Showing Gratitude

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Stealing is something that we all, except some capitalists, know is wrong.  I think quite a lot about the land that was stolen to make America possible and I know that simply giving it back isn’t an option.  Nevertheless, I do believe that we should listen, and listen attentively to those who’ve been here longer than Europeans.  Robin Wall Kimmerer’s Braiding Sweetgrass is an important reflection of this dilemma.  Kimmerer is Potawatomi and she’s also a professor of Environmental Biology.  The book is a series of essays that focus mostly on plants and what we can learn from them.  It also brings in indigenous teaching, contrasting the outlook of gratitude against that of greed.  By turns sad, funny, and profound, Braiding Sweetgrass contains a message that is vital to counter climate change.  To correct our attitude before it’s too late.

There’s so much in this book that it’s difficult to know what to touch on in this brief notice.  Throughout, Kimmerer notes that the First Nations viewed life as a gift.  The earth is constantly giving and the native way was to be thankful and to accept the responsibility of being given a gift.  Seeing how the European attitude was “take until there’s no more to take,” she points out that taking what you need and leaving for others is a way out of our current dilemma.  She does this, most strikingly, by the story of the windigo.  The windigo has become popular among monster fans as a consuming beast, but Kimmerer shows how the story has a profound point.  If all you do is consume you become a monster.  You stop a windigo by showing gratitude.

Perhaps the most striking thing, to me, was how Kimmerer describes her own experience becoming a scientist.  How standard academics refused to believe they had anything to learn from Native American outlooks, especially when borne by a woman.  How she was told she couldn’t be a scientist, not with that outlook.  And how she learned the European way but didn’t give up her native understanding.  How she brings two worlds together and does so with a sense of urgency and hope.  Things have gone too far simply to turn back the calendar and say that our ancestors had it all wrong, but it’s not too late to learn from those who lived for millennia on this land and were untainted by ideas of private ownership.  Those who knew how to live sustainably with nature.  Those who knew, and still know, how to defeat monsters.

Hellish Fears

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Aporripsophobia, the fear of rejection, and the fear of punishment (mastigophobia, or as I prefer, “spankophobia”) are closely related.  They define me.  Much of this comes from the fear of Hell, which I internalized early in life, along with the Calvinistic theology that backed it.  Some have thought that I’m “thin skinned” or afraid of criticism.  That’s not quite it.  I’m afraid of what criticism implies—I did something wrong and therefore may be punished for it.  What brings this on, all of a sudden?  Well, as I was getting ready to jog the other day a police car stopped in front of our house on a routine traffic violation.  My immediate thought was that I had done something wrong.  They were here for me, not the guy whose car they were attending.  Then this brought back that time in Boston.

I moved to Boston on my own, with all I had in a VW Beetle (old style).   I know now that the headache I had after that long drive was a migraine.  (I’ve had maybe a half-dozen in my lifetime, and they’re unmistakable.)  I parked the car, stumbled into my new apartment and went to bed.  The next morning I had a ticket for parking with the left tires to the curb (against the law in Boston).  I didn’t know it was illegal.  Even with a migraine I would’ve not parked that way had I known.  The receptionist at the police station actually said to me “Ignorance of the law is no excuse.”  That terrified me.  I thought it was only something Gilligan said.  If you don’t know all the laws how can you possibly avoid punishment?  And isn’t punishment rejection?

Some think I always have to be right.  They may not know the underlying cause—being wrong is to be subject to punishment.  And punishment leads to Hell.  When I was in Kindergarten the first time, I was held back partially because I was four but partially because I colored the triangle in the left corner purple instead of yellow, opposite to the verbal instructions.  It was because I don’t know my right from my left—I still don’t.  To me that first ever school correction was seared forever into my gray matter.  I’d done something wrong.  I was held back in school.  More likely than not, I was going to Hell.  I’ve known people to suggest, as does Richard Dawkins, that raising a child in a religion is child abuse.  I understand parents’ motivation, however.  You don’t want your child to go to Hell.  If they end up living in it all their lives I guess it’s a small price to pay.

Photo by Vadim Bogulov on Unsplash

Which Witch Where?

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I like to think of myself as a kind critic.  I’ve been on the pointy end enough to know how it feels when those who don’t like my work are unkind.  I’ll try to find a nice way of saying Witches of Amityville, or Witches of Amityville Academy, must’ve been shot on a very modest budget.  It must’ve been written by someone who’s still working hard to master the craft.  And the actors are continuing to improve as the director gets better at that role.  Why did I watch it?  Amazon Prime gives it four stars.  The incongruity of Amityville and witches suggested it might be a bad movie, and in that regard it did not disappoint.  So what’s going on here?

There’s a witch academy in Amityville.  Although all the cars have steering wheels on the right, everyone speaks with American accents, apart from a couple of characters.  The interior shots, however, are also pretty British for the most part.  There does seem to be some awareness that Amityville is in the new world.  In any case, said academy is run by an evil coven that is seeking to release the demon Botis.  To do so they have to sacrifice college-age women (and no, it’s not that kind of movie).  One of their intended sacrifices escapes and is found by three white witch sisters who also live in Amityville.  They decide to train this young woman who, as it turns out, is a very powerful witch.  Problem is, the director of the academy can’t release the demon without sacrificing this particular victim.  So she kidnaps her back.  The three good witches burst on the scene, actually more like just walk on, and prevent the sacrifice.  The bad witch kills herself and releases the demon, but the young witch is so powerful that she destroys him.  In the end the witches must go to Salem.

What’s not to like?  Some of us, day by day, year by year, work to improve our writing skills.  We write stories that incorporate whatever ability we’ve managed to scrape together.  And we struggle to find publishers.  I like bad movies because they are a great place to find hope.  The world’s a big place.  Even the entertainment industry is large enough to absorb movies produced by Amazon, Hulu, and Netflix, among others, including the big studios.  They’ve got to be looking for content, right?  Those of us who channel our creativity towards writing, and who keep trying to get it published, have a chance, don’t we?  What’s the harm in believing in the power of magic?

Balance

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Spring came early this year.  I’m not talking about Punxsutawney Phil, but rather the fact that a leap year shifts the vernal equinox a day forward.  According to experts, spring begins today.  In The Wicker Man (it’s about oh so much more than the movie!) I discuss the seasonal holidays of the Celts.  The vernal equinox was surely known, but the beginning of spring was understood to be Imbolc, around February 2.  Since their summer began on May Day (thus the eponymous Wicker Man), the equinox was halfway through spring.  Modern paganism traces the equinox celebrations back to Ostara.  The day takes its name from the germanic goddess Ēostre, who also gave her name to Easter.  The holidays were intertwined, just as Christmas was entangled with Yule.

I find the equinoxes and solstices times for a spiritual pause.  Sure, there’s the simple astronomical fact of equality of light and dark, but there’s also something more.  Something that feels cosmic and that helps direct our destiny.  From now on there will be more light than dark.  But only for six months.  Even with Daylight Saving Time, our capture of light is of limited duration.  It makes sense to make use of the light while we have it.  Of course, those of us who rise early end up falling asleep before dark, but even so it’s starting to get lighter in the mornings again.  The equinox is a time for reflection.  And like most times for reflection, business doesn’t recognize it as a holiday.  Who ever heard of a holiday on a Tuesday?

The thing about spiritual messages is that they often come to you rather than the other way around.  At certain times, however, conditions are just right for something to break through.  It does require some listening, however.  So today, as nature holds everything in balance, try to take an unrushed moment to ponder.  For some of us it may come before the fury of work tears through our peaceful meditations, while for others it may come with the calm that five o’clock brings.  However we find it, this is a special time because this day is unusual.  It is a time of balance.  We all know how rare such things are in life in a topsy-turvy world.  The earliest flowers are already blooming around here, suggesting that as light increases so will hope greet us, if we watch for it.  The world is full of wonder, and an equinox is a time to look for it.

Bigger Picture

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One of the quirks of my thought process is that I tend to look for the bigger picture.  I’ve always done this and I suspect it drives some people batty when they ask me a question and I begin to answer from what seems to be a tangent.  (I also think this is why I performed well in the classroom.)  So, when I saw the article by Eric Holloway on Mind Matters, titled “Why Is Theology the Most Important Empirical Science,” I had to take a look.  Mostly a series of bullet-points that point out some of the religiously-motivated ideas that led to scientific discoveries, the article is useful.  My penchant for the big picture goes a bit broader, however.  The entire worldview in which the scientific process was born, and thus its underlying presuppositions, are religious.  Science and religion are the dogs and cats of the thought world but I’ve seen dogs and cats live happily together.

Science has always been with us.  Early peoples weren’t benighted troglodytes.  They observed, hypothesized, drew conclusions.  Science as we understand it, however, began in the Middle Ages in Europe, drawing on observations from earlier thought in the Arab world.  The context in that Arab world was solidly Muslim.  The Middle Ages in Europe were solidly Christian.  None of this discounts the contributions of Jews to the whole, it’s merely an observation regarding the larger cultural outlook.  Many of the principles of science even today (for example, that people are categorically different from other animals) are based on those religious worldviews.  We seldom go back to question whether we might’ve gotten something fundamentally wrong.  Meanwhile, the dogs began to chase the cats.

College as a religion major involved a lot of discussions about basic presuppositions.  Then questioning them.  Not much of this went on in the classroom (Grove City was, and is, a conservative Christian school).  The wonderful thing about higher education is the bringing together of people with different outlooks.  It was those after-hours conversations that helped form my questing nature.  I’d already started asking bigger questions when I was a child, annoying my parents and, I suspect, sometimes vexing clergy.  A single human mind is too limited to grasp it all, but it seems to me to deny religion a place at the table is to leave out massive amounts of human experience.  Of course, economics, the dismal science, seems well on the way to eliminating the study of religion in higher education.  And we will have lost, if this happens, a large piece of the bigger picture.

Photo credit: NASA

Monster v. Alien

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“Horror” is a faulty genre category.  Nobody quite knows where its boundaries lie.  Take Predator, for instance.  I recently watched it for the first time although I’d known about it since I was in seminary.  I am not a fan of tough-guy movies, so it took the fact that it’s sometimes coded as “horror” to get me to watch it.  Horror is often defined as a genre that has to have a monster.  Check.  We got your monster right over here.  The monster’s an alien but so is, well, Alien.  An action-adventure, sci-fish movie with a monster—is that horror?  I knew I had to see it for the sake of completion.  I’d heard of Predator vs. Alien (haven’t seen), and enough people comment on Predator that I was beginning to feel hopelessly outdated.  Or even more hopelessly outdated.

I presume the rest of the world saw it long ago, but I didn’t even know the plot.  A group of tough-guys are duped into a covert operation that allows for many explosions and bodies flying through the air.  Then they have to get out of the jungle alive because there’s an alien sportsman on the loose.  Apparently he likes earth for a good challenge since he won’t hunt somebody who’s unarmed.  He wipes out Arnold Schwarzenegger’s team—and to the film’s credit, the Black guys don’t die first.  There’s time for that, of course.  As they tromp through the jungle shirts come off because the guys are all ripped, of course.  One of the team, Billy, decides to fight without a gun so when it’s down to just Arnold and the alien the predator decides fisticuffs will settle this in a manly way.  When Schwarzenegger’s trap mortally wounds said predator, it sets off a bomb that allows for the biggest explosion of all.

So is this horror?  Hulu thinks so.  Schwarzenegger apparently thought it ended up as sci-fi horror—which is a thing.  It’s a thing because horror is a poor genre.  It’s ill-defined.  You kinda know when you’ve just seen a western or a romance.  But lots of horror films are disputed.  Critics repeatedly opine that The Shining isn’t horror.  Neither is The Exorcist.  Of course, both always wind up near the top of horror list movies.  Horror movies don’t win academy awards, as a rule.  Still, “horror” fans seek movies out that others classify as drama, or even action-adventure.  Horror is close kin with science fiction, another disputed genre.  The two are often quite distinct, however.  So, did I watch a horror movie this weekend?  I honestly can’t say.

Forewarning

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The Devil’s Advocates series, as you learn from pitching and writing one, promotes alternative views on horror films.  Adrian Schober’s treatment of The Omen doesn’t disappoint.  Each time I read one of these little volumes I’m always amazed at how many ideas can be packed into such a small space.  Schober’s take on the film is that Damien’s role is left intentionally ambiguous.  There was disagreement between the screenwriter (David Seltzer) and the director (Richard Donner) on that point.  Donner wanted it to be left up to the audience whether Damien was the Antichrist or not.  Seltzer, not being a believer himself, wanted to be clear that the boy was evil.  As portrayed in the final film, however, Damien seems awfully vulnerable, in retrospect.  (I rewatched the movie before reading the book.)

I’ve seen The Omen a number of times.  It has never been my favorite movie and I actually read the book (a novelization) before I ever saw the film.  Having grown up as a fundamentalist, I believed that we were in the end times (which only really seemed likely starting in November 2016).  The movie had to wait until I was an adult (I read the novelization when the film first came out).  I can see the ambiguity now, having read this book.  There remain, however, some things difficult to explain about the presentation—how Fr. Brennan knows Katherine is pregnant and that Damien will be the cause of her miscarriage.  The extreme coincidence of both the priest and the boy having the same birthmark that looks like 666.  And that someone would go through the trouble of burying a jackal and Thorn’s actual son in an obscure Etruscan cemetery just in case the Ambassador ever got suspicious and wanted to check it out.  

Interestingly, different markets altered the ending, enhancing the ambiguity.  The final scene had originally been shot with three coffins rather than two, and that changes things, doesn’t it?  Movies are, of course, subject to interpretation.  Any form of media is.  The fact remains that many viewers flocked from theaters believing Damien was the Antichrist.  Schober’s book would give pause, however, about rushing to conclusions.  The idea for the movie was suggested initially by a marketer who was a true believer in premillennial dispensationalism (essentially the worldview of Keith Jennings in the movie), and some Catholic officials objected.  Different Christian sects have very different interpretations about the end of the world.  And this movie is subject to different interpretations.  This brief book might just change your mind.

Not a Peep

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Time changes everything.  Peeping Tom, which has been on my list for some years, was castigated when it was released in 1960.  Now it’s considered a classic.  Indeed, it’s frequently discussed in books analyzing horror films, and it had a bit of influence on Alfred Hitchcock.  Films like this must be watched as period pieces, of course, but there’s so much psychology here to unpack that I wonder if it’s used in mental health courses.  Mark Lewis is a loner who inherited a spacious London house from his father.  He lets out the downstairs rooms but keeps to himself upstairs.  One of the reasons is that he realizes that he’s mentally unstable.  He’s a serial killer, in fact.  His young downstairs neighbor takes a shine to him and he reveals, via film, that his father tormented him as a child to film his fear reactions.

As an adult, Mark works in the film industry.  He also kills women while filming them to capture their fear reactions—taking his father’s work a step further.  Although shy, he is charming enough to others.  When he sees a fear reaction, however, he feels compelled to murder.  The neighbor downstairs doesn’t suspect him, but her ocularly challenged mother does.  Thinking back over it, many moments reminded me of a racier version of Hitch.  Racy because Mark picks up money on the side by taking boudoir photographs that the local news shop sells to certain customers.  This is a creepy film and perhaps the creepiest scene is where a local girl, well underage, comes into the news shop to buy a candy bar just after the owner sells an older man a pornography book.  We don’t like to admit that such things could happen.

There is so much going on in this movie that it’s clear, at least to me, why it has garnered such acclaim.  I spent the first twenty minutes or so wondering whether I should really be watching, but as I stayed with it I couldn’t look away (which is one of the very self-reflective issues that the film addresses).  The analyses I’ve read never really went into detail regarding the plot, so there were plenty of places where I wondered what would happen next.  The pacing is more in keeping with the turn of the sixties, but the mind work seems ahead of its time.  Some call it a precursor to slashers, but it doesn’t linger on the actual bloodshed (which is minimal, considering).  It does take its time to make you think while you watch.  And somehow it makes viewers complicit, it feels, with what they’ve seen.

Finding Books

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This is a public service announcement to those who try to find books that aren’t issued by one of the big publishers.  I’m not shy about saying that my books all fall into that category.  One of the things I’ve noticed is that books feed out to different internet venues at an odd rate, before they’re published.  Some publishers use what they call New Book Announcements (NBAs) to get the metadata out to wholesalers, distributors, and other vendors.  Sometimes a book comes to public light in strange ways.  I’ve had my eye on a book that a friend pointed out.  I don’t know how they heard about it, but I went searching for it and found it on Barnes & Noble’s website, but not Amazon.  Well, that’s not quite true.  It is on Amazon, but not in North America.  Amazon China and Amazon Singapore have it, but you can’t find it here.  Yet.

I noticed a similar thing with The Wicker Man.  An anxious author, I kept searching for it online when I didn’t hear from the publisher.  It was first announced at German booksellers.  Eventually it got around to English-speaking sites, and eventually (it took a few months after publication), it became available in “all channels.”  Although, several websites still only list the hardback which retails for more than a dollar a page.  Now that’s inflation!  Even $40 for such a short paperback is a lot, but that’s why I’m looking for anything but an academic publisher for the next book.  But there’s a larger issue here.

Like old Joe, I sometimes can’t remember things.  I have an elaborate and Byzantine set of reminders that fit my neurological profile (mostly).  For books I want to remember to look up after they’re published (I can’t generally afford to buy them right away, so this takes advanced planning), I have an online list.  That online list is associated with a bookseller and I can’t easily add to my list until the book appears on said seller’s site.  I suppose I could write it down in my zibaldone, but will I recall that I wrote it there?  (Those little notebooks get filled up pretty quickly.)  It would just be easier if information on the internet could feed out instantaneously.  If, say, Amazon Singapore could let Amazon USA know that a book that is publishing in the United States can be listed—well, wouldn’t that make sense?  Systems are complicated.  So complex, in fact, that architects must be hired to keep them in order.  Or maybe books could be announced when they’re actually available? What? Lose the buzz?  In the meantime I’ll put a bookmark in this page and hope that I remember to look it up when the time comes.

Iron Age Angst

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Browsing can lead to unexpected finds.  Such is the magic of bookstores.  Most of the books I read are recommended to me either through online sources or from people who have an inkling of my tastes.  Often such books are on the long side.  While I don’t object to really getting into a book, like most people I wonder where the time goes and a short read gives you a sense of accomplishment.  So it was that I was browsing a local bookstore for something brief.  I came across Ghost Wall by Sarah Moss.  The back cover bore no BISAC info telling the genre, but in this case the blurbs convinced me that I’d find this a rewarding read.  It’s not horror, but it has a sense of doom about it.  There may be some spoilers below but I won’t give away the ending.

Told from the point of view of Silvie, a teenage minor, it recounts a college anthropology experiment on the moors of northern England.  Silvie isn’t one of the students, but rather a high-school-aged daughter of a bus driver enamored of Iron Age Britain.  A professor has three students set to live part of the summer like Iron Agers, and Silvie’s father has brought her and her mother along to do “the women’s work.”  Yes, he’s a chauvinist and he has violent tendencies.  He clearly wishes he’d lived in “simpler” times.  I suspect what makes a novel like this work is that many of us know people like the father.  Hard, angry men.  As the story unfolds we witness his abuses and the clueless professor simply continues play-acting Iron Age.  Until they get the idea of sacrificing a victim like the bog people of northern Europe.

The style is spare, like Cormac McCarthy’s The Road.  As one of the blurbs says, there are echoes of Lord of the Flies as well.  What do groups of men get up to when unleashed from civilization?  It took me some time to figure out, since this is entirely first-person narrative, that there are only three students—one woman and two men.  With the chaperones it’s two men and a woman.  This uneven power structure raises its own questions.  Meanwhile Silvie is coming of age, beginning to realize her own sexual awakening.  Her best role model is the co-ed among the group since her working-class mother lives in fear of her husband.  The story is compelling and a bit scary.  It’s also a rewarding read that won’t take a month or more to finish.

A Different Legion

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Religion and horror can play well together.  They can also be unevenly matched.  Although Legion has been on my list since shortly after it came out, my impression after having watched it is that the angels are strangely corporeal.  Their fights are physical with very little supernatural involved.  I suppose that’s why it’s generally classified as “action,” but the premise is one that suggests a bit more supernatural would’ve been welcome.  The writing suffers from any number of ailments, and the ending leaves you wondering just how good God is supposed to be in this telling.  I suppose a plot synopsis might help.

A pregnant waitress in a remote diner is nearly at term.  The Archangel Michael has come to earth in Los Angeles (get it?) and has armed himself to protect this unborn baby.  He comes to the diner where the owner and his son, his cook, and four customers are holed up against what they think is a demon attack.  Michael eventually reveals that the arriving hordes are not demons, but humans possessed by angels.  God has decided to wipe out the human race again, this time with angelic mercenaries.  If the waitress’s baby survives, however, the world will be saved.  So there’s lots of shooting, and although a white guy dies first, the only two Black characters are the next victims, of course.  To kill angels, it turns out, you have to shoot them.  Who knew?  In the end, which pits Gabriel against Michael, it’s revealed that God was testing the loyalty of his angels by giving them this task.  Mindless obedience, God thinks, is wrong.  If people have to be killed to prove it, so be it.

The theme of the messianic baby stays intact but goes nowhere.  At the end it’s unclear if the angel attacks are still going on, but the waitress and her boyfriend, along with the baby, drive around heavily armed, ready to fight.  Did the angels get the message that they are being tested by God or are they, like many Republicans, simply following the “leader”?  Seeing the title and knowing nothing of the story, I had assumed this was a movie about demons.  The “Legion,” of course, is angelic but there’s not a lot transcendent about them.  Even the use of wings (which are bulletproof), makes this feel like Dogma without the humor.  I knew religion would be involved in this horror, but I didn’t know how poorly it was played out.  Still, it would fit into Holy Sequel, if it ever happens.

Hooting in the Dark

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Animals fascinate me.  I picked up Martin Windrow’s The Owl Who Liked Sitting on Caesar: Living with a Tawny Owl at a used book sale.  Honestly, the cute photo on the cover swayed me.  Although some animals like living with humans, and although I grew up with lots of pets, I’ve tended away from that.  Reading about how an owl became a close companion to, and lived a good life with a human was somewhat bittersweet.  In the wild Mumble (the owl’s name) would’ve likely lived a far shorter span.  But I do wonder if she missed out on the challenges that make life rewarding.  (I sometimes wonder the same about those born rich among our own species.)  The struggle is part of nature inside us.  And although this book is generally fun, it does raise some deeper questions in my mind.

When describing the natural life of Tawny Owls, Windrow notes that they have an ability, not understood, to adjust their brood sizes by the amount of prey that will be available during a given year.  Such things always give me pause for a couple of reasons.  One is that we seem to assume we have all the data—that we know all that can be known of our world.  Animals prove that wrong time and again.  The other reason is that we are convinced there is no, for lack of a better term, spiritual world.  Or maybe better, paranormal existence.  Might it not be that owls have some ability to know the future?  Some people seem to have the ability to predict some short-term developments with accuracy.  Perhaps we’re missing something is all I’m saying.

In the end, however, I was surprised how Windrow couldn’t quite bring himself to reject a materialist view of her death.  I’ve had pets die on me—one of the reasons that I have no desire to “own” one—but as Windrow writes it, the relationship grew humdrum before Mumble’s death.  He had to work and she had to perch.  We do tend to take those closest to us for granted, I fear.  Life is so busy that we have to try to squeeze family in next to the demands of capitalism.  So the story towards the end winds down to a kind of “I had a pet owl but I had a life to live too” kind of narrative.  I’m glad to have read the book and I learned a little bit about Tawny Owls.  But I was also left reflecting on some of the larger implications.

Filming the Void

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Once you move away from major studios, it turns out that Lovecraftian horror is rather prevalent.  Seeing that The Void was rated higher than many offerings on FreeVee, well, why not.  It was compared to the intellectual works of Benson and Morehead, but to me it matches more closely with Older Gods.  Like many movies in this genre, The Void isn’t easy to follow and having commercial interruptions doesn’t help.  (In movies made for television, directors know to offer cues at specified times to allow for a break.  I’m not sure that those at FreeVee, or Tubi, or Plex, or their ilk, or even Hulu, know how to do this well.)  So there are these mysterious cultists—somehow “new religionists” just doesn’t seem to cut it—who apparently want to bring about the apotheosis of their leader in a rural setting. 

Meanwhile a local sheriff finds a young man fleeing from a couple of guys who are killing people and takes him to the hospital.  This hospital, however, is being closed down and there’s only a skeleton crew there to handle emergencies until it can be decommissioned.  Once the guys trying to kill the young man arrive, the hospital is surrounded by the cultists.  By the way, there will be spoilers—just saying.  It never is adequately explained how these killing guys know who these cultists are, unless it happened so fast that I missed it.  In any case, all trapped in the hospital there’s the problem with a monster that has tentacles (Lovecraftian) that takes over the body of a nurse, then a tries to get a state policeman.  Lots of axes and gunfire, and the numbers in the hospital are reducing.

It turns out that the kindly old doctor is the leader of the cult and he’s trying to raise the old gods so that he can bring his daughter back to life.  The sheriff, who’s been the protagonist all along, knocks said doctor into the eponymous void, leaving only two people alive in the hospital.  It’s not really explained where the cultists, who made it into the hospital, went.  Nevertheless, this is a good example of horror and religion (which is ironically Lovecraftian).  The doctor’s unconventional religion is the cause behind the hospital mayhem, and, apparently the killings being conducted by the interlopers are attempts to stop it.  As a horror film it’s effective, if a bit disjointed.  It seems that there’s still a lot to unpack from films that try to bring Lovecraft’s ideas onto the silver screen, major studio or not.

Time Flees

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I can’t speak for all early risers, of course, but for me the absolute worst thing about this useless tradition of switching to Daylight Saving Time is the loss of morning light.  I’m in favor of keeping DST all the time, as the US Senate has voted to do.  The only reason this is still an issue is to give the House yet something else to fight about.  How dysfunctional are we, really?  This one’s a no brainer!  Look, I start work early every day.  I jog before work because I’m too tired afterward.  In late February to early March I can get out and back before seven.  (In the summer before six!)  Then DST happens.  I’m plunged into another month of waiting until seven to be able to jog.  DST is just one of those ridiculous things we just keep doing because we don’t have the will to change it.  We’d rather fight.

I’ve been thinking a lot about time lately.  How we think of it, how we divide it.  We sometimes lose sight of the larger picture.  If relativity is right, the stars we see at night are, many of them, long gone.  We’re seeing light trudging through the near vacuum of space, or maybe dark matter, and thinking how we’ve got to get to our meeting on time.  How we need to be at work from 9-2-5.  How somebody with money owns that portion of our time.  There’s a reason that DST starts on a weekend.  Time.  We can’t grasp it but we can waste it.  What are we waiting for?  Some of us are seeking the truth.  Even so we know that Morpheus was right—time is always against us.  It’s a limited commodity, but even that language cheapens it.

Those of us of a philosophical bent allow ourselves time to ponder such things.  We call time a dimension, but what does that really mean?  Theoretically it can be traveled along in either direction (again, pending relativity) but we only experience it in one.  So what do we do?  We interrupt its flow because during a war during the last century it was deemed that industry could be more productive if it were light an hour later.  Maybe we should just all agree to shift our perception of time ahead by an hour permanently.  That’s forward thinking.  And who knows, it might just save us all a lot of time.

Look Out Beneath

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Rainy weekend afternoons were made for monster flicks.  That’s what I was thinking when I settled on The Devil Below.  I was also thinking, “this is free on Amazon Prime.”  The best word  I can think to describe it is lackluster.  Sometimes I’ll see a movie and a couple weeks later will have trouble remembering what it was about without severe prompting.  This may fall into that category.  We’ll see.  In any case, Arianne—is she Ariadne?—researches and leads groups to inaccessible locations for a fee.  She can find anywhere.  A group of “scientists” want to find a coal mine in Kentucky that caught fire (like Centralia), and explore it for possible high-grade anthracite.  What they don’t know is that monsters live in the mine and they escape from time to time.  The former mine owner has formed a ragtag group of helpers who keep the monsters at bay.  They don’t ask for help.

So far, nothing really stands out.  What makes this movie worth discussing is the dialogue about religion and science that the scientists have.  Unfortunately the writing is poor and that means the dialogue isn’t very sophisticated.  For example, one of the geologists argues that intelligent design isn’t opposed to science.  What said scientist doesn’t know is that intelligent design was intentionally invented by creationists as an alternative to science.  Its roots are clear and unambiguous.  This member of the team doesn’t believe they should really be doing this—the mine is behind an electrified fence and the locals keep trying to chase them off.  And he’s talking about God while there’s, well, devils below.

It’s never really explained why these creatures are considered devils, unless they live close to “Hell,” being underground and all.  We don’t get many clear views of these monsters but they eat what they can get, which makes you wonder what they survived on before miners showed up on the menu.  In the end, all the scientists get eaten—it turns out that their leader was actually working for big industry, not a university, as he’d claimed—and you don’t feel too bad for them.  Arianne survives and decides to stay with the locals to fight the monsters.  There’s some faith talk among them as well, which makes me wonder if the writers maybe had a hidden agenda.  Although the article does score a Wikipedia article, many of those involved, including the writer and the star, don’t have their own entries.  And who has the time to mine the internet for more answers?  There you might find the devil below, I suppose.