Long Nights

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Before I really knew who Ed and Lorraine Warren were, I watched a made-for-television movie called, I think, A Haunting in Connecticut.  Unlike many television movies, it was actually quite scary.  Fast forward several years and I find myself writing a book that involves the Warrens.  I felt obligated to read all the books they “wrote”—all of them ghostwritten—and I’d been holding off on the one titled In a Dark Place, which is the story behind this television movie which was subsequently made into a theatrical movie.  The book is by Ray Garton and the parents of the family involved (Carmen Reed and Al Snedeker) are also credited.  The story is indeed a dreary one, not something I expected would bring any holiday cheer.  About that I was correct.

Why do I do it, then?  A concern with veracity drives me.  Throughout history enough people have told stories like this that either we have to lump our species together as a bunch of lying attention-grubbers, or there might be something to what they say.  The academic and official responses have long been to state that such things can’t happen, so they don’t.  When compared with how we come to know other things about life, we quickly realize that it involves experience.  In cases where experience is anomalous we tend to dismiss it.  We are great conformers.  What if there really was a demon in the Snedeker house?  Others have told similar tales.  If there’s any reality to it, shouldn’t we know?

As a former academic, I always thought that if we really wish to learn the truth, no subject should be off-limits.  That’s not the same thing as credulousness.  We don’t have to believe everything overwrought people say, but the subject should be worth consideration.  Of course, those who ghostwrote for the Warrens claim that they were given liberty to stretch the truth to make a better story.  They also tend to claim that the basic elements of the story are true.  When someone’s writing a book, there’s likely some hope of remuneration involved.  And sometimes the truth isn’t quite flashy enough for major presses with the bottom line in sight.  Still, the question of what really happened is left open.  The internet is a place where credulity reigns.  We can seek truth there only with great caution.  Maybe that is the lesson to apply to books like this as well.  Although In a Dark Place is scary, there was money at stake, and as the wise say, money changes everything.

Editing the Week

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Every great once in a while I have to pull my head from the clouds and remind myself I’m an editor.  Actually, that happens just about every Monday morning.  Surprisingly, academics who have trouble getting published don’t bother to consult editors for advice.  Having sat on both sides of that particular desk, I certainly don’t mind sharing what I’ve learned since publishing isn’t as straightforward as it seems.  It has its own mythology and authors—I speak from experience here—feel extremely protective of their books.  Nevertheless, editors are under-utilized resources when it comes to figuring out how to approach a topic.  They often possess valuable advice.

It’s easy to think publishing exists to preserve and disseminate ideas and insights, tout court.  The idea that if you get past your dissertation committee you’ve done service that requires wide readership is natural enough.  Publishers, however, have other angles to consider.  Books incur costs, and not just paper, glue, and ink.  There are many people involved in bringing a book from idea to object, and each of them has to be paid to do their part.  (Many academics in the humanities may not understand the concept of “overhead,” but it’s an everyday reality in the publishing world.)  Not only that, but even the book itself is a matter of negotiation.  My latest book (and I suspect well over 90 percent of the authors with whom I work have no idea that I write books as well) had a chapter expunged and a new one written at the behest of my McFarland editor.

One of the pervasive myths in this business is that authors write whatever book they want and then find a publisher.  Sometimes that works.  Often when it does the authors are disappointed in the results.  There are presses that specialize in cranking out such works, slapping an enormous price tag on them, selling them to libraries, and then letting them go out of print.  I’ve been there.  I know.  Academics want prestige presses to take their books to a higher profile, but without having to change things according to the advice of an editor.  There are hidden lives of editors.  I can’t share much of that here, but I can expound its corollary—taking advantage of free editorial advice makes good sense.  I wouldn’t be bothering you with such mundane thoughts on this blog, but when I rolled out of bed today I learned it was Monday morning.

Taking It Seriously

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It would be incorrect to say that I choose to watch and read horror.  What would be more correct would be “Horror compels me to read and watch it.”  Those of us mesmerized by the genre tend to be a reflective lot.  We ask ourselves the question others frequently ask us—why watch it?  And yet, horror films tend to do very well at the box office.  Some even become cultural icons.  Of the many books analyzing horror, it would be difficult to suggest one more influential than Noël Carroll’s The Philosophy of Horror: or Paradoxes of the Heart.  It has been in just about every bibliography I have read in the subject.  It’s easy to see why.  There are lots of gems in this book, and it does indeed address the paradox at the heart of it all.

Philosophy, due to the very fact that there are competing schools, doesn’t attempt to provide the answer.  It offers an answer, one that hopefully makes sense of the overall question.  What question?  The one with which I began: why do people get into horror?  Carroll comes down to a deceptively simple answer, but I would make bold to suggest it does so at the cost of having undercut the religious element.  As in nearly every book on horror, Carroll does address the connection with religion.  He finds it lacking, but the reason seems to be his definition of religion.  He follows, perhaps a little too closely, Rudolf Otto’s Idea of the Holy.  No doubt, it’s a classic.  Still, it doesn’t encompass the broad scope of religion and its genetic connection to horror.

At many points of The Philosophy of Horror I felt compelled to stand up and cheer.  I didn’t, of course, since much of the reading was done on the bus.  My ebullience was based on the fact that here was an intellectual who gets it, one who understands that horror is pervasive because it is meaningful.  Sure, it’s not to everyone’s taste.  It’s not, however, simply debased imagination, or arrested development gone to seed.  There is something deeply compelling about horror because it helps us to survive in a world that is, all paranoia aside, out to get us.  Yes, it engages our curiosity, as Carroll asserts.  It satisfies more than it disgusts.  It also defies explanation.  Perhaps that’s the deep connection with religion.  It can never be fully explained.  That doesn’t mean we shouldn’t try.  And this book is a valiant effort indeed.

Reasonable Religion

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Part of the pushback against religion, it seems to me, is based on the fear that there might be something rational to it after all.  Sorry to get all philosophical on you on a Saturday morning, but the idea has been bothering me all week.  You see, reductionist thinking has already concluded that religion is “emotion” and science is “reason,” and only the latter has any validity.  When’s the last time you met somebody and asked “How are you thinking?” instead of “How are you feeling?”  Neurologists are finding that reason and emotion can’t be divided with a scalpel; indeed, healthy thinking involves both, not reason alone.  Funnily, this is a natural conclusion of evolution—we evolved to survive in this environment—our brains developed rational faculties to enhance emotional response, not to replace it.

I know this is abstruse; go ahead and get a cup of coffee if you need it.  What if emotion participates in reality?  How can emotion be measured outside of individual experience?  We experience it all the time without thinking about it.  From the earliest of human times we’ve had religion in the mix, in some form.  Perhaps we are evolving out of it, but perhaps neurology is telling us that there’s something to it after all.  Something immeasurable.  Chaos theory can be quite uncomfortable in that regard—every coastline is infinite, if you get down to nano-divisions.  When you measure something do you use the top of the line on the ruler or the bottom?  Or do you try to eyeball the middle?  And how do you do it with Heisenberg standing behind you saying there’s always uncertainty in every measurement?

Absolute reality is beyond the grasp of creatures evolved to survive in a specific environment.  Religion, in some form, has always been there to help us cope.  Yes, many religions mistake their mythology for fact—a very human thing to do—but that doesn’t mean that emotion has nothing to do with rational thought.  It seems that instead of warring constantly maybe science and religion should sit down at the table and talk.  Both would have to agree on the basic ground rule that both are evolved ways of coping with an uncertain environment.  And both would have to, no matter how grudgingly, admit that the other has something to bring to that table.  Rationality and emotion are entangled in brains whose functions are simple survival.  Pitting one against the other is counterproductive, even on a Saturday morning.

Russian into Things

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It’s the holiday season.  The people I overheard at the bus stop the other day were discussing shopping on the bus.  It can be a long trip from here, and evening traffic out of New York (ironically) is quite heavy this time of year.  Bored commuters, sitting on the bus with their phones, shop.  I couldn’t help but notice that I was the only one with the overhead light on during the fully dark ride home this week.  At one point the driver seemed to think it was a mistake on my part and snapped it off.  I carry a book light with me for just such eventualities, but I had that odd feeling one gets when everyone else got the memo but you didn’t.  In any case, I was reading a physical book, not shopping.

Then I read about a book I need for my research.  Problem is, I don’t have an institution, or a wealthy sponsor, so I often buy books used.  Back in my teaching days Amazon was new, and the idea of buying books online foreign and unfamiliar.  Now you can’t find a bookstore when you want one.  In any case, this particular book was on offer on eBay.  Now, I haven’t used eBay for quite a while.  I never think of it as a place to find reading material, but there it was.  Who would’ve thought research would ever lead in this direction?  The price was reasonable, so I signed in as a guest and placed my order.  With out of print books like this you run the risk of price-gouging or sudden unavailability—the independent researcher’s nightmare.

When the confirmation page came up, I couldn’t help but notice that the header was in Russian.  I wondered if Trump’s dream had really finally come true, or if the eBay on which I ordered an out-of-print book was really a trap.  How do you find out?  Who do you tell when your current government is completely at the beck and call of the Russian government?  I was in a brown study for a while.  The book, used, on Amazon was listed at over a thousand dollars, and this for a paperback published in 2009.  People will pay quite a lot for certain books, even if they don’t retain their resale value.  Ideas, it seems, are worth more than money.  But we no longer have a government to protect our interests.  Not even research, it seems, is safe any more.

If you squint, he could be St. Nick

Christmas at the Bus Stop

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I had to make one of my periodic treks into New York City this week.  Unlike most years when a warm spell comes after the onset of winter, we’ve kind of fallen straight to the heart of the season this year and those of us standing in line for the bus were experiencing it via wind chill.  The cold got some regulars to talking about Christmas.  Although I’m not the oldest one who makes this long trip, the majority of the commuters this far out have yet to attain my years.  Those chatting at the stop had kids at home that still believe in Santa Claus.  It made me recall how we trick our kids with all kinds of quasi-religious folkloric figures, but also how seriously some adults participate in the mythology as well.

Among those chatting, the leaving out of cookies and carrots was almost canonical.  The cookies are for Santa, of course, and the carrots for the reindeer.  The more I pondered this, the more it became clear that this is a form of thank offering.  The story of Bel and the Dragon, in the Apocrypha additions to Daniel, tell of how priests leave out food for an idol.  The offering is gone in the morning and the credulous worshippers assume the statue has eaten it.  Religious offerings, except those entirely burnt up, were often used to support priesthoods.  Santa has his elfly acolytes, of course, but the priesthood for his cult is that of parents eager to make Christmas a special time for their children.  Capitalism’s big pay-off.

Then one of the commuters mentioned how she had her husband leave a footprint in the fireplace ash to add verisimilitude to the ruse.  We never had a fireplace when I was growing up, and I often wondered how Santa got in when we had no chimney to come down.  In any case, my hazy morning mind thought once again of Daniel and Bel.  The way that wily Daniel exposed the fraudulent priests was by sprinkling—you guessed it—a fine layer of ash around the offering after the priests had “left” for the night.  In the morning he showed the people the footprints of the deceptive heathens to the people.  The statue hadn’t eaten the food after all!  Serious consequences followed.  Christmas, despite its commercialization, brings fond childhood memories to many of us, and we’re reluctant to let that go.  The one man in on the discussion (it wasn’t me) said that when he was growing up they had a somewhat different offering.  “My dad,” he said, “told us to leave Santa a beer and a sandwich.”  This guy’s name might’ve been Daniel.

Carrie On

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Stephen King was still a fairly new writer when I first read “Lawnmower Man” for an English class in high school.  Carrie had been published by then, but I didn’t read any more Stephen King until after my academic job ended.  (There is, for those who are curious, a correlation between that traumatic change and my interest in horror.)  Like many, I suspect, I saw some of the movies before reading the King books behind them.  With a writer as prolific as King there’s always the issue of where to start, and I’m often subject to the selections independent bookstore owners make.  I seldom buy fiction through Amazon—I have to see the book for it to grab me (a kind of King thing to happen).

A used copy of Carrie recently came my way.  Now, I’ve seen the movie (both versions) many times; it is discussed at some length in Holy Horror.  I’d not read the novel until now.  Obviously there are differences between book and movie, but as this was Stephen King’s debut novel it struck me just how central religion was to the fearful scenario he paints.  That’s pretty clear in the film, I know, but it’s even more so in the novel.  Carrie is made into a monster by religion.  One could argue that she was born that way—telekinesis as a genetic marker is also a theme in the book, although absent from the films.  Still, it is Carrie’s rejection by others, largely because of her religion, that leads her to use her powers to destroy Chamberlain, Maine.

In a strange way, Carrie is a coming-of-age story from a girl’s perspective.  Strange because King is a man and some literary magazines won’t even accept stories written from the point-of-view of someone of the opposite gender.  Men can’t know what women go through.  Indeed, most of the male characters in the story are less than admirable, while some are downright wicked.  The real question is whether religion saves from wickedness or causes it.  There’s not much ambiguity here on the part of Mr. King.  Holy Horror, although it deals with movies and not novels,  makes the point that films based King don’t infrequently use religion as a source of horror.  Long-time readers of this blog know that I frequently make the point that this genre, more so than most, relies on religion as an engine to drive it.  And religion also has a role in repressing women.  Coincidence?  Ask Carrie.

You’re History

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A story from Inside Higher Ed discusses a study of history majors and their rapid decline.  This occurs during a sudden onset of “job related” majors and the graph accompanying the article shows how STEM has taken over higher education.  These are the fields with actual occupations awaiting them at the end of the degree, while disciplines such as history and religion (also very near the bottom) have less clear career paths.  Indeed, when I’ve been in the job market I find that a religion degree is less than useless, no matter what the department recruiters tell you.  If you’re not bound for the clergy you undertake the study at your own peril.  History, I expect, suffers from a similar dynamic, but the peril in this case is to all of civilization.

We’ve seen over the past two years how a stunning lack of knowledge of history sets a nation on the path to chaos.  Businessmen with no classical education don’t make good national leaders.  Knowing where we’ve been, as Santayana so eloquently stated, is the only thing that keeps us from repeating past failures.  History is our only safeguard in this respect.  Over the Thanksgiving break I spent a little time delving into family history.  Since I don’t come from illustrious lineage, I felt the frustration of finding out what happened to obscure people from the last couple of centuries.  Lack of history on a personal level.  On a professional level, my doctorate is really in the history of religions (ancient religions) and I’ve become keenly aware of just how little history there is to the very popular modern Fundamentalist movement.

Maybe I said that wrong.  They do have a history, but the belief system that is touted as ancient is really quite modern.  Anti-modern, in fact.  When historical knowledge is lacking, however, people can make all kinds of claims based on nothing more than wishful thinking.  History keeps us honest.  Or it used to.  When we’ve outlived the need for history we’ve started down a path unlit by any embers of past human foibles.  We’ve been living in a culture in love with technology but not so much with critical reflection of where such innovations might take us.  Doctors are beginning to complain that they spend more time on their computers than with their patients.  The time freed up by the internet has been taken up by the internet.  And when all of this comes to its natural culmination, we would be well served by historians to make a record of what went wrong.  If we could find any.

 

Personal Gothic

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As I continue work on Nightmares with the Bible, I am reminded just how influential Edgar Allan Poe has been in my life.  It’s not that I read Poe every day, but it’s more that his stories have stayed with me since childhood.  For an English term paper in high school, the last one I recall writing, I selected Poe as the subject.  Something of the sadness of his life made me feel as though we were kindred spirits, although I could never meet him, and never let him know that he would have had a friend if he had been born a maybe a century and a half later, and if possible, in Franklin, Pennsylvania.  If his fondness for drink came with him, he would likely have met my father in such circumstances.

Even today I feel a kind of fiercely protective interest in Poe, as if his poems and stories had been written exclusively for me.  Seeing a handwritten fine copy of “The Raven” on display in the Morgan Library and Museum brought tears to my eyes.  Like Poe, I strive to make a living as a writer, but unlike Poe, I cop out.  I’m too afraid of losing everything.  Jobs necessarily interfere with writing, and some jobs actively discourage it.  Nevertheless, I still feel the shudder when I think about the first time I read many of his stories.  This was, I suspect, what fed my young interest in horror.  It wasn’t the blood and gore of the slasher film, it was the quiet, sad, disturbing atmosphere of Poe.  It has been recaptured by few, in my experience maybe only by Shirley Jackson.

Those who write are connection seekers.  Writing is a way of testing to see if we alone see the world in our own way.  Will others respond?  Poe somehow, mainly after his own lifetime, touched a responsive chord with many.  His work is now very widely known.  His visage appears on everything from bandages to socks.  His stories and poems are endlessly retold, adapted, and parodied.  When I read Poe I hear someone speaking from a life of hard knocks.  His response was to strike back, through his writing.  The life story written by one of his relatives suggests that he wasn’t as gloomy and tortured as he is generally portrayed.  Perhaps not.  Nevertheless, those of us who find gothic literature somehow redemptive know, once we close the cover, who it is we should thank.

Beneath the Exorcist

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William Friedkin rose to fame as the director of The French Connection.  William Peter Blatty had written the screenplay for the Pink Panther film, A Shot in the Dark.  Now Blatty had a serious project in mind as he considered whom to pitch to direct the film of his novel, The Exorcist.  He wanted, and got, Friedkin.  The two disagreed about the final cut of the movie, with Friedkin winning out.  The movie was a tremendous success.  Several years later the cut favored by Blatty was released, again with success.  Blatty died last year.  The year before that so did Fr. Gabriele Amorth, an exorcist for the Diocese of Rome.  Last night I watched The Devil and Father Amorth, a documentary by William Friedkin about the famed exorcist.

The Exorcist made an impact on the lives of many people, not least Friedkin.  Over four decades after making this film, the director is still mulling it over.  The Devil and Father Amorth is primarily footage shot by Friedkin of an exorcism performed by Amorth.  In general the filming of exorcisms is forbidden, but given his stature as a film-maker, Friedkin was given permission to film without crew, on a small, hand-held video camera.  Although nowhere near as violent as the fictionalized film, it is disturbing to watch.  As a documentary, it includes interviews with doctors, some from Columbia University, who agree that possession is “a thing,” but one suspects they might disagree with the director as to what that thing might be.

Although Friedkin isn’t an academic, society accepts that (at least some) film-makers are intellectuals.  Perhaps lacking subject specialization, they nevertheless read a lot and possess quite a bit of street knowledge concerning psychology.  Friedkin does.  At just over an hour, this documentary isn’t long, but it is provocative.  For me it raises once again an issue that I address in Nightmares with the Bible—the curious laity, due to lack of engagement by traditional scholars, must rely on such efforts to get information about spiritual entities.  The documentary, which deals with a heavy subject, is one that Friedkin tries to lighten a bit at the end by stating that if there are demons then angels must also exist.  This goes back to the idea, discussed more fully in my book, that demons derive from fallen angels.  The “one size fits all” approach of academia has shoehorned belief in one direction.  While The Devil and Father Amorth won’t likely convince skeptics, many who watch it will be left wondering.

Captive to Capitalism

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Some people are born capitalists, while others are not.  I recall the old TIAA-CREF ads showing some famous thinker and stating that some of us don’t have time to think about money.  Since I’m an obscure private intellectual I feel hard pressed to put myself in such exalted company as university professors, but here I am anyway.  I just don’t think much about money, other than to panic over my lack thereof.  It doesn’t motivate me and as long as I can get along without too many worries, I seldom think about it.  Or so it used to be.  Then I bought a house.  Suddenly everything is about money.  This needs to be fixed, and that requires repair.  Instead of spending weekends writing (as I’m fond of doing), I now try my hand at skills like carpentry and masonry.  At least now the grass has started to turn brown.

I was never offered TIAA-CREF as a fiduciary option.  (I can’t believe I even know what fiduciary means!)   Having grown up poor I didn’t think much about things like retirement or dental care.  These were things middle class people did.  Now that I’m technically part of the club, I think back to being a poor kid working my summers away.  I had lots of time to write in those days.  It’s not that ideas for writing have stopped—they’re rather backed up—but the concerns and cares of this world have forced me to think about that thing I’d rather not face.  You see, capitalism takes no prisoners.  Once it starts the entire world has to play its game, otherwise the rich can’t keep getting richer.  Those of us who’d like to make a living by creativity take jobs that, in turn, take our time.  And more than just 8 hours a day of it.  Some people don’t realize that money doesn’t motivate everyone.

Accuse me of being a utopian; I promise I won’t take offense.  I can imagine a world where money would be an opt-in.  I’m careful to be discreet about it, but there are frankly some of us that would work for books, should our other basic needs be covered.  Secular monks, perhaps, unleashed from dogma and allowed to roam where the human mind can go.  Once you start thinking about money it’s difficult to stop.  You want to have a cushion that will soften unexpected eventualities—which seem to be coming somewhat more frequently these days—and every time you rub your back after a fall you think that pad should be a little thicker.  Getting paid for writing?  In your dreams!  I’d say more about it but I think Lowe’s is open now.

Mythic Truth

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“Myth embodies the nearest approach to absolute truth that can be stated in words.”  I recently came across this quote from Ananda K. Coomaraswamy.  Coomaraswamy was a philosopher and metapmhysist from Ceylon, and like many eastern thinkers had a more holistic view of the world than western rationalism.  We’re taught from a young age that myth is something false, not true.  This colloquial use of the word is so common that those of us who’ve specialized in myth slip into it during everyday conversation.  Words, however, have uses rather than meanings.  Coomaraswamy was engaging this reality in the quote above.  Words can take us only so far in exploring reality when we have to break into either formulas or poetry.  Although they are under-appreciated poets are the purveyors of truth.

Having studied ancient mythology in some detail, it became clear to me as a student that these tales weren’t meant to be taken literally.  Instead, they were known to be true.  It takes a supple mind to parse being true from “really happened,” as we are taught in the western world that on what “really happened” is true.  In other words, historicism is our myth.  Meaning may not inhere in words, but when we use words to explore it we run up against lexical limits.  Is it any wonder that lovers resort to poetry?  On those occasions when I’ve been brave enough to venture to write some, I walk away feeling as if I’ve been the receiver of some cosmic radio signal.  We have been taught to trust the reality of what our senses perceive.  Myth, and poetry, remind us that there’s much more.

The Fundamentalist myth is that the Bible is literally true.  If they’d stop and think about it, they’d realize the mockery such thinking makes of Holy Writ.  The Good Book doesn’t look at itself that way.  In fact, it doesn’t even look at itself as a book—an idea that developed in later times.  The time and the cultures that produced the Bible were cool with myth.  They may not have called it that but the signs are unmistakable.  Ananda Coomaraswamy knew whereof he wrote.  The closest to absolute truth we can come takes us to the end of declarative, factual writing.  Scientists writing about the Big Bang devolve into complex mathematical formulas to explain what mere words can.  Myth is much more eloquent, even if we as a society, dismiss it along with other non-factual truth.

Where Was I?

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Finally!  I have sent my proofs and the index for Holy Horror back to McFarland and I find myself in that state following intensive concentration on one thing.  Well, as much as work will allow such concentration.  Those who write books know how difficult it is to switch gears from fifth back to first while driving at highway speeds.  As soon as the email arrived stating that the proofs were ready, I dropped everything to get them read, outside work hours, of course.  With mind focused on a single goal—get the job done—I’ve managed to forget where I was before being interrupted by my own work.  I recall it had something to do with demons, though.

Perhaps the most taxing part of trying to write while employed full time is keeping track of where you are.  The luxury of spending hours outside of class doing the index, for example, is compressed into the little free time I have between writing for this blog and work—between a blog and a hard place, as it were.  Indexing, which can be quite pricey when a professional does it, is  much easier with a searchable PDF than it ever was going through a printout page-by-page to find obscure references you forgot you ever wrote.  It reminded me of the time I had Owen Chadwick over for dinner at Nashotah House.  I recalled someone asking him about something he’d once written and he looked puzzled for a moment and then replied, “One writes so many things.”  Indeed.  Millions and million of words in electrons, if not on paper, mark the status of a life.  And indexing will prove it to you somehow.

This morning I awoke with the proofs and index safely emailed back to the publisher.  What was I doing before that?  I know that work is looming just a short hour or two ahead, and I need to accomplish part of my life’s work before going to work.  I can’t afford to waste this time.  Nightmares with the Bible is coming along nicely.  A very drafty draft of the book exists.  I have some more research to do, however, and the annotated bibliography—ah, that’s where I left off!—is still a shambles.  Not only that, but I’ve got a stack of reading on the topic next to my chair.  Time to put on a pot of coffee and warm up those typing fingers.  I’ve got real work to do.

Free Cookie

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So, it started out as a freebee.  The way I looked at it, I paid enough for my computer to justify some free software.  We had Quicken on our desktop for years before we started to use it.  Then came the notice that it would no longer work on our system (which upgrades apparently every nano-second).  If we didn’t want to lose our financial data we would, the note cheerily said, have to upgrade.  You have to buy what once was in the land of the free.  We consulted about it—I still have an objection to paying for something made strictly of electrons; when I pull the blanket off the bed this time of year I get a healthy jolt of electrons without having to pay for them.  We caved.  Then the notice came again.  Upgrade time!  Only you can’t buy Quicken, you can rent it.  The one-time fee for buying software is now an annual fee.  Isn’t everyone happier now?

I don’t mean to pick on Quicken, although that is the most insidious offender since you can’t very easily transfer all that data back to paper.  Services withdrawn.  Welcome to the internet of thieves.  Bakeries worldwide know that a free cookie leads to sales often enough that it’s worth the small loss in profits.  But electrons are free all the time.  Shuffle your feet across the carpet in you stocking feet and test it.  Amazon for a while sent the Washington Post headlines daily, for free.  Now, Amazon ought to know me by name since I’m a book addict.  Then, just at the midterm elections, they announced this freebee was over.  I don’t know what in the world has been happening since.  I do hope someone will tell me when our currency converts to rubles.

Who wants a cookie?

Humans are susceptible to the myth of permanence.  Although change is constant and time never ceases to flow, we tend to think things will stay where we put them.  Technological change, however, has become so swift that we now pay for the privilege.  Unlike that cookie which lasts a moment and the choice of buying more is up to you, the internet has swept up our lives and you can no longer opt out.  We pay our bills online because letter carriers drop things.  We communicate online because who has the time to pick up and dial an actual landline phone?  The fact that the signal cuts out now and again isn’t a problem, even when we lose valuable information.  It’s only electrons, after all.

Time Taking

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Publishing is a slow business.  In a world of instant information, such plodding may appear to be old-fashioned.  Outdated.  Each step of the process takes time and anyone can sit down and type thoughts directly into the internet, so why bother with traditional publishing?  These thoughts come to me as I read through the proofs of Holy Horror, and work on the index.  This is time-consuming, and time is hard to come by.  That, I suppose, is a major reason for doing things this way.  Ironically, people don’t have a problem seeing that handmade items—which tend to take time and be less efficient than machine-made articles—are more valuable.  They represent care and quality, things that a machine can’t assess well.  This is the world beyond math.  It is the human world.

Those of us born before computers took over sometimes have difficulty adjusting.  The world of the instant goes well with inflation—the myth that constant growth in a limited world is possible.  The fact is that value is a human judgment and we value things that take time.  It’s true that most non-fiction books are instantly dated these days.  Often it’s because information flies more quickly than pre-press operations.  It takes a couple years to write a book and a publisher takes a year or two getting it into print.  Back when the process was invented news traveled slowly and, I venture to say as a historian of sorts, didn’t often carry the dramatic shifts we witness today.  A book could take a long time to appear and still be fresh and new when it did.  For the internet generation it may be hard to see that this is an issue of quality.

Most of us are content with the satisfactory.  We’re willing to sacrifice quality for convenience.  We do it all the time.  Then, in the recording industry, vinyl starts to come back.  Corporate bigwigs—for whom fast and cheap is best—express surprise.  Why would anyone buy a record?  The question can only be answered by those who’ve listened to one.  There is a difference, a difference that we’ve mostly been willing to jettison for the convenience of the instant download.  Our lives are being cluttered with disposable-quality material.  Even now I’m writing this daily update for my blog rather than continuing the drudgery of working on an index.  We all have expectations of alacrity, I guess.  The slower world of publishing is more my speed.