Shipping Tracking

It’s an anxious season. What with porch pirates being a thing and the holiday season near, I think it’s about time to rate shipping trackers.  Please, I am not rating the actual delivery persons—theirs is a difficult job, I know.  On the receiving end, there’s always an anxiety that an item left on the porch will be raptured before discovered by the person who ordered it, so I try to arrange my schedule to be home on delivery day, during delivery hours.  The post office (USPS) has always been a little suspect.  I’ve had “item delivered” messages from them only to find it wasn’t even out for delivery that day.  And don’t get me started about two local distribution centers that appear to have no idea what state they’re in, let alone what other towns might be nearby.  USPS isn’t near the top of my list.  With apologies for the spoiler, Amazon understand logistics.  I know many people who don’t like Amazon for various reasons, but say what you will, they generally know where your package is, in my experience.

There is a service on the bottom of the list, regarding trackers, but before I get there I need to say that these are shipping companies we’re discussing.  Their raison d’être is to move items from one place to another.  I also realize that the older companies that ship had to integrate computer tracking into already existing structures.  USPS was around centuries ago, and it’s understandable that integrating tech into the rather straightforward process of getting an item from A to B is a challenge.  I’ve worked for companies that have tried to integrate tech into pre-existing structures, and it’s always messy.  Still, it would seem that if your business is delivery and everything from GPS systems and advanced software make that more efficient, why wouldn’t you integrate it?

Which brings me to the bottom of my personal list.  I’m sorry UPS (not USPS), it’s you.  The tracking info is often virtually junk.  The number of times I’ve seen a package to be delivered that day only to have some half-hearted excuse, such as “Delayed” pop up on the timeline, with no explanation, followed a day or more later with a vague “we’ll get it to you when we can” message, hardly inspires confidence.  All the more’s the pity since UPS was the “United Parcel Service,” with the goal of being a package delivery service industry.  And it was founded more than a century ago.  You’d think that they might be able to scrape together a few dollars to hire some kind of systems architect to figure out where the software’s falling down on the job.  Of course, I should be charitable with the spirit of the season. It’s just that I’m anxious.  There are porch pirates in the neighborhood.


Scary Television

Since noting some months ago that I’d discovered Dark Shadows on Amazon Prime, it’s no surprise that I’m squeezing in an episode here and there, where I can.  Amazon begins “Season 1, Episode 1” at the point Barnabas Collins appears.  This was actually ten months into the daily, but it saves a few hundred dollars buying the DVDs.  I honestly remember little more than impressions of the soap opera from childhood.  I can’t say which episodes I saw during the initial run, but I do know that they were formative in my appreciation of horror.  It turns out that many famous people in various media were childhood fans of the show.  It certainly wasn’t the slickest production but it manages a mood that’s difficult to match.  It’s what Edgar Allan Poe called “effect,”—he felt that a short story should maintain a single effect, something that he did most notably in his macabre tales.

I recently watched, in Amazon’s numbering (and I realize Amazon didn’t come up with this, it was a rebroadcast release that someone decided should start when the show became popular) episode 22 in season one.  This particular episode surprised me in that it actually had a legitimately scary ending.  Now, soap operas are very slow unfolding of stories, as most television watchers know.  Things don’t change quickly and action-packed content requires a lot of time to set up and film, whereas daily shows simply don’t have the time to do that.  They rely on people being drawn into the story and wanting, needing, to find out what happens next.  By episode 22 the savvy viewer had already figured out that Barnabas Collins was the vampire.  Nobody had explicitly said so yet, however.

Maggie Evans, his favorite victim, has been “ill” in bed from loss of blood.  Under Barnabas’ spell, she sends away her boyfriend and Victoria Winters—the original impetus for the entire series—has come to sit with her through the stormy night.  As the two women argue about the proper care for Maggie’s condition, the storm continues, flashing lightning through the French doors in Maggie’s room.  The wind blows the doors open and a flash of lightning shows the silhouette of Barnabas standing in the garden.  I have to admit, even at my age and with my background of horror movie watching, that moment scared me.  The genius of the show is that Barnabas is such a likable character.  As the narrative develops, as it does beginning in episode 23, we come to see that Barnabas is a sad, reluctant monster.  Perhaps if I’ve time enough, I should write a book about it.  But then, I barely have a moment to squeeze in an episode now and again.


Being Written

Some books want to be written, no matter what major publishers have to say.  The truth is, being an author is more like being a radio receiver than a transmitter.  Books come to you, begging to be written.  Given our culture, we equate importance with money.  Tomes that earn the most are obviously the most important and erudite.  So the (capitalistic) wisdom goes.  We follow the lucre.  If you read this blog you’ve probably had an experience like this: you find a book that you’ve never heard of that captures your interest.  You read it, transfixed.  When you tell others, nobody seems to have heard of it.  I’d say a number of books I’ve blogged about fall into that category.  The “general reader” follows what the big five publishers suggest they should.  It becomes a feedback loop.

Academic presses—university presses and others that cater to either students or professors as their primary readerships—produce some fascinating books.  Often they’re priced a bit higher than we want to pay.  That’s because they don’t sell at the volume that a big five book does.  The higher the quantity the lower the unit cost, right?  Books that wanted to be written but either price themselves out of sales, or aren’t backed up by a team of marketers and publicists, may be some of the most interesting reading material out there.  You’d never know it, though.  From the point of view of an author, most of my books came begging to me.  I occasionally think of commercial potential because, well, if you’re going to put years of your leisure time into something, you’d like to get at least a little back.  And you’d be glad for feedback, or someone what wanted to ask you about what you’d been begged to write.

Sadly, we have tunnel vision.  It only sees the shining spots crowded with dollar signs.  And since others are willing to pay for it, we have to assume that it’s good.  I’m working on my next set of imploring projects praying to be written.  I can’t handle them all, being gainfully employed helping others who write books that want to be written.  We write them for each other.  I figure that if I’m receiving the signal somebody must be sending it.  And I have a difficult time turning down an idea that pleads with me.  And if someone unexpected picks one of our books up and gives us a like, we show that even receivers can smile.


Posting

I’ve seen The Post before.  Maybe it took recovering from a vaccine to make me realize, however, just how much we’ve lost with the rise of electronic publication.  Yes, there is now a shot at recognition by the lowliest of us, but publication used to mean something important.  Consider how Watergate, the coda to the film, brought down Nixon.  Now we have a president who could’ve never been elected without the world of the internet, and who is coated with teflon so thick that even molesting children can’t harm him.  I work in publishing these days.  I often reflect on how important it used to be.  Ideas simply couldn’t spread very far without publication.  That’s what makes The Post such an important movie.  It’s the story of how the Washington Post came to publish The Pentagon Papers.  Said papers revealed that the United States was well aware that the Vietnam War was unwinnable, even as the government sent more and more young men to their deaths.

There are many ways to approach this film, including the doubt that it instills in even free democracy, but what struck me as the vaccine was wearing off is how publication has become a more challenging and endangered as the Wild West of the internet continues to expand.  Newspapers used to be the harbingers of truth.  Early in the history of the broadsheet, however, there were those who’d make things up in order to sell copies.  (Capitalism is always lurking when skulduggery is afoot.)  Over time, however, certain papers gained a hard-earned reputation for reliable reporting and publication with integrity.  A story going out in the early seventies in the Washington Post could influence history.  Now it’s owned by Jeff Bezos.

There was a time when a book might change the world.  Now there’s a little too much competition.  Publishers of print material struggle against the free, easy access of the internet.  All that publishers really have to offer is their reputation.  Those that have been around for a long time have earned, the hard way—you might say “old school”, the right to tell the world the truth.  Now the truth comes through Twitter, or X, or whatever it’s called these days and more often than not consists of lies.  Of course I don’t believe the internet is all bad.  I wouldn’t contribute daily content to it if I believed that.  Still, I fear we’ve lost something.  Something important.  And right now we have nothing to replace it.


Naming Things

There’s this thing that you saw and you don’t know what it was called.  It was, say, an architectural or engineering part of a bridge.  Specifically a railroad bridge.  You’ll find that even with dedicating quite a lot of time to it, the internet can’t tell you what is is called.  I was recollecting something that happened to me as a child that involved a railroad bridge.  I can picture the bridge quite clearly in my head, and I wanted to know what a specific feature was called.  Google soon taught me that there are far too many types of bridges to get the answer to my specific question.  No matter how many bridge pictures I examined, even specifically railroad bridges, I couldn’t come up with one sharing the feature I was remembering.

What I need is to sit down with a roomful of experts, make a drawing on the whiteboard, and see if one of them can answer the specific question: what’s this called?  The web is a great place for finding information, but the larger issue of finding the name of something you don’t know is even larger than the web.  Is that even possible?  Yes, for the human imagination it certainly is.  People tend to be visual learners.  (This is one reason that book reading is, unfortunately in decline.)  Videos online can convey information, and some even “footnote” by listing their sources in the description.  The problem in my case is, they’re not interactive.  To get a question answered, you need to ask a person.  I don’t trust AI as far as I can retch.  It has no experience of having been on a railroad bridge as a child when a train began to approach.

Technically, walking along railroad tracks is trespassing.  Mainly this is because it’s dangerous and potentially fatal.  (And somebody else owns the property.)  Growing up in a small town, however, one thing guys often do is walk along the tracks.  They are good places for private conversations with your friends.  The added air of danger adds a bit of zest to the undertaking.  Rouseville, one of my two childhood towns, was quite industrial.  That meant a lot of railroad tracks.  I had an experience on one of the bridges at one time and I really would like to know what the various parts are called.  Just try searching for illustrations of exploded railroad bridge parts.  If you do, you may find the answer to the question that I have.  But the only way I’ll know that for sure is if I can point to it and ask you, “what is this called?”


Machine Intelligence

I was thinking Ex Machina was a horror movie, but it is probably better classified as science fiction.  Although not too fictiony.  Released over a decade ago, it’s a cautionary tale about artificial intelligence (AI), in a most unusual, but inevitable, way.  An uber-wealthy tech genius, Nathan, lives in a secured facility only accessible by helicopter.  One of the employees of his company—thinly disguised Google—is brought to his facility under the ruse of having won a contest.  He’s there for a week to administer a Turing Test to a gynoid with true AI.  Caleb, the employee, knows tech as well, and he meets with Ava, the gynoid, for daily conversations.  He knows she’s a robot, but he has to assess whether there are weaknesses in her responses.  He begins to develop feelings towards Ava, and hostilities towards Nathan.  Some spoilers will follow.

Throughout, Nathan is presented as arrogant and narcissistic.  As well as paranoid.  He has a servant who speaks no English, whom he treats harshly.  What really drives this plot forward are the conversations between Nathan and Caleb about what constitutes true intelligence.  What makes us human?  As the week progresses, Ava begins to display feelings toward Caleb as well.  She’s kept in a safety-glass-walled room that she’s never been out of.  Although they are under constant surveillance, Ava causes power outages so she can be candid with Caleb.  She dislikes Nathan and wants to escape.  Caleb plans how they can get out only to have Nathan reveal that the real test was whether Ava could convince Caleb to let her go by feigning love for him.  The silent servant and Ava kill Nathan and Caleb begs her to release him but, being a robot she has no feelings and leaves him trapped in the facility.

This is an excellent film.  It’s difficult not to call it a parable.  Caleb falls for Ava because men tend to be easily persuaded by women in distress.  A man who programs a gynoid to appeal to this male tendency might just convince others that the robot is basically human.  It, however, experiences no emotions because although we understand logic to a fair degree, we’re nowhere near comprehending how feelings work and how they play into our thought process.  Our intelligence.  Given the opportunity, AI simply leaves humans behind.  All of this was out there years before Chat GPT and the others.  I know this is fiction, but the scenario is utterly believable.  And, come to think of it, maybe this is a horror movie after all. 


Do I Know You?

How do you know someone without ever seeing them?  How do you know they are who they say they are?  I’ve been spending a lot of time on the phone, much of it trying to establish my identity with people who don’t know me.  This has happened so much that I’m beginning to wonder how many of the people I’m talking to are who they say they are.  I never was a very good dater.  Going out, you’re constantly assessing how much to reveal and how much to conceal.  And your date is doing the same.  We can never fully know another person.  I tend to be quite honest and most of the coeds in college said I was too intense.  I suppose that it’s a good thing my wife and I had only one date in our three-year relationship before deciding to get married.

Electronic life makes it very difficult to know other people for sure.  I don’t really trust the guardrails that have been put up.  Sometimes the entire web-world feels false.  But can we ever go back to the time before?  Printing out manuscripts and sending them by mail to a publisher, waiting weeks to hear that it was even received?  Planning trips with a map and dead reckoning?  Looking telephone numbers up in an unwieldy, cheaply printed book?  You could assess who it is you were talking to, not always accurately, of course, but if you saw the same person again you might well recognize them.  Anthropologists and sociologists tell us the ideal human community has about 150 members.  The problem is, when such communities come into contact with other communities, war is a likely outcome.  So we have to learn to trust those we can’t see.  That we’ll never see.  That will only be voices on a phone or words in an email or text.

I occasionally get people emailing me about my academic work.  Sometimes these turn out to be someone who’s hacked someone else’s account.  I wonder why they could possibly have any interest in emailing an obscure ex-academic unfluencer like me.  What’s their endgame?  Who are they?  There’s something to be said for the in-person gathering where you see the same faces week after week.  You get to know a bit about a person and what their motivations might be.  Ours is an uncertain cyber-world.  I have come to know genuine friends this way.  But I’ve also “met” plenty of people who’re not who they claim to be.  Knowing who they really are is merely a dream.


If You Do

Folk horror is particularly open to religion.  The powerful Euro-horror film, The Damned, is nearly worthy of Robert Egger status.  Indeed, the movie reminded me of Egger’s work, so perhaps Thordur Palsson is his Icelandic incarnation.  Set in a fishing station in a remote arctic bay in the 1870s, the owner’s widow oversees the operations of six fishermen and the woman who cooks and keeps the house.  Her husband died at sea the previous year, and the fishing has been very poor, threatening their existence.  They need to eat their catches, as well as their bait, trying to stay alive until spring.  Eva, the young widow, sees a ship foundering on the distant, jagged rocks.  The men insist that if she orders them to help, their food supplies will quickly be depleted, and the rescue operation would put them all at risk.  Lured to the wreck by a food barrel that has washed ashore, they encounter more men than they can keep and have to fight them off of their small fishing boat, killing one in the process.

The helmsman of the boat falls overboard and drowns as the survivors try to climb aboard.  The small boat manages to escape, however.  Helga, the housekeeper, warns Eva of the draugr, a monster of Nordic folklore that is a kind of zombie.  If it gets into your head, she warns, it will led to death.  Skeptical of folktales, Eva begins to change her mind as her small group of companions begins dying off.  Helga disappears.  One of the men dies after being stopped from killing a companion.  Eva is now left with only four men.  One of the men insists they are paying for their sin, and begins erecting a large cross as an act of penitence.  After seeing a man in the mist, the new helmsman dies by suicide.  Now convinced the draugr is real, Eva leads an expedition to find and destroy it.  This leads to the death of yet another crew member.  The three remaining people decide to flee by night in the boat.  Eva, however, encounters the draugr in the cabin and destroys him by fire.  A spoiler follows.

The shocking end reveals that the draugr was actually a survivor of the shipwreck and his presence explains the “supernatural” events they believed the monster caused.  Eva, delusional, kills the man.  The story plays heavily on both the isolation of the fishing station and the guilt the characters all undergo after leaving their fellow sailors to die on the jagged rocks.  Their fear transforms fevers into deadly paranoia as they kill one another and themselves off.  This is set against the stunning arctic scenery of the fjord that houses the station in a stark winter landscape.  And the conflict between religious systems is right there on the surface and deep within the minds of those isolated, far from civilization.


Eve of Winter

“You must live like a monk!”  These were the words of one of my bosses.  I really couldn’t deny it.  I try to lead a quiet life of reading and writing and I do try to avoid extravagances.  My contemplative life suits me.  Every now and again, however, busy stretches come and distort my perspective.  Thinking back over this autumn on the eve of December, that season has been one of those times.  So much so that I haven’t been able to watch much horror, which is one of my usual seasonal avocations.  I suppose it started when a scammer emptied out our bank account in early September.  That entire month is a blur of fear, depression, and anxiety.  Those emotions have settled down, but the trauma and financial loss have remained.  

Toward the end of the month, my daughter moved.  Thankfully not too far away, but parents often feel the need to help when their only child is not yet well established in a new area.  October grew so busy that we had no time to decorate for Halloween.  We did manage to carve some pumpkins, but the weekends—the only time anything for real life actually gets done—were all eaten up and I entered November with that crowded head space that accompanies a monk lost in the secular world.  Looking back, I finished fewer books than usual and I’ve already mentioned about the movies.  This year I was pretty sure I’d be attending the American Academy of Religion and Society of Biblical Literature annual meeting in November.  I had missed the past two years, not really mourning the loss, but preparing for the trip occupied part of October.  Halloween came and went, taking the first weekend of November with it.

In November we had guests come and the second weekend disappeared.  The next weekend I had to get into high gear for my trip to Boston.  That was when I had the flu shot that wiped out a weekend.  I awoke groggily on Monday realizing that Friday I’d be on Amtrak’s Northeast Regional.  I’d never been to Metropark before and the conference itself ate up the fourth weekend in November.  After that, we turned around and spent Thanksgiving with some longtime friends in New Jersey.  Then we learned a Pennsylvania friend had spent the holiday alone and decided to make a celebration for them yesterday.  So here I find myself on the eve of winter with a fall that somehow disappeared.  Busy spells can be refreshing, even for the monkish.  But tomorrow is back to work as usual as December sets in.


Books and Mormons

Some time ago we went to see Book of Mormon on tour.  I really knew very little about it other than it was consistently praised as being very funny.  I’m always a little concerned about poking fun at anyone else’s religion because I know people take their beliefs very seriously.  As I reflect on the show (which was quite funny) it seems that it wasn’t so much poking fun at the Latter-day Saints so much as it was poking fun at religion itself.  That’s less problematic as it’s not singling anyone out for ridicule.  It’s a system that’s being made light of.  Or at least any religion that is an effort to convert others.  There’s a kind of violence to it.  And if Book of Mormon is about anything, it’s about missionaries.  Amid the laughs it makes some valid points—trying to convert people without first trying to understand their culture is a fraught activity.

People want religious specialists who thoroughly understand their tradition.  I can say from experience, both as an erstwhile seminary student and a seminary professor, that the time given to become an expert is insufficient.  The older I’ve grown the wider the perspective I’ve tried to step back to see.  To be an expert on a religion really requires some facility with understanding other religions.  To understand, say, Methodism, you need to understand Anglicanism.  To understand Anglicanism, you need to understand Catholicism.  To understand Catholicism, you need to understand early Christianities.  To understand early Christianities, you need to understand Judaism.  And so the widening concentric circles go.  Nobody can be an expert in all of them, and each of these religions mentioned has, in its own right, sub-specializations that have their own experts.  Who has time to learn the religion of those they intend to convert?

Any religion that makes supernatural claims (and many of them do; it’s their nature) makes extraordinary allegations.  Those allegations, when examined closely, reveal some improbable elements.  Trey Parker and Matt Stone, two of the authors (most famous for South Park) apparently said that they had no intention of making fun of anyone’s religion and a spokesperson for the Latter-day Saints indicated that no real offense was taken, acknowledging that it’s parody and parody is only offensive if it’s taken seriously.  Many religions have thin skin when it comes to parody or satire.  The serious part is that some religions, in real life, take conversion of all others with a zeal that could (and does) become dangerous.  Still, this musical is very funny, as long as it’s not taken too seriously.


Existing Stance

You know, I’ve referenced eXistenZ several times on this blog without really writing about it.  How rude of me!  Well, the fact is eXistenZ is one of my “old movies”—those that I knew from the days before I started this blog.  I have watched it since 2009, but early on I didn’t review movies unless they had religious elements.  Having recently referenced eXistenZ yet again, I figured it was time to look directly at it.  When I first watched this movie I had no idea who David Cronenberg was.  The film was recommended to me by one of my students at Nashotah House.  In those days there was no streaming so I had to purchase the DVD.  The movie is a science fiction horror film, primarily body horror, which is kind of Cronenberg’s shtick.  It’s also about gaming and I’m not a video gamer at all.  Still, I really like this film.

Perhaps presciently, Cronenberg set the movie in 2030.  Computer gaming has become biological with organic ports that have to be punctured into players’ spines so they can use an “UmbiCord” to connect to the pod.  Rewatching it, this seems almost too plausible.  In any case, as the movie goes on it becomes less and less clear what is real and what is part of the game.  Reality becomes distorted.  eXistenZ came out about the same time as The Matrix (probably why my student suggested it to me).  Given the very high profile of the latter film, eXistenZ never really broke out.  Cronenberg seldom breaks through to the mainstream, but I know a lot of people were talking about his remake of The Fly in 1986.  I even saw that one in the theater with some seminary friends.  In those days I didn’t know enough about horror to know what to expect from a Cronenberg film, which may be why it had such an impact on me.

In any case, eXistenZ remains underrated.  I see more recent films that appear to nod to it.  The horror aspects tend to be the slimy, gooey aspects of the game world which—spoiler alert—is, diegetically, the one in which the viewer resides.  There are indeed a few parallels to The Matrix, but eXistenZ has creatures and horror themes.  Sci-fi horror is a sub-genre that often works.  Critics tend to refer to such things by the older category of “science fiction,” but it is close kin to horror, a genre only separated out in the early 1930s.  Now as AI takes over the world, it might be a good opportunity to watch eXistenZ and ponder just how far you want to let it go.


Thanksgiving Reentry

One of the facets of attending AAR/SBL that I’d forgotten is how international attendees marvel at American Thanksgiving.  While it is far too focused on food for my liking, it is nevertheless an oddity among late capitalism’s sops.  I’m slowly becoming acclimated to the 9-2-5 environment I so desperately wanted to avoid in my career, but I’ve noticed that, at least in my case, the three publishers for which I’ve worked have this in common.  What is “this”?  The only four-day weekend in the entire year is Thanksgiving.  Probably that stems back to the fact that it falls on a Thursday and employers probably don’t want bloated, food-comatose employees trying to keep awake on Friday, and failing.  Perhaps there’s also the kinder motivation in realizing that by this point people have been working hard for many months and the US has comparatively few paid holidays.

I’m thankful for being home after the conference.  My trip to Boston underscored how much of a hermit I’ve become.  Afraid of crowds because of Covid, and not having ready cash as a result of being scammed, staying home has become a comfortable idea.  Being with others, I was glad to find, provided stimulation.  There are colleagues, both in publishing and in academia, that I look forward to seeing.  I’ve been slow to admit, I suppose, that my ouster from the latter is indeed permanent.  It’s wonderful to see friends who remember me when.  Looking back, I was very naive, even as a professor.  And I see many who, pardon my saying so, still are.  Unless you’ve been in the business world where a four-day weekend is a big deal, living in the ivory tower shelters you from much.

So I’m still in the “reentry phase” of conference recovery.  Although I was thankful to have been able to travel to Boston by train, getting home on a rainy night with heavy New Jersey traffic was a test of endurance.  In my hermit’s life I drink a lot of water and even rehydrating after shorting myself for five days takes an effort.  I’m thankful for the opportunity to have been in New England again.  And for friends on both ends of the trip who appear to welcome me for what I am.  What I’ve become.  Even though sleeping in a luxury hotel where the thermostat isn’t kept quite as chilly as we can afford to keep it at home, I’m thankful to sleep once again in my own bed knowing that there is a wider world out there and I can still function in it.


Spades Are Trump

Sometimes it feels like the world is against you.  I can imagine that if you’re African American it feels like that much more often than if you’re not.  Racism, systemic and horribly pervasive, should disappear with education and with exposure to other people and cultures.  Still it persists.  Faridah Àbíké-Íyímídé’s novel Ace of Spades, conveys what it feels like to be singled out because of race.  This it does in a dark academia setting.  Nevius Academy is a private school where typical teen concerns loom large—sex, drinking, getting into a good college.  Chiamaka is a queen bee, a hard-won position that she struggles to keep her senior year.  Devon is also a senior, but from a poor family.  His mother works hard to keep him in the music program there, with the hopes that he’ll make it into a premier program to develop his talent.  Then threatening things start to happen.

Not natural allies, Chiamaka and Devon eventually team up when they realize that Nevius Academy’s secret society, Aces, attempts to destroy the lives of students of color.  The plot runs very deep; a white supremacist faction runs the school and for the pure thrill of it, ruins the chances of the two Black students they admit every ten years.  These two victims fight back.  Added to the racial drama, Devon is also gay.  As the story unfolds, Chiamaka discovers that she is also.  This proves yet another facet of life that leads to ostracism and, in Devon’s case, beatings.  In other words, this isn’t exactly a cheerful story.  Given what has happened politically in the past year it becomes believable that such places might exist.

The darkness of this academia is right there on the surface in this novel.  Our high school years are formative ones and the decision to build up only to destroy during this period is a particularly monstrous one.  In this case the school itself almost becomes a monster.  Fueled by the collective hatred of generations of administrators and alumni, it consumes students of color.  Of course, this story was likely intended as a parable.  Fiction is often where we cry out to be heard.  Àbíké-Íyímídé’s novel became a bestseller a few years back, so hopefully that cry has been heard.  To be effective, however, hearing is nothing without action.  Books can be agents of change.  Our current climate of trying to ban them only perpetuates misplaced hatred.  If only we could encourage reading and understanding instead.


That Was Quick

It happened when I wasn’t looking.  If you’re a regular reader you’ll know that I’ve been in Boston since Friday for the AAR/SBL Annual Meeting.  This is a work event for me and I’m pretty much in meetings from 8:30 (or earlier) to 5:30 (or later) each day.  I always come home with “conference voice”—I can barely speak until Thanksgiving.  In any case, while I was distracted in Boston this blog slipped past a milestone.  At some point over the weekend I surpassed a million hits.  Given how rare large numbers are in my life, this is kind of a big deal for me.  I know websites that get attention and critical acclaim hit the million mark within months, or even weeks.  Still, at the ripe old age of sixteen, I’ll take it.  And I’m very grateful to any and all of you who’ve taken a moment to read my musings over the years.

During the conference I was talking to a friend who’s become a celebrity on TikTok.  I also spoke to another friend who’s become a more traditional media darling.  They both outshine me by orders of magnitude.  Attending events like this is always an humbling experience.  I’ve managed to hang around since 1991, with a few gaps, and although it’s always a grind to get ready and get myself out the door, I always walk away amazed at how much so many people have achieved.  Mine is not the only story of a first-generation college student finding a place in the professional world, even if it may not be exactly the place I’d hoped for.  I’m in good company.  I do suspect that most of my readers are not people from this venue.  If I’m wrong, please feel free to comment to let me know.

Mostly since being here I’ve been musing over Edgar Allan Poe and worrying about the traffic I’m sure to encounter once I get off the train and have to drive home during rush hour in New Jersey.  But I’ve also been listening to the stories of friends and colleagues.  They may think they’re pitching me their latest book, but what I’m hearing is their story.  That’s perhaps the most wonderful thing about conferences.  Being distracted enough not to notice when good news creeps upon you.  I know blogs are old fashioned and generally considered outdated.  That describes me as well.  But it warms my heart that so many viewers have stopped by.  My profound thanks to you all!


Boston’s Poe

Among my parasocial relationships, the strangest are those with people long dead.  Poe is among them, and, I suspect, this is probably a common thing.  As I age and find it difficult to muster the energy to attend large meetings with lots of people, the one factor that excited me about this year’s AAR/SBL, apart from being in New England again, was meeting Poe.  Now, I know that “Poe Returning to Boston” isn’t actually Poe himself.  But I do believe that places retain something of the essence of what happens in them.  Poe was born in Boston, on Carver Street.  The building itself was demolished some time ago.  I set out to see the site yesterday morning before the conference began, only to find that it is now fenced off, having been acquired by MassDOT.  As I stood there, wondering, fearing, it occurred to me just how much of a role pilgrimages play in our lives.

I’ve written about my SBL experiences before on this blog—look at my November posts for many of the years I’ve been doing this—but Boston is by far the most personal.  Part of it is certainly the fact that I lived here for about three years, but Poe is definitely part of it too.  As I went to do an uncrowded photo essay of Stefanie Rocknak’s statue, although it was quite early on a Sunday morning, and also quite chilly, I wasn’t the only one there.  A couple came along to pose with Poe.  When I took my initial photo (on my Saturday morning post) I had to await a different couple consorting with Poe.  I know this isn’t Poe, but it has come to represent his presence is my favorite city.  The mingling of emotions was strong.  

The sign designating this as Edgar Allan Poe Square is faded and weather-beaten.  I can imagine that local politicians have headier issues with which to wrestle, beyond replacing an aging sign for aging tourists.  And having read J. W. Ocker’s Poe-Land, I know there’s a bust of Poe in the Public Library now.  I walk by it each morning and evening, but the conference schedule keeps me out.  Poe himself was no great fan of Boston but this is where the world first met him.  I know that I should get my head in the game of academic conferencing, but I’m a little distracted by the presence of a friend I never met.  And breathing the rarified air of New England.