Review, Please

I realize few academics read my musings.  (Heck, few non-academics read them either!)  Nevertheless, I have a plea: please be a peer reviewer when asked!  I get hit with this particular conundrum from both sides—as an editor potential reviewers simply don’t want to do the work (hint: we’re all “too busy”!) and as an erstwhile member of the academy, I also get asked to do reviews.  Out of a sense of obligation, I always accept the invitations, if at all possible.  You see, I know how hard it is to secure reviewers.  In the past two-and-a-half years, I’ve been tapped as a reviewer five times.  Ironically, when I had my full-time teaching position (for fourteen years!), I was never asked.  How times have changed!  Editors are now beating the academic bushes for those of us in the hinterland who have credentials and good will, even as we’re out gathering twigs.

You see, academic publication simply cannot go forward without peer review.  If you publish, someone was willing to review your work.  Don’t you think it’s only fair to offer the same courtesy?  Academia used to be, and still should be, a community.  Yes, those who break into those coveted teaching positions are often Lone Ranger types, shooting from the scholastic hip.  Still, the system only works if we help one another.  One of the long-term accusations against the academy is that those within have tunnel vision.  (I suspect there may be some neurodiversity going on here.)  That may be true, but try to consider the wider picture.  Teaching jobs are tough, yes, but the rewards are enormous.  Believe me, if you haven’t had to work a 9-2-5, you may not realize just how privileged you are!

Many editors dread the prospect of having to find new reviewers.  They spend time on university websites that are designed for recruitment, inviting them back to school (believe me, it’s tempting!), not to help editors find experts.  And we don’t like to use the same person over and over.  Reviewing also has some benefits—there are carrots as well as sticks!  I encounter new and untested ideas as a peer reviewer.  Who doesn’t like to be the first to get a crack at new knowledge being born?  My own portfolio of review requests stretches from semitic goddesses to the weather to monsters.  I’ve published in those areas and colleagues had to read my materials to make that possible.  So if you’re an academic and someone asks you to be a peer reviewer, please say yes.  Pretty please, with sugar on top.


Middle Ground

It’s the real poison Trump baptized.  Polarization.  The idea that there is no middle ground.  It’s a shame since the middle ground has been what’s kept America stable over the years.  Now it seems to be eroding rapidly.  While my sympathies have always been on the left, I realize that radical change tends to dirempt societies.  As much as I deeply desire justice and fairness for all, I know it will take time.  In my way of thinking that “all” includes animals.  That’s why I’m vegan.  Now, I know being completely vegan is likely not possible since who knows what everything is made of, and who has the time to find out?  I do the best I can and I don’t eat animal products and I try not to wear them either.  I know there are those who don’t share my outlook and they’re entitled to their point of view.

For nostalgia’s sake, and to get out of the house, we attended a 4-H county fair.  An annual event when we lived in New Jersey, it’s now a rarer treat.  So I put on that scarce recording of Bruce Springsteen’s song “County Fair,” not on any of his studio albums, and headed for New Jersey.  This county fair is the kind with animals rather than rides, and we stopped in to see the sheep, goats, cows, and alpacas.  It was in the cattle tent that I saw the following poster, claiming “There’s no such thing as vegan.”  Well, I don’t go around saying there’s no such thing as omnivores (thus the polarization) but this poster convinced me that we need to try even harder to stop raising animals to exploit. I understand, I think, the intent of the poster—cattle aren’t just meat.  The thing is, I think of them as conscious beings.

I miss the middle ground.  People no longer want to compromise or negotiate.  Since Trump it’s become “my way or the highway.”  I think I prefer the highway.  That highway takes me far from industrial feedlots where it’s illegal to document the cruelty that these animals undergo daily.  It’s quite a different thing for Bessie to lay down with a fan blowing on her under a tent with a small farmer caring for her, but that won’t feed a nation.  Small farms aren’t the problem. I don’t insist everyone be vegan.  I would like it if we could sit down and talk about it, however.  Cattle raising is the industry that generates the greatest amount of greenhouse gases that are causing global warming.  If we keep dividing ourselves and refusing to change we’ll be having this polarizing argument under water before too many years have gone by.  My highway is middle of the road.  Even slow change can benefit many.  The goal is to get “many” to “all.”


Geography Quiz

With my daughter’s encouragement, I’ve taken an interest in geography.  While not exactly an isolationist, I’ve often thought that America trying to impose its will on foreign nations is generally wrong-headed.  Still, when I read histories of the early United States, it appears that the desire to own and organize everything from Atlantic to Pacific makes sense to a particular outlook.  Taking the land from its rightful owners was clearly wrong.  It seems that wherever there are borders people fight.  I’ve been quizzing myself on geography and I’m getting fairly decent at identifying countries (not all of them, and not always correctly).  Doing so has led to some learning opportunities.  Africa was, of course, heavily colonized even into my own lifetime.  Only recently have we begun to realize that people should have the right to independence—sounds familiar, right America?

There are lots of quiz games available on the internet that help making these identifications fun.  I’ve learned that the newest country recognized is South Sudan, in Africa.  It became independent just twelve years ago, breaking away from Sudan.  South Sudan is one of the least developed nations in the world—I suspect that some of these conditions contributed to the desire for independence.  Another thing that becomes evident in learning geography is just how much disputed territory there is.  Thousands, probably millions, of lives are lost over border disputes.  This seems like such a testosterone-driven form of politics that patriarchy ought to be thoroughly ashamed of itself.  The United States still plays these games as well, backing our favorites, despite the will of the people.

One nation that consistently shows up in these quizzes is Western Sahara.  Apparently this is still a disputed territory, colonized by Spain but released from its control in 1975.  Immediately fighting broke out between Morocco and Mauritania, its neighbors.  Both wanted control of the region.  The territory is one of the most sparsely populated in the world, being mostly Sahara, but even so it’s worth fighting over, in the strange geography of the human psyche.  I often ponder our apparently insatiable urge to fight and control.  As if we can really control anything.  All it takes is a thunderstorm to park over an area for four hours and any house will begin to feel the damage.  Nobody’s really in control, as you’d think events in Russia might underscore.  It seems unbelievable to me that a world so connected—entangled even—with the internet would still insist on disputing who owns this rock or that.  Just think how much we could accomplish if we’d even allow for a little leeway in our geography.

Remember this?

Seminary Daze

It’s surprisingly easy to throw away an expensive career that once held much promise.  It really involves just a two steps: spend thousands of dollars earning a Ph.D. in religious studies, and take a job in a seminary.  It’s disheartening to watch colleagues going through this as seminaries contract, then close.  I know how it feels personally.  You’re suddenly aware that your years and years of training have made you practically unemployable.  If you do find a job it won’t pay as well.  Chances are you won’t enjoy it either.  Having taught in a seminary will mark you in academia as one of those “uncritical believers,” and, well, nobody wants to touch one of those.  While I would’ve taken a regular seminary job after my doctorate, my wife remembers me lying awake at night asking “Am I cutting off my career if I take a job at Nashotah House?”  The answer: yes.

I’ve been watching colleagues have their worlds torn apart as seminaries try to figure out how to stay open when institutional churches are dying.  Megachurches don’t require a seminary degree to run—natural grifters do it quite well with no advanced education, thank you.  But mainstream churches have been losing members, and therefore financial support, for years now.  And seminaries supply a commodity no longer in demand.  This may have been a trend when I started out back in the eighties.  If so, nobody told me about it.  I walked into this career naive and came out jaded and cynical.  My motives were to help other people.  It’s getting harder and harder to find jobs where you do that any more.  At least while being able to keep body and soul together.

Thing is, it takes years to earn the degrees you need to teach in a seminary. You have to think ahead.  When I started out, trends suggested a huge glut of jobs in the teaching market.  That never panned out, of course, as human predictions seldom do, and the decline in jobs has been pretty steady over the past thirty years.  Back in the eighties seminaries were doing okay.  Growing, even.  I do hope it didn’t have anything to do with me, but I hit this surprisingly fragile market at just the wrong time.  After having been overboard without a life preserver myself, it pains me to watch colleagues facing the same fate themselves.  Religion hasn’t disappeared—it’s simply taken on new forms.  Those forms don’t require seminary. Those of us who followed the rules on how to teach religious studies, however, somehow find ourselves in disposable careers.


Good Book Selling

A few weeks back, probably several now actually, the New York Times ran a story about the Bible.  In this age of declining interest in the Good Book such things catch my attention.  Of course, the reason that the story ran was because of the money involved.  Let me explain.  Or at least give the headline: “Oldest Nearly Complete Hebrew Bible Sells for $38.1 Million.”  Money talks, even when it comes to Scripture.  The story was about the auction of the Codex Sassoon, which went to a museum.  Most regular Bible readers aren’t aware of the textual criticism behind their favorite translations—yes, even the good ol’ King James.  You see, no original biblical manuscripts survive.  Not by a long shot.  Every biblical manuscript in the world is a copy of a copy of a copy, etc.  And these copies differ from one another.  Often quite a bit.

Textual criticism is the job of comparing manuscripts and using scientific—yes, scientific—principles to determine which one better reflects what was likely original.  Since we don’t actually have the original we can’t say.  Those who hold views of extreme reverence for one translation or another have to resort to divine guidance of the textual critics to make the case.  For example, they might argue that God inspired the translators of the King James to follow one manuscript rather than another.  The King James was based on manuscripts known at the time (only about six of them) and far older manuscripts—inherently more likely to reflect earlier views and potentially closer to the original—have been discovered since then.  And are still discovered.  That was one of the reasons behind all the fuss over the Dead Sea Scrolls.  They represent some of the earliest biblical manuscripts ever found.

The Bible is an identity-generating book.  In this secular age, the failure of “the educated” to realize this simple fact often leads to underestimation of the importance of religion.  It motivates the largest majority of people in the world.  We should pay attention to it.  It doesn’t make headlines too often, though.  Instead, politicians who pretend they respect the Bible but live lives about as far from its precepts as possible, gather the limelight.  When money gets involved the Bible becomes interesting again.  We think about that thirty-eight-million.  What we might do with that kind of money.  How we might be able to pay somebody to paint that fence that desperately needs it, or better, to help those in desperate need.  The many victims of capitalism.  Where their heart is, there their treasure will be also.


Perhaps Unexpected

Of course I’d heard about it, but I hadn’t envisioned myself seeing it.  My family, however, wanted to get in on the Barbie conversation and, I justified to myself, at least we’d be in air conditioning for a couple of hours.  Besides, I now get “senior” rates at matinees!  I knew very little of what to expect, and I was pleasantly surprised by what I found.  In fact, I can’t remember the last time I saw a movie that was so full of social commentary.  And I actually learned quite a bit.  If you’re one of the maybe a dozen people who hasn’t seen it, the plot is more complex than you might think.  And the writing is smart.  And it’s funny.  I was hooked from the opening parody of 2001: A Space Odyssey.  The scene based on The Matrix made me realize that I was watching something unusual and important.

I’ll try to be careful with spoilers here, but basically, stereotypical Barbie experiences an existential crisis that leads her to the real world to find out what’s going on.  Ken tags along, uninvited, and Barbie is distressed to find that the real world hasn’t been equalized between the genders the way that she was intended to help it become.  While in the real world Ken gets a taste of patriarchy and decides to take it back to Barbie Land.  When Barbie returns she finds her once perfect world upside down.  But that’s not quite right.  She comes to realize that the world run by women wasn’t exactly perfect because men and women need to cooperate and share some responsibility.

There’s a lot more to it than that, of course.  How we’ve gone for centuries maintaining male dominance (might makes right philosophy), even while claiming to be “enlightened” is a mystery. Gender inequality is one of the biggest social concerns we experience.  Almost nowhere in the world are societies truly equal and Barbie offers a funny, yet poignant way of thinking about that.  I wouldn’t bother writing about it if the message wasn’t important.  The movie isn’t a feminist screed.  Nor is it simplistic drivel.  It’s a surprisingly sophisticated consideration of a society out of balance.  I’ve been in favor of equal treatment of women for as long as I’ve been conscious of the difference.  Raised by a capable single mother, I noticed in my formative years that she was doing what two-parent families did, with less than half the resources.  While Barbie won’t solve all our social ills, it is getting the conversation going.  From my point of view, it’s about time.


Pagan Fear

We still fear pagans.  Religion and horror are often tied up together, but when it comes to monsters we trust Catholics and fear pagans.  Of course, when Startefacts recommended The Ritual it was in the context of five pagan horror movies you should see.  I’d seen three of the others, so The Ritual seemed the next logical step.  Four friends are hiking through Sweden to honor the wishes of a fifth friend killed during a robbery.  When one of the them injures his knee, they decide to take a shortcut through the forest where a combination of the Blair Witch Project and Midsommar and Antlers takes place.  After finding a freshly gutted elk in a tree, they take shelter in an abandoned cabin surrounded by runic signs on the trees.  Soon they’re being hunted by a huge creature they can’t see clearly.

The final two are captured by a pagan group that worships one of the Jötnar—the monster that’s been hunting them.  The final boy escapes by getting out of the forest, where the Jötunn can’t go.  The choice of a Germanic monster is a bit different, and the creature design is fascinating.  Jötnar apparently straddle the line between gods and monsters, being a kind of frost giant.  The pagan group sees it as a deity that keeps them safe in return for sacrifices.  Given the number of bodies in the trees, other hikers had decided the shortcut was worth taking in the past.  But still, the pagans are cast as the bad guys.  This is in spite of the fact that the friend whose death started the whole thing was killed in England.

The religious convictions of the English robbers aren’t made clear, but they were raised in a Christian context and are every bit as brutal as the pagans.  In fact, the pagans, although they sacrifice strangers, do try to talk kindly to them (at least if they have the mark of the Jötunn on them).  Not just the pagans are savages.  At least they have a moral reason for what they’re doing, in their own minds.  The criminals are in it only for themselves.  We still fear those of other religions, although they’ve come to their beliefs in a way similar to how we’ve come to ours.  Whether born into it or converted, believers generally come to their conclusions honestly.  In the world of the film, this Jötunn is real.  And, until the end, it protects those who worship it.  So yes, this is a pagan horror film, but it makes the viewer wonder whence the horror really comes.


Admit This

I thought about writing a letter to the New York Times, but I know my chances of getting it accepted.  A piece run yesterday in said periodical on elite college admissions policies, which favor the affluent, presented an argument frequently used in defense: high-performing colleges are faced with the problem that the highest achieving students are affluent.  I’m here to call shenanigans on that.  I don’t often state explicitly what my background is here on this blog, knowing as I do that I had white privilege on my side, but this admissions reasoning is elitist to the hilt.  I grew up in a poverty-level household and yet when I reached college it was only to have professor after professor marvel at how well I did in their classes.  My GPA at graduation was 3.85, partially brought down by “freshman orientation” and senior ennui.  After graduating summa cum laude, I graduated seminary magna cum laude.  My doctorate was with a major European research university that didn’t use the cum laude system.

In short, a guy from a non-affluent background can succeed academically.  Professors who think otherwise don’t know what they might be missing.  There is a bias against the poor that assumes that intelligence is bred, not an innate ability.  My academic track-record demonstrates that this bias has no expiration date.  Despite my record of achievement, I was routinely passed over for positions at universities and colleges, many of them elite.  I used to keep my rejection letters but the file was getting pretty heavy to lift.  An academic unknown, I didn’t have connections in “the club” and was asked to check my working-class abilities at the door.  I’ll confess when I see such reasoning as “we can’t afford to take chances on the poor” my blood begins to boil.

Some of the smartest people I know never attended college.  Even as a child I could tell if someone was capable of deep thought or not.  I didn’t know many college-educated people; my social circle was among blue collars.  Clergy were the few exceptions, and not all of them had attended college.  Nevertheless, I could see what admissions committees (I used to serve on one) call “special intelligence.”  I also saw how terribly petty the discussions could be when it came to admissions.  Try as I might, I just can’t feel sorry for those in higher education who feel trapped by their own success.  There are gems located in mountains, even if they tend to be buried under tons of plain rock.  Admission teams admit those most like themselves.  Thus it has always been.  And we are poorer as a society because of it.

Not singling out UVA!

Ghosts and Spines

Guillermo del Toro’s early movies are thought-provoking and somewhat depressing.  The Devil’s Backbone, like Pan’s Labyrinth, puts children in the way of adult political unrest and war.  I suspect that sensitive people watching such movies can easily imagine that they could have been put in such circumstances, were things different.  Having said that, The Devil’s Backbone works as a sad, gothic horror movie.  Set during the Spanish Civil War, the film focuses on orphans not quite out of reach of the conflict.  There’s a ghost at the orphanage that, until near the end, we think that the bully among the kids had killed.  The point of view is that of Carlos, a new kid at the orphanage who encounters the ghost and eventually decides to find out what happened to him.  The movie’s nearly a quarter century old, but there will be spoilers below.  Maybe there have already been some—sorry!

As the children, war orphans, try to navigate how to become adults, they have limited male role models—the doctor, who is good, and the groundskeeper, who is not.  Jacinto, the groundskeeper, was raised in the orphanage and although he had a professional-level family, grew up alone and wanting better.  His response was to turn cruel.  We’re not given much of the doctor’s backstory, but due to his position at the orphanage, we have to assume there’s a sadness there as well.  A number of subplots are interlaced with this, one of which involves the title of the movie.  Originally set in Mexico rather than Spain, the Devil’s Backbone was named after a mountain range.  That has to be transferred to victims of spina bifida in the local village.  This medical name has to be explained to the audience and it adds to the gothic atmosphere.

This is an example of a bright, sunny location nevertheless being a fraught place.  The boys (there are no girls at the orphanage) make their own society—not quite on a Lord of the Flies level—because the adults are at their wits’ end due to the encroaching war.  In the end all the adults end up dead.  The future of the boys is uncertain, but they show themselves able to distinguish between good and evil.  Adults, meanwhile, perpetuate a war in which, in real life, half-a-million people were killed.  There’s a lesson here for those willing and able to learn it.  Horror often has a moral, and when the boys are carrying an old crucifix to the courtyard and one remarks that he’s “pretty heavy for a dead guy,” adults should be paying attention.


Outgrowing Fear

A friend, during a time of trouble, quoted from Charlie Mackesy’s The Boy, the Mole, the Fox and the Horse.  I immediately ordered a copy.  The word “magic” gets thrown around a lot, but this book holds real magic.  It is perhaps the wisest book I’ve ever read.  Do yourself a favor—if you haven’t read it, find it in a library, or order it from Bookshop.org or Amazon.  Visit a local bookstore, and if they don’t have it, ask them to order it.  If people read books like this we’d never need to worry about things.  And if everyone read it and took it to heart, we’d never need to worry about anything again.  There’s much to be said about believing in yourself and believing in the power of love.  At the end of the day they speak for themselves.

The book is for any age reader.  Handwritten and illustrated, it’s written at the level of a children’s book that takes less than an hour to read.  Its message feels almost radical, however.  That having been said, the young adult generation, I’m given to believe, grew up with the kind of outlook Mackesy offers.  The book struck me particularly relevant and necessary, something for those of us in the over forty crowd.  I understand the tendency to grow more conservative as we age and I believe it’s because we’re afraid.  Ironically, the book addresses the issue of fear, pondering how life might improve if we could get beyond being afraid of things.

The artwork is beautiful and the words are inspired.  This is an eminently quotable book.  Mackesy has been an artist by trade.  We can learn so much from such humble artists, if we’re willing to listen to them.  Kindness, love, and simplicity are gifts we often wish not to accept.  It’s very easy to hate and selfishness comes naturally to people.  And when we get together we tend to complicate things.  Once in a while we should set aside the complexities of life and make time for a simple story that reminds us of what’s really important.  Of course, those of us who read are prone to thinking of ways the world could be a better place.  Being open to love instead of hate, trust instead of fear, and hope instead of dread doesn’t come naturally.  That’s why it’s so helpful to have books to remind us of this.  Especially when such a book won’t even require an hour of your time.  I’ll be coming back to it time and again.


Next Gen AI, Truly

Okay, so it was a scary meeting.  It was about AI—artificial intelligence.  Specifically Generative IA.  That’s the kind that makes up answers to questions put to it, or does tasks it’s assigned.  The scary part, to me, is that we are being forced to deal with it because tech companies have unleashed it upon the world without thinking through the consequences.  Such hubris gets us into trouble again and again but it never stops us.  We’re sapiens!  You see, GAI (Generative AI) is under no obligation to tell the truth.  It likely can’t even understand the concept, which is a human concept based on perceptions of reality.  GAI simply provides answers based on the dataset it’s been fed.  It can generate texts, and photos (which are so doctored these days anyway that we need a photo-hospital), which means it can, to borrow the words of a sage, “make a lie sound just like truth.”  We already have politicians enough to do that, thank you.

My real fear is that the concept of truth itself is eroding.  With Trump’s “truth is whatever I say it is” administration, and its ongoing aftermath, many Americans have lost any grip on the idea.  Facts are no longer recognized as facts.  “Well I asked ChatGPT and it told me…”  It told you whatever its dataset told it and that dataset contains errors.  The other scary aspect here is that many people have difficulty distinguishing AI from human responses.  My humble advice is to spend more time with honest human beings.  Social media isn’t always the best way to acquaint yourself with truth.  And yet we’re forced to deal with it because we need to keep evolving.  Those Galapagos finches won’t even know what hit ‘em.

Grandma was born before heavier-than-air flight.  Before she died we’d walked on the moon.  About two decades ago cell phones were around, but weren’t ubiquitous.  Now any company that wants its products found has to optimize for mobile.  And mobile is just perfect for AI that fits in the palm of your hand.  But where has truth gone?  You never really could grasp it in your hands anyway, but we as a collective largely agreed that if you committed crimes you should be punished, not re-elected.  And that maybe, before releasing something with extinction-level potential that maybe you should at least stop and think about the consequences.  I guess that’s why it was a scary meeting.  The consequences.  All technological advances have consequences, but when it takes a lifetime to get to the moon, at least you’ve had some time to think about what might happen.  And that’s the truth.


Hoppy Fourth

Today is the one of the relatively rare summer holidays.  Modern industrialized nations tend to take a more relaxed view toward summers without having to give out too many prescribed company holidays.  This seems to follow on from school schedules because the kids are out in summer and adults need some flexibility when work demands collide with family needs.  The internet has made work-life balance a little tricker to achieve since work is always just a click away.  Some more generous employers gave yesterday as part of an extended four-day weekend, which is rejuvenating in a way that’s easily forgotten until you start to feel it.  The sense of obligation takes a couple of days to wind down, and then on Monday you realize “I’ve still got another day off!”  It’s a sublime feeling.  Why not watch holiday horror on it?

The Wicker Man is a holiday horror movie.  One of my arguments in the book is that holiday horror has to derive its energy from the holiday, and not just be set on it.  For example, I Know What You Did Last Summer and Return of the Living Dead are both set on or near Independence Day but the movies don’t really draw their horror from the holiday itself.  It falls into the same category.  Frogs?  Well, maybe.  Perhaps holiday horror, it’s definitely in bad movie territory.  A rich southern family is dominated by a Trump-like grandfather who controls the money and measures everyone by loyalty to him personally.  On his birthday, the fourth of July, nature revolts and his adult children and grandchildren (apart from one granddaughter), are killed by animals in this eco-revenge groaner.  But is it holiday horror?

One scene may suggest that perhaps it fits the category, but the real significance of that day is that grandpa won’t let it be celebrated any way other than by his prescribed plan.  Even as the estate is overrun by frogs (mostly), snakes, lizards, alligators,  tarantulas, and even some birds (thank you, Mr. Hitchcock), he insists that everyone do what they always do on the fourth of July/his birthday.  The only scene that suggests holiday horror is where the eponymous frogs hop onto a cake decorated like an American flag.  I normally like nature-revenge films, and this one starts out well but quickly goes downhill.  The environmental message is there, but underplayed.  There are some firecrackers and a number of dead rich folks, but otherwise the film seems to have no message at all.  It’s a bad movie.  Holiday horror?  Not really.  Something to watch for a day off work?  Definitely.


Good-Bad

If anybody bothers to follow my movie viewing history, they’ll know that it includes a perhaps disproportionate number of “bad movies.”  In fact, I recently added that as a category for my blog posts.  In need of some reassurance, I read Matthew Strohl’s Why It’s OK To Love Bad Movies.  (As far as I can tell the Why It’s OK series was started by my old boss at Routledge—an inspired idea!)  Strohl is a philosopher, but one who admits to, and even advocates for, loving bad movies.  This book is fun but it does have a serious philosophical underpinning.  I can’t summarize it all here (you need to read the book anyway) but my main takeaways are that ridicule isn’t making the world a better place.  Movies that are so bad that they’re good are definitely a reality.  There’s a community built around it, but I haven’t had many visits from it in my lonely little corner of the internet here.

Strohl points out that not all bad movies are what he terms “good-bad.”  There are certain qualities—aesthetic qualities—that make a bad movie good.  And it doesn’t involve watching the movies to make fun of them.  One of the films that often tops the list is The Room.  When I first saw it I really couldn’t think of anything to write about it on this blog.  It was just another bad movie.  Now I want to see it again.  I do have to say that on my first viewing I didn’t feel like ridiculing.  I was more stunned than that.  And when I watched Plan 9 from Outer Space—another on the list—I felt inspired to learn more about Ed Wood, its famous director.  I’ve since watched a couple more of his movies and I appreciated them.  Now I have a better idea of why.

In addition to discussing the biggies, Strohl also takes forays into some collectives: the Twilight series, for example, and the movies of Nicholas Cage.  These are both often singled out for ridicule, but this book demonstrates that there’s an artistry to such things.  And Bad Movies underscores that not everyone likes the same bad movies.  Strohl also makes the salient point that if we only ever watch great movies we’d have no basis for comparison.  There’s a lot to like in this little book.  One thing it convinced me of (in addition to making me feel a bit better about myself) is that there’s a community out there that I’m missing out on.  Good books bring people together instead of dividing into factions.  This is a good book.


Employment Opportunities

It’s important to be reminded that stories can also be told by what’s not said.  Non-narrative fiction can be a little tricky to follow, but often contains admirable aphorisms.  Such as “I believe in the future.  I think you need to imagine a future and then live in it.“  This is from Olga Ravn’s The Employees: A Workplace Novel of the 22nd Century.  One of the many things driving me insane at the moment is where I found out about this book.  I know I ran across a recommendation somewhere and I can’t recall the place.  It would be helpful to know since I wonder what it was about the description that convinced me I had to read it.  In any case, there will likely be spoilers below since it’s difficult to describe the book without them.  I’ll start off by saying it’s classified as science fiction, but it’s not your typical 1950s kind.

The story’s told via a series of employee statements to the company that owns a space freighter.  The ship has a mixed crew of humans and humanoids—androids that aren’t easily distinguished from biological humans.  They discover some mysterious, perhaps organic, objects on a new planet and the humanoids begin to request, or even demand, equal treatment.  The outlooks from the two perspectives, human and non-human, are quite different, but they argue that fair treatment is only, well, fair.  The situation gets out of hand and the company, as such entities often do, decides on the economical solution of killing everyone aboard the ship but preserving the exotic objects.  Though generally described as “comic,” I picked up on the seriousness of the issues of prejudice and inequality.  The quote above is from the very last statement from the ship.

Ravn has established a reputation as a poet and that shows through in this novel.  The quote above is an example.  According to the article about her on Wikipedia, she graduated from the Danish School for Authors.  That made me wonder why we don’t have such things.  This isn’t the same as an MFA program.  Indeed, the nordic countries seem to have abandoned their viking ways for literature.  There’s a deep wisdom in this.  Costs of living are high in such places, but so are happiness levels.  What’s not to like about a school option where budding poets and novelists can become acquainted with one another and imagine a better world?  Writers sometimes give us challenging stories but the reason, I believe, is that we can learn from them, view a better future, and live it.


Liking Everyone

I’m not really interested in politics.  Powerful people deciding the fate of the rest of us seems inherently depressing.  We could use a good laugh.  I’ve been curious about Will Rogers for some time now.  He’s a name that everyone in my generation seems to recognize but few people know anything about him, beyond some of his famous quips.  So I read Gary Clayton Anderson’s Will Rogers and His America.  It was an eye-opening experience.  Rogers died in 1935, the year my mother was born.  What a difference less than a century can make!  At the time of his death he was one of the most famous people in the country, personal friend of U.S. Presidents, an international traveler, and widely syndicated newspaper columnist.  He was also a film actor and comedian.  When he traveled internationally world leaders gladly met him.  Not bad for a poor boy from Oklahoma.

Anderson’s book is a good introduction to who Rogers was, but it does tend to focus on the politics.  Arguably that’s where one’s greatest impact in life might reside.  Still, there’s a lot more to an individual than politics.  I’m curious about Rogers’ career as an entertainer.  He started out as a Vaudeville roper—literally, a rope act.  His noted wit, however, made him famous.  At various points he was one of the highest paid entertainers in the country.  His sympathies, like many of us born in humble circumstances, tended to be with the average person who, it seems, is always struggling against an economy that favors the wealthy.  See?  There I’ve done it myself, gone and got political.  It’s difficult to avoid.

Perhaps the most widely read columnist in the country, who influenced political opinions and could rake in the money at just about any form of comedic enterprise, Rogers nevertheless faded from view after his death in a plane crash.  He was part American Indian.  He never completed college.  He was homespun and yet influential around the world.  Fame comes with no guarantees, of course.  I guess it would be helpful to know what Roger’s motivations were.  Was he, like most people, simply trying to secure his future for himself and family?  Was he trying to change the world?  Can anyone manage to do that for very long before things come along and everything’s suddenly different?  (Think AI, for example.)  I’m glad to have met Will Rogers through Anderson’s book.  Even though I’m not really interested in politics, I learned something about them too, along the way.