silverbacks

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It’s been decades since I’ve seen the original King Kong. A none-too-subtle racist and sexist flick it may be, but it stands as one of the original “horror” films of the early thirties and it has had a profound influence on movies ever since. King Kong wasn’t very nice to Fay Wray, and had to be euthanized by biplane, if I recall correctly. I work one block from the Empire State Building, and sometimes I subtly glance up, looking for the giant ape. There are more fearful sorts in New York these days. I can see Trump Tower, for instance, from the pantry at work where I keep my lunch. But I digress. For its day, King Kong was a violent movie. Like many films, however, it is also a parable.

Recent studies have shown that some 98 percent of mass murderers are male. Men deal out, by far, more than their share of death to others. Some have suggested that when women experience failure they look internally, blaming themselves. Men, on the other hand, go postal. They seek someone else to blame. In our culture—maybe in all “western” cultures—man are acculturated to think of themselves in terms of success. Quite often this means business success—affluence and its discontents. Do you have more money than your neighbors? Good for you! You have succeeded, and, for some warped perspectives, God has blessed you. In reality, the system we’ve constructed has set many people up for failure. This is no excuse, but men who have no other way of measuring self-worth may find comfort in firearms. After all, it’s society that should take the blame. Right?

Gun lobbies claim that collecting firearms is a harmless hobby. Like collecting stamps, only a little louder. A bit of psychology might go a long way here. Might we not stop and think what happens when you give arsonists matches to play with? I suppose if we took away these toys, boys would use baseball bats, or rocks, to take out their aggression. I can’t help but wonder, however, if the problem might not be the system that measures a man by his money. Could there be a better way? There have been those throughout history who’ve made such a claim. They often die violent deaths. Once King Kong has begun his ascent with lust and violence in his eyes, we should all cast a wary eye on the Empire State Building and wonder what it all means.

Colorful States

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Kevin Smith is one of New Jersey’s own. I’ve always considered it one of life’s great ironies that Loki and Bartleby, the fallen angels in Dogma, move from Wisconsin to New Jersey, the exact same route my career took. (Feel free to read into this.) I was therefore curious when I heard, a few years back now, that Smith had come out with a horror movie. Now I’m not a fan of horror for its own sake as my sensibilities are more towards the ambiguities of gothic, but I finally decided to view Red State. I had no prior idea what the movie was about, but it speaks volumes that the title suggests quite a bit with just a simple adjective and noun. If there’s anyone out there even slower in getting to movies than me, and who is hoping to watch Red State, consider this a spoiler alert. Read further at your own risk.

Red State deals with religious fundamentalists—the Five Points Trinity Church, to be exact. The group is loosely based on the Fred Phelps gang, and the film actually makes reference to Phelps to say that Abin Cooper’s group is even worse. They’re weaponized. You’re probably starting to get the picture already. Cooper’s congregation is his extended family, and they’ve been protesting against homosexuality and other forms of what they consider immorality, but in an extreme way. They lure sinners into one of their sting operations, incapacitate them, and then murder them during church ceremonies. When the Feds discover evidence of a murder, a Waco-like Branch Davidian stand-off occurs with the predictably bloody gun fight that follows. There are moments of humor, but it is a bleak parable—yes, there is a wholesome message here—that speaks loudly about intolerance.

Analysts, well actually just some analysts, have realized that horror movies and religion are very close compatriots indeed. Reading the Bible may be a little easier on the eyes, but even some parts of the Good Book can inspire nightmares. Indeed, as Adin Cooper’s sermon emphasizes, fear of God is very important. As is fear of fear of God. The regression can go back as far as you wish. Religions develop in response to fears. Not only in response to fears, but clearly this is part of the mix. Horror movies show us what we fear the most. Is it any wonder that they cross paths with religion so often? The only unusual aspect for Red State is that it is so explicit about it. It is a traumatizing film in many ways. Maybe because (spoiler alert) the one who concocts the whole religion is alive and well at the end and is the last character that we see. Such are parables.

A Dusty Return

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dustreturnedThe fiction author who had the most influence over my formative years was Ray Bradbury. Wait—let me qualify that a bit. I read of number of series aimed at juvenile, male interest (Doc Savage, Dark Shadows, and such) but these weren’t really intended as “literature.” I also read quite a bit of Poe, and his influence may certainly have rivaled Bradbury. The thing was the latter was still alive and producing books, mostly of short stories that tickled my imagination. Despite my reluctance to let books go, there have been several periods in my life where I’ve had to sell off my collection (this is the mindset of the non-affluent) and all of these childhood collections went, except for Poe. Now that I’m a more reflective adult, so I’m told, I have found a renewed interest in some childhood classics, and Ray Bradbury books are seldom expensive. When I found From the Dust Returned in a used book shop for a steal, I said “why not?”

This particular book came from long after I’d sold my Bradbury collection. I had never seen nor heard of it before. As an adult, interestingly, Bradbury doesn’t seem scary at all. From the Dust Returned, like many other Bradbury collections, is a somewhat novelized set of stories. This one is set in a haunted house where, in his usual descriptive style the storyteller offers artful prose and painterly writing, but no real scares. As we are coming upon Banned Book Week, however, I did note one of Bradbury’s common themes—the lack of belief leads to the death of characters. I’d read some of his stories where this took place before. Still, this time he goes a bit further. Tapping into things just ahead of the rest of us, as he had a talent for doing, one of his characters laments the loss of belief in religion as well as creepy, Addams-esque characters. People are no longer believing and it causes ghosts pain.

Part of Bradbury’s appeal is clearly to the young imagination. I’ve promiscuously read hundreds of authors since my last Bradbury book. My tastes have evolved. I find the same is true when I go back to the Dark Shadows books that were so cheaply had at my neighborhood Goodwill. I still go back to these early writers, however, and there is a kind of innocence about them. These were stories I’d read before I’d learned that Poe was certainly not as macabre as real life could be. “Marilyn Ross,” “Kenneth Robeson,” Edgar Allan Poe, and Ray Bradbury may not feature of lists of banned authors. Some of them aren’t even whom they seem to be. They did instill a childlike belief in reading, in my case. Even if they’re now on the bargain shelf they will still receive my admiration for starting a lifetime of reading.

Thinking about Feeling

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There’s a scene in Shrek where Lord Farquaad tells Princess Fiona “You don’t have to waste good manners on the ogre. It’s not like it has feelings.” That scene came to mind recently as I was pondering how we often use feelings—emotions—to claim superiority over others. During a course on Howard Thurman in seminary, we watched a video where he retold a story that appears in his autobiography With Head and Heart, where a young white girl was sticking an African American with pins because she believed they didn’t have feelings. Although it may be dangerous to attribute motive—let me call it interpretation then—Shrek is a movie about prejudice. Ogres are misunderstood. It’s a parable, if you will. Unfortunately there are people who still believe those not like themselves lack feelings.

This is a particularly disturbing idea for many reasons. Not only does it keep alive the unacceptable social situation where African Americans are shot when unarmed, and frequently in non-criminal situations, it perpetuates the idea that others are different in a way that makes them less than human. We can take this even further since one of the mainstays of science has been to deny feelings to animals, claiming that you need rationality to experience pain. Or at least suffering. Ironically, it’s the “reptilian brain” that provides us with emotions, and rationalists are quick to downplay emotions as a form of thinking. It’s easier just to kill a snake and ask questions later.

We deny others feelings as an excuse to mistreat them. Then we deny that feelings are important at all. Even Mr. Spock got angry once in a while. In a society that regiments an economic system that really benefits only a very few, we daily bask in the midst of this paradox. It’s clear that all it takes to have presidential aspirations threaten reality is money. Spend enough and anyone will believe whatever lies you happen to trumpet. After all, that feeling of superiority that fascism promotes is exactly the way to win a mass following. You’ll have to excuse me if I’m feeling just a bit out of sorts. It’s only a feeling, and it will pass. Unless we pay close attention to our emotions, however, we will never realize justice. We know that Shrek does indeed have feelings. It’s just that we’ve forgotten how to interpret parables.

Think about it.

Think about it.

Scary Pictures

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monstershowThroughout its history, until quite recently, one of the most serious natural enemies to the horror movie was the religious establishment. At times this antagonism seems well placed as horror films often take theological concepts and stand them on their heads. Within the last few years, however, thinkers of religious thoughts have come to an uneasy accord with some horror movies as vehicles for the kind of thinking promoted by traditional religions. The first half of this dynamic appears clearly in David J. Skal’s The Monster Show. Written before any kind of detente had been reached, his book chronicles skirmishes between the Production Code, religious groups, and even women’s collectives, against what was considered indecent and degrading. We have come to realize, however, that we are the monsters. We are the degraded. And seeing these films can lead to a strange sort of solidarity.

Most classic monsters, after all, have their origins in religions. Even the most recent of the lasting undead—Frankenstein’s monster and zombies—have origins in religious thought. Mary Shelley’s novel was subtitled The New Prometheus, a reference that anyone in the early nineteenth century would have understood. Zombies, on the other hand, are a product of vodou. Religion can’t get along very well without its monsters, and despite their less-than-stellar looks, their screen appeal is undeniable. Maybe it’s just we don’t like our dirty liturgical laundry being hung out where anyone might see it.

Skal’s treatment doesn’t stop at the cinema. He has a chapter on modern vampires, and Stephen King has earned his own chapter (or at least most of one) as the poet laureate of the novelistic form of the genre. More often than religion, Skal traces what’s happening in the monster world to the larger social issues of the day. Quite rightly so, as scary movies go nowhere without a receptive viewership. Looking around these days it’s easy to be scared. Even what was once a grand occasion of debate over higher principles as we ponder our next leader has become a farce in one of the parties that could make its own horror movie. Hitler, it is said, was a huge fan of King Kong. Large apes manhandling women never seem to go out of style. Some call it horror. Others try to get away with saying it’s politics. While the daily commute grows more and more dangerous, and the rhetoric grows even worse, is it any wonder we like to dim down the lights and watch monsters that we know really can’t get us at all?

My Fellow Americans

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It’s important to keep the old gods happy. By now everyone probably knows that Stephen King composed a tweet suggesting that Donald Trump was Cthulhu. In response an angry tweet came from Cthulhu himself, since, as we know, he declared his intention to take over the world long before Trump. Cthulhu is no stranger to this blog, being the brainchild of H. P. Lovecraft. As I’ve suggested before, however, it is really the internet that gave life to the ancient one. His name is instantly recognizable to thousands, perhaps millions, who’ve never read Lovecraft or his disciples. In parody or in seriousness, the worship of Cthulhu is here to stay.

I’ve often wondered if the internet might participate in the birth of New Religious Movements. In an era when a completely unqualified plutocrat can run for president just because he has other people’s cash to burn, anything must be possible. Cthulhu, as we all know, lies dead but dreaming beneath the sea. His coming means doom for humankind, or, at the very least insanity. It seems that Stephen King might be right on this one. I’m getting old enough to recognize the signs; after all John F. Kennedy was president when I was born. I’ve seen the most powerful office in the world devolve into a dog-and-pony show where lack of any guiding principle besides accrual of personal wealth can lead a guy to the White House. At Cthulhu’s tweet indicates, reported on the Huffington Post, at least he’s honest. Unlike some political candidates, many people believe in Cthulhu.

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Perhaps the interest in Cthulhu is just a sophisticated joke. Long ago I suggested to a friend of mine in Edinburgh that perhaps the Ugaritians were writing funny stories (i.e., jokes) on their clay tablets, imagining what future generations would say when the myths were uncovered. Like Cthulhu, they were the old gods too. Like Cthulhu, there are people today who’ve reinstituted the cult of Baal and the other deities that would’ve led to a good, old-fashioned stoning back in biblical days. New Religious Movements are a sign that we’re still grasping for something. Our less tame, or perhaps too tame, deity who watches passively while charlatans and mountebanks dole out lucre for power must be dreaming as well. Of course, Lovecraft, the creator of Cthulhu, was famously an atheist. Belief is, after all, what one makes it out to be. At least Stephen King’s father reinvented his surname with some transparency. And those who make up gods may have the last laugh when the votes are all in.

Zoo or Farm?

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It comes as no surprise, I hope, that I read lots of fiction. While not every book I read makes it onto this blog, a good many of them do, along with some I haven’t read yet. Bill Broun’s Night of the Animals is one of the latter. A suspicion is itching way down deep telling me that I’ll probably end up a fan. Part of my suspicion comes from having read a story on NPR about the book. First of all: dystopia. Need I say more? I admire those who try to paint a future with a lighter palette, but I’ve been observing the way those in power behave and it kind of makes me think optimism about improvement is just a tad naive. People are too easily lulled into apathy by things like sports and the internet. The Romans used bread and circuses. Meanwhile those in power help themselves to a bit more until you can’t even get on an airplane without a total stranger seeing you sans briefs. If I can’t be trusted by those I elect, what cause do I have for hope? But enough about me. The book’s the thing.

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Night of the Animals, according to the NPR piece, is kind of a reverse ark. The animals in the London Zoo are understood by a man and they ask him to release them. I don’t know what happens, but I sure hope to find out. When interviewers ask Broun what it was like to spend fourteen years working on a novel, he responded in a way that, I suspect, many writers would understand. He said that it was a spiritual journey. Writing this book was his search for God. Many of us must nod our heads to that.

Concentration is becoming a dying art. I’ve written a number of books in my life—by far the greatest number remain unpublished—and I know there’s nothing like the intense concentration you experience when lost in such a world. Yes, it is spiritual. It is also a cry to be heard. As George Orwell well knew, we are the animals hoping to be heard. Zoos represent entrapment. Broun states that he wanted to explore how people are trapped in his novel. Looking at a system that rewards greed and keeps workers in unfulfilling jobs just so they can keep the system going while their CEOs buy another hotel chain or sports team and decide to run for office, I begin to hear the oinks, whinnies, and neighs all around me. And I haven’t even read the book yet.

Mysterium Tremendum

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HistoryHorrorFor those of us accustomed to ancient things, horror movies are remarkably new. That doesn’t mean, however, that they are scarce or even easy to understand. While it is beginning to erode, the academic derision of popular culture has long avoided the decidedly low brow genre of horror. It doesn’t know what it’s been missing. Wheeler Winston Dixon’s A History of Horror is an insightful attempt to make some order out of a century of monsters and mayhem. Beginning at the stage when “horror film” was still just a demonic gleam in some vampire’s eye, Dixon points out that from the very earliest experiments with movies “horror” was a popular trope. It seems only natural that the idea of a full-length scary movie would be the expected development. What happened in Universal Studios in the 1930s is that business began making money out of monsters. Where there’s money, there be monsters.

Dixon takes us through the early days into the tired era in the 1950s when life was, apparently just so darned good that people weren’t really thinking about monsters. (Dixon’s analysis is a bit more sophisticated than that.) Horror films matured in the 1960’s and spun out of control in the ‘80s. His book continues up to the first decade of our current century. There’s obviously a lot that can be said about this, but what caught my attention, naturally, was how quickly religion entered the discussion. Those of us who approach horror with an open mind know that religion is its next-door neighbor. Indeed, one of the nihilistic aspects of the proliferation of horror movies since the 1980’s has been the lessening of this getting to know the neighbors. Horror, as Dixon notes, seems to have devolved to brutality and cruelty with no real message.

I’ve never been a fan of gore. I’ve watched my share of slashers, I suppose, but they’re not my favorites. Horror can—in the best of its offerings—be very profound. Indeed, it can even inspire thoughts not so terribly far from those generally classed as religious. For what is worship if not carefully managed horror? The concept of the holy as mysterium tremendum underscores this dynamic. Part of this connection is the appeal to emotion. Horror movies make you feel something, and that is a large part of their appeal. They can be more, however. A smart horror movie will feed your brain rather than just having zombies eat it. Academics, eventually, will catch up with it. Dixon starts to show the way.

Eye of Survivor

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I don’t watch television. This isn’t any kind of moral stance. It’s financial. We can’t afford any “triple play” plans for the little free time we have for television. My wife and I both work long hours. We like to read, so we don’t have time for the tube. We buy the shows we want (it’s more honest than advertisements) and movies are a one-off thing. I sometimes lose track of culture, though. Maybe I’m two-faced. I grew up watching television. Then I grew up. But I still occasionally read about television. When we stay with relatives or in a hotel sometimes we imbibe. What I’ve noticed the past few times we’ve been away from home is reality television. Programs with more and more bizarre “real” situations fascinate those who don’t get out much on their own. One of the venerable ancestors of the genre is “Survivor.” I’ve never seen it but even I know what getting “voted off the island” means.

A recent piece in the New Jersey Star-Ledger celebrates a local young man on the show, now in its thirty-third season. This youth, who fancies himself, well, a survivor, notes that his role models are Jesus Christ and Ronald Reagan. I shudder for the future of our species. This young man says he likes to “screw with people’s heads and lie every chance I get.” Is that Reagan or Jesus? Or is it all just a game? The piece by Amy Kuperinksy goes on to quote the boy as saying his tactic for survival is to manipulate people, getting one over on others. But then he’ll use Christianity to build bonds. Machiavelli might have been a better choice of role model here, but then, who has time to read when “Survivor” is on TV?

Photo credit: Smithsonian Institution

Photo credit: Smithsonian Institution

This isn’t going to devolve into an old person’s jeremiad about the younger generation. Nor is it a castigation of television. (As Homer Simpsons reminds us, many of us were raised by television.) Rather, this is a question posed to our future selves. Perhaps we simply can’t see far enough ahead to get an idea of the consequences of our actions, but my question is what values do we wish to see in our society? Rugged individualism may have worked in the early days, but it led to genocide. Have we gotten over all that? Have we come to the point where we make stars out of those who don’t even pretend to be someone else any more? Maybe I’ve got that wrong—lying and manipulation may well be acting after all. Reagan was among that pantheon. I’m just not sure where Jesus Christ enters the picture.

Of the Night

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August isn’t too early to start thinking about vampires. The nights are already noticeably longer than they were in June and some leaves are just beginning to change on the trees. I’m thinking of vampires because one of my readers sent me a link to some investigative reporting about the “Highgate Vampire.” I’ve posted about this before, but the brief story, if you don’t have time to browse through my “monster” category, is that beginning in the 1970s a group of people came to believe a vampire haunted London’s Highgate Cemetery. This led to the publication of written accounts of the hunt for the undead. On a trip to London in 2012 I visited the Highgate Cemetery as my host for the trip lived quite close by. Apart from being the resting place of many famous people, the cemetery is moody and Gothic and it’s easy to see how, in days when it was neglected, it could’ve spawned such tales. Thing is, we know vampires don’t exist. So we’re told.

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Back to the story. My reader pointed me to the website Vamped, and now I’m afraid my limited time has just grown more limited. More specifically, there is a story by Erin Chapman entitled “5 Reasons Why a Wampyr Didn’t Walk in Highgate Cemetery.” The article investigates claims made in Sean Manchester’s book on the subject (reviewed elsewhere on this blog), demonstrating that his locations, photographs, and narrative don’t add up. The piece on Vamped shows a meticulous level of detail, comparing notes and photos in a way some of us simply don’t have time to do. Now I’ll sleep more securely on my next visit to London. I hope. The conclusions are disputed.

At this point some may be asking why an educated, rational adult is even addressing such questions. Why worry about something that isn’t even real? This brings to mind the realm of religion. Archetypes, whether they have an objective existence or not, are part of our consciousness. Supernatural beings of many varieties inhabit our heads, no matter how much garlic or holy water we happen to have lying around. Ignoring them can lead to problems. Do I think there is/was a vampire in Highgate Cemetery? I don’t think so. Do some other people sincerely believe it? I have to think yes. No matter which religion people follow, there will be entities that other people don’t believe. That doesn’t mean that they should be ignored. The Highgate Vampire isn’t real for most people, but it is for others. And just in case, I’ll keep a bit of garlic around as the nights begin to grow longer.

Let Us Prey

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ProjectedFearsI grew up with horror films. Not that my mother encouraged or approved this behavior, but I was a kid with a lot of phobias. With no father around to protect us from what dangers might lurk out there, I tried to learn how to cope by watching others face monsters. That innocent childhood pass-time, like most simple pleasures, disappeared into the adult world of analyzing and being serious and making money. Then it came back. After a series of unsuccessful relationships the old rejection phobias led me back to my beloved monsters. I suspect that’s why I like reading about horror films so much—it’s an exercise in self-understanding. Kendall R. Phillips’ Projected Fears: Horror Films and American Culture is a pleasant Saturday afternoon’s viewing, but for adult monster boomers like myself. Phillips admits up front that academic respectability is hard to come by for horror movies, but that is starting to change. We are beginning to read the script.

Phillips walks the reader not only through the ten movies he’s selected, but also through what was happening in American culture at the time. The horror movie proper is not yet a century old, having begun with Universal’s 1931 monster pair of Dracula and Frankenstein. Phillips shows that what scares a culture changes over time. Indeed, one gets the sense that it is horror movies that lead us in our fears. Highlighting ten culturally significant films, this book guides us through the highs and lows of the last century. The last entry in the book dates from 1999, nicely encapsulating what made us afraid during a most remarkable and, if we’re honest, a most messed up century. Clearly those who purvey horror will have their own choices for significant entries. Phillips does an admirable job of justifying his choices: Dracula, The Thing from Another World, Psycho, Night of the Living Dead, The Exorcist, The Texas Chainsaw Massacre, Halloween, The Silence of the Lambs, Scream, and The Sixth Sense. Each reflects its age, and each impacted its culture.

It should come as no surprise that religious elements—both in culture and in the movies—are up for discussion here. Consciously or not, religion deals with our fears and frequently moves us into the realm of horror. Now that we’ve entered a new era—much has happened already this millennium—the nature of our fears has been changing. To assess cultural impact we need some distance. Books like this help us to understand ourselves, but only after sufficient time has passed. I am confident, however, that when future analysts look back on this insane time that they will find unexpected answers to questions we can only begin to utter. We stare at the monster in the room with us, paralyzed and unable to scream. Or even text. And they will note that religion played a role in our nightmares even as we expected technology to save us.