Ghost Publishers

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Ancient Near Eastern studies, where my academic work has the widest recognition, is still an area of fascination.  I have to hold myself back when I see a new book published in the area.  You see, I learned when I researched in this field that there is little academic opportunity in it.  As per usual, the public seems quite interested so academia is not.  A few practitioners, however, have been able to break through.  One of them is Irving Finkel, a curator at the British Museum.  He’s been writing popular books about ancient ideas and getting respectable press for doing so.  His most recent book (The First Ghosts), as described in an article in the Smithsonian, deals with the earliest depiction of a ghost.

Perhaps because of copyright complications, his book on the subject doesn’t seem to be widely available in the United States, despite having been published by a trade house.  It could be that the publishers don’t think anyone will be interested.  Hello?  Ghosts and Mesopotamia?  Haven’t you been paying attention?  This is part and parcel of the academic publishing world.  The editorial board has to decide which books see the light of day and which won’t.  And how to price them.  Is this primarily a library book or can it somehow claw over into the crossover market?  Academic publishers will casually add five or ten dollars to the price, assuming it won’t hurt sales.  Guess what?  It does.  As much as I’d like to read Finkel’s book, my interest doesn’t hover around the 60 dollar range.

When I first studied Hebrew I wanted to buy a textbook my professor mentioned, but it cost nearly $100 in the US.  This was back in the 1980s, so that really was steep.  When we moved to Scotland I discovered the same book was available there is paperback for a reasonable price, so I bought it.  That’s when I began to realize copyright laws direct the shape of scholarship.  Publishers decide what makes it into reputable book form and who will be able to afford it.  That’s power.  You see, people have believed in ghosts from as long as we could convey the idea.  The dead never really leave us.  Finkel’s book examines a clay tablet used to exorcise ghosts and may contain a line drawing of a spirit.  Who wouldn’t want to read such a book?  It’s getting press coverage but those who make such decisions have decided, apparently, there’s no market for it.  When that happens a book hasn’t a ghost of a chance.

Postscript: Checking Amazon one last time before clicking “publish,” I see the book has now come down to the $30 range. I can’t take credit for that, but my point still stands.

Thought Experiment

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One benefit of aging is that hiccups become less common.  They were always a conversation starter when I was younger—someone you were on a date with, or a college buddy, would get the hiccups and you’d end up talking about how they got rid of them.  Generally it was some variation of taking a long drink of water, often with a twist (not a lemon twist, but some kind of alteration from normal drinking).  I did that myself.  My technique was simply a very long draught of water.  I eventually figured out that it was holding my breath as I drank that did the trick, so I started using the dry method, which was helpful when you didn’t have a glass of water handy.

People sometimes tell me I overthink things.  So with the hiccups.  Somewhere in Wisconsin—I don’t remember where, but we weren’t at home and I didn’t have any water in the car—I thought, if holding your breath gets rid of hiccups, you don’t need an external agent at all.  The point is rather to get your mind off the physical discomfort and it goes away.  If that’s true, you ought to be able to think the hiccups away.  I tried it and it worked.  I’m no physician, and I’m rather squeamish about many body things, but you can kind of feel what’s going on in your throat when you get the hiccups.  What I do now is concentrate on that and will it to stop.  It works unless I’m really distracted by something else I have to do.

Our minds can control quite a few of our bodily functions by concentration.  It’s sort of like mind over matter, I suppose, but I’ve noticed that when I can take the time to analyze something I can often think a physical annoyance away.  It’s difficult to ignore an itch, but if you can do it it often goes away.  Like everybody else I find my hand subconsciously scratching itches.  To invoke the power of concentration entails having to be able to think about it.  Our working lives are filled with the distraction that we call vocations.  Time to concentrate on how the world works quickly evaporates once they hand you that diploma.  We have things to do so that we can get paid, and some of us really can’t afford to retire.  Just think of the things we’d learn if we had the time to think away physical annoyances.

Haunted Landscapes

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The Devil’s Advocates series consists of short books focused on a single horror film.  For horror fans they’re a great resource, as they will hopefully also be in teaching settings.  David Evans-Powell’s recent volume on The Blood on Satan’s Claw is a fine example of just how intelligent horror can be, and how it can be interpreted so.  This particular movie from the early seventies was never a major revenue earner, but that in itself is a lesson.  Influence, measured in smaller scales, can still create an impact on people’s lives.  Evans-Powell’s treatment takes several angles, each of which casts light on this unusual movie.  Reading this little book brought quite a few ideas to mind, both about social structures and religion.  The film is set in the early 18th century, with a city judge who is problematic actually saving the day.

Since The Blood on Satan’s Claw is folk horror, quite a bit of the discussion focuses on landscape.  Paying close attention to landscape reveals hidden information.  It becomes almost a character.  At the risk of too many spoilers, the film is about uncovering Satan—or a demon, it’s not terribly clear on the point—from a farm field.  As this evil character gains power the local children are drawn to him and the village authorities are unaware of what’s going on in the nearby woods.  Landscapes reveal and conceal as the creature gains power and the children engage in acts of violence.  The response of the judge is a violence of its own.  The movie doesn’t really deliver all that it promises in that regard, but Evans-Powell explains how the film was made and that, in turn, explains some of the rough edges.

Religion and horror go naturally together.  I suppose any film with “Satan” in the title will address religion somehow.  Not all horror is religious, of course, but many of our fears derive from religious subjects.  It’s almost as if as we ceased to fear the landscape—nature having been tamed to some degree—we began to find fear in religious thinking.  Put another way, religion has kept fear alive.  The Blood on Satan’s Claw was never a major, big-budget release.  Except for fans of British horror it has largely escaped notice.  Folk horror, because of its recent revival, brought interest back to some of these older efforts to explore such themes, many of them implying a religion hidden in the landscape.  This book provide a useful map in exploring that territory.

Religious Dinosaurs

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Dippy is, apparently, a common name for pet diplodocuses.  The statue of a diplodocus outside the Carnegie Museum in Pittsburgh is fondly known as “Dippy,” as is the fossilized remains of one such dinosaur from London’s Natural History Museum.  The London Dippy is on tour, or at least has been.  I learned about the fact that Dippy was in Norwich Cathedral just a day or so after the exhibit closed (I wouldn’t have been able to make it in any case; I mean I haven’t been able to get to the Pittsburgh Dippy and I live in the same state).  There are still plenty of photos on the cathedral’s website.  It’s a striking juxtaposition.  A massive stone building constructed to a medieval conception of God and one of the best examples of evolution, far older than the church on several orders of magnitude, peacefully coexisting.

John Bell Hatcher, public domain, via Wikimedia Commons

American evangelicalism has a much harder time accepting science.  I’ve been writing about change recently.  One of the changes in western thinking has been to move from the “I told you so” of clerics to the “I can show you evidence” of scientists.  Those who like others to tell them what to think have a difficult time letting go of medieval notions of the world—that it’s flat, and young, and about to end, as if God has a very limited imagination.  We now know that the world has been here far longer than one interpretation of the Bible posits, but that doesn’t make it any easier to have a conversation about it.  Many religions want to claim knowledge that can’t be questioned.  And yet, dinosaurs and cathedrals seem to mix well.

The assumption that those who think differently are evil, or are inspired by evil, is one of the most insidious children of monotheism.  With one God comes the idea of only one way to understand that deity and all other interpretations come from that divinity’s arch-enemy.  It’s a view of the world that struggles with change.  Historians, even those of us who focus on the history of religions, tend to take a long view. It’s possible to trace the development of ideas that have lead to the strange juxtapositions of our modern world.  Apologists so convinced of their interpretation of Genesis that they think the Bible wouldn’t have found dinosaurs worth remarking about, for example, and then cramming them on the ark.  Others, it seems, welcome dinosaurs into cathedrals.  Which is a better way to be humble before God?

Degrees of Separation

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For some reason lost in the fog of weblandia, I get The New York Times, “The Morning” delivered to my email.  By carefully not clicking the links I can get my day’s worth of fear and paranoia for free.  Not all the news is bad, of course, and I’d be glad to pay if circumstances had been different.  After giving all the sorrow that’s fit to print, “The Morning” ends with an Arts and Ideas section.  By then I’m usually cradling my head in my hands but I look up to see the positive side of humanity.  The other day the article on the Metaverse included this line: “In its simplest form, the term — coined by Neal Stephenson in his 1992 novel ‘Snow Crash’ — describes an online universe that people can share together…” and I realized probably the closest I’ll ever get to the Gray Lady.

I am, as many of my regular readers know, Neal’s brother-in-law.  He mentions me in the acknowledgements to Snow Crash, something that was discovered by someone at work fairly recently, and which probably did more for my stature than my many long hours daily.  When it comes to degrees of separation, fate, I suppose, plays a role worthy of the Joker.  Neal hadn’t written Snow Crash yet when I met his sister.  Her somewhat unlikely friendship with me eventually led to our marriage and it was in the context of a family gathering that the conversation Neal mentions in Snow Crash took place.  Outside publishing, and in particular academic publishing, acknowledgements are seldom read.  I always read them, though, looking for unusual connections.  I’m often rewarded for doing so.

Asherah was, unbeknownst to me at the time, undergoing a resurgence of interest.  My Edinburgh dissertation was published the same year as a more prominent one by Cambridge University Press.  Just a year later, another came out.  Then another.  The internet was really an infant in those days and we learned of such things through printed resources and printed resources are always in arrears by months, if not years.  Of the many Asherah books mine had the distinction of being the most expensive.  Some things never change, I guess.  Suffice it to say, Asherah was on my mind as Neal and I drove to the store to pick up some baby supplies.  I had nothing to do with his coining the word or idea “Metaverse”—he’d already worked that out.  It was Asherah that ended up in the novel.  I was on my way to a short-lived romance with academia at the time.  Family, however, is so much more than degrees of separation.

Walking Bear

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Indigenous peoples have been on my mind over the past several months.  Indeed, I read books by American Indian authors with awe.  In this darkening time of the year the Indian monsters join those of European descent in my imagination.  The wendigo has become somewhat popular in recent years but the bearwalk, or bearwalker, remains obscure.  Although a novel for young readers, Joseph Bruchac’s Bearwalker is a genuine horror story and the author is of American Indian descent.  It took someone giving it to me as a present (mainly because it was for young readers) to get me to pick it up.  I’m glad I did.

As might be expected for young readers there’s some blood but not gratuitous violence.  There are skillful twists in the novel and Bruchac knows how to put his protagonist on a cliff, as the old adage goes, then throw stones at him.  In this case, Baron, a thirteen-year-old Mohawk boy, is tormented by the bullies at his school.  Befriended by a respected teacher, he attends a three-day camping trip to the Adirondacks where a family dispute has led to a plan to terrorize the camp and force its sale.  The plan is to make it the scene of a mass murder with the school children present.  It’s here that Baron is able to demonstrate his worth to his classmates by escaping from the would-be killers and bringing help.

Throughout the story bears feature.  There’s some question as to whether there is a real bearwalker present, but the idea is there.  As with literature for young readers there’s some protective layering—no sex or strong language, for instance—but violence, at least in intent, is clearly there.  It is a very good story with suspense and excitement enough to keep even an adult horror fan going.  The main reason I’d had my eye on the book was to learn how the bearwalker might appear in it.  And also to see the story told from a First Nations’ point of view.  Like Baron in the story, American Indians I read aren’t aggressively angry about the way their people have been treated (which they certainly have a right to be).  There’s nevertheless a sadness and inevitability there.  Still, there’s also a pride in being part of an ancient and surviving culture.  There’s also quite a bit of symbolism in the story; Baron’s parents both proudly serve in the military, despite what the nation has done to their people.  And more subtle indications occur here and there that mainly adults would notice.  Although for young readers this is a real horror story, but one with a conscience.

Sky Dwellers

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If the atmosphere’s an ocean, we’re all bottom-dwellers.  Ancient peoples populated the sky above with incorporeal beings, starting with a god, or gods, at the top.  Beneath that great being were other, for lack of a better term, spiritual beings.  Angels, etc.  Eventually, the lower you got in the sky, the heavier bodies became until those of us bound to our planet by gravity (for which they had no concept) were pretty much stuck on earth.  Although this may not seem like it, it was an early form of scientific thinking.  Birds fly.  The first thing you notice upon lifting a bird, is how light it is.  (Bird lifting may be rare to those of us in modern times, keeping the wonder intact when we actually encounter it.  I was once handed an owl-hawk or some such raptor, at a street vendor stand at Stratford-upon-Avon.  As the handler slipped the glove on and asked me to hold my hand out, I prepared for like a five-pound bag of flour.  Instead I could barely tell that the bird, larger than a bag of flour, was even there.  “Light, isn’t he?” the vendor asked.)

Back to science.  If birds, which are light, can fly in the air—some at great heights—it must be that sky-dwelling beings are lighter.  Lighter than birds.  In the Middle Ages, in Europe, this proto-scientific thinking was applied to theology.   Monastics and scholastics tried to determine what exactly spiritual bodies were made of.  Keep in mind that their world consisted of a basically flat earth with a very large dome over it.  That dome had layers—the sun and moon lived in one, the stars lived in one, and then spiritual beings all the way up to God (since monotheism reigned by then).  Stories of angels and demons mating with humans circulated.  How was that possible if they were pure spirit?

It stands to reason that clouds also inhabit the skies.  It doesn’t take much of a scientist to associate heavy clouds with rain.  Logic suggests clouds are made of water.  Perhaps then spiritual bodies were some kind of vapor.  Lighter than air they inhabited realms far above the clouds.  They descend by gaining weight, perhaps like clouds.  These otherwise ethereal beings would be unknown to us, they dwell so high.  They have to come down to deal with us.  There may be realms even lower, but if the atmosphere’s an ocean, early science suggests, we are indeed bottom dwellers.

Everything’s a Nail

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Taking my first, tentative steps into horror analysis, I had read a great many monographs on the subject.  I had watched many horror films over the years, but since my family has no love of the genre, and since habitually under-employed I can’t afford to pay for many, my quota is fairly modest.  I’ve missed out on many.  When I could afford it, I started out with either movies I’d heard of when younger but had never watched, or packs of ultra-cheap B (C or D maybe) movies that nobody has ever heard of.  As I lamented recently, British films were rare—Hammer, which held the English reputation for horror, was the undiscovered country.  Then I saw that Peter Hutchings’ Hammer and Beyond: The British Horror Film had come out in a second edition.  (The new edition contains three of Hutchings’ other articles as well as the original text.)  I had to read it.

Although I’ve not seen many of the movies discussed in the book (again, access issues) it was fascinating nonetheless.  Hutchings considers the elements of gender and Britishness in his readings of the films and there’s quite a lot there.  Horror is generally seen as a conservative genre (it tends to uphold typical social values) and for many Hammer and other films this meant that male prerogative was important.  Equally important, however, is that horror often disrupts this hierarchy.  There are strong, and even fatal, women here.  Horror embodies the acting out of the complex world of fear between women and men.  The study, as befitting a revised dissertation, is laid out chronologically for the most part.

Some readers of this blog have kindly pointed out ways to access Hammer films in the US.  Now all I need is the time.  I’ve been able to keep up with my reading, at least.  And this was a worthwhile book to read, even without having seen much Hammer.  It surprised me, however, that their list of classic horror wasn’t longer.  Having read about Hammer for many years,  I suspected their output was massive.  Instead it was mostly just impactful.  The essays following the main body of the book make the point that British horror was/is distinctive.  These days a lot of international cooperation takes place in the movie industry, and national cinema is becoming more global.  We could use a little less nationalism just about now.  So I’ll continue my quest for Hammer and try to make my way through the movies I really should add to my repertoire.  It’s a good book that can make you want to do that.

Ritual Time

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Timeless, it is.  The internet I mean.  The ultimate 24/7.  No matter the time, day or night, it’s always here.  And that’s good because time’s about to change again.  Daylight Saving Time ends, for most of us, tonight.  Then a few short months later, it begins again, disrupting sleep, productivity, and good moods.  As this story on NPR shows, it really no longer serves any purpose and there’s a great will to change it.  But then politicians get involved.  So nothing really happens about it and we yawn and stretch and wish we were asleep as we dutifully move the hands forward or back, hoping we remember the correct direction.  So it goes with tradition.  Religions are filled with actions whose meanings were lost long ago.  We do them because we’re told to.

This particular futility always makes me ponder critical thinking.  Autocrats and others who enjoy authority don’t really encourage it.  Who wants the masses thinking “why am I doing this pointless thing?  Why can’t I do something that makes sense?”  I suspect that’s behind a lot of the decline in mainstream Christianity.  People are busy, frantic, and worried about getting everything done.  Why take an entire Sunday morning (and it takes all morning) of the precious two free days afforded on the weekend, and spend it doing something the same old way?  Religions, we as students learn, are inherently conservative.  Problem is the world outside is changing, and more and more rapidly.  Two day weekends seem hardly long enough and something’s gotta give.

Time is something we are powerless to control.  Change, as long observed in east Asian religions, is the way of things.  Changing clocks then, only to change them back later, is an effort to control that which controls us.  Many of us, I suspect, approach this pointless ritual with a literal sense of weariness.  There are other things we’d rather be doing.  And many more that we’re compelled to do.  Is this some kind of spiritual lesson or simply an exercise in futility?  How do you tell the difference?  Ritual, in the best of circumstances, is comforting.  It reassures us that things are progressing according to some kind of universal plan.  Changing clocks creates a glitch in those plans.  Darkness is about to get more aggressive for the next few months.  Politicians bungle around in the darkness too, powerless to alter that which we do, for once, have the ability to change for the better.

Horror Week

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“Remember, remember, the fifth of November,” the old rhyme goes.  Earlier this week I advocated for Halloween being the start of the holiday season.  There’s been a lot going on this week and I’m now reflecting on how Halloween also took some of its identity from Guy Fawkes Day (or more properly Guy Fawkes Night), here on November fifth.  Halloween, as we know it, incorporates traditions from Samhain (actually November 1), All Souls Day (November 2), as well as Guy Fawkes (November 5).  All the while the Hispanic world is observing Dia de los Muertos, a multi-day holiday whose origins are somewhat uncertain but which shares similarities with Halloween.  In other words, it’s a veritable week of spookiness to get our November started off right.

Ironically, at least in corporate America, none of these are work-free holidays.  For the Celts Samhain was the most important day of the year.  A day when the dead might wander into our realm or we might stumble into theirs.  For the modern person it’s a day of checking email, making deals, trading and evaluating how well we did at it.  Pretty mundane stuff.  The message of all of these holidays is that there are matters of deeper import going on.  We should perhaps look up from our monitors and see.  Just as that veil between the living and dead thins at this time of year, so does that line between work and personal life, when our laptops are as omnipresent as a haunting deity set to keep our minds on the sin of not working.  

Guy Fawkes is about rebellion.  More specifically, putting down rebellion.  Keeping the status quo.  Halloween and its siblings are all about challenging the way things are usually done.  I often wonder what it would be like if people took it seriously.  The costumes are fun, yes, and the trick-or-treating, but there’s something more serious underneath.  Perhaps symbolically we pretty much ignore All Saints to Guy Fawkes, or Dia de los Muertos as pleasant diversions.  There’s some spiritual heavy lifting going on behind the scenes, however.  It’s not all about fun and games, because fear is always with us.  We know there are problems but it’s more comfortable keeping things as they are.  Guy Fawkes, perhaps for a cause we see as obsolete—restoring a Catholic monarchy—was trying to change things for the better.  What’s more, his motivation was religious.  There are spooky parallels here, even today.  It might be good to take a day off work to ponder the implications.

Holiday Season

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Halloween, in some ways, is the unofficial kick-off of the holiday season.  This was made clear to me when someone recently played the song “Soul Cake” in the context of Halloween.  I’d only ever heard the song in a Christmas context before, and a little research led to the discovery that asking for soul cakes originated as a Halloween custom (before it was called Halloween, even) but was considered appropriate anywhere from All Hallows through the twelve days of Christmas.  The common thread here is, of course, gift giving.  We tend to keep our holidays discrete for commercial reasons but there is a natural continuity from All Hallows Eve through what used to be known as Epiphany (now Insurrection Day).

Holidays help us prepare for things that we know are coming.  For the Celts, Samhain—which led to our Halloween—was the start of winter.  With no Daylight Saving Time to oppress them with the changing of their clocks and throwing everything off for weeks at a time, this was the dark part of the year.  Holidays are helpful in getting through times when natural light is lacking.  From Halloween you can almost see Thanksgiving.  At Thanksgiving we anticipate Christmas.  The winter solstice holidays see us through the shortest, darkest days of the year.  I’m no fan of capitalism, but as long as we’re stuck with it I wonder why we don’t advocate for Halloween as an official holiday.  The start of the holiday season.  In my local town the Christmas lights went up on November 1.

East and south Asian religions spend considerable energy teaching that change is the only permanent aspect of life.  Western cultures, on the other hand, focus on the status quo, the assumption that once something is established, it will, or should, remain as it is.  Time reminds us that change is constant.  We can allow entropy to win by sitting by and letting things fall apart, or we can try to build something useful to prevent a collapse.  Holidays change over time and over religions.  Halloween was a pre-Christian new year celebration.  From there it changed into a solemn holy day to remember saints and then the dead.  Incorporating aspects of Samhain and some customs such as soul cake begging and guising, it grew to a more fun celebration.  Now it’s a commercial occasion to rival Christmas.  The year is constantly changing.  Just when I start looking for my sweaters I see my light summer clothes haven’t yet been put away.  I look forward to Halloween as the start of the holiday season until we get past the longest night just before Yule.

What’s Poppin’?

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“How are things in the world of finance?” Admiral Boom calls to a passing George Banks.  The bland answer of fine as everything is good with the pound sterling assures the seaman that everyone is doing their job properly.  This may be a throwaway scene from Mary Poppins, but it captures an anxiety I’ve been experiencing for some time now.  Admiral Boom doesn’t have to be an expert in finance—he knows that Banks and his ilk are taking care of that so that he can oversee his household, keeping it ship-shape.  With the shenanigans of the Republican Party, however, all of us—bankers, seafarers, editors, it doesn’t matter—have to become experts in politics.  Why?  Politicians can no longer be trusted to do their jobs.  Corruption is so rife that they saw no problem with Donald Trump (“How are things in the world of finance?”) being elected.

The internet has given people the idea that they know more than they do.  If you read enough you soon realize just how little you actually know, and that humility (note, Mr. Trump) is the only proper response.  Now we have people all jazzed on the idea that you can express your personal hatreds and be rude to others because, well, that’s what 45 did.  Now we all have to learn about what schemes (and they are schemes) the Republican Party is up to at all times to try actually to steal power.  Come on folks, gerrymandering is a blatant attempt to game the voting system, as is the retention of the electoral college.  And the filibuster.  

Sure, voters should be informed.  We are responsible for gathering facts, and not alternative facts, before we head to the polls.  Beyond that we used to be able to trust politicians to do their jobs.  Yes, there was always corruption—power inevitably leads to corruption—but there were checks and balances.  Those checks and balances are gone.  Now instead of keeping his house Bristol fashion, Admiral Boom must spend hours a day trying to sort out lies handed out like candy on Halloween, trying to figure out what is the truth and what is republicanism.  Don’t be listening for that boom on the dot anymore.  Mr. Binnacle is too busy trying to memorize the names of everyone running for the school board who are anti-masker, anti-vaxxers who stand for Trump and his original stolen election.  How are things in the world of finance?  How can we ever possibly know since we now all have to spend our time back in civics class?

Horror Show

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The horror film history narrative runs something like this: although there had been some scary movies in the silent era, the term “horror” was first used to describe Universal’s 1931 release of Dracula and Frankenstein.  Some other studios got in on the action and creature features were a staple of US cinema until the fifties when they began to peter out.  By that point a UK horror industry took off, largely due to Hammer Studios.  While these Hammer offerings often remade the standard creature features, they also branched out into less commonly explored areas such as films set in contemporary times focused on the occult.  This phase faded in the sixties just as “modern horror” was taking off with classics like The Night of the Living Dead and Rosemary’s Baby.  Modern horror quickly grew.  Further divisions can of course be made, and the modern period has gone through several transformations as well.  It’s a rich coffer.

There’s a real problem with this, however, for those who might’ve missed a decade or two somewhere in there.  Many of the UK films are still not available in the US for anything like a fair price.  Part of the reason for this is copyright law, but another is apparently the ignoring of demand.  I saw maybe one Hammer film (on TV) growing up.  Saturday afternoon fair was more often American B movies like Zontar the Thing from Venus.  I’ve got a hankering to watch some of those Hammer films, but even in the 2020s they’re difficult to find.  Even with the internet.  Often the DVDs are (because of differing copyright laws) coded so they can’t be viewed in North America.  You can buy a player to see them, but when you think of the inevitability of streaming it hardly seems worth the cost.

Streaming might be the solution, but much of the Hammer oeuvre doesn’t stream in the US, at least not that I’ve found.  If I’m wrong please let me know in the comments!  You see, I spend time reading about horror and when you do this recommendations often arise.  Some Hammer classics are as expensive as the academic books that discuss them.  Is it possible to be a horror connoisseur?   And can you truly be a connoisseur without sampling what’s on offer overseas?  We tend to forget that the world is culturally divided by copyright laws.  If nobody’s watching the movie anymore what’s the harm in making it free?  If people do want to see it, why not sell it to them at industry standard price?  Even trying to watch horror, it seems, has become a horror show.

Photo by Michael Mouritz on Unsplash

Spirit of Halloween

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So it’s Halloween.  It’s also Sunday.  I’ve been thinking quite a lot about the spirituality of this particular day.  Now it’s often treated as a trick, a consumerist holiday with too much candy and befitting spooky decorations.  Like all holidays Halloween has evolved from its origins to how we celebrate it today.  Other than Wiccans and Neo-pagans, however, not too many take it seriously.  At Nashotah House, and therefore likely at some parishes scattered around the world, All Saints Day—which is tomorrow—was a day of obligation.  What we call Halloween was the day before this major festival of praising the faithful.  There is some evidence that All Saints was moved to November 1 to counter the lively celebration of Samhain, or the Celtic fire festival marking the onset of winter.

The Celts included an intellectual class known as Druids.  Druids seem to have been the “theologians” (oh, that word!) of the Celts and they mandated that their teachings not be written down.  A great deal of information was passed on by intensive memorization and only became known to us outsiders because after Christianization it began to be written down.  Their idea of the afterlife seems to have been that it was being born into the other world.  In the otherworld life was different and apparently in some respects better.  When our time there drew to a close, our death led to our birth into this world.  The cycle continued on and on.  Samhain was the time when crossing between worlds could occur.  Death wasn’t a cause for sorrow since the otherworld awaited.  Birth into this world was more problematic.

Fear of death seems natural enough to us.  Even though it’s inevitable and this world’s graveyards are full, somehow we seem to think we can avoid it ourselves.  Our evolved survival instinct runs out of control since we’ve eliminated many of the causes of death that have plagued our species (and many other species) for millennia.  Eons.  As we’ve done so we’ve distanced ourselves from death—dying in hospitals, our corpses prepared in funeral homes, buried and eventually forgotten.  To me, the Celtic idea, from a world where death was likely much more close to hand, seems a more healthy outlook.  Instead of fear, why not consider it a day of wonder and celebration?  To many, I know, that is a spooky thought indeed.  It’s more than a day of masks and candy, however.  And we might learn from it if we stop and ponder.

Angel of Harvest

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It’s been a few weeks ago now, but one October Saturday we attended the Lehigh Valley Vegstock.  Autumn is the season for harvest festivals and a surprising number of them are now catering to vegetarians, or even vegans.  When I say that, it probably calls to mind a certain kind of individual—perhaps an aging hippie who’s probably into New Age and alternative spiritualities?  If so, you’re not the only one whose thinking goes along those lines.  Among the recycled, reused, and other earth-friendly tents was one that offered contemporary spirituality.  A lot was going on behind my mask so I forgot to take the name of the actual vendor, but I did find the use of angels interesting.

No, I haven’t been living under a rock.  Well, maybe I have.  Even so, I know that angels are popular and have been for several years.  Some people who find themselves uncertain about God are still down with angels.  Back in college—who knows anything at that age?—I did an independent study on angels.  The professor (who’s still at Grove City) didn’t provide much direction, and I soon found there wasn’t too much in our library about the subject.  Like demons and other monsters, scholars tend to shy away from the topic.  That, and I hadn’t yet learned how to use Religion Index One.  Now, of course, there’s the internet.  In any case, the idea of angels stayed with me through my teaching career.  After all, studying ancient gods does bring you into close proximity with other spiritual beings.  Even so, I was interested to see Archangel Metatron on the Vegstock vendor table.

Metatron isn’t biblical.  He makes his first appearance in Jewish literature, including the Talmud and Kabbalah.  Although my research interest was always toward the earlier era of the spectrum, it seems that much of our angelology was percolating during the period after the Hebrew Bible was written.  Jewish scholars were working out the complex spiritual world and later Christian writers would attempt to systematize it.  It is possible, and it appears in some traditions, that Metatron was actually Enoch, translated.  Enoch, who is biblical, receives just a few words in Holy Writ, but he eventually grew in importance.  Genesis indicates that he walked with God and was no more.  What happened to him?  Metatron was one possible answer.  There are other Metatron origin stories, I’m sure.  And one of them was right there in Tatamy in the midst of a harvest festival.