Ports of Call

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“Just sit right back and you’ll hear a tale,” so began far too many evenings of my childhood. Well, although as an adult it may seem that the time was ill-spent, Gilligan’s Island was the induction to popular culture that I had to undergo some time. The series has aged well; we bought the DVDs (speaking of aging) as soon as they came out and watched them all, multiple times. But what must it really be like to be on a boat, and for more than a three-hour tour? Here’s where I’m lucky in my extended family. A cousin, who is much younger, has been working as a musician on a cruise ship for a couple of years, and has recently started a blog. If you’ve ever wondered what it might be like to be a singer on a vacation vessel, check out David Tarr’s take. He has a more realistic outlook than Ginger did, although seeing Tina Louise in person was still quite a thrill, back when she stopped into the local Borders. Back when there still was Borders.

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It seems to me that we don’t often enough take the time to wonder what other people’s lives are like. We are a myopic species. Apart from the occasional educational tour in school, we don’t have much opportunity to consider what it feels like to be someone else. I grew up in a working class family that lived at the poverty level. I didn’t get along with my step-father, but I have, in the years since he died, thought back on his perspective. He worked long hours, had little education, and was very patriarchal. When he was too old to do his duties as a laborer, he took a job running an elevator in one of the five-story buildings in a nearby town. I once went to visit him on duty. He was sitting in the tiny cube of a metal box, waiting for the very rare customer. I asked if I could bring him something to read, something to do, to pass the hours of tedium. No, he replied, he didn’t want to miss any calls from potential passengers. What must it be like in the head of such a man?

The internet has given us a chance to learn the lives of others. David is living a young man’s dream, with the good and bad. We have lost all hope when such things are no longer possible. Too soon we find ourselves chained to a desk, 9-to-5, working to make money for others. Dreams are strictly forbidden, at least on work time, which is the only time there is. Somewhere on an ocean, there is a ship. It may take a three hour tour, a three week cruise, or a three month voyage. It is more than a ship, regardless. It is the people on board, and their lives, and hopes. I’m not sure of the course charted for me. I suspect it has no cruises to exotic climes. It has, however, writing written all over it, and that is one thing I share with a talent cruise singer in my extended family.

Monsters, in Theory

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MonsterTheoryI want to understand monsters. I suppose that’s pretty common among Monster Boomers, but the thing is academics have been slow to give credence to our creatures. Yes, monsters are a throw back to the Medieval Period or worse, and reflect superstition, the supernatural, and things that go bump in the night. Our scientific worldview has no place for them, but they continually come back to peek in our windows and stomp on our cities. Horror movies, for example, consistently rate high in box-office grosses. And even adults, if caught in unguarded moments, might confess to enjoying the uncanny. So it was that I read Jeffrey Jerome Cohen’s Monster Theory: Reading Culture. Yes, it’s dated, but by humanities’ standards, it’s not too bad. Jurassic Park, one gets the feeling, was the rage when the book was being written.

As with most collections of essays, this is a Forest Gump of papers. Some of them were quite good and others were that kind filled with po-mo nougat. The one thing that was missing, sadly, is, well, monster theory. I’ve read just about every academic book available on monsters. I have yet to find a serviceable theory to help make sense of them. Yes, there are plenty of theories of origins—where monsters come from—but how to we handle them? Everyone knows that a stake is useful for vampires and a headshot is necessary for a zombie, but what are these revenants telling us really? Why do we still, when we can carry the internet in our pockets and call for help in the middle of nowhere, fear monsters? How do we construct, rather than deconstruct them?

Psychologists, of course, have a couch day with monsters. They represent parents, or phobias, or penises, or any number of things that make us uncomfortable. But how do we know a monster when we see it? Monster Theory, for example, has two chapters on conjoined twins. Now, at the time “monster” was a term used occasionally, but it is highly insensitive, let alone politically incorrect, to refer to humans that way. Then there were chapters on vampires and ghosts. Well, I suppose the dead can’t help their state either, but if they come back they could at least behave. Monstrosity is a concept, like religion, that we just can’t live without. We need our monsters in the dark just as we need dreams and desires. The question is what to do about them, and even after reading this weighty tome, I still don’t know.

Imagining Things

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Having a child in college is one way for me to stay attuned to popular culture. You can absorb quite a lot by simply paying attention while on campus. For example, on the last several visits I’ve heard the song “Demons,” by Imagine Dragons, being piped into various venues. Given the biblical language of the song, I wondered about its origins, but, like many a distracted parent, had too much on my mind to pursue it. Well, on a recent visit, the song got stuck in my head. Partially this was because during an a cappella concert the Christian group did a cover of the song. This sent me to the internet—the only place where information on contemporary culture is instantly at your fingertips—to do a bit of poking around. Secular groups, after all, frequently use biblical references unnoticed.

When I learned that two members of Imagine Dragons were from Brigham Young University, I just had to know if they were Mormons. From what I’d seen of concert photos, white shirts and ties were rather conspicuous by their absence. Indeed, it turns out, according to the web, that the group does have some LDS in its bloodstream. I’m not so naive as to think that being of a particular religious background makes rockers religious. The debates raged in college over whether U2 was a Christian group because some of them were Catholics. I don’t recall seeing any crucifixes on the album art. This is all especially intriguing because Christianity and rock-n-roll are considered by many to be natural enemies. The origins of rock in the sexually suggestive blues had many 1950’s parents quite worried.

Religion changes, however, once you get away from the parents. I’ve known Mormons that I couldn’t identify as such until they told me. I’ve known Catholics about which I still harbor doubts. Religious affiliation is sometimes purely cultural. That won’t prevent you from being excluded from consideration for a teaching position at any of their schools, however. Scholars of religion can be the greatest believers of fiction to be found. Still, I have to admit to myself that the song “Demons” does keep me coming back. I wonder if the Christian group performing the song was aware of its Mormon tinge, or if they even cared. Sometimes theology can be had for a song.

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Make Believer

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SmthgFunnyMy brother is way cooler than I ever hope to be. While I was busy learning all a tween and teen could about the Bible, he was listening to Lou Reed and David Bowie and Black Sabbath. Since the “door” between our rooms was only a curtain, I heard the forbidden sounds and, despite myself, had to admit that I liked what I heard. In fact, I once gave a lecture on Christian influence in secular rock music, and found many students staring at me in surprise for knowing so much about such debased music. In any case, when my brother recommends a book I know it will always be an adventure. Thus I came to read Corey Taylor’s A Funny Thing Happened on the Way to Heaven: (Or, How I Made Peace with the Paranormal and Stigmatized Zealots & Cynics in the Process). I didn’t want to admit to my brother that I’d never heard of Corey Taylor and that I couldn’t identify a Slipknot song even on Spotify, but the book sounded interesting, blending as it does bad-boy attitude with ghost hunting. November seemed a perfect time to read it. It could lead to some street cred on the bus.

It is difficult to distrust people like Taylor who write with absolutely no pretension (I’m a working-class kid, too). You know that what you’re getting is the real deal. It is also clear that like my brother and many rockers, Taylor is of above-average intelligence. Being smart can sometimes feel like a curse, and Taylor lashes out in several ways during the course of his narrative. He finds it odd to be an atheist who believes in, and has personally experienced, ghosts. I’m not sure that he would find it comforting to know that such a position is not at all as rare as he seems to think it is. Science deals with neither gods nor ghosts, and the average person is left to their own devices to decide who might speak with authority on such issues. Where are we supposed to look when scientists refuse to address such things? Personal experience is a powerful influence.

As with most books by opinionated, brash extroverts, it is difficult not to find yourself liking the writer. Trust may be too strong a word, but I do believe that Taylor writes without guile. After all, people have experienced ghosts for as long back as we’re aware. Why should it be any different for a celebrity? Is Taylor’s house haunted? (Or, more accurately are his houses haunted.) That’s a question no one can answer with certainty. Ghosts are beyond our realm of knowledge. Although plumbers can use scientific instruments, until actual scientists try to explain the immaterial we will be left to choose whom to believe. A metal singer can know just as much as a priest. Or even more, depending on the context.

Shipmates

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MaryCelesteGhosts have a way of persisting. I’ve had Valerie Martin’s The Ghost of the Mary Celeste on my reading list since I first saw it in hardcover on a bookstore shelf. The Mary Celeste was an actual ship, found with not a soul aboard, lifeboat intact, and no sign of violence, back in the 1870s. To this day no one knows what happened to the crew. Valerie Martin takes this frame and fills it in with a family drawn into Spiritualism, a religion that was just beginning at the time. Spiritualism, which developed in the aftermath of the Fox sisters and the eerie rapping at their upstate New York home, is one of the few religions to be completely at home with ghosts. The faith still exists today, and although Margaret Fox “confessed” to having hoaxed the effects she also retracted her confession, leaving ghost hunters perplexed to this day. These two mysteries, brought together in the moody month of November, make for a compelling novel that urges the reader forward.

Martin also adds the presence of Sir Arthur Conan Doyle to the story. Doyle, an avowed believer in the spiritual realm, also created Sherlock Holmes. As the various characters try to piece together what happened to the Mary Celeste, the ghosts of those lost at sea ambiguously communicate with the living. The world between realms, in this story, is permeable but indistinct. Those lost at sea are, in the narrative, restless. The mood of the novel is unrelentingly moving and thoughtful. Ghosts haunt, but don’t appear. Readers are left to draw their own conclusions.

As today is the fortieth anniversary of the sinking of the Edmund Fitzgerald, it seems appropriate to think about the Mary Celeste. Since Percy Shelley drowned in his own personal boating accident, loss at sea has become one of the hallmarks of Romanticism. Conceived as an answer to the cold, callus industrialism that trailed the scientific revolution, Romanticism suggested that there was an enchantment to nature and that things were not always as they seemed. Prosaically, there’s nothing poetic about dying in a violent shipwreck. That’s what makes the Mary Celeste so compelling. There is no violence here. The sea calls and claims captain and crew as her own. The lack of resolution has led to a very open-ended mystery—the perfect foil to a harsh materialism. Today the Mary Celeste and Edmund Fitzgerald will be sailing my internal seas as the season of spirits and shipwrecks come together in the lengthening nights of November.

Northern Ghosts

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It is the time of year when respectable publications can, in a half-serious way, address the unconventional. The New York Times, for example, recently ran a story on ghost hunting in Norway. Andrew Higgins points out that Norway, among the most secular nations in the world, has come under the spell of ghosts. In a country where church attendance and religious belief seem to be endangered, there is a growing belief that people might somehow survive this mortal coil. Since such a story has to come off as bemused, we don’t get any indication that people have good reason for believing in ghosts—as one of the officials in the story says, they represent something that isn’t “generally accepted as existing at all.” But I wonder if that’s true. Scientifically, in our heads, there just doesn’t seem to be any room in this godless world for ghosts. Skeptics ask questions like “why do they wear clothes?” or “how can a soul remain behind if we have no souls?” Who told you that you have no souls?

Even with the constant materialist discourse of only physical reality, some ghosts cases have been very well documented. So have some hoaxes. People have the spirit of being tricksters, and that doesn’t always help when it comes to understanding the unseen. The point that the article is making, however, is that ghosts seem to be filling a need that the church hasn’t. Church has long been understood as being trapped in the past—concerned with issues deemed irrelevant by people who are just trying to get by in the world. I’ve heard hundreds of sermons in my life and remember less than ten. What is it that we’re trying to do?

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I don’t know if ghosts exist. Many days I’m not sure what reality is, because if it is simply crawling out of a warm bed into a cold apartment before 4 a.m. so that I can go to work, I’m not sure this isn’t some kind of afterlife already. And maybe not the best kind. I know that as soon as people began to record their thoughts in writing, ghosts have been assumed to exist. Despite Ghost Hunters and other popularizers, vague traces are caught by enough people that we can legitimately wonder about the narrative we’ve been fed that says if it can’t be measured it can’t exist. There isn’t a nation in the world where people don’t see ghosts of some kind. Why should Norway be any different? And we wouldn’t even be asking this question if Halloween didn’t provide us with a buffer that makes forbidden topics chic.

Supernatural Quest

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SupernaturalTwo things we’re told about the supernatural: one, it doesn’t exist and two, it can’t be studied. Of course the vast majority of people in the world don’t buy into number one and hardly care about number two. Both, it seems to me, could be wrong. As Jeannie Banks Thomas says in her introduction to Putting the Supernatural in Its Place: Folklore, the Hypermodern, and the Ethereal, belief in the supernatural is not declining. In fact, the more we’re told by cocksure scientists that all of reality is quantifiable and material, the more we become aware of the many exceptions to the rules. Of course, “supernatural” may be a misnomer. It could be that anything sloughed off into that category is simply not understood well enough to be empirically studied. Thinking back over the history of science I find it ironic that the very system that had to convince people that something couldn’t be seen (many gases) could be deadly. Now if it can’t be seen it can’t exist. We certainly don’t want any deities hanging out around here.

But back to the book. Putting the Supernatural in Its Place is a folkloric study of place. The contributors to the volume look at popular beliefs, some serious, some not, that accrue around certain places. As I’ve often stated on this blog, we are aware as humans that some places are fraught with meaning. Scientifically we know this shouldn’t be true, but we feel it when we approach any space of significance. The contributors to Thomas’ book look to some very interesting places: New Orleans, Salem, St. Ann’s Retreat, Lily Dale, Japan, and even movies and the internet. If any of these places aren’t familiar to you, it’s worth picking up a copy of this accessible book to learn more. Supporting folklore is a very good thing. Folklore, after all, is the wisdom of the people.

The places in this book are rumored to be haunted by ghosts, witches, zombies, vampires, and even fairies. Folklorists, of course, don’t try to prove that beliefs are true. Like any academic they study and analyze. The main form of exploration for the non-academic is the legend quest. Many of us have gone legend questing from time to time. A place where something happened is said to have a certain feel or manifestation, so we go to see what it’s all about. If such trips are given religious sanction we call them pilgrimages. We want to see. But more than that, we want to experience something that the past has left behind. In the part of the year when each night grows longer than the last, my thoughts turn to what is usually termed “the supernatural.” And I, for one, am glad to have able guides along the way to make the simple voyage into a quest.

Still There?

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Keeping up with much of anything is hard to do, given work and commuting schedules. Often a horror movie will pass without even a notice until it’s on the sale shelf or free on Amazon Prime. On an October afternoon nothing feels more appropriate than a moody, ghost driven film. All these caveats are to introduce We Are Still Here, a movie that has received commendable ratings from the critics but which seemed pretty conventional to me. I’m not a fan of gore, and the finale has plenty to go around, still, the pacing is about right and the landscape is vacuously beautiful. I have to confess that I’m not sure of what was happening, although the newspaper shots during the credits were supposed to explain things. Haunted house, check. Townspeople acting badly, check. Spooky presence in the domicile, check. The menace is referred to in several different ways, but what is clear is that it wants a sacrifice.

To me this is what is at the heart of the connection between religion and horror. Sacrifice is wasteful by definition. Gods, who are demanding creatures, ask for people to give up something they could use to propitiate divine displeasure. We’re never really sure why gods have such anger issues, but it does seem like a universal trait. In We Are Still Here the “god” lives in the basement described as “hotter than Hell” and its choice of not slaying the intended victims is never really clearly explained. Perhaps that’s the point. Sacrifice is something that gods want. Reason has nothing to do with it. People in films like this seem to be minding their own business, doing what people do. Then the gods demand death. It is a religious trope older than the Bronze Age.

The film reminded me about the somewhat earlier and scarier Burnt Offerings. Ironically in the latter, there aren’t any burnings as there are in We Are Still Here, but there is a house that thrives on human sacrifice. Both houses demand a family and destroy it. Indeed, apart from sacrifice, such movies tend to be a critique of ownership. The house owns the people, not the other way around. And the house, in some sense, is a deity. We Are Still Here doesn’t give a full explanation. It puts the viewer through the usual paces for a horror movie with appropriate startles and grotesque deaths. Like most members of its genre, it reaches for religious backing to make it all hang together. It has the good grace not to be obvious about it as well.

An Apple a Day

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Corporate logos are among the most instantly recognizable symbols in the world. Even in “developing” countries, kids know what the golden arches represent. Not a real fan of large corporations, I still buy things not knowing who the manufacturer is, if it is something I need. I find the frenetic need of non-profit organizations—even colleges and universities—to “brand” themselves vulgar and distasteful. Why do those who truly have something to offer feel like they have to snuggle up to Wall Street and its resident demons? Still, the corporate logo has a way of drawing attention to products. And sometimes we look for more significance in them than they actually have. Keep in mind corporations’ goals are merely to separate you from your money. Often it doesn’t take much thought.

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When I was a child I thought the golden arches were supposed to be french fries. And when I started to use computers—always Apple—I wondered if their logo might not be the most infamous bitten apple of all, the apple of Eden. Forbidden knowledge. It seemed to fit perfectly. Too bad it’s incorrect. Interviews with Steve Jobs, Steve Wozniak, and various marketing designers have revealed that the Bible had nothing to do with it. The original Apple logo was Isaac Newton under an apple tree with the apocryphal fruit falling toward his head. It was felt that this detailed and complex logo didn’t have the instant recognition that a trademark requires, and so a marketing firm came up with the apple we all recognize. Initially it was a rainbow apple, but now the mere outline tells us what we need to know.

But what’s with the bite mark? Surely that must be a throwback to Eden? No, apparently not. We don’t know that Newton ate his apple, but a stylized apple looks a lot like a stylized cherry. The bite mark was added to the logo for scale. You don’t want to confuse the buyer. Corporate logos are markers that say, “place your money here.” Non-profit organizations used to exist to provide valuable services—services that couldn’t be rendered in matters of dollars and cents. Now there is no other way to show value. We have followed the false idol of corporate thinking and the only way we can imagine to draw attention to what we offer is to brand ourselves. So it has always been with cattle, where branding was much more obvious. Yes, those who follow corporations should remember that the brand began with red-hot iron and it left an indelible scar. Of course, I’m writing this on an Apple computer.

Playing God

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College is a rare time in life. Unlike any time after you find yourself with a diversity of intelligent and talented people open to possibilities that life tends to close shortly thereafter. At Parents Weekend at Binghamton University we took advantage of this wondrous juxtaposition to enjoy student talent. One of those offerings was the play “God of Carnage” by Yasmina Reza. It isn’t literally about God, but rather about two couples whose children had a playground fight. Parents try to solve the crisis, only to end up showing that they are really the ones who need to grow up. One of the vexed parents claims he believes in a God of carnage—that all people will seek their own good first and will eliminate those who get in the way. Perhaps might is right.

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The play is quite funny as the negativity grows and hidden assumptions come to the surface. There are no heroes here. In fact, any factor that might divide people does: gender, socio-economic status, race, sense of importance in the work one does. Each is turned into a weapon to make oneself appear more acceptable than others. Ironically, acceptance is just what’s missing here. Each of the four characters is alone and only finds company in teaming up with another to point out someone else’s foibles. As in most plays, the circumstances are exaggerated, and as in real life, peace is harder to attain than it should be. The god of carnage here is the individual desire to exceed at the expense of others.

The play reminded me, in a rather literal way of the verse stating that a child shall lead us. Not that children are entirely innocent, for they are people too. They can’t be held accountable in the same way adults are. We do our best, but our intentions seldom rise to our ideals. Our own needs and desires get in the way. In my experience of over half a century, most of us never really grow up. Selfish behaviors are magnified in a setting like New York City where so many agenda are crowded in together. If we believe in a god of carnage—that our own desires are more important than those of others—our differences will only emphasize that. Apart from high school and college performances, I have been to few plays in my life. Each time I attend one, however, I learn a bit more about how art reflects reality. And if we could only learn to consider others to be just as important as ourselves, the god of carnage would be the one who ends up unemployed.

Pagan Religion

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TriumphMoonFraming. Much of what we call “religion” has to do with framing. At one time it was standard practice to assume “pagan” was distasteful, if not downright evil. “Witch” was a pejorative term intended to humiliate and excoriate. Ronald Hutton is one of the few scholars who has taken the time to consider Wicca and related religions seriously. The Triumph of the Moon: a History of Modern Pagan Witchcraft has been on my reading list for quite some time. It is a big book, but this is a complex subject that can’t be dealt with briefly. Taking the time to get to know witches, with a historian’s patience, Hutton has given the world a valuable, balanced resource. Without prejudice, he traces how paganism, Wicca, and witchcraft are religions difficult to define or even categorize. There is little to frame them.

Rumor and hearsay make poor substitutes for understanding a religion. Most of what I grew up learning about witches was, in short, completely wrong. I wonder how much more pleasant the world might be if people assumed religions all to be similar in many ways. They are varied attempts to find ways of being moral in a world that gives little clear instruction on the matter. Witches and pagans are only evil in the uninformed opinions of more powerfully established religions. Religions of empire, whether real or only imagined. Those that had political backing and brute force to anathematize those who were different. Theirs is still a stigma that persists.

The Triumph of the Moon recounts the development, since the early part of the last century, of a somewhat organized experiment of religion as it grows organically. Without a leading figure or spokesperson, radically egalitarian, these groups, while sometimes in conflict, coalesce around the practice of finding something magical in the world. Theirs is an educated, literate world that does not judge other religions. It isn’t perfect, but then what religion is? The belief structure isn’t so different than many established religions except in the matter of degree. It is private and secretive in a way that we could only wish in many religions, if they could be counted on to behave themselves. I’m not likely to do a sky-clad spiral dance any time soon, but I would say that if we took religions at their word for being what they say they are, we might have a lot more resembling that of the noble pagan.

Dakota Territory

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A few weeks back I found myself on the upper west side of Manhattan. This is a fashionable district in which to live, but back when the Dakota was built, as pictures from that era demonstrate, this was an undeveloped area. The building stands alone against the sky, not surrounded, as it is today, by neighbors. I’ve noticed this in other parts of Manhattan as well. New buildings can grow in seemingly impossibly slim spaces between other structures. Sometimes I wonder how construction workers can get their hands back there to lay the bricks. The city is so overbuilt that it is difficult to get into the Halloween mood of October. Yes, stores, restaurants, and bars do decorate windows, but the enormity of the surroundings makes them seem miniscule. Although New York is a gothic city, it seems to swallow up holidays. Perhaps because of its greater commercial potential, Christmas is much more evident around town. Halloween, however, is a holiday best appreciated outdoors.

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While in the neighborhood, we stopped by to look at the Dakota. It was under scaffolding the prevented seeing the entirety of the building, but the famous entryway was unobstructed. I know that it was near here that John Lennon was murdered, and I know other famous people used to live here: Judy Garland, for example, and Leonard Bernstein. To me, however, the visual aspect of that entry always suggests Rosemary’s Baby. Even the doormen still wear the uniforms that they wore in the movie, only today they have to shoo away those who try to wander inside the gates to snap a selfie where the other half live. For me it was once again being in the presence of a place I’d felt I’d been before.

Rosemary’s Baby still stands out among the classic horror films as being particularly effective. The Satanism scare of the late sixties and early seventies has moderated, and we know now that witches are not people to be feared. Nevertheless, the eerie pacing of the film, and the sense of threat forever mark this location as one of caution. Seeing Terry Gionoffrio lying in a pool of blood where John Lennon would, in reality be twelve years later, is prophetic in the worse possible way. Still, the tourists stopped to have their pictures snapped at this infamous location. New York can be like a giant movie set at times. I quite often walk through staging areas for films on my way to work. It is a city where fantasy can be difficult to parse from reality from time to time. Even being in the upper west side, for someone like me, is, I know, pure fantasy.

Babylonian Boogle

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I confess. I’ve fallen behind on my horror movies. My work schedule doesn’t allow for much down time, and on weekends when I spend time with family, well, horror films aren’t their favorites. So on a weekend afternoon when I was alone, I finally saw Sinister. I remembered seeing ads for it a few years back, but far enough back that I didn’t know what to expect. As I’ve often asserted on this blog, horror frequently draws its spookiest material from the deep well of religion, and Sinister once again emphasizes this point. With clear connections to The Shining and Ringu, Sinister does keep you in its web. Of course, ritualized murders are by their nature scary, since those who perpetrate them have taken leave of reason. I don’t read true crime because I have to sleep, and I’d rather not know what some psychopath has eating his brain as he plans his sacrifices. So it comes out in fiction.

The protagonist, crime-writer Ellison Oswalt, consults with a Professor Jonas, whose name those acquainted with the Bible can’t separate from Jonah, to find out about ritual crimes. Jonas informs Oswalt that the occult symbols found at a couple of the murder sites are unconventional. He eventually traces them to Bughuul, a Babylonian deity that eats children. The religious element couldn’t be clearer. Bughuul, who is a god fabricated for the movie, is effectively frightening in the film. But for the ritual element to the murders, the story might have passed as just another gruesome offering to audiences who want a little fright in their October. Religion makes it scarier.

The second appearance of Professor Jonas reveals that, like Ringu, watching the films that tell the story is dangerous. He delves into iconography. Icons, according to orthodox tradition, take part in the reality they represent. Bughuul knows that, and merely by watching the films, or looking at pictures (icons) you open a portal between his world and that of the viewer. By the time Oswalt learns this it is, of course, too late. Again, the element of terror is introduced through religious thought. Bughuul (Mr. Boogle) is a morbid iconographer. The reality of the evil is represented in the “artwork” itself. Once you’ve seen an image, you can’t unsee it. So it is that Sinister draws on religion to plumb the depths of fear. It is surprisingly effective, even on a sunny afternoon when I’ve had too much time alone.

Heaven Unawares

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UninvitedIn order to have this book fit my blog, I’ll begin with a spoiler alert. If you plan to read Cat Winters’ The Uninvited, I will be giving away information below. Please believe me when I say it’s not intended to be persnickety by this preface, but I know what it’s like to enter a book knowing too much.

When autumn comes around I like to find a ghost story or two to read, to settle into what seems to be a primal urge connecting harvest with death. Sometimes the books I find are advertised in places like the Library Journal, or Publishers Weekly (which I see more like biannually). More often than not, however, they are books that I spy at a store. The Uninvited stared at me from a table. I picked it up, read the blurbs, and put it back. A week later I stopped in again and picked it up. It is a moody tale set during the First World War and the influenza epidemic. That was a time, I suspect, of great fear. And many ghosts. It’s easy to see why Winters chose such a time to set a tale. Still, the narrative is gentle and despite the places where the language sounds too modern, it is artfully told. Like most ghost stories it is a love story. Seriously folks, here come some spoilers!

The protagonist, Ivy, falls in love with Daniel, a German immigrant living in Buchanan, Illinois during the war. Germans have been under suspicion and lynchings have occurred. We come to learn, as in many ghost stories, that the protagonist and her lover were both victims—he of a lynching, she of the flu. He’s aware they’re dead, she’s not. The novel is one of Ivy’s growing self-realization that she’s deceased. While avoiding those who spy on Germans, she discovers the joys of an interracial, prohibition-free (being prior to prohibition, of course, but the idea was in the air) club where jazz is played all night long. She wants to bring her lover to the club, which is just across the street from his apartment, but he is German and feels he would not be welcome. The reader at this point doesn’t realize the two are dead. Once Ivy discovers the truth, she realizes that the club is actually Heaven. The reluctant ghosts, lost, stay away. She tries to convince them to come.

Heaven has been portrayed in many ways in literature. Although I find jazz very difficult to bear (it is like being inside a beehive without a bee suit, to me) the idea that Heaven is complete and utter acceptance of who we are is a compelling one. Religions are often all about change—how we must alter who we are to merit Heaven or Nirvana or whatever might await us at the end. Winters suggests that it is a place where people can be who they are and nobody will try to make you be any different than you were created. It is a comforting idea. It is my personal hope, however, that there might be a few different clubs in town and that some of them might be playing music other than jazz.

The State Demon

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It’s the time of year for seeing things. I suppose that’s why there have been two supposed sightings of the Jersey Devil flying around the internet this past week. The credulous take these kinds of things for evidence, and the posters claim complete sincerity and who doesn’t want to believe? Still, the photos and videos fail to convince. It’s the time of year when we want to see monsters.

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While the origin story of the Jersey Devil is one of the main strikes against it for sheer impossibility: Mother Leeds, who had twelve children, finding herself pregnant with a thirteenth, wished that it would be born a devil. The cursed child, meeting motherly expectations, came out a devil, flew up the chimney, and has haunted southern New Jersey ever since. The folklore elements are thick in this tale: the thirteenth child, the exasperated mother, devils in the woods. This doesn’t, however, suggest much confidence in the literal truth of the story. This traditional tale circulated in the same region where legitimately strange things were seen, especially around the turn of the last century. Every now and again the devil reappears in a present-day venue. At one time the Jersey Devil was even the official state demon of New Jersey.

The ease of use of photo-altering software has taken us further and further from the truth. It is an impoverished world that has no mystery to it, but the easily hoaxed world of Photoshopped monsters will cast doubt on all contenders, I fear, forevermore. We can no longer trust the veracity of the lens. Our world has become an electronic illusion. The creature spotted in the Pine Barrens can be more readily believed without photographic proof. The sober, shaken witness who can’t explain what s/he saw one dark night is more believable than a goat with wings or a stuffed animal on a string. Our religious sensibilities urge us to believe in the impossible. Our cameras urge caution. After all, internet fame is often the only kind available to those whose videos and photos go viral. The devil, they say, is in the details.