Nanowrimo Night

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Nanowrimo, National Novel Writing Month—November—has been run by an organization that is now shutting down.  Financial troubles and, of course, AI (which seems to be involved in many poor choices these days), have led to the decision, according to Publisher’s Weekly.  Apparently several new authors were found by publishers, basing their work on Nanowrimo projects.  I participated one year and had no trouble finishing something, but it was not really publishable.  Still, it’s sad to see this inspiration for other writers calling it quits.  I’m not into politics but when the Nanowrimo executives didn’t take a solid stand against AI “written” novels, purists were rightfully offended.  Writing is the expression of the human experience.  0s and 1s are not humans, no matter how much tech moguls may think they are.  Materialism has spawned some wicked children.

Can AI wordsmith?  Certainly.  Can it think?  No.  And what we need in this world is more thinking, not less.  Is there maybe a hidden reason tech giants have cozied up to the current White House where thinking is undervalued?  Sorry, politics.  We have known for many generations that human brains serve a biological purpose.  We keep claiming animals (most of which have brains) can’t think, but we suppose electrical surges across transistors can?  I watch the birds outside my window, competing, chittering, chasing each other off.  They’re conscious and they can learn.  They have the biological basis to do so.  Being enfleshed entitles them.  Too bad they can’t write it down.

Now I’m the first to admit that consciousness may well exist outside biology.  To tap into it, however, requires the consciousness “plug-in”—aka, a brain.  Would AI “read” novels for the pleasure of it?  Would it understand falling in love, or the fear of a monster prowling the night?  Or the thrill of solving a mystery?  These emotional aspects, which neurologists note are a crucial part of thinking, can’t be replicated without life.  Actually living.  Believe me, I mourn when machines I care for die.  I seriously doubt the feeling is reciprocated.  Materialism has been the reigning paradigm for quite a few decades now, while consciousness remains a quandary.  I’ve read novels that struggle with deep issues of being human.  I fear that we could be fooled with an AI novel where the “writer” is merely borrowing how humans communicate to pretend how it feels.  And I feel a little sad, knowing that Nanowrimo is hanging up the “closed” sign.  But humans, being what they are, will still likely try to complete novels in the month of November.

The Valley

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Juneteenth seemed a good day to get to Valley Forge.  With all the nonsense going on in the White House, we need to be reminded what this country was founded on and for.  I like to think that we weren’t the only ones there yesterday for that reason.  In fact, in the gift shop I found a book titled America’s Last King.  By the time we left it was sold out.  Like many Americans, I suppose, I only had a vague idea why Valley Forge was important for our young country.  We took a tour that helped explain it.  A tour that some in Washington ought be be required to take.  Valley Forge was a winter encampment—the third in the War of Independence.  George Washington had just suffered two defeats and the British had taken Philadelphia.  His poorly provisioned army set up winter headquarters in this strategically secure hill country.  Inadequately clothed, barely fed, many dying, they planned how to keep their efforts to survive alive.

What happened that winter of 1777–1778 at Valley Forge that kept the United States alive depended on two things, both brought by immigrants.  Let me say that again, in case ICE is having trouble hearing—immigrants saved America.  The young country was in very real danger of defeat.  What turned the tide was an alliance with France (the name Lafayette still looms large here in the east) and the help of Baron Friedrich von Steuben, a Prussian.  Without these foreigners, America would never have survived to become great.  Oh, and Mr. Kennedy, Washington ordered vaccinations at Valley Forge to prevent so many of his troops from dying from small pox, an inconvenient truth.  What emerged from Valley Forge that winter was a more organized, healthier United States Army that would go on to defeat the British so that we could be free two and a half centuries later.

I needed Valley Forge.  Although it was a hot day and the roads are paved, I needed to be reminded what it felt like to be proud to be an American.  Juneteenth is to commemorate the end of slavery.  History shows that many in Washington’s army were of African descent.  It seems that DC has forgotten what America is and what we were fighting for all those many years ago.  It wasn’t to exclude those who were different.  No, it was to pull together to survive.  Our would-be king spends his idle days planning military parades in his honor.  The US Army was born in Valley Forge.  And as an American with ancestors here from Washington’s day on, I really needed that visit to remind me of how America became great.

Scary Father’s Day

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Given my circumstances, I never really celebrated Father’s Day growing up.  By the time I was old enough to get the concept, my father was long gone.  My step-father, some years later, was no real father.  Besides, we were poor and it was hard to think what such a celebration might entail.  All of which is to say that I never really expect much from the day myself.  My wife and daughter suggested we try Nightmare in New Hope again—this is the horror movie museum in New Hope, Pennsylvania, which had been closed last time we tried.  It was an appropriately rainy day, the kind we seem to specialize in around here.  I suspect that the museum will show up in a future blog post or two, but suffice it to say that it’s an impressive little collection.  It’s an odd feeling, this human desire to be in the presence of something you’ve seen in a movie.  I recommend it for any horror fans who happen to be along the mid-Delaware.

Not being large enough to take all day, we considered what we might do that afternoon.  In keeping with the theme, a visit to Vampa: Vampire and Paranormal Museum was suggested.  This museum is in Doylestown, which is only about a quarter hour from New Hope.  There’s more to it than just the museum, so it too will likely come up in future posts.  This museum contains a truly impressive array of artisanal vampire hunting equipment from Europe, dating between the seventeenth and nineteenth centuries.  I’ll try to put together a photo essay of it soon.  But that’s just the first room.  A second deals with demonic possession.  Then rooms have displays of occult and other esoteric artifacts, along with creepy suggestions to be careful of engaging too much with them.  The final room is dedicated to St. Michael the Archangel, and it warns that the struggle with evil is real.

Both places had a steady stream of visitors yesterday.  It would be fair to say that by the time we finished I was over-stimulated.  You have to understand that I personally don’t know many people interested in horror.  Going to these places was the sacrifice of a rainy Sunday afternoon for my family but will likely become one of those pleasant, lingering memories of the unusual that take on a rosy afterglow over the years.  This blog quite often ponders over why such things take on meaning for someone interested in religion and belief.  Being in the presence of artifacts, as noted above, puts you in touch with a kind of earnestness that mere electronic reading on the internet lacks.  If you happen to be along the mid-Delaware, the side trip to Doylestown is a worthy add-on, Father’s Day or not.

A Father’s Day

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Some thoughts I hope I’m allowed to share on Father’s Day: I recently saw a review of The Wicker Man that pointed out (rightly) that my treatment of gender was outdated.  Similarly, the (few) readers of Nightmares with the Bible make a not dissimilar observation about my use of Poe’s formulation of women in danger.  I am very much aware that gender studies (which wasn’t even a potential major when I was in college) have done much needed work in clarifying just how complex a phenomenon it is.  I have posted several times on this blog about precisely that.  Still, we all write from a position.  My training is not in horror studies, and it’s not in gender studies.  My writing, despite the price, is intended for non-academic readers, but I too may be between categories here.  I’m trying to escape the academy that has already exiled me, but the framing of my questions is too academic.  I get that.

I also write from the perspective of a man. There’s no denying that I write as a straight, white male.  This is how I experience the world.  And how I experience horror.  Returning to Nightmares, I think my point might’ve been better expressed as noting that writers, directors, producers, and others in the film industry understand that viewers of their particular films may be more moved by a female possession than a male.  Or, in Wicker, that publicly expressed concerns about rape and sexual violence are more commonly expressed by women.  Statements can always be qualified, but that happens at the expense of readability.  There’s no such thing as a free lunch after all.

Academics can’t be blamed for doing what they do.  They critique, poke, and probe.  My books since Holy Horror have been intended as conversation starters.  But they’re conversation starters from the perspective of a man who watches horror and tries to understand why he reacts to it the way he does.  There is an incipient ageism, I fear, that sometimes discounts how people raised to use “man” when referring to mixed or indeterminate genders—taught so earnestly by women who were our teachers—sometimes take our earliest learning for granted.  Those early lessons are often the most difficult to displace.  I try.  Really I do.  I’ve had over six decades looking at the world through a straight man’s eyes.  I welcome comment/conversation from all.  Of course, my intended readership has never been reached, and they, perhaps would have fewer concerns about my view.  Romance (hardly a feminist-friendly genre), after all, is one of the best selling fiction categories, even today.  And many of the writers—generally women—express the gender-expected point of view. That’s a genre, however, outside my (very limited) male gaze.

Parson’s Poe

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Some things just don’t mix: oil and water, cats and dogs, intelligence and Republican policy.  That’s the way of nature.  I don’t have a lot of time to listen to music—unlike some authors, I can’t write with music playing.  I end up paying attention to the music rather than what I’m trying to do.  So the other day when I had the opportunity, I went through our CDs to see what I hadn’t heard for a while.  I’d completely forgotten about the concept album Tales of Mystery and Imagination Edgar Allan Poe by The Alan Parsons Project.  Now, I’m not the biggest fan of Alan Parsons, but some of their songs are among my absolute favorites.  One of them can almost invariably make me tear up and my throat clench.  And I think Ammonia Avenue is one of the great albums of all time.

You’d think their mix of alternative rock would be favorable to Poe.  Poe is extremely personal to me.  I’ve read probing biographies and put them down thinking how much my perspective is similar to that of Poe.  I mention him in my books because he’s my writing companion.  APP just doesn’t get it.  Neither did Lou Reed.  Like Black Francis, I like Lou Reed.  But I like Poe more.  Not even Poe (sorry Anne Decatur Danielewski) comes close.   I have heard rock adaptations of Poe that I do like, so why didn’t Alan Parson, Lou Reed, or Poe (Danielewski) do it for me?  It’s difficult to say.  Music is very personal to me.  It stays in my head for a very long time, so I have to be careful what I let in there.  I don’t write much about music on this blog because I just don’t know you well enough.

I got the Alan Parson’s album long after it was published.  I can’t remember how I found out about it, but I had great hopes for it.  I guess Poe (the man) has a certain sound profile in my head.  It’s likely because, to me, Poe is more than the author of tales I read when I was young.  He is a symbol, coming to represent more than just another writer who struggled and was likely never understood in his lifetime (if ever).  As those who write and attempt publication know, this is a hostile business.  It’s difficult to get published in the traditional way and then it’s difficult to get your work noticed after it’s published.  These days a “like” and a “share” can go a long way (click “like” if you do), but even so my Poe music will be mine alone.

Remembering Holidays

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Memorial Day is an important stepping stone to get through the capitalistic year.  Not only does it mark the unofficial beginning of summer, it’s also the first holiday after the long, long drought of March, April, and nearly the whole month of May.  That’s a long stretch of unbroken work.  My ideal holiday may be one where I could hole up in my study with books and endless time to write, but that kind of situation isn’t really realistic.  There’s a lot to do.  Around these parts, however, getting outdoors to take care of those weeds has proven difficult.  Every day since last Tuesday (nearly a full week, as of today) it has rained at least a little.  Sometimes a lot.  And the temperatures dropped on Wednesday, back to early April levels, as if May were vying for the title of the cruelest month this year.

We’ve been making the best of it, getting out to see local attractions while dodging raindrops.  The weeds, I’ve noticed, love this kind of weather.  And I have a visceral reaction to putting on a heavy jacket to go out pulling weeds while watching each passing cloud for a potential downpour.  On the plus side, we have rainbows.  In fact, two nights in a row, about the exact same time, near sunset, we had a rainbow in the exact same spot in the sky.  That’s a sign of hope.  And indeed, the summer takes on a more relaxed atmosphere at work and a few holidays start creeping back in.  Until the stretch of September-October, the second annual drought.  But by then, however, off in the distance I can see the holiday season that starts in November and I know I can make it through to December.

It’s an odd way to live, isn’t it?  Experts talk about how work will be different in the future, but I have a mortgage due in the present, so I step from holiday to holiday, grateful for the time to recover.  With a government trying its best to eliminate benefits to seniors I may have chosen a bad time to reach my sixties.  At least I’m young enough to still pull weeds and push a mower.  (Once the grass dries, that is.)  The main point is not to waste this rare gift of a holiday.  There’s no rain in today’s forecast (but there is for Wednesday, every day through next weekend).  Seeing the sun buoys me up.  And if I can’t have that I can always hope that at least I can have rainbows.

Museum Life

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Allentown is the third largest city in Pennsylvania after Philadelphia and Pittsburgh.  Here in the Lehigh Valley it abuts Bethlehem and is just a few miles from Easton.  Getting an early jump on Memorial Day this year my family visited the Allentown Art Museum.  My daughter had been there before and let us know that it’s not huge, but certainly worth seeing.  They do have a Rembrandt among their collection, and a few Medieval pieces, including a tapestry that I could swear I saw on a book cover once.  In any case, I would recommend it.  We’re still fighting with rain around here, so it was a great Friday diversion.  We’re museum people, and I’ve pursued creative outlets my entire life.  I like to look at those good enough to be on public display.  As I told my family, when I was young I was curious about art and checked out books from the library on the great masters so that I could learn to identify paintings I hoped some day to see.  And as a bonus, the Allentown Art Museum is free.

One of the features of the facility is a personal library designed by Frank Lloyd Wright.  The books on display aren’t his actual books (I don’t think), but being a book person I had to look over the titles.  Washington Irving was well represented.  Since Sleepy Hollow as American Myth will be out shortly, I was curious to see if they had The Sketchbook of Geoffrey Crayon, Gent.  This is the book in which “The Legend of Sleepy Hollow” first appeared.  It seems they have all of Irving’s books because I did indeed find the Sketchbook.  Such an unexpected connection was a bonus on what was already an enjoyable visit.  I wandered out into the paintings again and found Tompkins Harrison Matteson’s “The Return of Rip Van Winkle.”  As I discuss in the book, “Rip Van Winkle” is also in the Sketchbook.  Not for the first time, I’d made a personal connection with art.

Visiting art museums always leaves me in a liminal space.  For a while my soul was mingling with those of others driven by creativity.  I’ve made a few art works myself over the years but I’ve really had no training.  I did take a drawing and painting class in college, but I kept none of my output.  I enjoyed making it, however.  My daughter asked why I don’t do more and the issue always comes down to time.  Work takes the lion’s share and now weed control (they love the rain) takes most of the rest.  And writing, of course.  That’s why I need to go to museums.  To become fully human again.

Friendly Fear

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I opened my book Holy Horror with an epigraph taken from Apocalypse Now, a movie I recently watched again.  That quote was from Col. Kurtz: “It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror… Horror has a face… and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared.”  I’ve been thinking quite a lot about how you can make any progress in a discussion with anyone who’s already made up his or her mind (i.e., no matter what you say to them they will not take it seriously.  Think your favorite Trump supporter).  People far smarter than I have noted that the only way to combat this unthinking adherence is to get people to think critically.  That may be correct, but to preserve democracy we need a more assured method in the short term.  That of Col. Kurtz.

Apocalypse Now was based on Joseph Conrad’s The Heart of Darkness.  Both contain a vital truth—fear motivates people.  Democrats have been forward-looking in recent decades, but Republicans run on that fear playbook and it’s very difficult to defeat.  That’s because people are afraid.  It’s important to face fears, but to win elections, you need to seed them.  I know whereof I speak when it comes to phobias.  I was so riddled with fear as a young person that at times I could not leave the house.  At other times even the house didn’t feel safe to me.  I had multiple phobias and difficulty talking to other people.  I’ve grown out of many of these fears, but if I’m honest, I know they’re still with me.  I suspect many other people are also afraid.

Strong men (even if personally weak) appeal to the afraid.  They want someone who can protect them.  I tend to think Democrats think many Americans are better adjusted than they actually are.  You want their votes?  Make them afraid.  I’ve been writing books on fear and its many cinematic manifestations for several years now.  I grew up being afraid of everything.  I don’t advocate creating fear, but when a nation decides Hitler would be better than letting young people read, it’s reached a crisis point.  I do wish progressive political leaders would consider my humble observations.  When afraid people herd together and become the mob with torches.  And just such a mob became the mindless followers of Col. Kurtz.  Just saying.

Little Things

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Those on anti-clutter campaigns (whose lives I can’t imagine) claim that we have too much stuff.  That may be true, but when you reach a certain age these realia can serve to remind us where we’ve been.  How we’ve become who we are.  We moved to our house in a whirl.  Neither my wife nor I had enough vacation days to take any time off and we had to move 55+ years of stuff over a weekend.  Lately I’ve been going through some of the boxes of little things you keep.  They were generally mixed in with papers I didn’t have time to file, bits of hardware, and a few things I’m not sure why I kept.  In the archaeology of my life, the layer labeled Nashotah House retains a prominent place.  It took many years before I could look at my little Nashotah House things without being overwhelmed by emotion.  Nearly twenty years on, I hope I’m beginning to get over it.

One of the little things I unearthed was a pepper shaker.  One of my students (now sadly departed) had made a label to express her frustration and humor at trying to learn Hebrew as a mature woman.  I’m probably now the age she was then.  This little artifact has been with me through a great number of momentous changes in my life.  It can still bring a little smile, however.  I see it and I remember Judy giving it to me with a laugh.  I probably shared it with the class.  Even now it has two-decade-old pepper in it.  The declutter experts would say it belongs in the dumpster.  They’re wrong.

Nashotah House was the only job on offer following those intense Edinburgh years.  As all of these things recede further and further into the past, they become more valuable.  No matter how small, these objects played a part in what I remember and rubbed me in a way that influenced my shape.  I don’t know what that final shape will be, but I jealously guard my little things, these boxes of years.  They are points of contact between my life and those of others.  I found many other pieces of myself in these miscellaneous boxes.  I know that someday, all things being equal, this stuff will probably end up in some landfill somewhere, waiting for some future archaeologist wondering what realia we kept back in the years when the world went insane.  And if s/he is really brave, they might even try some of the pepper on their future lunch.

Decide

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Decisions we make when we’re young influence our entire lives.  It’s not that you can’t change course—I’ve seen it happen and it can be a thing of true beauty—but the fact is our young lives become our old lives, if we survive.  I’m now in my sixties.  I reflect a lot about my youth and the fact that I grew up in an uneducated, blue-collar family.  I had no idea what college was, and had not a minister convinced me that I might have the right stuff, I would probably never have gone.  It was foolish in a way.  My family contributed nothing financially—they couldn’t afford to.  I started with optimistic scholarships that eventually became less sanguine and I had to borrow more and more.  Once I’d begun on that path, however, turning back looked to be nothing but disastrous.

Photo by Pablo García Saldaña on Unsplash

The internet allows us glimpses, only glimpses, into the lives of those we knew in our younger years.  Many of my surviving high school friends (and that number decreases every year now) have followed paths to their current situations.  I didn’t know them well, perhaps, but they too seemed set to follow in the courses of their lives.  I really hope they’re happy.  I hate to see anyone sad.  Still, there’s a melancholy captured well by a rabbi, who it is I can’t remember, who once said “You can either be wise or be happy.”  There’s an almost kabbalistic truth nestled in that sentiment, it seems.  Your rudder is small and the ocean is very, very big.  As a penurious boy living in an economically depressed refinery town, I never dreamed I’d have the privilege of living in Edinburgh for three years, with a wonderful wife, no less.  And yet, and yet.

The course of my life is not over yet (I hope).  Every day I make hundreds of decisions but none of them seem as momentous as the ones I made before I had seen much beyond rural western Pennsylvania.  I know this is true of others as well, reacting to the pain and angst of the moment, they turn to whatever gives them comfort.  For me it was books.  And church.  The course of a life.  And in a way that will only make sense of those who knew me in high school (none, or very few of whom ever read this blog), when I do my daily exercises, they always include twenty-two push-ups.  A number that, mystically, corresponds to the number of letters in the Hebrew alphabet.  Way stations along a curriculum vita.

Father of Yeti

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“Always steals women.”  So Subra mutters high in the Himalayas.  Perhaps one of the most unintentionally funny bad movies, The Snow Creature does hold a place in history.  It was the first abominable snowman, or yeti, movie made.  It’s also incredibly cheaply made with a costume that most twelve-year-olds could’ve fabricated better.  As the antepenultimate movie in the “Beast Collection,” I felt obligated to watch it one snowy weekend.  Spouting colonialist and sexist values like a Republican, the story is tedious even at eighty minutes.  But funny at times also.  So a botanist travels to the Himalayas to study plants at 10,000 feet.  His fun is interrupted when a yeti kidnaps the head sherpa’s wife, causing the sherpa to take charge and start to hunt the beast.

The American scientist decides to capture the yeti instead so that he’ll have something to give the foundation sponsoring the expedition.  Leaving behind a female and baby yeti, both killed, he drugs the snowman until a special refrigerated container can be built—gee whiz, Americans can do anything!—to bring the beast back.  And they fly west from Bombay to California, where, when they land the beast is held up in customs (I kid you not).  There’s a debate about whether he’s human or animal and while the debate goes on, the creature escapes.  The hapless police can’t find a seven-foot tall yeti wandering around Los Angeles at night, harassing the women.  Finally they figure he’s using the storm sewers.  They trap him but, alas, have to shoot him.  At this point they completely lose interest in the corpse and exchange meaningless banter as they drive off.

This movie seems to be what the Trump administration wants America to revert to.  Bossing around BIPOC people in their own countries, women being helpless without men to rescue them, and corporations buying what is arguably a human being.  Sounds like a playbook to me.  Also, it was extremely cheap.  What amazed me is that United Artists distributed it.  People must’ve been pretty hungry for entertainment back in 1954.  Having said that, it is worth watching for a laugh.  Now that streaming exists, you can find this free on various services.  If you like very wooden acting, and superior Americans having their way in Asia just because they’re, well, Americans, you might find this a passable way to spend a snowy weekend (wait til winter to watch it; it’ll keep).  Only a word of advice: be sure to lock up your women before you do, because the beast always steals women.

Mired

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For someone who grew up with an Oscar Mayer jingle forever lodged his his brain, it took decades before I became curious about the surname.  I had always supposed it was a Germanic word for “mayor” but then, if so, mayors had to be very busy in the boudoir to make so many.  The reason I grew curious was that there are so many ways to spell it.  I’ve had people complain to me about having to spell their name every time, but I’ve run across “Meyer” spelled “Maier,” “Meyers,” “Mayer,” “Myers,” and many more.  Yes, I’m afraid you have to spell it.  (My wife’s surname is Stephenson and she has to spell it every single time.  For that matter, so do I.)  Why so many Mayers?  A little (very little) research turned up that it comes from old German for “manager”—thus possibly related to “mayor” and maybe even “major”—but that over time it came to mean “tenant,” basically a freeman farmer.  That’s why so many.

Photo by Erik 🖐 on Unsplash

Growing up in a small town, the very common surnames I encountered were “Smith,” “Jones,” and “Miller.”  My mother even married one of the Miller clan eventually.  “Smith” and its variants, derive from craftsmen of various sorts, such as “blacksmith.”  “Miller” is someone who works a mill.  The odd one out here is “Jones,” which derives from a prolific “John” somewhere way back when.  I’ve written before about how common (and widely variable) the name John is.  All these names share a “non-noble” background, it seems.  People of occupations that keep us going.  It made sense that “Meyer” was a name for farmers.

I grew up with a different, but not that uncommon (as the internet has taught me), surname.  Interestingly, all of my grandparental surnames were unusual, although one is compounded with “Schmidt,” or “Smith.”  I find names fascinating.  With so many of our species running around, unique forenames weren’t in large enough supply for us to stop there.  Which John are you?  John Johnson?  Okay, now I can place you.  I tend to struggle with transposed letters from time to time, making the variants of “Meyer” particularly difficult for me.  And that “y” acts like a vowel and sometimes becomes an “i.”  Or a “j” in German.  Cheeky.  We identify closely with our names.  They say something about us.  Thankfully we have other ways of distinguishing ourselves, otherwise we’d all just be lost in the crowd.  

Making More Monsters

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It’s endlessly frustrating, being a big picture thinker.  This runs in families, so there may be something genetic about it.  Those who say, “Let’s step back a minute and think about this” are considered drags on progress (from both left and right), but would, perhaps, help avoid disaster.  In my working life of nearly half-a-century I’ve never had an employer who appreciated this.  That’s because small-picture thinkers often control the wealth and therefore have greater influence.  They can do what they want, consequences be damned.  These thoughts came to me reading Martin Tropp’s Mary Shelley’s Monster: The Story of Frankenstein.  I picked this up at a book sale once upon a time and reading it, have discovered that he was doing what I’m trying with “The Legend of Sleepy Hollow” in my most recent book.  Tropp traces some of the history and characters, but then the afterlives of Frankenstein’s monster.  (He had a publisher with more influence, so his book will be more widely known.)

This book, although dated, has a great deal of insight into the story of Frankenstein and his creature.  But also, insight into Mary Shelley.  Her tale has an organic connection to its creator as well.  Tropp quite frequently points out the warning of those who have more confidence than real intelligence, and how they forge ahead even when they know failure can have catastrophic consequences for all.  I couldn’t help but to think how the current development of AI is the telling of a story we’ve all heard before.  And how those who insist on running for office to stoke their egos also play into this same sad tale.  Perhaps a bit too Freudian for some, Tropp nevertheless anticipates much of what I’ve read in other books about Frankenstein, written in more recent days.

Some scientists are now at last admitting that there are limits to human knowledge.  (That should’ve been obvious.)  Meanwhile those with the smaller picture in mind forge ahead with AI, not really caring about the very real dangers it poses to a world happily wedded to its screens.  Cozying up to politicians who think only of themselves, well, we need a big picture thinker like Mary Shelley to guide us.  I can’t help but think big picture thinking has something to do with neurodivergence.  Those who think this way recognize, often from childhood, that other people don’t think like they do.  And that, lest they end up like Frankenstein’s monster, hounded to death by angry mobs, it’s better simply to address the smaller picture.  Or at least pretend to.

Capture and Release

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Waste not, want not.  I place some stock in old sayings.  With the way things are going, prices are sure to rise and so saving a penny or two may be wise.  So I turned back to my boxed set of “The Beast” for my horror fix.  As I’ve explained before, I bought this DVD set before streaming was a thing, and I was feeling nostalgic for Zontar: the Thing from Venus.  Being a fan of bad movies, it was worth every cent.  The set is actually (mostly) themed around Bigfoot.  I’ve talked about a few of these movies before, and trying to be frugal, I’ve determined to watch the whole set, no matter the cost.  Besides, there’s an aesthetic to bad movies.  The Capture of Bigfoot, no doubt, is a bad movie.  Knowing this before I slipped the disc in, I have no business acting outraged at the poor acting, directing, writing, or any cinematic sins.  Except one: a horror movie can’t be boring.  And Capture is b-o-r-i-n-g.  If you like movies about people slogging through knee-deep snow, this may be for  you.  

What really amazes me is the talent the compilers of such collections have at locating truly obscure bad films.  Now, I have a soft spot for 1970s horror.  Nostalgia carried me through, floating on those seventies’ vibes.  The clothing, especially.  And more particularly, the winter coats.  Although set and filmed in Wisconsin, the winter coats the kids wear in this movie are just like those everybody was wearing in Pennsylvania at the time.  And yes, I trudged through knee-deep snow my fair share of times.  That part just opened the flood gates of memory.  So, the story goes like this…

An evil businessman (I lost track of how many people he killed, or tried to), wants to capture Bigfoot (shown early, in winter white) to put the town on the map.  Paying stooges to go get the beast, he finally builds an elaborate trap that succeeds.  The local game warden, with his girlfriend/wife and her little brother, decide the creature isn’t evil.  Using Batman-style tying skills, bad guy’s henchmen assure that most of his enemies escape to trudge through the snow some more.  A mysterious Indian character tells the game warden that the creature must be set free, which it is.  The evil businessman dies in a fire inside his wicked mine where he’s keeping the beast.  In the end, two families—the warden and the Bigfoot—pay mutual respect.  I do wonder about the mentality of someone making a movie like this.  But then, some forty years later, here I am writing about it.  Win-win. 

Not Schrödinger’s

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It’s quite a dilemma.  It’s Schrödinger’s cat without the box.  Well, it’s a dead cat in my yard.  It’s not my cat and I only know about it because the next-door neighbor saw it while out mowing.  (It’s on the thin strip between our houses and we seldom make our way over there.)  Death is always a problem.  I don’t want to bury it since it looks like it was a pet.  Said neighbor is the only one I know around here but I know some pets have tracers/implants to help owners know if something happens.  So I tried calling the local animal control companies.  They don’t deal with cats.  There is a county service, in the next town over, but we’re across the border in a county that doesn’t deal with cats or dogs.  The DOT won’t get involved unless they’re on the street.  The local municipality also handles them only on the street or sidewalk.

Now, I own a shovel and I’m not afraid of hard work.  I am a bit squeamish, though.  I’ve handled half-squirrels from some hawk with eyes bigger than its stomach.  I also have to take care of dead birds and squirrels that get into the garage.  This is a bit bigger than I’m used to.  I’m not even entirely sure if it’s a cat, really.  Once an opossum got into our compost bin and the fur looks like it could be an opossum.  It doesn’t smell bad, though, and possums don’t have the most pleasant bouquet even when they’re alive.  The flies seem to like it okay, however.  The space between our houses would be challenging for the turkey vultures I see around daily.  They must be mad with frustration circling up there.  If it’s somebody’s pet I’m sure they’d like to know, but it’s looking like I’ll be digging—but you’re supposed to call Angie first, right?  In case of buried cables?

Death is entirely natural.  Ironically, I live two blocks from a pet crematorium.  I wonder if they make house calls?  Then again, it wouldn’t be cheap.  We expose ourselves to loss when we bring pets into our families.  My own beloved childhood beagle was hit by a car.  Meanwhile, I know that we shall all meet on that beautiful shore, by and by, and when we do I hope someone recognizes their cat from this side of the vale of tears.  Or at least outside of Schrödinger’s box.

Image credit: Greudin, public domain, via Wikimedia Commons