Angels of Ages

Angels&Ages February 12, 1809. Both Abraham Lincoln and Charles Darwin were born. Some days can be momentous that way. Although I’d known about this coincidental birth for some years, I had supposed it was one of history’s curiosities and nothing more. Adam Gropnik’s Angels and Ages: A Short Book about Darwin, Lincoln, and Modern Life changed all that. What’s more, while both Lincoln and Darwin are secular characters, the book has a strong dose of how religion influenced and perhaps even emanated from ideas both of these giants had. Religion actually surfaces throughout much of the book, although Lincoln grew up as a skeptic, and certainly was not a “church goer,” and Darwin was groomed for the clergy but came, through nature, to have serious doubts about God’s existence. Religion may not be Gropnik’s main point, but it has a way of following these two historical figures around.

Using a biographical and intellectual parallelism, Gropnik lays the two men side-by-side in their Victorian lives and shows how death was really a factor that bound them. Both lost a beloved child at about the same age, and both found death’s pervasiveness a problem for believing in any kindly God. Of course, we all know that none of us would be here now if our forebears had not passed on, making room for us. It is the way of nature. Nature is hardly kind or just, however. Ringing throughout this fascinating exploration is the ubiquitous problem of theodicy—in a world of such palpable suffering, where, indeed, has God gone? How do we continue to believe when all the evidence is contrary? Some of our greatest doubters have become our greatest guides.

I appreciated especially how Gropnik ends his little book with some thoughts on religion. He makes the essential point that Darwinism, by definition, cannot be a religion. Even better is the clear-eyed vision that he has that religion and science are both needed by people and they may both be held as true. Even when they’re fighting. The truth is nobody has all the answers. Those who brashly dismiss religion or science are equally wrong. In his eloquent style, Gropnik makes a decidedly sane suggestion that we should learn from our assertions of pluralism. We are accustomed to thinking about much of life and culture as being equally valued, no matter where on the planet we find it. Why can we not do the same with truths? Some will find meaning in science and have little time for faith. Others will find religion to be their ultimate and will not be bothered by science. The vast majority of us are somewhere in the middle. And what brought us to this point was the fact that February 12, 1809 was such an extraordinary day.


Deep Things

Religion concerns itself with the big issues. The biggest. As a child, I remember wondering how anyone could be concerned with less than the ultimate. No, I wasn’t a nascent Tillichian, I was just someone who saw things in what I supposed was a practical light. If you’ve got the temporary, the fleeting, the insubstantial over here, and the permanent, immortal, supreme over there—who wouldn’t go for the gusto? I suppose by my reasoning that all people would end up clergy of some sort, we would all be fixated on why we’re here and what our purpose was. You’ll still find pockets of theologians here and there who debate these kinds of issues, but our existence has grown comfortable enough that, for some people at least, if this ends up being all there is then, gosh, it’s been a fun ride thank you very much. But I don’t want to get out of the train just yet. I wonder if there’s more than the ultimate. It is a religious question.

For a while I grew enamored of the trappings of religion. Ceremony, ritual, strong rhetoric in sermons—these things can move you, and become beguiling. Somehow, knowing there’s an infinite universe just outside the church doors gives me pause for consideration. The ultimate must be very big. Walking through a large city helps to provide some perspective. I find myself next to buildings that cause me to tremble when I consider the implications. Next to those tons and tons of stone, steel, and glass, I am the smallest spark. But those buildings are dwarfed by the city that contains them, and that city a mere pinpoint on a map of the country. Even the planet is less than an atom in the universe of infinite size. Who can help but to be concerned about the scope of it all? Ever since I was a child I’ve worried about this.

In the media today, religion is all about hypocrisy and whose pants are at what latitude vis-a-vis whom. While matters of love are ultimate in their own way, we, as people, have a much larger space with which to concern ourselves. Science has stepped up to the dock when it comes to sworn testimony about the universe we inhabit, but even scientists shrug once we get back before the big bang. Time is even more inexorable than space—there’s always got to be a time before time. Like any child we can always ask, and what happened before that? Perhaps time is the true ultimate. Thank you for spending a bit of your ultimate reading this. It’s time for me to catch the bus, but work will never inspire me the way the rest of the universe does.

Hubble's eye view

Hubble’s eye view


The Splice of Life

Splice Although not really scary, and although almost attainable with current technology, Dren is a curious monster. Many movies of the horror genre have explicit religious elements, but Splice may be a little too much science fiction for that. Or is it? The story is simple enough: a couple of geneticists have gene-spliced a couple of viable creatures that can be farmed for important chemicals and enzymes to solve diseases. So far, so good. But then the idea occurs to them: if the chemicals that can be used to help cure animal diseases had a human element, couldn’t they be used to cure our own diseases? And here is where the ethical quandaries begin. Adding human DNA to the mix, even when in small portions, suddenly throws open the moral dilemmas. Dren is the somewhat human result of these experiments, but the movie ends with the haunting, unanswered question—what is it to be human?

Although today the field of ethics is largely claimed by philosophers, morality is a measure of beliefs about right and wrong. In many cultures, including our own, religion has quite a lot to say about the issue. Once human DNA is mixed in the creature morphs from a bumpy slug into a creature that looks mostly human. The ethical dilemmas that surround human potential—abortion, stem cell research, cloning, and in past ages eugenics—all focus on the rights of the human person. Once a person is born, however, we almost immediately begin to curtail those rights until most of us become cogs in an unfeeling corporate machine. We are valuable, but for whose purpose? Who, sitting in their cubicle, or on their assembly line, or behind the wheel, says, “For this they defended my right to be born”?

Oddly, we privilege the potential of life without tirelessly working to improve the lot of those who’ve already been born. Perhaps, indeed, this is some form of evolutionary advantage—protect the future of the species at all costs. This idea becomes religious when it is deemed God’s will. In the movie, Dren’s creators ultimately deem her unhuman, a monster who must be destroyed. They, however, nurtured her humanness all along. While not the most profound movie ever filmed, Splice highlights the fact that ethics reflect the values of society. And society sometimes withdraws even humanity from those who’ve lost its favor.


Here’s the Church, Here’s the Steeple

Americans seldom seem to fuss much about religion unless they perceive that it is under threat. We’re real believers in religious liberty that way. The threat angle is a vector worth measuring every once in a while. What gets our collective goat? A story on CNN last week about the National Cathedral caught some attention. Those who think about freedom of religion, liberty of conscience, and all that, might find the implications of a national cathedral itself a tad troubling. Of course, it really isn’t a cathedral for all of the United States, but it is used for many displays of civil religion including several presidential funerals and inaugural prayer services. The cathedral, historically and ironically, is of the Episcopalian brand. Episcopalians boast perhaps the smallest number of mainline protestants in the country, and since they are the remains of the “established church” of England in the States, it is not just a little odd that such an edifice should be associated, however informally, with government in its former colony. The reason that CNN ran the story related to a perceived threat to American religion: same-sex marriages.

Now that same-sex marriages have been approved in three states, some couples desire the symbolism of a wedding in the National Cathedral. It is a victory of social justice that highlights one of the deepest and most persistent of religious concerns—human sexuality. Although many religious denominations have made their peace with evolution by natural selection, few have really considered the implications of reproduction and its discontents. Formally ever since the Enlightenment (and certainly informally for all of human history) sexuality has been a subject of scientific scrutiny. And not just for humans either. As naturalists observe the world of our fellow creatures, we find all kinds of sexual behaviors labelled “unnatural” in humans are quite normal in nature. The reason is the religion that is invested in reproduction. People, many religions teach, are somehow different. Besides, in the days before scientific interest in animal reproduction, few bothered to consider what other animals did, far from human eyes.

For those willing to admit that nature can teach us something about ourselves, same-sex couplings are not limited to humans. They are a part of nature. As Martha McCaughey suggested in The Caveman Mystique, reproduction is only one of a variety of reasons that humans and other animals mate. For us, however, it is a strangely sacral act. All religions have something to say about sexuality, and many express strong feelings about what marriage means. So the Cathedral Church of St. Peter and St. Paul (two men, one might note) is in the news because of what marriages symbolize for many. Marriage is about commitment, not just sex. In a nation where commitment is only fair-to-middling, shouldn’t we applaud the use of the National Cathedral to reinforce such family values? Unfortunately, for many gender differentiation trumps love in what is understood as a legitimate religious outlook.

Carol M. Highsmith's National Cathedral

Carol M. Highsmith’s National Cathedral


Leviathan’s Sibling

TheGiantBehemoth Formulaic to the point of plagiarism at times, 1950s science fiction movies often follow the deeply worn ruts left by countless forgettable monsters. One such film that I managed not to see until recently was the biblically entitled The Giant Behemoth. In a more biblically literate society the poster’s catchphrase “The Biggest Thing Since Creation!” may not have been necessary, even though leviathan’s lesser known companion stole the title this time. Of course the movie begins with stock footage of nuclear explosions, and although I’ve seen such renditions hundreds of times, they remain troubling to the core. Those 1950s that many consider so carefree were days of insidious freewheeling with the environment, days before human infatuation with the power over nature revealed its horrifying consequences. The behemoth, a sign of Yahweh’s great creativity in Job, here becomes the human-wrought agent of destruction.

Poor Tom Trevethan is blasted by the beast’s radioactive breath in a scene more fitting to Revelation than to Job. In the funeral scene, the priest somewhat insensitively reads a description of behemoth before Tom’s sole surviving family, his daughter Jean. So like the 1950s the minister then declares that the Bible gives comfort to those left behind, when the Lord said to Job, “Gird up thy loins like a man.” Indeed. Loin girding was a masculine activity in the days before Fruit of the Loom had been grown. Comfort for the woman comes in acting like a man. Yes, the 1950s considered the man the default model of human being. It says so in sacred writ. Genesis 3, to be exact.

When the scientists can’t figure out what killed the old man, along with thousands of fish, they ask Jean if her father said anything before he died. She tells them about behemoth. Being scientists, they have no idea what a mythical, biblical creature might be. Jean informs them, “It’s some prophecy from the Bible; it means some sort of great, monstrous beast.” Well, Job is technically not prophecy. Actually it’s not even untechnically prophecy either. In the 1950s, however, if it was biblical, it could be interpreted as prophecy. The real foretelling, though, is clearly atomic. Such films can easily be forgiven their biblical infelicity for the sake of their good intentions of reigning in human self-destructive behavior. In the end science destroys the biblical beast, but I’m left wondering if it isn’t more of a parable than a prophecy. I guess it’s time to gird up my loins and go find out.


Mystique-alism

CavemanMystiqueReading in a public place gives peer pressure an entirely new meaning. Public transit is a place where I spend at least fifteen hours a week. Not having converted to Kindle, or even Nook, I still prefer the feel of paper in my hands. With the open book, however, comes exposure. On the bus you have no control over who climbs in next to you. You’ll be spending an hour, maybe two, side-by-side, and although s/he may never see you again, it could be that tomorrow they will find themselves once more at your side. I’m very conscious of the books I choose under such circumstances. I shouldn’t care what others think, but I do. Recently my choice was Martha McCaughey’s The Caveman Mystique: Pop-Darwinism and the Debates Over Sex, Violence, and Science. The issues here were multiple. McCaughey consciously chose her riff on The Feminine Mystique as a catchy, if very appropriate title. The person plopping down next to you with a bleary eyed glance over on an early morning bus will probably catch only one or two words in the title. One of them will be the only word with an x. Still, this important little book has big implications for the “s word,” and how men are socialized to think about sex.

Darwinism, and evolution, are concepts that are keyed to religion in the United States. There is no avoiding it. McCaughey, as a sociologist studying science, shows just how many assumptions scientists make about the universal applicability of their work. She suggests something that many of us have learned over the years: absolute objectivity is not possible for any human being. We are all socialized. We all bring biases to our work. We’re all human. McCaughey doesn’t question the results of scientific investigation, however. Her concern is that in a male-dominated field the results might be, well, screwed up. In a series of delightful thought experiments, she shows how very basic sexual biases get played out into larger scenarios that tend to excuse the inexcusable: violence against women. Men have to be taught to be cavemen. Science, improperly disseminated, gives men an excuse for blaming evolution for their lack of character. It seems to this man, at least, the McCaughey is certainly on target.

In a particularly insightful paragraph, McCaughey writes, “Invoking God’s will, or nature’s [i.e., science], hides the political context in which such a will was ‘revealed’ or ‘discovered.’” How easy it is for both scientists and religious believers to conclude that the way of their belief system is the only explanation for the world. Both camps forget they are profoundly political. As humans we can’t escape it. The world defies easy explanation—there are truths that we haven’t discovered yet. The main point of The Caveman Mystique, however, is clear. Just as men have been led to believe that the caveman is inevitable, they can be also taught that such a statement is a lie. Biologically there are gender differences, but socially—and this is the ability humans boast of—we can and must insist on equality.


Robotics FIRST

Wired

I knew it! It was right there on the cover of Wired magazine. “The Robots Take Over.” And it is also the very day of the FIRST Robotics kickoff, the day when Dean Kamen and his team announce to thousands of high school kids, teachers, engineers, and interested parents, what the 2013 FIRST robotics competition will be, spurring us into six frenzied weeks of designing, planning, and building a robot to take to competitions. First Atlanta, then the world! It must’ve been their plan all along.

The article in Wired, by Kevin Kelly, does have hints of cheekiness throughout, but for the most part is on target. How many of us already use computers or some kind of robotic devices to complete our jobs? Kelly points to the inevitable: robots can do it better. The upside is that when robots take away jobs they create new ones, like Charlie Bucket’s dad getting a job repairing the robot arm that took his job away at the toothpaste factory. If you don’t want a tech job, too bad. That’s what the new definition of work is becoming, since labor is already being taken over by robots. Those who can look far enough ahead can see robots doing, as Kelly puts it, any job. What makes this sound apocalyptic to me is the fact that we, as a society, undervalue education. What will the undereducated do? Their jobs are the first to go. I feel the tremors of a revolution that hasn’t even started yet. People need something to do.

It is apparently without irony that Kelly suggests that any job people do, including in the service industry, can be done by robots. I am an editor. A robot may be able to find grammatical errors (Word and Pages already do this), but they can’t capture the soul of a writer. We write for the enjoyment of other people who experience being people in the same way that we do. There is an inherent arrogance in the Artificial Intelligence movement that believes (yes, it is a belief) that intelligence and mind are the same thing. There is no room for a soul in this machine. Many biologists would agree: we’ve looked, no soul. But even biologists know that they’ve got an identity, aspirations, contradictions, and emotions. It is the unique blend of these things that make, what we can for convenience call, the soul. There are entire industries built around the care for that soul.

Many scientists are still betting on the end of religion, the ultimate repository of those who believe they have souls. Religion, however, is not going away. When we see robot psychiatrists, robot social workers, robot clergy, robot writers and artists, and robot Popes, we’ll know the apocalypse has truly transpired.


Old Lies

WilfredOwenMuch of my exposure to literature has come through my daughter. I didn’t really grow up in a literary family. We had a prominent television and not much money for books, so I was headed for a typical American predilection for TV as some form of intelligence. When I began reading, it was what I could discover on my own and the required reading of English classes. Needless to say, I missed a lot. My daughter recently had to analyze a poem of Wilfred Owen. Although my wife had a book of Owen’s poetry, I never really had reason to read it. Like Joyce Kilmer, Wilfred Owen was a poet that was killed in World War One, only one in a long list of poets and dreamers that have been slaughtered in pointless conflicts. The poem that she studied was “Dulce et Decorum Est.” The poem describes a gas attack during which one soldier is unable to get his mask on in time and the gruesome death that follows.

The poem led to a family discussion about the cruelty of chemical weapons, and larger still, the pointlessness of war. Throughout history wars have been waged by the rich and powerful for reasons that may ultimately benefit some of their subjects but which, if not for the pride and prejudice of the powerful, would perhaps have been resolved without recourse to more efficient ways of killing. I always remember the Star Trek episode “A Taste of Armageddon,” where the Enterprise encounters a planet at war waged by computers and those who are calculated as victims report willingly to death chambers. This, they claim, is a more humane way to fight. In a Kirkesque maneuver, the man who gets me cut-rate flights and hotel rooms destroys the machine telling the people of Eminiar VII that if they have to face the grim cruelties of war they will find a way to stop fighting. Futuristic thinking indeed.

Today we have robots that can fly and attack, killing our enemies without putting us at risk. These are the grandchildren of mustard gas and a myriad of creative and horrid ways that people have devised for killing others. Wilfred Owen was killed just days before the war ended. His poem exposes the lie of Horace’s line, “dulce et decorum est pro patria mori”—sweet and decorous it is to die for one’s country. If I hear Owen clearly, it is the “dulce et decorum” to which he objects. Until we find humane ways to solve our differences, even in the Kirk Model, there will be wars. Death fought over effortless solutions of those in power will never be sweet or decorous. Although poets often die young, their lives remain as symbols pointing the direction ahead for the rest of us mortals left to reflect on their words.


Saving Sin

ScienceoSin Although it makes little sense, I have always tended toward a monastic outlook. When I see something I want my first impulse is not to get it. I will sometimes deliberately not order my favorite dish when eating out. I never even went on a date until my Junior year in college. With considerable help I’ve overcome some of these tendencies, although I still wear clothes I bought in in my undergraduate days. So it was with considerable interest that I read Simon M. Laham’s The Science of Sin: the Psychology of the Seven Deadlies (And Why They Are So Good for You). Despite my monastic proclivities, I have never accepted the seven deadly sins as Gospel. They aren’t biblical and don’t always seem that serious. I mean, murder doesn’t even make the list. (And something need not be organic to be murdered.) In that sense Laham ‘s book exhales refreshingly unpolluted air.

More importantly, The Science of Sin demonstrates what sin becomes when God is removed from the equation. Sin is sin because God says so. As Laham clearly illustrates, the underlying bases of the seven deadly sins may be good for you. At any rate, they’re natural. Laham isn’t calling for a free-for-all, a no holds barred orgy, or the downfall of civilization—he just wants science to inform our natural urges rather than the ideals of some seriously outdated monks. That seems perfectly reasonable. I especially liked his demonstration of how asceticism tends to lead to more negative behavior than “gluttony.” What the church wanted to avoid it inadvertently assured.

Looking back over half a century of thinking pleasure might somehow be evil, it seems that maybe I’ve missed some, if not much, of what life offers. My years at a particular seminary were as close to monastic as a happily married man can get. I have yet to find a higher concentration of disreputable behavior than observed in such a religious setting, and I work in New York and live in New Jersey. Perhaps it is inevitably human that what we set out as ideals often becomes the very source of their dissolution. It is true that the seven deadly sins are beginning to show their advanced age, but perhaps the concept of sin retains some of its utility. When the behaviors condemned by the religious become frequent practices of that selfsame body, what other term fits as well?


Theology of the Apes

“Alter what you believe to be the course of the future by slaughtering two innocents, or rather three now that one of them is pregnant? Herod tried that and Christ survived.”

“Sir President, Herod lacked our facilities.”

So the conversation between Dr. Otto Hasslein and the President goes in the 1971 continuation of the saga, Escape from the Planet of the Apes. Few probably pondered the weighty theological significance of this dialogue; it is not represented on IMDB’s quotes page from the movie. In fact, many critics aver that the Planet of the Apes movies devolved as they went on becoming less and less original. Nevertheless, the number of serious issues thoughtfully addressed in Escape made it one of the most well received pieces in the series. The world was a scary place in the early 1970’s, as I experienced it. It was easy to believe that we were on the brink of our own destruction—there were enough nuclear warheads to assure mutual destruction, and even a little boy in Rouseville, Pennsylvania could believe that his small town was significant enough to be a target. That message I’d heard as early as the final scene of the original movie.

The Planet of the Apes series is profoundly theological. I rewatched Escape from the Planet of the Apes recently, and was struck by just how many social issues were addressed. Consumerism, abortion, racism, espionage, the arms race, and even eugenics. In each instance the humans are inferior to the apes who had not even developed the combustion engine before learning to fly a spacecraft back through time. The conservative fear of Dr. Otto Hasslein drives the plot; he is ambivalent about the apes and what they portend. It is the destruction of his own comfortable way of life. He suggests quietly killing the apes, succeeding where Herod failed. (Think through the implications!)

“Before I have them shot against the wall I want convincing that the writing on the wall is calculably true,” the President biblically insists.

“How many futures are there? Which future has God, if there is a god, chosen for man’s destiny? If I urge the destruction of these two apes, am I defying God’s will or obeying it? Am I his enemy or his instrument?” Otto Hasslein does not know. His science which tells him there is no God also worries him that he is the very enemy of the non-existent deity. No, the Planet of the Apes movies are not the most profound films ever to escape the camera, but there is, as in any good theology, the raising of questions. And like any theology worthy of latter-day Herods, there will always be far more questions than answers.


Prayers in Space

Science with heart. That’s one way to characterize Mary Roach’s writing. Uninhibited is another. I began reading her books when I saw Spook on the science shelf at Borders some years back. The nexus between what science teaches us and the magisterium of religion (ghosts certainly, by definition, fall into the “spiritual” category) has intrigued me all my life. I posted on both Spook and Stiff earlier in this blog. Her current work that my wife and I have just finished reading is Packing for Mars: The Curious Science of Life in the Void. The message that has rung loudly in my ears throughout the reading is that humans are evolved for this planet—space is not our native environment (well, at least not in a non-metaphysical sense). So many of the troubles she documents stem directly from the fact that we are biologically programmed to keep our feet pretty firmly on the ground. Weightlessness atrophies our bodies, cosmic radiation destroys our tissues, and there is always the difficulty of finding fast food in space.

One of the most telling points Ms. Roach makes, as is frequently the case, comes in a footnote. The note could, with some imagination, have been expanded into an entire chapter. “Religious observations are even tougher in a real spacecraft,” she begins. She points out specifically the difficulties of taking communion on a moon trip or praying five times a day aboard the International Space Station that renders a day a mere 90 minutes in length and staying Mecca-oriented is difficult when moving so far so fast. Religious leaders have to make special dispensations for those who take their religion beyond the bounds of earth-evolved faiths.

All of this raises a question that religions are reluctant to ask directly—what are we to make of petty observances that our belief systems demand when they are clearly based on outdated information? Judaism, Christianity, and Islam all developed in a flat world in a geocentric universe with a dome-like sky above them. The regulations were drawn up for just such a fictional world. When the religious become astronauts they leave that world behind them in a way that must stretch the credibility of a doctrine developed without the input of an astrophysicist. How does an astronaut hope to go to Heaven when some missions take her or him far beyond the realm of the gods into the cold reality of outer space? Looking down on Heaven must be disorienting indeed. If Mary Roach had an equal in the world of religion writing, I would hope that she would ask that very question. In any case, we are fortunate enough to have the one and only Mary Roach to raise the question for us and to keep us oriented toward our true home.


Hallowed be thy Kane

Watching the alien burst from Kane’s distended abdomen as he appeared to have eaten too much seemed somehow appropriate on Thanksgiving. I’m well aware that my taste in movies does not always match expectations and few bother to comment on my idiosyncratic observations. Nevertheless, it had been years since I’d watched Alien and on this particular holiday it felt like synchronicity. I’ve seen the film a few times before, but this is the first time since starting this blog. Not surprisingly, some biblical allusions popped out at me as I watched the crew of the Nostromo struggle with alien life. And I’d just read of NASA’s “exciting discovery” on Mars, a discovery whose official announcement for which, like Christmas, we’ll have to wait until December. Learning that the gut-busting alien was modeled on Three Studies for Figures at the Base of a Crucifixion by Francis Bacon (a contemporary one) only sweetened the analogy.

Character names hide aspects of personality and intention. Sometimes the writers may not even be aware of all the shades of gray. The alien’s first victim is Kane. On paper he seems an ordinary citizen, but on the screen the euphony with the first human child, Cain, is obvious. As Parker is lamenting how large the alien has grown in just a short time, science officer Ash whispers, “Kane’s son.” Or is it Cain’s son? Cain, the infamous ancestor of the sinful Grendel and any number of other villains of literature and cinema. Cain is, significantly, the first child born in Genesis, himself the genesis of sin in the world since his murder of his brother is the first act that the Bible declares a “sin.” The alien, born worlds away, conforms to biblical expectations.

Since Ash is actually an android and has no real feelings, he admits the alien to the ship and protects it until he is destroyed by his shipmates. He represents unfeeling science amid the horror of human bodies being invaded and rent apart. When accused of admiring the alien, the resurrected (!) science officer states, “I admire its purity. A survivor… unclouded by conscience, remorse, or delusions of morality.” Is he not really describing science itself? Religion is running rampant on the Nostromo. As Ripley sets the detonation charges and finds her escape blocked, she races back to the console and cancels the self-destruct order which the HAL-like Mother ignores. In a secular prayer Ripley calls out to Mother who, like any deity, does not answer all human pleas. And even as she escapes the detonating ship, Ripley will find that Cain’s son is still lurking in the corner of the emergency shuttle, for the science can never truly escape from Genesis.


Bedrock

Sadly it is a rare occasion to read a truly stupendous book. There are lots of wonderful books in the libraries of the world, great and small. When I read a tome that brings two of my favorite subjects together in a genteel cotillion, subjects which are generally portrayed as aiming heavy weapons at each other from deeply sunk trenches, it deserves the epithet of stupendous. David R. Montgomery’s The Rocks Don’t Lie: A Geologist Investigates Noah’s Flood is one of those books. By page 8 I was thinking that Montgomery was someone with whom I’d feel comfortable raising a glass and sharing a story. He is a rare, serious scientist who considers that maybe religious stories have something to tell us about being human. The book, as the subtitle indicates, is about the Noah myth. Geology is the science that has taken the brunt of (the relatively new religion of) Creationism’s umbrage. Still, like a rational scientist, Montgomery doesn’t get mad or fly off into hyperbolic denunciations. He takes his rock hammer and taps until the flood myth crumbles.

Unlike many sober writers on the subject, Montgomery considers the possibility that folklore may in fact give clues to science. Those cultures that have flood stories, he patiently explains, probably has reasons to tell such myths. In this one book we are taken on guided tours of the Grand Canyon, bits of the Himalayas, “ancient” Mesopotamia, the scablands of eastern Washington, and even the Creation Museum in Petersburg, Kentucky. At each station, we learn a bit about floods and rocks and fantasies. Although not a biblical scholar, Montgomery obviously did his homework and gives a fresh view of how Christians went from non-literalists in the first centuries of the church, through the scientific revolution, only to become literalists in the geologically very recent twentieth century. Creationism has nothing to do with real floods and quite a lot to do with personal insecurities.

It must be easy for scientists to trumpet bravado throughout the infinite universe. The scientific method is our best testable explanation for the physical world. Montgomery resists that temptation, realizing that religion does count for something after all. Religion evolved for a reason. Maybe it isn’t scientific, but it helps people to make sense of their world. Instead of characterizing religion and science as combatants in a war, Montgomery likens the opposition to a dance where the partners sometimes step on each other’s toes. I read his book dreaming my geological dreams, lost in deep time, and thinking that the world is maybe even more wondrous than miracles could ever convey. And we have occasional floods, and floods sometimes give us reasons for going on. There’s perhaps something religious about that.


Silent Fright

“[A] sight to be endured with one’s mind closed to thoughts of the sterile and hideous world we are letting our technicians make,” is how Rachel Carson described the indiscriminate use of herbicides fifty years ago. Silent Spring, although clearly dated, remains a chilling book for a number of reasons. One of the most obvious is that although the book is half-a-century old, the breakdown of some of our toxins released into the environment before it was written is still not complete. And perhaps more frightening still is the fact that we continue to stumble forward without giving enough thought to where our actions against our planet might lead. The quote above presses urgently at the heart of the matter: those with the destructive interests are almost always those who set the agenda. As Carson noted fifty years ago, the right of the nature lover to enjoy an unspoiled part of nature is just as valid as the right of the greedy to rape the landscape for “resources.” But we all know who eventually gets their way.

On a finite planet with finite resources, one of those that cannot be replaced is the beauty that nature has spent billions of years evolving us to appreciate. Desire for beauty reaches down to our most primal and basic levels. In the United States how many people drive hundreds or thousands of miles just to see Yellowstone every year? And yet, last time I was there I spied an empty can carelessly tossed into one of the stunning blue hot pools that require a delicate balance of nature to maintain. Those who appreciate the glory must always be those who pay the price. The fancy name for this is aesthetics, and some writers have suggested that the violation of beauty is a deeply disturbing problem on a philosophical or theological level. The basics are easily comprehended: we mar the planet at the cost of not only our own, but of every future generation.

Silent Spring warned those empowered to make laws that a dangerous road had already been selected. The radioactive fallout from bombs detonated to indicate national superiority continues to render some locations uninhabitable, and all of us carry traces of toxins that others have spread in our bodies. Humans, as Prometheus represents, have the ability of forethought. It is not always easy; in fact, it is often very hard. Somewhere back in a cave somewhere, long, long ago, even before our species emerged, future humans realized how. We teach. We teach our young of the dangers we’ve discovered, and instruct them to avoid them. As society evolved, money—the ultimate poison—crept into the environment and education became devalued. Even now, higher education—established for the joy of learning—has become economically driven job training. And people we’ve never met, and companies we’ve never heard of, pay off those who make laws, and another piece of our pristine environment disappears. Silent Spring remains in print, but how can we convince the disinterested to read it?


New Prometheus

Nothing portends the wrath of the Almighty like an unseasonal storm. The late season Hurricane Sandy, now dubbed the Frankenstorm because of its potential hookup with two wintery systems making their way east and south, is poised to make an apocalyptic scenario on the east coast, we’re told. Well, it is 2012, the year of apocalypses, after all. In an interesting shift, however, this storm is named after not a divine character, but Frankenstein’s monster, the human-made nightmare. I first read Mary Wollstonecraft’s Frankenstein back in high school, and I was immediately subdued. The story, undoubtedly frightening when first heard, is unremittingly sad. The “monster,” like all of us, finds himself in a cold and lonely world where he is rejected because he is different. It is cruel and Republican kind of world. All the monster seeks is companionship, acceptance. I found the story so sad that I’ve had trouble reading it ever since.

The naming of a storm after a terror created by humanity may be prescient, in a regrettable way. Only the most gullible (read “greedy”) believe that industrialization had nothing to do with it. We toasted our own planet for a buck or two. In biblical terms we have sowed the wind, for which there is only one kind of produce. Hurricanes are quite natural, and although the irregular weather of 2012 may prove simply a meteorological anomaly, it may be the result of our tinkering with the baubles of divinity. They certainly seem to be getting bigger than they used to be.

I have to admit to having a persistent fear of those doing the cobbling. Too often their motivation appears to be flat and green and indigestible. And nothing like stockpiling it makes a person somehow less human. Mary Wollstonecraft wrote Frankenstein not for money, but for love of words. The modern chimeras we construct are mere carnival side-shows by comparison. And like Victor Frankenstein we have engineered beyond our capability to understand. Our best option may be to stand silently and wonder at the forces that hold us enthralled. For in the novel, at least, the real monster is not the cadaver stitched together underneath the sheet.