God in the Shops

Leave a comment

Over the past few weeks, as I’ve been out and about, I’ve been noticing the way that the divine has been utilized by shop-keepers. In a culture where incipient religion is so pervasive, it seems that God is treated much like the NSA in some quarters—always watching, always vigilant. I popped into a shop selling locally made items (I try to support the local economy when I’ve got a greenback or two to spare, although that is rare), where I saw a sign reading “Shoplifting & Theft Will Be Judged By God.” The sentiment gave me pause. Deeply embedded in our society is the idea that without a divine mall cop, we would all run amok with crime. Although religion is pervasive in the world, much of it is non-deistic, and yet highly moral (particularly in east Asian nations). Their cultures have advanced, even beyond western culture in many aspects of technology, and yet gods (and specifically our God) do not figure into the ethical equation. Pillage and plunder do not seem to erupt when God is not in the shop.

IMG_0903

Whimsical signs have been popular decorative items for decades now. The problem with whimsy is that it loses its effectiveness once the initial chuckle is over. Signs reading “no pain, no gain” in fitness clubs may inspire day after day (although I have my doubts), but the cute warning that “the dog is crazy” on your doormat fails to impress after the first reading. (It must be pretty obvious that I don’t entertain much.) Nevertheless, shops stock those impulse-buy signs that are clever and witty, if soon outdated. I found one the other day reading, “Don’t judge me because I sin differently than you.” Even with the strains of self-righteousness, there is valid thought here. When the woman caught in adultery was brought before Jesus, he said, “Let the one without sin throw the first stone.” This disputed passage is one of the most pertinent in all of Scripture. No stones flew.

IMG_0909

Finally, a friend came in bearing a shopping bag with Jesus on it. “Lookin’ good for Jesus, the King of Kings, King-size Tote” it read. The bag was clearly designed with a heavy dose of irony. I couldn’t help but notice that the bag was full of bottled gas. This portable version of the only begotten is a reminder of how commercial our religion has truly become. Although clearly presented with tongue distending cheek, we know that, as I tried to convince many at Gorgias Press, Sects Sells. People will buy cute knock-offs of their deities. In Wisconsin we used to visit Holy Hill, a Carmelite shrine where all manner of sacred kitsch lined the walls, from glow-in-the-dark rosaries to cheap, plastic saviors. The shop was never empty. Perhaps it is possible to worship both God and mammon after all.

IMG_0908

Firelands

4 Comments

BayardFirelandsPiper Bayard has been a long-time blogging buddy of mine. She’s kind enough to comment on many of my posts and even kinder to like even more. Piper recently published her novel Firelands, and she sent me a copy that I began reading right away. My schedule this entire month has been unfriendly to literacy, but I was always glad to have a few minutes to read a few more chapters of an intriguing post-apocalyptic future. What’s more, Piper is keenly aware that religion is behind much of politics—a point she boldly makes by constructing a dictatorship based around a miracle-claiming prophet-king who oppresses those who don’t believe—the Seculars, or “Secs.” Interestingly, Piper decided on the name Josephites for the religious rulers, and there are dark undertones here for those who know their religious history. As an unabashed fan of allegorical writing, I saw quite a lot here that was, well, apocalyptic, in the literal sense of the word.

In a misogynic future, the Josephites, who dwell in cities, burn many women for various heretical crimes in autos-da-fé entitled Atonements. These human sacrifices ensure fertility and also help to explain the trials of life in a post-cataclysmic world. The protagonist, Archer, has to not only survive, but to try to save her cousin, a grandchild of the eponymous Joseph, from the flames. The Josephites live in a society of thinly rooted but strongly mandated religion. There is an underground of true Christians, and Archer, although a Sec, acts with more compassion than any of the Josephites, except perhaps her cousin. In a world that has lost its bearings, religion both undergirds and undermines a dystopian society where differences of faith have come to define everyone’s role in a harsh world. (Those who have ears to hear, let them hear.)

In this world where heaven is a fiery hell, I realized that Archer was more familiar than she first seemed. A female warrior, she opens the book by tracking a large stag to feed her starving people. Nevertheless, it took me many chapters to realize that she was a hypostatic Artemis, the goddess of the hunt. No wonder she couldn’t convert to the standard religion! Her example leads the way toward a renewable and sustainable future, in touch with nature, while the “religious” in their urban environment are dying on the vine as they appear to thrive. This is a world where old gods are more authentic than an enforced religion that few believe and that only rules through fear. There is much more I could say about Piper’s fascinating book, but I want you to read it for yourself. Visit Piper’s website for more information, and support the work of an author who really has something to say!

Wars and Holy Wars

2 Comments

An article by James P. Byrd, promoting his new book Sacred Scripture, Sacred War: The Bible and the American Revolution recently appeared in the Washington Post. Byrd asks a very relevant question in our era: “Was the American Revolution actually a holy war?” He suggests that perhaps it should be interpreted so. The reason is straightforward enough—our nation, our culture in the United States, is so deeply steeped in scripture that even our Deist founders knew their Bibles better than many preachers today do. Byrd suggests, in his article, that people who believed in the separation of church and state could still have a deep sense of divine mission, and a belief that their war for freedom was a divine cause. Early state leaders were not anti-religious, nor über-religious. It is a balance that we would benefit from regaining.

Declaration_independence

I guess I’ve seen enough political shenanigans to realize that such posturing as the Tea Party and the Religious Right or Moral Majority present are deeply cynical. The use religion as a platform to achieve political ends while conveniently slashing and burning huge swaths of biblical reasoning leaves many questions in its wake. Were such motives sincere, I would expect a lot more turning of the other cheek, and walking the second mile uncoerced. I suspect there would be fewer hungry people and even fewer living in positions of extreme wealth and power. In short, without the agenda of political religion, I suspect we would be a more Christian nation.

War is difficult to justify from a strong ethical stance, as most ethicists know. Our founders decided to go to war against what they believed was unfair oppression by a more powerful nation. This takes on the cast of a holy war because people were being oppressed. The pre-emptive strikes were throwing crates of tea into Boston Harbor, and yet the more advanced nation refused to lessen the pressure. In the Bible, Pharaoh declared the Israelites should make bricks without straw, and we all know where that got him. Or we would know, were we as literate as our forebears were. Freedom was considered a sacred trust. We live in a time when trust is at a premium. You can’t fly or surf the internet without being watched in intimate detail. There is no talk of holy wars, it seems, since the sacred has no place in a society that does not promote the concept of liberty with all the risks and benefits it entails.

Stone Age Henge

2 Comments

At a hotel during a recent excursion, I saw a National Geographic (I think) special on Gobekli Tepe (this is the fate of those of us kept from a daily sustenance of academic listservs bearing the most exciting news). Gobekli Tepe is an archaeological site in Turkey, discovered several years ago by Klaus Schmidt of the German Archaeological Institute. It is an odd site, dating back to some 11,000 years ago, that consists of megalithic (big stone) constructions earlier than Stonehenge or the great pyramids of Egypt, both dating from the Bronze Age, roughly. The complex of odd buildings seems to be religious in function because they bear no practical purpose, and the implications of the site are that our earliest steps towards civilization have been misinterpreted from the beginning. We have been taught that domestication of plants and farm animals led to fixed centers of living. Gobekli Tepe suggests that religion led to settled life and farming came later.

375px-GobeklitepeHeykel

The implications of this are rather startling for those of us who’d been working on the assumption that religion developed as a way of keeping the gods happy after people had the luxury of surplus food brought on by agriculture. It turns out that hunter-gatherers learned to live in settled locations because of religion. That is, religion, instead of being just another component of culture, is what led to culture in the first place. In a climate where the most vocal intellectuals insist that religion must be shut down, chopped off at the roots, and burned in the oven of rationality, we see that none of us would be enjoying our urban lifestyles if religion hadn’t brought us together in the first place.

There is no doubt that religion may be taken to extremes, and that when it is, it becomes dangerous. Religion, however, is no foe to rational thinking. Gobekli Tepe is a site of astounding engineering for Stone-Age hunter-gatherers. Engineering is applied science, and so these people were using their understanding of the world to establish a ritual site for the practice of their religion. They needed to live nearby, although they still had to spend their days chasing animals and gathering foodstuffs along the way. Religion made them realize that life together was a necessity for humanity to thrive. We should take a more balanced view before declaring religion a source of evil only. We may never be able to coax the gods into the laboratory, but that doesn’t mean that they don’t have a very important function for human civilization. If they are taken in reasonable doses, they might even lead to astounding transformations.

Christian Rocks

1 Comment

ViolFemsSitting in traffic outside the Lincoln Tunnel, I see that the Violent Femmes are coming to town. The billboard sends my mind spiraling back to college, when the Violent Femmes had released their debut album. Not that I ever listened to it (then), but in the fervently evangelical atmosphere of Grove City College, many students rooted and grubbed for any whiff of esoteric Christianity in a culture on the—pardon the genre-switch—highway to Hell. Rumors abounded that the Femmes were covert Christians, just like another up-and-coming band called U2. Not only the Femmes were violent—reaction to such Christianizing assertions was as well. I remember one of the dorm-mates in my housing group getting into a shouting match that U2 was not a Christian group and slamming his door to sulk, literally for hours. This was important stuff. We were Christians in an underground world.

Of course, some of us knew that Gordon Gano clearly betrayed the influence of Larry Norman in his voicing. And there were rumors and rumors of rumors that the Violent Femmes were coming out with a Christian album, despite the popularity of “Blister in the Sun,” the homage to masturbation that raised the group to stardom. This rumor turned out to be partially true, as Hallowed Ground took on spiritual themes, a little bit country, a little bit soul. There was some tension in the group as Gano’s lyrics began to suggest something more overtly Christian. All of this was going on long before I discovered the Femmes. At Nashotah House I taught a guest lecture on Christian themes in rock music. I researched the Violent Femmes and found that I liked their sound. They made the cut for the lecture.

In a culture as deeply steeped in the Bible as ours, it is difficult to avoid Christian imagery altogether. The Femmes were from Milwaukee (not far from Nashotah House, as the raptor flies), the heartland where beats the pulse of unadulterated religiosity. Even Iron Maiden, after all, had released the platinum album The Number of the Beast. And David Buckna points out in a recent MuseMash post, that even Ozzy Osbourne has some religious aptitude. (I always thought there was more going on in “Iron Man” than meets the ear.) This may all be chalked up to cultural Christianity—there need not be too much conviction here. Those who feel oppressed, however, huddled together in their evangelical college dorms, will always suspect that there is something more beneath the surface that makes even the “Prince of Darkness” the bearer of light.

Tempting Truth

5 Comments

Recently I was discussing the internet with friends. Real ones, I mean, physically in the room with me. One asked if the internet made conspiracy theories more believable. My response was that the internet has changed truth. That probably seems like a bold statement, I know. Truth, however, is an abstract very difficult to pin down. Science, for starters, does not deliver truth. Science is theoretical, and since it is falsifiable, a scientific theory, while based on facts, is always contingent; it is the best explanation that we have at the moment. Scientists generally know not to conflate this with truth, deferring the latter to the realm of philosophy. The average person probably conceives of truth as that which is literally real. Reality itself is, however, a very slippery concept—quantum physics reveals realities where many are not comfortable going, and which very few truly understand. Truth is a philosophical concept that reflects what humanity collectively accepts to be reality. It is in this sense that the internet has changed truth. It is the Wikipedification of the mind.

People, for as long as they’ve had the luxury to consider abstracts, have struggled with the question of truth. For a few centuries—almost a couple of millennia—in much of the western world, the Bible was considered a source of truth. If it was in there, it was true. The source of authority here was that of a deity who oversaw the writing of the Bible, word by sacred word. When science began to demonstrate that this Weltanschuung was untenable, people realized that truth was a bit more complex. When westerners came into contact with other religions, the complexity grew. Large swaths of humanity believed things completely different from the rest of us. What was the truth? A rear-guard action was often the result. Those who had the Bible had the truth already, and since truth doesn’t change, what more was there to be said.

Truth or dare?

Truth or dare?

The internet is not yet a mature adult, but an entire generation has now grown to a kind of maturity with it. It is the first line of recourse for true information. Who has a phonebook in their house anymore? When is the last time you opened a physical dictionary? Some of us routinely look up Bible verses online, since the internet is the ultimate concordance. Instead of turning to the Bible, or any other source, we turn to the collective “wisdom” of humanity as the measure of what is true. Snopes aside, we plow ahead with what we read online, confident that with all those millions of users, we just can’t be wrong. How strange a concept to unplug and look at the actual reality behind the screen. We might be surprised to learn that there are great and terrible wizards back there after all.

Let It Shine

Leave a comment

Stanley Kubrick was not the most prolific of movie makers, yet his efforts often create striking impressions. I saw 2001: A Space Odyssey at a young age, and it has remained one of my favorite films ever since. Although I’ve watched horror movies since my college years, I shied away from The Shining until about five years ago. By that point I’d seen enough clips and parodies to kind of know what to expect. Since finally viewing the original, it has become one of my most admired movies as well. Kubrick films may not be easily slotted into a genre, and The Shining is not a typical horror movie. There always seems to be something more going on in addition to the growing menace of Jack Torrance’s insanity. I’ve been hearing about Room 237 for a few months now, and I’m eager to see it. Room 237 is admittedly a movie about a movie, an exploration of how The Shining has inspired multiple interpretations of what most consider to be one of the scariest movies of all time.

The_Shining_poster

An article by Jay Kirk in the June edition of Harper’s Magazine examines this movie of a movie. Kirk is the cousin of Tim Kirk, the producer of Room 237, and offers a personal introspective of a mind under the spell of Kubrickian influence. The article, “The Shining Path: Room 237 and the Kubrick cult,” not surprisingly, keeps turning back to religion. It may be fallout from the Kirk cousins both being children of clergy, or it may be that effective horror films are, as I’ve maintained before, inherently religious. Even the meeting of the Kirk cousins takes place at Gaudi’s Sacred Family cathedral in Barcelona. It seems that there’s no way to get at The Shining without involving religion. Not that it’s a religious movie, but it may take some religion to understand it.

No doubt Stanley Kubrick was a deep man. Even those who try to interpret his movies end up adding a kind of hidden message of their own to the plethora of ideas he eloquently shot. I know nothing of Kubrick’s religious convictions, if any. Any film with the gravitas to inspire continuing hermeneutics over three decades after its release, however, will surely open itself to a kind of sanctification. The penultimate section of Kirk’s introspective focuses on Proverbs 3.5-8, a passage underlined in his grandmother’s Bible. To understand the genius behind The Shining, it seems, religion will have to be part of the discussion.

The Good Magazine

2 Comments

IMG_0902I saw this magazine in a store recently. The temptation to buy it was compelling, but with international trips and a child about to start college to pay for, it felt a little superfluous. Presumably what was meant by this jaunty title, “The Bible: 50 Ways it can Change Your Life,“ was that by reading and applying the Bible and its precepts respectively, your life will be transformed. The problem is that there is no expiration date. Not to be too entrepreneurial with scripture, but how long do you have to apply all this before the blessings take hold? One of the criticisms atheists frequently bring to the discussion is that in order to explain the truly difficult aspects of the universe, the faithful often resort to laying claim to the divine mystery. God works in a mysterious way. Rationality squirms with discomfort at the thought of unsolvable mysteries. In our cause-and-effect world you might expect a fairly quick turnaround with the almighty. I know the Bible has changed, indeed, shaped my life. In more than 50 ways.

Lest I be accused of being too cynical, I feel obligated to explain that I grew up utterly convinced that the Bible was literally factual. Even working around the contradictions I studiously denied, it seemed that the goal was more to make your after-life better, rather than the one here and now. Too many nasty things attended living by the word. People were dying in the Good Book, in droves. The trade-off was a better world coming. If something transformative, in the prosperity gospel sense, were going to happen, it had plenty of time to come along in my younger years. Instead, the Bible led me to a foreshortened career in teaching it and a job in which applying its principles is a sure path to getting fired. Can the Bible change your life? It sure can.

The ways listed on the cover—live with eternity in mind, embrace your weakness, and love your enemies—all fit parts of the Bible. They are all part of “the secret” that makes for best-selling self-help books. The Bible, however, isn’t a book about making your life better. Taking Holy Writ at face value, you obey because that is what is demanded of you. Commandments have no suggestion of option about them. It’s not that I take the Bible lightly; quite the opposite. Something tells me, however, that if I need a magazine to help me figure it out, I must be missing something. Instead of reading the Bible, this is reading about the Bible. The iconic book is alive and well, even in this secular society.

Weird Tales

Leave a comment

WeirdTaleSince I first discovered H. P. Lovecraft, I believe that I have read all his published fiction. Most recently a multi-year marathon took me through the S. T. Joshi editions published by Penguin Classics. Reading those editions led to a natural curiosity about S. T. Joshi; H. P. Lovecraft is still an author struggling for respectability, although the internet has brought him great fame. The literary elite consider many genre writers as gauche, and those who read them decidedly low-brow. When I saw that Joshi had written a book entitled The Weird Tale (the genre designation preferred by Lovecraft), I decided to learn more. Joshi, I had known from his webpage, is an ardent atheist, but also a true admirer of Lovecraft’s craft. Since I’ve tried my faltering hand at fiction a time or two, generally having even less success than Providence, I wanted to see what Joshi had to say.

Few things are as inspirational as reading about writing. Those of us compelled to do it find it an endless source of fascination. What drives us to it? We don’t know. Where do the ideas come from? We can only guess. Why do we do it? We must. And so, it is clear, also felt the authors surveyed in Joshi’s fine little book. Although the names of Arthur Machen, Lord Dunsany, Algernon Blackwood, M. R. James, and Ambrose Bierce mostly just tickled some remote tendrils of synapses in my skull, this study was the first real knowledge I had of any of them. While some patterns emerge, there is a notable diversity of background to the writers of the weird. One element that Joshi doesn’t fail to notice is their religious conviction, or lack thereof. In many ways this is odd, but in others it feels perfectly natural. Many materialists count creativity as the predetermined motion of particles and energy that evolution makes inevitable. The writers, however, refuse strictly to conform.

Lovecraft was an atheist and mostly a materialist. Joshi is puzzled, however, when Lovecraft seems to call this certainty into question. I’m not. Lovecraft did not believe in God, but he invented gods. How difficult it must be for a creative mind to dabble in the divine and simply walk away at the end of the day. Lovecraft was no stranger to peculiar residues that clung to the unwary and the bizarre transformations that could occur under the aegis of misplaced belief. But like the narrator of many of his tales, at the end he too knew he’d been affected. I don’t mean anything as crass as deathbed conversion. Rather, like all those who are truly intelligent, we must admit that there are some things we just don’t know. Cthulhu may not be slumbering beneath the sea but many will not sleep easily at night with their closet doors open. To expect anything less of Lovecraft, to me, seems just too weird.

To a Fallen Goddess

Leave a comment

One of my favorite places to visit in New Jersey is Grounds for Sculpture. Over the past several years that we’ve domiciled here, we’ve had the opportunity to take several friends and family members to see the whimsical, creative, and inspirational park over in Hamilton. When my daughter graduated from high school, she requested a visit to Grounds for Sculpture, and, since family were near at hand, we took the opportunity to see it again.

I’ve always been aware of the religious aspect of creativity. Perhaps it is because I like to flatter myself into thinking that I’m the creative sort, despite my years of academic training, or perhaps it is the kind of pipe dream for which the liberal-minded are easily accused. In either case, I have always found that the best art evokes something similar to a religious experience. There is an element of wonder, emotion, and awe here. Not every piece of art conjures it, just as a single god isn’t sufficient for the whole of humanity. As I wander the grounds, I grow convinced that this or that sculpture had a vision akin to what I’d call religion, that led to the creation of such a trenchant piece. I always leave feeling blessed.

Photo credit: Grounds for Sculpture, postcard

Photo credit: Grounds for Sculpture, postcard

On this most recent visit, a very conscientious relative found, and later sent, a postcard of a sculpture I’d never seen. (It is possible that the sculpture is not currently on display, as the Grounds are continually evolving.) The piece is entitled “Excerpts of a Lost Forest: Homage to Ashera,” by Tova Beck-Friedman. Several of my relatives have me to blame for their awareness of Asherah; she is, after all, a relatively obscure goddess in the Hebrew Bible. The sculpture, however, speaks to me of the continuing ability of even extinct gods to inspire artists. Just as Asherah occupied several years of my academic life, I suspect she also haunts the work of sculptors who’ve come to realize that not all gods must be male, and not all gods must be real to be important. Quite the contrary, the collective deities of our heritage may still be found where art thrives.

Am I Famous Yet?

2 Comments

Sweat is running down my back and my chest.  The sun beating down on my head feels like a hammer of the gods.  East 42nd Street is clad with a wide, red carpet and drivers are honking in a way that assures you that they are seriously irritated.  I step out into Second Avenue when the little white person appears on the crosswalk sign; it is 93 degrees and I’m due back at work.  A motorcade stops me as three tour buses cascade by, and an NYPD officer waves mere pedestrians back to the baking pavement to wait another rotation of the lights.  Helicopters high overhead fail to stir this heavy, hot air.  Hazily I wonder if the president is in town, or royalty of some kind.  It’s clear that the plebeians are of less importance this afternoon in New York City.  Then I spy a banner-the All-Star Game.  I’m being broasted on this street corner for a bunch of baseball players, not one of whom I can name.  This is such a facile way to learn your place.

Chance often enters my thoughts.  There are those who become rich and famous because they are driven to it, but they happened to be in the right syzygy of circumstances to take advantage of that opportunity.  There are some who would say that attaining greatness is an act of God, and others who claim it is only fate, or luck.  The fact is, the only reason some people are more special than the rest of us is that they were offered an opportunity that opened a gate.  I’m not suggesting that hard work’s not involved, but hard word alone doesn’t suffice.  You need to have a leg up to get to ride in that air-conditioned luxury bus down Second Avenue while your fellow citizens, and not a few seriously sweating fans, step aside for you.

I’m sure it’s just sour grapes. Like most little boys I really enjoyed playing baseball. I never considered it a job, though. We were far too pedestrian in my neighborhood for that kind of thought. My goal was to be a janitor. It was only when I reached beyond this calling appropriate to my state that I ran into difficulties. The marionette dancing at the end of the strings of puppet-masters who had better opportunities than I. Sour grapes and hellish city streets—what wine will ferment from this alchemy? There go the All-Stars. In many parts of the world, as in my head, their names are unknown. Today, however, one of the busiest streets in Midtown Manhattan is stopped just for them. We’re all in the same oven, but some are in air-conditioned coaches while others are melting on the sidewalks. The red carpet is not for the likes of us.

1937_all_stars_crop_FINAL2

Before Twilight

Leave a comment

Despite the summer with its long, languid days, The Telegraph reported on vampires last week. In an article entitled “Polish archaeologists unearth ‘vampire grave,’” Matthew Day narrates how archaeologists have uncovered skeletons buried with their heads—decapitated, obviously—on their legs. This was apparently a not uncommon medieval practice for ensuring that suspected vampires stayed safely in their graves. Interestingly enough, Day comments that the practice mainly began after the Christianization of the pagan cultures that had preceded them. Even pagans, he suggests, ran the risk of being accused of vampirism, a broadly defined threat in the Middle Ages. Of course, the Twilight series had not been written then so that the safe, Mormon cast of vampire was unknown.

Vampires represented a couple of concepts terrifying to people before the scientific revolution: they were a source of draining an individual of some life essence, and they were the problematic undead. The decapitation, in Tim Burton-Sleepy Hollow style, was intended to prevent the vampire from being able to locate its head after death. Unable to find the business end of its vampiristic corpus, the undead might remain just plain dead. Of course, staking works, if the tales of the Highgate vampire, near whose grave I recently stayed while in London, are to be believed.

The belief in vampires, or at least fascination with them, has been very hard to shake. One of the earliest horror films made was Nosferatu, a rip-off of Bram Stoker’s Dracula that was nearly obliterated because of copyright violations. Nosferatu continues to be ranked among the scariest of horror movies, and the Werner Herzog’s 1979 remake is a classic in its own right. The Shadow of the Vampire was an even more recent movie about the filming of the F. W. Murnau original. Among the earliest of the Universal monster movies was Tod Browning’s Dracula, which forever identified the face of Bela Lugosi with the infamous Count. No matter how deeply we bury them, the vampires keep coming back to stalk our nights and nightmares. When future archaeologists uncover the detritus of our civilization, no doubt they will conclude that we too, in a secularized world, feared the undead.

Bela_lugosi_dracula

Hansel and Regretel

Leave a comment

HanselGretelHansel and Gretel: Witch Hunters was on offer on the trans-Atlantic flight. Since I missed it in theaters, I decided to watch it on my mini-screen inches from my face. Witches, among the classical monsters, have a strange longevity into the world of science—like van Helsing (of movie fame) the protagonists have steam-punkish gadgets to destroy the naturally invincible foes. What’s not to like? I could not help but be disturbed, however, at what seemed to be the inherent misogyny of the film. Perhaps it was the lighting on the plane, but I saw only one male witch among the monstrous hordes of females who were battered, shot, and burned with apparent sangfroid. Women were guilty, it seemed, until proven innocent. And Mina, the white witch, again underscores that women who are “clean” are still potential witches underneath. Naturally, she dies before it’s over, but in a noble way.

The witches in the movie are strangely removed from a traditional, satanic context. They derive their power, like modern wiccans, from nature and strange mixes. The source of their magic is never explored very deeply, but when they catch trespassers in their forest, their queen states that even God himself fears to go there. Bewitching bravado, to be sure, but where does this image of God originate? A god afraid of the very nature that (in a film such as this, certainly) “he” created? The sacrifice of children is a good biblical trope, but seems to do little more here than to build the tension.

Monster movies, I realize, are “guy flicks.” Something about all that testosterone seems to be energized by images of ordinary people fighting monsters, against incredible odds. The monsters here, however, are barely distinguishable from regular women. Folklore has a deep well of traditions about witches from which the savvy might draw to write an intelligent, entertaining tale of witch-hunters. After all, the real antagonist, traditionally, is the male devil. He is, in medieval tradition, the source of witching magic. By removing Satan from the picture, we are left with strong women who must be repressed, and the world is really no safer when Hansel and Gretel are done. In fact, the end of the movie implies that they will never be finished. An opportunity for a subtle shift of paradigm was missed in this film, and, as usual, it is women who end up paying the price.

Caledonia Dreamin’

3 Comments

“Edinburgh is a mad god’s dream.” So penned poet Hugh MacDiarmid with sentiments that could’ve been composed by H. P. Lovecraft. My association with Edinburgh seems accidental, but there is little in my life that compares to this mad god’s dream. The Gnostics used to believe that there was nothing in divinity that precluded a kind of divine madness. Philosophers, back when they still considered god a postulate, argued about whether the deity was good or evil. If they’d come to Edinburgh, I suspect, the debate would’ve taken on a whole new cast. In his poem “Edinburgh,” MacDiarmid captures the untamed nature of a city that has never been given the accolades of Paris, London, or New York, but is just as edgy and twice as beautiful.

Dreaming gods, of course, are nothing new. Vishnu, according to some strains of Hinduism, is the god whose dream is the universe. In the Ugaritic Baal Cycle, it is a dream that reveals to the ancient god El that Baal has returned from the land of death. And, of course, Cthulhu lies dead but dreaming in the city of R’lyeh. To me, Edinburgh is a wonderful alchemy of divine dreams. I was a young man, still so very naive when I moved here. Looking back at those old photos, I see a much younger face from the past, telling the camera that yes, he’d found paradise, the very place of God’s dreaming. Our human politics, however, trump divine dreams every time. Although I never wanted to leave, I was not permitted to remain. Yes, the camera does, at times, capture the soul.

DSCN3490

I am on the train that will take me from Edinburgh, having seen it anew through my daughter’s eyes. I came here penniless some twenty-four years ago, but with a head full of dreams. Life has taught me the cost of dreams since that time, and I have had to pay with wrecked careers and uncertain futures, trusting that the god who is dreaming all this is mad indeed. Nevertheless, like the gods, I refuse to stop dreaming. As much as Hugh MacDiarmid captures the spirit of Edinburgh, as I sit here, with a wee bit of mist in my eyes, my mind is on the words of another poet, Baroness Nairne. To her I will have to leave the last words, from this south-bound train. “Fareweel, Edinburgh, where happy we hae been.”


Something to Believe

Leave a comment

Xfilesiwanttobelieve After a rough week at work, nothing helps so much as simple escapism. Thinking back to my glory days in the classroom, I remembered the movies I used to get students thinking about how the Bible is represented in popular culture. One of those movies was The X-Files, I Want to Believe. Not that the movie was my favorite, but escapism isn’t picky—there’s one reality I want to escape, and just about any other will do. As I watched the film again last night I was struck how very much the whole movie is premised on religion. I suppose the title should’ve given that away, but since it is the slogan of Mulder’s famous poster, I’d not really given it serious thought. Scully is now a practicing doctor in a Catholic hospital, and the number of lingering scenes with stained-glass icons in the background simply can’t be ignored. She has given up chasing monsters in the dark, and come to live in a very Gnostic kind of light. Through a pedophile priest (Father Joe), the darkness finds her again. How could I have missed the centrality of a priest to the plot?

The scene I always pointed out to my students was where Father Joe goes into a seizure while quoting Proverbs 25.2, again citing Gnostic hidden ways. The Bible slips from his trembling hands and falls, closed, to the floor. Later, as Mulder is literally about to be axed to death, Scully finds him by noticing the mailbox number 25-2. A proverb was a prophecy and the Bible retains its ability to guide the believer toward salvation. Through paranormal means, of course. After all, this is the X-Files.

Faith versus science, religion versus reason; these are the underlying motifs of the entire film. Scully the skeptic is the one who believes. Mulder, the high priest of the preternatural is just waiting for her to come home. It isn’t the greatest of movies, but it is based on some classic themes. Wanting to believe, but not being able to believe—isn’t this one of the most religious tensions possible? For years now the internet has been buzzing with rumors of a third, and probably final, X-Files movie. And yes, many people are wanting to believe. And if work continues with weeks like this past one, I’ll be needing a lot more escapism as well. Yes, I want to believe.