Believe Eve

While NORAD has already begun to track Santa with DSP (Defense Support Program) satellites, and last-minute shoppers are being bombarded with Christmas carols to cinch out that extra dollar or two, it may be odd to consider the music Sine Nomine by Ralph Vaughan Williams. Better known as the music of the stirring hymn “For All the Saints,” Sine Nomine (“without name”) is some of the most inspiring music of the liturgical year. I remember a friend once leaning over after the hymn and whispering, “hard to believe it was written by an agnostic.” Vaughn Williams was an Anglican agnostic. At this time of year his piece “Hodie: A Christmas Cantana” may be heard in the households of anglophiles around the world. “Hodie” (“this day”) is an anthology of poems set to Vaughn Williams’ music. One of the poems, “The Oxen,” was written by Thomas Hardy. I really never paid much attention to it, until my wife pointed out the words and the liner notes by Alain Frogley on our CD of “Hodie.” Hardy’s poet recalls believing in his youth that oxen kneeling (as oxen do) was a reverential act on Christmas Eve. Now as an adult, the poet writes that if someone should invite him to see the kneeling beasts, “I should go with him in the gloom, hoping it might be so.” Frogley’s notes point out that Thomas Hardy, like Vaughn Williams, held a “complex agnosticism.” It is not the solid rejection of the divine that is all the rage these days, but a difficulty in believing something that is hard to let go. And Santa flies over Russia.

Faith can be a many faceted stone. We keep the myth of Santa Claus alive for our children, thinking it merely harmless fun. Then comes the moment of truth. Some prescient children at that point begin to extrapolate: what else have you been telling me that isn’t real? That the creator of an infinite, but expanding universe took time out of a busy schedule to be born in a cattle stall in Bethlehem two millennia ago? That a government might turn on its children and kill them rather than face a challenge to literal, kingly authority? That emissaries from the Middle East might come with rare and precious gifts? That Santa visits that homeless man I saw curled up on a corner of Seventh Avenue last night under a black umbrella as chilly rain pelted New York City? So much to believe!

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I once held a secure job in an anglophile seminary. The music of Vaughn Williams was often heard to echo through St Mary’s chapel, and many myths were propagated. Standing out under a frigid, clear Wisconsin night, it was almost possible to believe that Santa was up there somewhere, being tracked by North American Aerospace Defense Command. Yes, the oxen would be kneeling on such a night. This morning before dawn, I glanced at NORAD’s page. I saw the words “Secret Santa Files” and my mind flew to NSA. A government that keeps track of our personal emails and private phone calls even holds secret files on fictional characters whose motive nobody ever questions. Truth in advertising indeed. So, on this Christmas Eve, I imagine myself out among the free range cattle and sheep of first century Judea and there I happen upon two shivering artists in the dark, huddled around a campfire while others claim they hear angels singing. Vaughn Williams and Hardy exchange knowing glances, and Herod prepares to roar his decree from his one-percenter throne.


Duck, Dynasty

The Fundamentalist mouth has no filter. I’m a bit surprised by the furor raised by Phil Robertson’s comments about race and sexuality. Did A&E not realize that it was dealing with a Fundamentalist family on Duck Dynasty? I’m frequently amazed at how Fundamentalism is exoticised by the media as some quaint, back-woodsy phenomenon. Do they not realize that similar views are held by several members of congress and the pre-Obama presidential incumbent? By the numbers, Fundamentalism is a powerful force, but, like our universities, the media can’t be bothered to try to understand religion until a large demographic is suddenly threatened. A&E supports equality across sexual orientations, and, as it should go without saying in the twenty-first century, races. Prejudices, however, run very deep. Perhaps it’s just not so surprising to me, having been raised in a Fundamentalist environment. There was nothing exotic about it. It was, as we understood it, simple survival.

Phil Robertson has been suspended from his own show for comments made off-air. Wealth does not necessarily make one a better person. In fact, the figures trend in the other direction all too often. If instead of just promoting books written by the stars of the anatine series, the studio executives read those books they might have foreseen something like this coming. The Fundamentalist mind, I know from experience, tends to see things as black or white. Despite the camo, gray is a loathed color. Rainbow is even worse. The Fundamentalist psyche is not encouraged to try to see things from the other’s point of view. There is only one perspective: the right one. And when asked a straightforward question, a straightforward, if misguided answer will be given. It’s the price of fame.

The Robertson family, according to CNN, has closed ranks with their founder, claiming he is a godly man. There’s no irony here, folks. Fundamentalism isn’t into irony or subtle possibilities. Religious rights and freedoms are being press-ganged to the aid of those who long to speak free. Not about ducks, or guns, or calls. But about the naturalness of white skin and heterosexual love. And the Bible as the only possible source of the truth. The media often treats Fundamentalism as if it were a game, turned on or off at a whim. In reality it is a comprehensive worldview in which the inmates are commanded to speak the truth. The filters are not on their mouths, but are in their minds. Until we can learn to take them seriously, no duck anywhere will be safe.

Even the Roman Empire didn't last forever...

Even the Roman Empire didn’t last forever…


Exegeting for Peanuts

Peanuts, the cartoon, is about as pure as the Bible itself. Like the Bible it is included in ritual, as in the annual viewing of A Charlie Brown Christmas in our home. I grew up in the generation that eagerly awaited the special to be aired on television (if you don’t know what I’m talking about, ask your parents). When we were finally feeling affluent we purchased the DVD to continue the tradition with our daughter. Last night as we watched, however, it struck me that, like the Bible, many variant traditions are present in A Charlie Brown Christmas. I began to suspect a kind of documentary hypothesis. The program begins with Charlie Brown, in his house, wearing his famous yellow zigzag shirt and black shorts, getting ready to go outside. This must be the oldest tradition since wearing shorts in the winter is the lectio difficilior, or the more difficult reading—any good Bible scholar knows the more difficult text is most likely to be the original because later scribes try to make the story make sense. I’ll call this Urtext C. The crisis is evident because as Charlie Brown pulls on his coat to go outdoors, he is wearing shorts. He steps outside in the next scene wearing long pants. This represents a harmonization by a scribe uncomfortable with a child on a snowy day outdoors in shorts—a simple scribal correction. This source, designated H for long pants (lange Hosen in German), subsequently appropriates the script since Charlie Brown is not shown wearing shorts again.

When Charlie Brown consults with his psychiatrist, Lucy van Pelt, however, the real evidence emerges. Lucy’s sign on the front of her stand originally reads “The doctor is out,” each of the first three words occupying its own line. When Lucy spies Charlie Brown she runs over and switches the “out” sign to one that reads “real in,” representing the story line of H. When the tight shot to emphasize “real in” closes on the desk, however, “The doctor is” has now come to occupy two lines instead of three, “The doctor” sharing the top register, and ‘Is” on the line with the new status of the analyst. This is the work of S, the Schilderhersteller, or Sign Maker. A further variant tradition appears in the shot of the two characters talking since “The doctor is real in” once again occupies three lines. Either H is reasserting itself or D, the Deutero-Schilderhersteller has tampered with the text. When the desk is then shown with epigraph “The doctor is in” on three lines, we are clearly dealing with a redactor with literalist tendencies, L, or perhaps this is C, our Urtext, having been further elaborated as “real in” by S, for obviously theological reasons.

The composite nature of the script is even more evident with the Christmas tree. When purchased by Charlie Brown and Linus, the tree has three branches, obviously a reference to the Trinity, so a later addition. It is easier to explain branches taken off a tree than a dead plant growing new ones. In the auditorium, however, the tree has five branches. In the next scene, six. When Linus gives his hortatory address, the tree is shown with four branches. Then in the following scene, seven. When Charlie Brown attaches an ornament, the tree again has five branches (an obvious nod to the Pentateuch), but when the children decorate it, it has transformed into a full tree on which it is impossible to count the number of branches. This will take a more adept scholar than me to unravel. I’ve lost track of the Urtext. Could a university-employed academic help me out here?

If any of this sounds far-fetched to you, remember that Charles M. Schulz bore a German name. Like Moses, he gave us the original text, and like Graf and Wellhausen, he forever changed the way we viewed the faith tradition. It is my hope that you enjoy the holiday season. I’m going to be too busy trying to piece together the corrupt tradition of that miraculous tree.

Final, canonical form.

Final, canonical form.


Pope of Deliverance

TimePopeIt’s the Time of year. The time of year Time chooses a person of the year. Not for the first time in recent memory, a religious figure has been chosen. Granted, Time declares the person of the year is the most newsworthy, not necessarily the best to emulate morally. Notorious scoundrels have made their way onto one of the nation’s top news magazine’s covers, while many more worthy will never be selected because they just don’t garner the notice. Despite this, Pope Francis is certainly the most deserving pontiff in living memory. Over this year he has demonstrated that the Catholic Church does have some historical memory of its original call and mission to the Christian faith.

Ossification is a natural tendency with institutions. We tend to think the earliest universities are still the best (in some cases that may be true), while in fact better educations are often found elsewhere. We want to believe that as it was in the beginning, is now, and do I really have to finish it? Times change, institutions evolve. Within half a millennium the Christian movement went from a bunch of persecuted, fearful peasants hiding in corners to the power brokers of a powerful empire. Problem is, once you’ve tasted empire, there’s no going back. Until now. How odd it is to see a person who could live a life of opulent self-service giving it up to be kind to his fellow humans. It is almost as if the Vicar of Christ has somehow become incarnate. A pope who is one of us. And the world stares in wonder.

I don’t mean to pick on the Catholics here. We see it in many religions. Someone humble and spiritual joins a religious movement for obvious reasons. They then grow through the ranks, acquiring a craving for power. What a temptation it must be to stand before an audience of thousands, knowing that by television hundreds of thousands more are watching you—hanging on your every word. Our underlings tell us we are great and it isn’t so hard to believe them. The man who steps down from his kingly throne to mingle with the laity, who doesn’t ride bulletproof cars to represent a man who willingly, so the story goes, gave himself up to die. What saddens me is that this is newsworthy. Not to detract from the spirit Francis has injected into a stony Vatican, but that we find it incredible is a comment on what has come to pass for religion in this time. Thanks, Time, for holding up this important mirror to our society.


White Christmas Revisited

In the light of yesterday’s post, I’d like to tip my metaphorical hat to Brian Regal of Kean University for a piece he wrote in the New Jersey Star-Ledger. Entitled “The Real Meaning of Christmas,” Regal’s piece shows the striking disconnect that comes between the image of a “Christian” Christmas and the oft-ignored words of Jesus that make him such a great example to follow. We want the image and the affidavit without having to do the hard work of loving those we don’t like. This really seems to be the heart of what was once know as gospel—it’s okay to be who you are (for those of that bent, “who God made you.”) Too often “Christian” has come to mean someone who wears their hair far shorter than Jesus, who shuns those welcomed by Jesus, and who smile far more than Jesus. My Bible says “Jesus wept.” I don’t recall any verses reading, “Jesus put on his ‘I love you’ smile.” Ours is a society that wants it both ways—all for me, but isn’t that what Jesus really wanted? You know, he must’ve smiled a lot.

Regal rightly points out that the majority of Christmas traditions are admittedly pagan, and we are glad to baptize them as long as we don’t have to let the homeless into our churches or admit equal rights to those of all genders, races, and orientations. What seems to be the real desideratum is a “white” Christmas. A white, affluent Christmas. The very idea of the ownership of a holiday characterized by giving is a phenomenon worth serious study. Religion can certainly be used to justify such self-centeredness, but it is condemned by that very same faith. What are people worried about? Christmas has been a commercial holiday essentially from its origins in the modern period. It is one of the few holidays to which nearly everyone looks forward, at least for a break from work or school, if not for a windfall of new stuff.

Privilege as blessing is a perverse theology, as is shown repeatedly in the Bible. Israel’s long line of descent is chosen from the least, the youngest, the meek. Now we are constantly told that God rewards those who are blessed, and that the poor and underprivileged have only themselves to blame. At Christmas time it may be worse than many other seasons of the year. We want not only to keep good cheer, we want to keep a holiday only partially of our own making for ourselves, and then congratulate ourselves on just how good we are. It would seem that the spirit of Christmas might lie, as the pagans said, in giving. I am not a fan of commercialism, as my regular readers know. I can’t help but think that believing one deserves special rewards for righteousness in their own eyes will only have the opposite effect. Remember: he sees you when you’re sleeping, he knows when you’re awake…

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Won’t Someone Think of the Gods?

The annual holiday tradition of fighting over peace on earth has begun. It’s difficult to attribute blame since the “Keep Christ in Christmas” crowd do have a certain historical parsimony about them. Still, it was with tongue frozen in cheek that the Freedom From Religion Foundation put up a billboard in Pitman, New Jersey, with the message “Keep Saturn in Saturnalia.” Won’t someone think of the gods? In just the short span of my lifetime (well, half-a-century is really not that long) many assumptions about American religiosity have come to be questioned. There are those who seriously believe the Greco-Roman gods exist and they do have a right not to have their religion belittled. Those who find all religions laughable, I suppose, have the right to belittle. Some are devoted to Saturn. Others take seriously the Norse gods. Belief is like that—rationality is not a huge part of it.

Megyn Kelly, an anchor on Fox News, boldly declared this past week that Santa is, by dint of historical fact, white. I suspect she wasn’t thinking of Nicholas of Myra, but rather the jolly (white) man with glandular problems and the magical ability to visit every house in the world in a single night. The historical Saint Nicholas was born in Turkey. Kelly also made an unequivocal claim for Jesus’ whiteness, although he was clearly Semitic and historical records about him are extremely dicey. Conservatism, it seems, can only be pushed so far. I tend to think the problem is with making people into gods. Once a person becomes divine, in a monotheistic system—apart from all the theological casuistry than ensues—the nature of godhood is irrevocably associated with one race only. Of course Kelly, and many Fox News fans, have co-opted Christ from Judaism and suppose he was rather Nordic, as an article on CNN’s Belief Blog notes. Kind of like Thor, for what carpenter doesn’t know how to use a hammer?

To keep (white) Christ in (white) Christmas does betray a lack of familiarity with the Christmas story. Apart from angels appearing to some shepherds, the event was obscure—in the part of town across the tracks. Even the wisest men in the world had to stop and ask directions because they couldn’t find the place. The first Christmas, in as far as we can reconstruct it, was a silent affair with only the sounds of birth and the quiet desperation of a working class family far from home. No malls stayed open late that night.

The solstice is literally the darkest day of the year, the time when the slow return to light begins its weary trek over the next six months. We think of the cold, the dark, and hope for peace. No matter the holiday tradition, you’d think that peace would be one thing we could all agree upon. But gods are jealous beings, and, technically, they belong to no human race at all.

O holy night?

O holy night?


Making a Monster

I was maybe six or seven when Frankenstein’s monster charged us. My mother, brothers, and I were part of a small crowd at Niagara Falls, where we had gone to visit relatives, when we found ourselves in the monster’s path. We were among of a knot of tourists, and plate glass separated us from the great roaring beast, posted to draw visitors to one of the many plastic tourist attractions around the famous falls. Each time the monster charged, we all screamed, knowing full well he could never break through that glass. As a member of the Monster Boomer generation (although on the tail end of the boomer part), the monster that disturbed me the most has always been Frankenstein’s monster. I’m not sure whether that was natural squeamishness, or if it was that as children my brothers and I tried to divide things up evenly and I ended up with the vampire while one of my brothers claimed possession of “Frankenstein.” Certainly when I grew old enough to read the book, it only added to my discomfort. The concept of Frankenstein’s monster was old enough to have lost its scary edge, but the story was very sad. The monster was not evil, but lonely.

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Sarah Tyler Hitchcock’s Frankenstein: A Cultural History revealed a new angle on the monster. A thoroughly fascinating anthropological approach to one of the more modern constellations in the night-time sky of fear, what became immediately obvious in this book is just how religious a monster Frankenstein’s creature is. Many of us think of “playing God” as a recent phenomenon. Mary Wollstonecraft Godwin (Shelley)’s Frankenstein was published in 1818 with just that concept in mind. Mary Shelley, barely twenty when the book was published, had tapped into one of the most vital of religious topics—what it means to make life. Hitchcock’s treatment of the subject covers the conception of the monster, the book and its history, the plays and movies based on the story, and Frankenstein’s monster’s reception into popular culture. At every step of the way, religious issues are raised. Mary, in her birth of an immaculate creature, gave the world theological conundrums through which we’re still sorting nearly two centuries later.

Often on this blog I maintain that monsters and religion are cut from the same cloth. Hitchcock provides a compendium of supporting evidence in her compelling book. Even down to the contemporary debates of scientists over genetic engineering and cloning, the story of Frankenstein and the overstepping of ethical boundaries comes up again and again in scientific literature. I couldn’t help but to think how this reflects the current acrimony between the materialists and the dualists among the intelligentsia: is the forging ahead with manipulation of life simply an experiment we must undertake or is it really an ethical (read “spiritual”) issue after all? Mary Shelley was not so strident as her erstwhile husband Percy was regarding the necessity of atheism. Her monster seemed to be raising that question in terms profoundly theological for a girl not yet of seminary age. Sarah Tyler Hitchcock has done us a great favor by producing a history that stitches religion, culture, and science together into a beast that we still haven’t learned to control.


Poe Knows

CambridgeEdgarAllanPoeA recent trip to Baltimore prompted me to read Benjamin F. Fisher’s The Cambridge Introduction to Edgar Allan Poe. Well, that and the fact that I had purchased the book from an overstock table on a visit to a local indie bookstore (support your local!). Poe is a difficult writer to get to know. His personal life seems to have been largely an effort to find financial security while he knew his intellect was greater than those who employed him, and yet he was the one left without means. His literary talent, now considered one of the brightest constellations in the American writers’ heavens, was denigrated and demeaned and not fully appreciated until after he died of unknown causes in a city where he no longer lived. There is a profound sadness about Poe, and he seems a tragic figure. I do wonder, however, whether success would have ruined him. The more society woos you, the more you’re willing to lower your standards, I shouldn’t wonder. Not that I would know.

GhostsKnowFisher’s guide is a basic introduction that only toys here and there with Poe’s religious outlook. I’ve not run across much about Poe and religion, but there is a deep spiritual awareness, along with ratiocination, in his tales and poems. I suspect it might go back to the fact that religion and fear are so tightly intertwined. If a religious element is missing, it sometimes leaves a reader hungry. I’d also been reading Ramsey Campbell’s Ghosts Know concurrently with Fisher. This is a novel where a skeptical radio talk-show host takes on a stage psychic to see who really knows who might’ve killed a young girl. As the story unfolds it becomes less and less likely that the psychic is tapping into anything other than individuals’ wish projections.

While I found both of these books interesting, I pondered the fact that Poe referred to the scariest elements in his works as “terror of the soul.” The supernatural in Poe, as Fisher points out, is often really just a projection of an interior state of one of the characters—the eponymous tell-tale heart is guilt breaking through, not an undead heart beating. In an era where belief in the soul is waning, scary books seem less frightening. We’ve been robbed of both the supernatural and the soul, so what is left to fear? If death is only a more profound kind of sleep and morals are only a matter of social convention, then we are truly alone in this vast universe. Of what should we be afraid? Still, when the night stretches on for many long hours this December, I find myself inclined toward Poe and I wonder if ghosts truly do know.


Sunday Best

When my rural, northwestern Pennsylvania shows up in the news, I pay attention. An Associated Press story recently appeared concerning Rev. Chris Terbush of Bradford, Pennsylvania. Inspired by the success of Duck Dynasty (which seems poised to overtake even Apple as the most popular purveyor of popular culture), Rev. Terbush has encouraged his congregation to show up on Sunday mornings in camouflage, ready to go forth and claim dominion over nature once the service is over. I’ve been ambushed by enough clergy that the idea makes me a little nervous, I’ll have to admit. But then again, I know where he’s coming from. I grew up in a town that celebrated the first day of deer season as a public holiday, with schools closed and the hills alive with the sound of muskets. Not being a hunter, I just enjoyed the day off school. This upbringing, however, gave me a profound appreciation for the Jeff Daniels’ movie, Escanaba in da Moonlight. But I digress.

Religious services evolve, just like any other social phenomenon. When I was young, just as the sixties were wresting the color of life from the black-and-white fifties, going to church was a formal event that demanded your “Sunday best.” Only the worst of heathens would show up before the Almighty in anything less than a white shirt and tie, a jacket and uncomfortable shoes. You had to show the divine that you were willing to go that extra mile and implicate that you didn’t intend to have any fun when it was over because the sabbath is a solemn occasion. I remember the weird feeling of walking into church during the weekday wearing jeans for the first time. It felt as if I were dissing the rules of the club. It was an exclusive affair.

The “theology of dress” has become an area of scholarly investigation with the growth of embodiment issues. What we wear says something about our beliefs, and the fact that we wear clothes at all is sometimes even traced back to Genesis 3. The origin of “good clothes,” clearly, was a status issue. Those who could afford to keep some surplus clothes unsullied by labor wished to strut their stuff on occasion. And who better to impress than God? All of this has eroded over the years with many churches as casual as any man cave. Now you can camouflage yourself in church. There may be more going on here than meets the eye, both literally and metaphorically.

What happens in the woods stays in the woods

What happens in the woods stays in the woods


Explained Away

The premise seems sound. Although science tends to indicate that God is not necessary to explain anything, religion itself may still be useful. In a nutshell, that’s the basis of Alain de Button’s TED talk, “Atheism 2.0.” We don’t need to believe in God to find religion a useful paradigm. There’s so much more to being human than being simply analytical. De Button begins from the premise that there is no god, but that religion teaches us many useful lessons. It is a fascinating concept. I’ve had de Button’s book on the topic on my reading list for some months now, but like so many pressed for time, I find it simpler to watch a 20-minute TED talk than to read an entire book. It is refreshing to see someone on TED not simply dismissing religion. My friends in the STEM community often recommend TED talks, and they usually leave me feeling small and insignificant. Now I can at least show my face.

A deep irony pervades this condescension to religion. Scientific study of the past (known by the collective term archaeology) has recently given strong indication that the religious impulse is what led to civilization itself. The mysterious site of Gobekli Tepe, as I’ve mentioned before, seems to reveal that even before high antiquity what drew people together was the emergence of religious belief. Religion leads to culture, and culture leads to science. Science rejects religion and what happens to culture? Just take a look around. I’m still a naive man with working class values. In the course of my business travels I’ve often ended up in what might be considered the sketchiest kinds of neighborhoods. The suburbs keep moving further out. What happens when we run out of space? God only kn— wait, that’s a forbidden premise. Materialism only knows.

De Button’s talk is fascinating in that he doesn’t simply dismiss religion. Like most non-specialists, he focuses on the accidentals that reveal something savvy religionists have always known—there’s a healthy dose of psychology in any religion. Call it neuroscience, or call it truth. Religions have something to teach us. Civilization, it seems, began because of religion. De Button is clearly correct that we need not believe the minutia of religious doctrine to get something out of it. Atheism is not always evil nor is piety always above moral suspicion. Being human, we can’t help but wonder what is really real, however. Religions claim to know, as do some sciences. Little can be said beyond the fact that none of us know. Of course, TED will ask some of us to speak to the issue and the rest of us should just sit still and pay attention. To be noticed is to be an expert.

The eternal struggle (photo credit JuanMa, Wikipedia)

The eternal struggle (photo credit JuanMa, Wikipedia)


Bleak Friday

Among the high holy days of capitalism, Black Friday stands as a beacon for those in the service of Mammon. It seems that we’ve taken the basic process of fair trade and constructed from it an über-religion based on getting more for less. Certainly in my little world of academic publishing I’ve encountered those who believe marketing a book is far more important than what it actually says. Ironically, my last two publishing jobs were located through LinkedIn. LinkedIn allows you to put your professional life online and those who shop for souls are free to “find” you, read about your accomplishments, and even occasionally contact you with employment options. It may not work for everyone, but it has for me. LinkedIn will also email you with opportunities, and this Black Friday as I opened my email I discovered that the top article they’d selected for me was entitled, “How Neuroscience Is Key to Successful Marketing Strategies.” Welcome to the temple of Mammon.

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Neuroscience has been as fascinating to me as it can be to a layperson. Since we all encounter the world through the gateway of our brains, we stand to learn a lot through its study. Of course, my mind always goes to the deeper questions: what can we learn about religious belief through neuroscience? What can the study of the brain reveal to us about reality? Will this science eventually reveal to us that more than brains are involved in the pure, raw experience of the ultimate? Of course, you can also use this study to figure out how to make a buck. We are so eager to make money that we’ll open stores on the prototypical family holiday itself, before the turkey is even digested. Try to corral the stampedes in a day early, and the great god Mammon smiles. We consume, therefore we are.

If you want to shop, someone has to be on duty. The worker might be enticed from her or his family by the prospect of “time and a half” pay. It might sound tempting, but I ask what the baseline cost really is. We’ve known since at least the days of the Charlie Brown Christmas and the original Grinch that happiness does not accompany owning more stuff. As a society we’ve promoted materialism so heavily that we are left feeling empty without the urge to buy making us feel like we’re accomplishing something important. I still find learning new things more satisfying than buying new things. Ironically, just below the neuroscience article, LinkedIn suggests I read “The End of the Public University?” It seems to me that Black Friday might have more than a single connotation. Of course, I’ll have to check in with Mammon on that; the smart money’s on the most demanding god.


Reach Out and

Contact_ver2Carl Sagan, one of the great proponents of the idea that earthlings have never been visited by aliens, wrote a novel entitled Contact. I haven’t finished reading it yet, but many years ago, on a long plane ride, I caught part of the movie version—most of it without the sound on, as I recall. While the ideas have been brewing for about a decade, I’ve been meaning to get around to watching the film. It is a bit of a slow-starter, but I finally sat down to watch it, with sound. While the movie ultimately remains agnostic—with a Twilight Zonish twist at the end—about whether the contact is truly alien or not, one aspect leaves no room for doubt: the movie is really about the relationship between religion and science. Eleanor Arroway cannot raise faith in anything but science, especially since her father’s premature death. Although she has a brief affair with Palmer Joss, a theological journalist, she just can’t believe what her senses don’t confirm.

Once the alien signal is announced, the response of the populace is overwhelmingly religious. One sect in particular seems to channel its faith into the hatred of science, and even Palmer, now an advisor to the president, questions whether science alone can really help humanity to progress. He is the one who nails shut the coffin of Dr. Arroway’s hopes of going to Vega to see the aliens. The reason: she doesn’t believe in God, and therefore is not qualified to represent the human race. Ah, the cruel irony of it all. When she finally does get a chance to visit space, the results are both Freudian and religious. She finds her father in a place like heaven, but her beloved science makes no record of her journey. At a congressional hearing she is made to admit that she believes in what happened without proof. Science is now standing on faith while the religious look smugly on.

Despite the pacing, Contact is an enjoyable movie. In many ways it hasn’t aged much since its 1997 release. Science and religion are still at loggerheads in some camps, and we are no closer to the stars than we were a decade and three-quarters ago. Reading books on the nexus of religion and science, one often gets the impression that the two are inevitably foes. Much of it goes back to a principle that recurs throughout Contact—Occam’s razor. The idea that the simplest explanation is the best does not seem to serve science (or religion) well. Although it works most of the time, it is because, as a friend recently said, we are willing to sweep the stuff that doesn’t fit off the table. Contact showed Occam’s razor with its indiscriminate cutting. Both the religious and the scientific end up bloody when it’s all over (metaphorically speaking, of course). It seems what religion and science really need is indeed contact.


Fateful Dreams

Popular historians love a good coincidence. I suppose it is a way of reading order into a chaotic world where many events, in the final analysis, just don’t make sense. Perhaps academic historians shy away from coincidental events—after all, they contain a whiff of the improbable about them, and academics can admit no greater force driving our efforts toward a civil existence. The rest of us, however, like to note them. This week contains the anniversaries of a couple of significant landmarks of United States history, and they may somehow be related. November 19 marked the 150th anniversary of the Gettysburg Address while November 22 is the 50th anniversary of John F. Kennedy’s assassination. The events, a century and three days apart, stand for transitions in American society, and the implications of both still linger on as unfairness and fear continue to haunt our hopes for a future where all might indeed be considered created equal—and not just all men, but all people—and where optimism might edge out cynicism in the political world.

486px-Abraham_Lincoln_November_1863Of course, both Lincoln and Kennedy died at the hands of assassins. America has never been terribly comfortable with dreamers. The century that separated the Gettysburg Address from Kennedy’s tragic death was not enough time to swing the ship of state around to bring about a world of dreams. Unfortunately, war also defined both presidencies. The dream of a world at peace has been more difficult to attain than a human desire for such a world would seem to merit. If we all (or most) want a world at peace, why can’t we bring it about? Unfortunately, it seems that a basic sense of justice is lacking.

500px-John_F._Kennedy,_White_House_color_photo_portraitPerhaps it is a coincidence that many of the world’s religions stress the concept of a just society. By far the majority of the world population associates itself with one form of religious belief or another. Not all religions get along, however. Many of the conflicts that have erupted into wars have had a basis in differing religions. Power is easily seized from dreamers, religious or not. Watching modern elections is a terribly sobering event. We don’t advertise what we might accomplish, but rather what is so wrong with the other guy so that we win by a paltry default. Victory for whom? And why consider it a victory? A friend once suggested that Christians should start out as bishops and eventually be promoted to the level of laity. I thought it was a brilliant idea that could be applied to politics as well. Think of it: elected officials as servants of the people. Of course, by coincidence, I am a hopeless dreamer.


Rites and Wrongs

One thing about Amazon Prime is that you can watch a movie multiple times with no real fiscal consequences. Alone on a Saturday, I started my ritual of looking for a movie to match my mood. I’ve posted before on Cabin in the Woods, a kind of Lovecraftian parody of the five-people-in-an-isolated-cabin motif, but the movie is so deeply based on religious motifs that I noticed many things I’d missed the first time around. When the college kids descend to the basement to choose, unwittingly, their fate, they happen upon a diary written by Patience Buckner—one of the zombie family that will eventually emerge to murder three of the five. So far so good. The backstory to the Buckner family is sketchy (Drew Goddard and Joss Whedon are said to have written the script in three days, not much time to develop backstory), but they are religious zealots who believe in pain as a spiritual purgative. In other words, they hurt each other in an attempt to be religious. This idea is not without historical foundation, and although it plays only a small role in the movie, it is part of the larger plot as well.

The entire control center that is intended to keep the old gods satisfied, is a highly technical ritual center where the horror movie tropes take place to appease the ancient ones. As Sitterson and Hadley explain, the suffering of the kids as they face the ritual sacrifice is an essential element in pleasing the gods. It is, nevertheless, a ritual. As each victim is killed, a lever is pulled channelling blood down across icons of the roles played by the scapegoats. Marty, the stoner who ultimately figures out what is going on, makes the point that for a ritual all you need are robes and sticks. Of course, ritual is one of the main constituents of religion, and ritual has to meet the specs provided by the gods.

Cthulhu takes Manhattan

Cthulhu takes Manhattan

Modern day fascination with H. P. Lovecraft has led to a resurgence of interest in “the old gods.” Lovecraft, while personally an atheist, knew the powerful draw of the idea. Gods are controlled by ritual. Many religions trace the architecture of rituals to the deity placated by them, but this tacit domestication is a kind of archaic rule of law. Humans do this, gods will do that. The hastily written story of Cabin in the Woods abides by this pattern. As long as somewhere in the world a human sacrifice is made according to specifications, things will continue as they are. In other words, our random world is a throw of the dice by the gods. Unlike his contemporary, Albert Einstein, Lovecraft’s gods did apparently play dice. Cabin in the Woods is a modern farce of that ritual and is, in an unexpected way, a deeply religious movie.


History Bites

historian-elizabeth-kostovaAfter reading a post I’d written about Dracula last year, a friend recommended that I look at Elizabeth Kostova’s The Historian. This novel is very easy for a vampire fan to lose oneself in, taking a sweeping scope of the Balkans and western Turkey, and adding enticing bits of northern Europe as well. Although it is a novel, it is also a history lesson in international relations and in the costs that accompany clashing religious empires. Christendom and Ottoman powers frequently exchanged hostilities long before the Bush presidency, and it was in this milieu that Vlad Tepes, the Dracula of history, emerged. Interestingly, although vampires had been part of religious folklore since the earliest civilizations, it took Bram Stoker to make Dracula into one. It is difficult to believe that, with the household name-recognition of Vlad III’s epithet, Dracula would’ve likely remained one of history’s more gruesome footnotes without Stoker’s undead imagination. Vampires would’ve survived, I’m sure, but Dracula might not have come back to life.

Kostova does an excellent job of blending fact and fiction in an epic vampire hunt. She also takes the somewhat unusual step of making the historical Vlad her actual vampire. A defender of the Christian faith against the Turks and their Muslim ways, Dracula did earn a reputation for cruelty (and unusual punishments) during his lifetime. Kostova keeps him alive through a kind of scavenger-hunt through history as his decapitated body must be brought back together with his head, and then through the wilds of Transylvania, Wallachia, Bulgaria, and even into the cosmopolitan streets of Constantinople. This is an intellectual’s vampire story if ever there was one.

Although Dracula’s association with the vampire mythos began with Bram Stoker, his role as a symbol of religious conflict boasts much older roots. Indeed, conflict over what is the “one true faith” has been a bloody avocation of humanity since universal claims of salvation began to be made. The conflict continues, in a somewhat more civil guise, as science flexes its considerable muscles over the less empirical realm of religious belief. No matter which strand of religion one believes, if any, faith has a strange ability to set people seeking one another’s blood. The symbol of the vampire does not seem to be departing any time soon, for vampirism is part of human nature. We may never shed the physical blood of another, but we continue to participate in cultures where the strong impose their wills on the weak. And that is a scene darker than even the scariest tomb painted in The Historian.