Omega Alpha

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The-Omega-Man-Poster Perhaps out of a warped—perverse even—sense of self-punishment, I watched The Omega Man. Being unemployed will make you react that way. I have a pretty high tolerance for theatrical assault, as my regular readers will know. For those of you with less self-destructive penchants, The Omega Man was the second cinematic adaptation of Richard Matheson’s novel, I Am Legend. The first movie version, The Last Man on Earth, was released in 1964, starring Vincent Price. The most recent version, borrowing the novel’s name and starring Will Smith, is the third and best attempt so far. In any case, The Omega Man opens with Charlton Heston thinking he’s the last man alive, and even that doesn’t stop him from taking his shirt off at every opportunity. That I could tolerate, however, had the movie not strayed from what I thought was its central premise—that Robert Neville was alone with a city full of vampires. Although Vincent Price did not, uncharacteristically, make a convincing last man alive, the earliest version at least retained the vampires. The Omega Man, perhaps in the spirit of 1971, substituted them for religious fanatics.

The substitution didn’t bother me so much, but the religious fanatics were pathetically acted. Leibowitzian, anti-progress monks, hating the science that led to the nuclear holocaust that made them photophobic night dwellers, they snack on sardines and graham crackers, but only come out at night to kill scientists. Well, only one, since Neville seems to be, uh, the last man on earth. They accuse him of making the wheel and using technology as they run around in off-the-rack children’s Halloween costumes acting otherwise infantile while Heston strikes dramatic poses, grimacing with a variety of machine guns in hand, as he simply shoots them. That’s not the way the world’s supposed to end. The vampires have become a religious society doing everything short of handing out tracts on the corner. Well, maybe it is the end of the world after all.

It is difficult to portray loneliness effectively. Those of us who’ve been there know it intimately, and somehow Charlton Heston has too much fun with it. Even Vincent Price had trouble making it look convincing (I mean, who still uses a saucer when having their coffee and wears a tie after the apocalypse?). Will Smith at least showed a man occasionally breaking down in tears. Charlton Heston doesn’t cry. And he doesn’t shy away from god-like delusions. When he finds the other survivors (or they find him), we learn that Neville has been attempting to cure the religion virus. Dutch says, “Christ, you could save the world.” Neville doesn’t deny the obvious messianization of his mission. In fact, pseudo-crucified on a piece of modern art, Neville receives a spear-thrust to the chest, and dies in cruciform posture in a pool of his own blood. His blood that has the antibodies to save the world. Sound familiar? For all the blood, the vampires are gone. And when I feel that the world is against me, I want to see vampires.

Human Resources

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I’m thinking about how we blithely accept cruelty and christen it “just business.” It’s legal, and even encouraged. Was a time when you wouldn’t dare trade with a stranger because he might cheat you. To make a deal implied a relationship. To get away with something unseemly you had to be able to look someone in the eye and take advantage of her or him anyway. Oh, we’ve sanitized it alright. Most workers never meet the CEO. His hand doesn’t even deign to sign the paycheck. The workers are forced to trust nevertheless. Don’t worry, it’s just business. Or is it?

Wired GeniusThe system, of course, favors those with the loudest voices, and those voices speak the language of Mammon. We don’t dare upset the order, believing we will get ours some day. Delusion is so sweet. On the cover of Wired magazine is a little girl. The caption reads, “Genius is everywhere—but we’re wasting it… Seventh grader Paloma Noyola Bueno lives next to a garbage dump in Mexico. Last year she had the top math score in the country.” Careful, Wired, you’re beginning to sound socialist. Bueno was on the cover of a major magazine because she was discovered. Those who remain hidden far outnumber those who claim far more than their share of capital. You don’t make it to the top unless you crawl over the other caterpillars. When you reach the top, as Trina Paulus sagely warned, you find there’s nothing there. Just human detritus beneath your feet.

Business has come to mean “cold and impersonal.” Keep the human element out of it. In fact, the term “just business” is a very effective shield against all kinds of unethical behavior. And it is the model on which we shape our society. Is it any wonder that the economy takes such precipitous tumbles? Funnily enough, those who support “business ethics” such as these most vehemently also claim the title “conservative Christian.” Unless Christianity has thrown its moral compass into the sea, there’s no legitimate way to claim the latter half of that moniker. We praise and wonder at our Einsteins. How many of them died in the gas chambers and ovens of the Nazi regime? How many of them have starved in Africa? How many never rose above the crippling poverty of Mexico? Perhaps it is time we as a society demanded a stop to the wastage. “Waste not, want not,” should be our mantra. And if those at the top can’t show what they’ve done to help their fellow human resources, perhaps they should live next to the garbage dump. Don’t take it personally, one percenters, it’s just good business.

Thanksgivukkah

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A moveable feast is hard to hit. Or something like that. Religious festivals are frequently tied to celestial events—the ancient Jewish holidays are based on a lunar calendar which, we all know, is out of synch with the solar one. This is the reason that for Christians Easter migrates around the spring calendar, even if different branches of Christianity peg the resurrection on various dates. Curiously, no one has suggested going back to c. 33 C.E., fixing the date of Passover that year, and giving a calendrical date for Easter. It sure would make planning a lot easier. In any case, a week or so ago there was a flurry of lighthearted commentary on “Thanksgivukkah,” the fact that Hanukkah and Thanksgiving occur at the same time this year. Both are moving feasts, and they just happened to bump into each other this year.

Thanksgiving is a modern holiday, emerging with the Protestant penchant for giving thanks for surviving in a harsh, new world. The United States government (which was not shut down at the time) finally regularized the date of the holiday to the fourth Thursday in November, giving the commercial world it’s only regular 4-day weekend. Christmas, not a moveable feast, cycles around the days of the week, giving employers a great sense of glee when it falls on a weekend so that employees may be given only a token Friday or Monday off. The day after Thanksgiving, however, is thankspending, as American a holiday as one can conceive. Hanukkah is also a roving feast. Celebrating the cleansing of the temple in Jerusalem after being defiled by the Seleucids, it has taken on many of the trappings of Christmas over the years, but it can come as early as late November, as Thanksgivukkah demonstrates.

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Holidays, in this secular world, have come to represent something for which the Sabbath originally stood. The idea was that people needed a break from work. Despite all the studies that show more breaks make people more productive, our culture glorifies the over-worker. The reason, clearly, is not productivity, but control. I recall a lawyer once drawing a large circle on a newsprint pad and telling me, “this represents what your employer can do to you.” He drew a tiny circle in the middle of the large one and said, “and this is what your employer can do to you that is considered illegal.” Yes, we are a society that has never really gotten over the idea of indentured servitude. Little things like holidays overlapping keep us amused, while still at our desks. Hanukkah lasts for eight days. Christmas for twelve. But don’t try to take all that off—you might like coming back to work refreshed a little too much. Instead, why don’t you try making those bricks by finding your own straw? Everyone will benefit from this pyramid scheme.

Carrie the Cross

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Carrie1976With all the buzz about the new Carrie movie just released, I decided to go back and watch the Brian De Palma version again. I’ve written here before about the religious symbolism of the movie, but I have to confess to never having read the novel. This time a particular symbol stood out, and I’m not sure whether it derives from De Palma or King. Crosses abound in the 1976 Carrie. This is a bit odd because of the indeterminate religion of Carrie’s mother. Clearly she has a belief in Jesus, but an odd Jesus it is. In Carrie’s prayer closet the statue—presumably of Jesus, since it is never clearly identified otherwise—is of a man whose abdomen in pierced with arrows. Those familiar with saints immediately recognize Saint Sebastian, but the arms are outstretched, as if this poor victim were both crucified and superfluously shot with arrows. The traditional cross, however, seems to be missing in that dark room. It reappears on prom night.

While Carrie is getting ready for the prom, her crazed mother peers out the window at passing cars, telling Carrie that Tommy isn’t coming. In one shot, as two cars pass in the street, there appears an inverted white cross on the road. I supposed at first that this was a painted parking space marker, but then, this is a residential street, and no such markers appear in other shots. Carrie’s mother had accused her of being a witch, and the upside-down cross is an oft-claimed symbol of Satanism (not the same, however, as Wicca). At the prom, Tommy insists that Carrie vote for them as the prom queen and king. When Carrie makes her x, the camera angle rotates slightly to reveal the sign as a Latin, as opposed to Saint Andrew’s cross. After Carrie kills everyone and goes home, her mother stabs her and, chasing her through the kitchen, makes the sign of the cross with her knife. Finally, Sue—in a dream?—wanders to Carrie’s burnt down house to lay flowers at the foot of a “for sale” sign that is a white cross, with the clashing words “Carrie White Burns in Hell” scrawled on it.

I may have missed more since the use of the symbol only dawned when the passing cars pointed me toward it. There is a strange kind of misuse of the cross here—not visible on the Sebastian-Jesus, and ultimately also Carrie’s mother figures, but inverted on the street, a sign of pride at the voting, made with a knife by the mother, and scrawled with an arrow pointing to Hell in the final scene. Carrie’s fiery end appears to confirm her mother’s interpretation of telekinesis as witchcraft. There is no forgiveness in this film. Well, I suppose I’ll have to go see the remake now. And maybe even read the book. I need to know if I’m just seeing things or if I’m still sleep-deprived from worrying about jobs and a surfeit of imagination as October’s chill settles in.

Lost Supper

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Culture, for better or worse, involves a deep connection to religion. No matter how secular we suppose the world to be, profound connections to belief surface in the most unlikely places. Time magazine’s culture section this past week has a brief blurb on “Burger Blunders.” Having been a vegetarian for a decade-and-a-half, this short story might not have caught my interest had my wife not pointed out “the Ghost,” a burger offered by Kuma’s Corner, a heavy-metal band-themed bar in Chicago. “The Ghost” comes with an unconsecrated communion wafer on top, and this has raised some spirits, according to Time’s culture team. Even Protestants recognize the power of the symbol of the wafer, even if they can’t accept transubstantiation. In Catholic belief, however, prior to consecration the sliver of bread is just that—a bit of pressed wheat product. The wafer came to be preferred because it was more easily contained than the crumbs of a regular piece of consecrated bread.

Communion, or the Eucharist, is a ritual meal based on the Jewish Passover. According to the Gospels, it was during the “last supper,” a Passover seder, that Jesus instituted the ritual. Early Christians ate together, and, recalling the symbolism, gave special prominence to the bread and wine. Bread, however, produces crumbs. When theology got ahold of bread it became a sacred object, after it was properly consecrated. It was believed (is still believed by some) to be very powerful in that state since it had become the actual body of Christ during the ritual. Wafers, technically unleavened bread, had many advantages to the emerging theological sensitivities. Portion control, symmetry, and virtually no crumbs. I’ve attended many masses, and the extreme care for particle control is everywhere from ciborium to patten to sacred linens that cover the altar like a liturgical table cloth. They are all accessories to the containment of broken bread.

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Communion wafers, however, when unconsecrated are just bread (if even that). They are not made palatable as snacks, but are more easily available online than basic gears or recordings of your favorite musical. Heavy metal has always enjoyed its blasphemous image as one of the most in-your-face counter-cultures possible. It is also profoundly religious. (Note, I am not saying that heavy metal is Christian or even Judeo-Christian, but it does participate deeply in religious symbolism.) If robbed of its shock-value, it is just loud noise. By association, however, many people mistake the wafer itself for what it represents. Without the added ingredient of consecrations, however, the liturgical churches tend to say it’s just bread. If you’ve ever eaten it, you’ll know that that assertion requires faith sufficient to move a Big Mac.

At World’s End

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“I am not a number, I am a free man” Number 6 plaintively cried on The Prisoner. Capitalism, however, has a way of making each of us quantifiable. A statistic. Not a guy with a kid in college. Not a human being with a sense of self worth and pride of achievement. From far above, in houses and penthouses owned by those who climb ladders made of other human beings’ hopes and dreams, those below are just means to an end. I’m sorry Number 6, you are wrong. Freedom is not free and the capital in capitalism is humanity, commodified.

It used to be that on the way to work I’d walk past the homeless in Midtown and wonder what could have brought them here. What could happen to a person to make them invisible—just a statistic waiting to die? What system could reduce a person to a number? Learning to count is, at times, a betrayal of our very humanity. It used to be that hard work was rewarded. It used to be when someone looked our way s/he saw a human being, and not a number. I’m terribly sorry, Number 6, I truly am. We don’t know your name. You are a number. So are we all.

In the aptly named Pirates of the Caribbean series, the second installment complicated the story by introducing the unmoved Englishman Lord Cutler Beckett. Satisfied with nothing less than the control of the world’s oceans—some two-thirds of the planet, he secures the means to reduce all enemies to fish-food with no show of emotion beyond a shallow smile. In At World’s End, as the Flying Dutchman and the Black Pearl bombard the Endeavour, blowing the ship of unbridled capitalism to bits, Lord Beckett, bewildered, significantly climbs down the steps muttering, “It’s just good business.” Aye, but not Aye, aye. (There is a serious difference.) As the Endeavour sinks I think I hear Number 6 from the depths, and I desperately hope he’s right.

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Sleepy Hallow

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Sleepy_hollow_ver2Upon occasion I found movie clips to be of great help in explaining ideas in religion classes. A movie whose clips I used sparingly, due to concerns for squeamishness, was Sleepy Hollow (the Tim Burton movie, not the modern television series). Upon viewing it again recently, I was impressed by just how much religion is intertwined in the narrative. This is especially interesting since Washington Irving’s story does not contain much in the way of religious symbolism or motifs. From the beginning of the film, Rev. Steenwyck is one of the conspirators, making the church complicit in the attempt to subvert the van Garrett will. When Ichabod Crane arrives in Sleepy Hollow the cleric drops a Bible—a recurring motif in the movie—on the table beside him, telling Ichabod it is the only book he will need. Christianity and Paganism clash throughout the film as a number of the women are revealed to be witches, either “innocents” or practitioners of a darker kind of magic.

In flashbacks Ichabod Crane recalls his mother’s white magic that draws the ire of his ordained father. Indeed, Ichabod’s father is a stylized amalgamation of Roman Catholicism and Protestantism blended into one. His harsh white chapel houses an inquisitorial torture chamber in which he murders his wife. Seeing her pagan symbols in the fireplace ash, he too drops a heavy Bible to point out his wife’s sins. When he stalks off from his medieval chamber of horrors, the camera angle shows him to be headless—he is the true terror, rather than the Horseman who was raised by magic and appeased by the simple return of stolen property—his head. Even in the present Rev. Steenwyck is both an adulterer and a murderer. The melee in the church leaves the final three conspirators dead.

The white witches, however, are marked by their purity. Mother Crane is so light that she can float up into the air. Katrina van Tassel draws chalk icons to protect Ichabod, indeed, the whole town, from evil. While Ichabod refers to his father with the evocative phrase “Bible-black tyrant,” his mother was an innocent child of nature. In the film Ichabod moves from the rational view of life to one that allows for the supernatural, in the form of magic. True, the Horseman cannot cross onto the consecrated ground of the church (another Catholic concept mixed in with the Protestant milieu), but the faith that saves Ichabod’s life is the book of spells given to him by Katrina. Yes, the physical book stopped a material bullet, but it was faith the put the book in the pocket in the first place. All very appropriate to bring students’ minds to religion in the autumn of the year.

The Devil’s Dues

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Belief, no matter how inscrutable, must be taken seriously. Although we frequently prefer to privilege that which we “know,” belief is one of our main motivators. Strangely, many who reach a certain level of education begin to denigrate belief as if it were an embarrassing indication of improper brain functioning. Belief is, however, all we really have. A case of this was recently shown in an interview with Justice Antonin Scalia. A piece in CNN Opinion by Rebecca Buckwalter-Poza discusses an interview of Justice Scalia by Jennifer Senior where the topic of the devil arose. Buckwalter-Poza, as she makes clear, is no fan of Scalia, but when Senior began to treat the Justice’s belief in the devil with a condescending kind of incredulity Buckwalter-Poza called time-out. We need to take his belief seriously. Could such a powerful man really believe in a mythological figure? Yes. Belief will do that to you. Just the same, Senior’s non-acceptance of the devil is equally a matter of belief.

The devil is a problematic figure. Despite the certainty with which a recent demonology lecture treated the subject, the devil is scarcely present in the Bible. Indeed, he is somewhat a late addition, cobbled together from Zoroastrian beliefs and fragments of ancient mythology. The Hebrew Bible mentions the devil not once. By the time of the Gospels he has become a fixture representing an anti-God figure, clearly derived from the influence of the Magi (not necessarily the three riding on camel-back that first Christmas Eve). The devil was a convenient excuse for evil in a world where an omnipotent deity was believed to be entirely good. The devil is an escape-clause. Evil can exist in such a world and not be God’s fault. The idea stuck.

Today, sophisticated materialists (which is what some forms of science urge us all to be) have dismissed belief in anything not composed of atoms, electrons, quarks, or strings. Or, more recently, dark matter. The rest is all illusion. Sometimes the sophisticated don’t realize that other intelligent, sophisticated individuals don’t share their worldview. Materialism can’t be proven, and every true scientist knows that any theory is the best explanation given what we know at the moment. It is contingent. Science has a fantastic track record for explaining the physical world. Little in my experience has given me cause to doubt its efficacy. Still, I suspect that there is more to this universe than material. I have trouble supposing that some of that non-material universe is a horned, goat-footed, evil man with a tail and my worst interests at heart, but I can see how someone might believe that. Belief works that way. As much as we might want to eject it from the game, it will always be on the first string throughout the season.

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Making Saints

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Some places are inaccessible in the academic world. Or perhaps invisible. I couldn’t help but have Santa Muerte on my mind as I visited the Phoenix/Tempe area of Arizona. I knew from reading Andrew Chestnut’s Devoted to Death that the skeleton saint has a large following in that area. Having been raised in a working class religion in a blue-collar household, I also knew that such trappings might not be entirely visible around a university setting. Arizona State is a huge school and my minimal free time on the trip only permitted a wander-radius of a couple blocks from around the campus. Many universities are, because of their property-value-lowering non-profit status, on the edge of sketchy neighborhoods where work-a-day people live. It didn’t seem that way in Tempe. The areas I reached all seemed to have that adobe-solid middle-class feel to them. Not that I go looking for seedy neighborhoods when I’m traveling by myself, but I do like to see stores that aren’t part of a chain, and to get a sense of local culture. For most academics, the pedestrian devotion to Santa Muerte is below the radar.

The concept has haunted me ever since reading Chestnut’s study—why would people find appealing to death attractive? Santa Muerte has the trappings of a Catholic saint, but she is, plainly put, death personified. She is a favorite among drug lords and criminals, and that is somewhat understandable. Her Hispanic devotees, I realize, often live lives of desperate poverty. The well-heeled saints of conventional religion might not be able to see things from their perspective. Although the Catholic Church continues to make saints, many of the traditional saints predate capitalism. Capitalism creates its own insidious disenfranchisement. I realized this already as a child growing up in a setting where just about everybody I knew had it better than my family did. For some to prosper, others must suffer in such a system. I knew which end I belonged on.

As in my visits to Santa Barbara (a much more conventional saint, by the way), Austin and Houston, in Tempe the Hispanic population was evident mostly in the menial labor sector. The person who makes your hotel bed or brings the hot plate of food to you in the restaurant. The person who mops up your spills or picks up your trash. And they are the ones who’ve made it into the earning bracket of the minimum wage. Why not worship personified death? Does not Santa Muerte remind them that we all face the same rictus grin at the end of our days? Isn’t it best to be on good terms before we reach that inevitable place? It was clear that on my visit I wasn’t going to be able to get far enough from prosperity to see the skeleton saint myself. At Phoenix Sky Harbor airport, waiting for my 11:30 p.m. flight back to cloudy skies, all the shops were closed. I passed by a boutique with local art, and there I possibly glimpsed her. A small statuette, possibly just the grim reaper, among other Day of the Dead motifs. Was it inspired by Santa Muerte? I would never know, I pondered, as the Hispanic airport attendants, still at work around me, were busy emptying the garbage.

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Literate Monsters

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Skin-ShowsLiterary criticism is not for the faint of heart. Biblical scholars long ago adopted the methodologies of literary criticism since it had become clear that an absolute meaning for any biblical text will always end up being a chimera. Many of us are versed in the techniques of structuralism, post-structuralism, deconstructionism, reader-response, post-colonialism, and any number of other means of parsing hidden truths from texts. Since it is October and monsters have a way of creeping into the psyche about now, I read Judith Halberstam’s Skin Shows: Gothic Horror and the Technology of Monsters. Halberstam is using the word “technology” technically here, so this isn’t the easiest of texts to digest. Still, for those of us haunted by monsters this text does tap into one of the main connective tissue between monsters and religion: meaning. As Halberstam notes, the Gothic suffers from a surfeit of meaning. There is just too much meaning bursting out that we have no choice other than to analyze.

Beginning with Mary Wollstonecraft’s Frankenstein, and up through Bram Stoker’s Dracula into the modern horror film, Halberstam probes deeply into the layered meanings offered by the Gothic discourse. The monster is a transgressive creature, one with indistinct boundaries. I couldn’t help but to think how odd it is to suppose that we end at the limits of our bodies. The things that we do influence our environment, and we are capable (often through science) of a kind of spooky action at a distance (think of drones, HAARP, or fracking—I’m talking literally spooky here). As Halberstam points out more than once we don’t make monsters, monsters make us human.

Skin Shows is all about boundaries. Biological, psychological, sexual—we define ourselves by our boundaries. The monster is no respecter of such boundaries, forcing us to face our own definitions with a certain ambivalence. What do our monsters say about us? Do we really want to know? Monsters can be brutally honest. More honest, at times, than religions are willing to be. As views change over time, so do conceptions of the monster. Religions frequently attempt to hold out against inevitable change. Perhaps such stalwart bravado is admirable, at least until we experience a dark and stormy night of the soul. Here be monsters.

Sun Devils

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Unbelievable. The unrelenting sun of Arizona is unbelievable. Even a “cloudless day” back east is only an approximation. Here it is literal. And like all things literal, it attracts the Fundamentalists. I spent the day on the campus of Arizona State University, the country’s largest university by enrollment. Outside the student union, a couple of bands were banging away in the heat, but when I passed by in mid-afternoon they’d been replaced by a street preacher. He was nattily dressed and provocative. When I first walked by he was talking about students being either “a wicked homosexual, a wicked pot-smoker, or a wicked feminist” and went on to throw in some choice words such as “Obama-loving sinner.” Nobody seemed to be paying him much mind. I went on to a couple of appointments and when I passed that way again, at least ninety minutes later, he was still at it. Now he had a small crowd. Students virtuously challenged him as he claimed that he was without sin, “yes, I am Christ-like” he said to one question, and proceeded to tell anyone that challenged him that they were not children of God and that they should run to Hell because they would enjoy it so much.

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The more I watched this charade, the more trouble I had believing that the preacher was sincere. He quoted, out of context, of course, chapter and verse. He literally thumped his Bible. His hatred for anyone who disagreed with him was plainly evident. I felt embarrassed on so many levels. This is a state university, and the man had a clear agenda of hatred and intolerance. I was here to meet the religion faculty. Everything students were being taught in their classes was being shot down by an ancient book that had relevance only by being quoted out of context. And all of this on a campus whose mascot is the Sun Devil. Devils abound on campus, but the worst, it seemed to me, preached loudest.

Somewhere along the way to enlightenment, this kind of Christianity slipped the rails to become its own self-righteous force. What right had this man to tell students they were wicked? To me they seemed hospitable, peace-loving, and kind to the stranger in their midst. The preacher, self-fascinated, claimed to be without sin. I guess that gave him the scripture-sanctioned right to cast the first stone. Good thing he wasn’t in the crowd when Jesus rescued the woman caught in adultery. When a few students pointed out his flaws in reasoning, which were many, others applauded before he flew back to his out-of-context biblical backbone. More quoting, more thumping. The sun was out in full force in Arizona, but somehow it failed to fall on one man who proclaimed himself better than all others.

Phoenix Rising

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As a bird with the incredible gift of resurrection, the Phoenix is one of the most enduring symbols of Greek mythology. We, as people, are pretty accustomed to messing things up and the hope of renewal is something we earnestly crave. The Phoenix, when its long life is over, goes up in a burst of flames only to be reborn from its own ashes. Christians early latched onto this poignant symbol, as have many other religions. In origin the Phoenix is likely related to the sun mythos. Isn’t there always a small shadow of fear that somehow it might fail to rise tomorrow morning, plunging us all into interminable darkness? The Phoenix is a harbinger of hope. These are my thoughts as I soar, birdlike, toward Phoenix, Arizona. A city named after the resurrecting bird. I’m not certain what awaits me here—I’ve never been to Arizona before, but I do know it is desert, and that life in the desert is always precarious. I’m glad to have brought my mythology with me.

Phoenix was, appropriately enough for October, first named Pumpkinville. It is difficult to imagine this sixth most populous city in the United States coming to prominence under that moniker. Since it is October, however, there is an aptness to such history. My trip, as most of my travel, relates to business rather than pleasure—there is a kind of hope in resurrection here as well. As a city in the desert, resurrection would seem to be central to those millions who call Phoenix home. Indeed, the concept of the gods as we know them seems to have been conceived and born in the harsh environment of desiccated lands. Some suggest the Phoenix was originally taken from Egyptian lore. Egypt was, outside the Nile delta, a nation only a few miles wide, snaking alongside a life-giving river in the wilderness.

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What is it about deserts that brings the spiritual to mind? It always seemed to me that it was an issue of utter dependence. People living in a harsh environment need all the help they can get. It is difficult to suppose that harsh deities might arise in perfect circumstances. Today Phoenix depends more on engineering and control of the environment than on providence. The gods of the desert nevertheless find a home here. Even if they have adapted to an affluent lifestyle. As go the experiences of people, so go the fortune of the gods. And resurrecting birds.

A Dog’s (Inner) Life

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Last week’s Sunday Review in the New York Times included a piece tucked under Opinion entitled “Dogs Are People, Too.” Gregory Berns, the article’s author, a professor at Emory University, describes how he trained his dog to enter and remain still inside an MRI machine long enough to scan brain activity. The results, repeated on other trained dogs, indicated that dogs share the same level of sentience as a human child. Berns’ conclusion: dogs are persons. I tend to agree. Although I’m no longer a pet “owner,” I grew up with dogs (and cats, birds, reptiles, and hamsters). There was never any question in my mind that our dogs could think. The also shared emotions with people—as Holmes would say, it’s elementary. Obvious. Staring at you with puppy-dog-brown-eyes-right-in-the-face obvious. Science, however, has always had an uneasy relationship with consciousness, the ghost in the machine. Dogs, many declare, are just machines. They salivate at the sound of a bell, for goodness sake!

Berns, however, has found the holy grail of scientific proof. The brain scan is accepted as a measure of human conscious activity. It is difficult enough to lure a human into an MRI and have her or him hold still. Dogs, however, are smart. They can be trained to do this too. Berns has succeeded and now has evidence that the emotional centers in dogs’ brains respond much like human brains. If they are emotional beings, as many of us knew all along, they are persons. Berns points out that this has legal implications. We make laws about unborn humans, but we treat fully alive canines like, well, dogs. Consciousness is part of the animal, and perhaps even the plant world. That stands to reason, if not scientific proof.

Christianity is largely responsible for advocating the concept of human superiority. We are, after all, made in the image of God. The Bible tells me so. Although scientists tend to abandon the Bible, they retain the myth of human superiority. Some concepts are just too convenient to relinquish, even in a rational world. We assume, since animals don’t talk the way that people do, that they are not thinking creatures. Even scientists appear afraid, at times, to take on the immaterial concept of thought. If the materialistic view is correct, thoughts are only electrochemical signals. Only this, and nothing more. As time nears to get dressed for work, I’d like to send my electrochemical signals out to get the paper. If I do the paper will still be on the lawn when I get home at the end of the day. I’ll have to fetch my own slippers, I guess.

Need I say more?

Need I say more?

Quack, Quack, Honk

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HappyHappyHappy Although I’ve never hunted, there is an undeniable sense of power involved with shooting a shotgun. Maybe it’s the harsh kick against your shoulder as a clay pigeon many yards away explodes in mid-air and a trickle of gunpowder scent tickles your nostrils. It is a temptation, however, I think most people—present writer included—should avoid. I don’t own a gun and I don’t watch television. I suppose that makes me a kind of pariah in my own country, but when I heard about Phil Robertson’s book Happy, Happy, Happy: My Life and Legacy as the Duck Commander, I knew I would eventually read it. I’ve never seen Duck Dynasty, but like Phil Robertson, I grew up in a family that middle-class folks would consider poor. Even now, many decades and degrees later, I’m still playing catch-up, unable to afford a house. Worried excessively about college payments. So how did Robertson do it? How did he become a millionaire and find a publisher? According to his book the answer is simple: Jesus Christ.

Happy, Happy, Happy is an engaging memoir. While I disagree with most of what Robertson says, it’s hard not to like him. A simple, self-made man from humble circumstances. He hides his master’s degree well. Like Augustine, however, it was only after a misspent youth that he insists others don’t do the same. “God grant me chastity,” Augustine once quipped, “but not yet.” Robertson found Jesus, or the other way around, in his mid-twenties. He, not unlike many victims in recovery, gives the credit to God. His answers are simple: read the Bible, live by it, kill ducks, and everything will be fine. Interestingly enough, two of his four sons, raised on the Gospel, also went astray before seeing the light. This is not schadenfreude on my part: I have personal experience with family “on the wild side” and I would never wish it on anyone. It’s just that the law of averages isn’t so great here. For half the boys the Gospel wasn’t enough, at least at first. The darkness pushed them toward the light. Simple fixes almost never lead to viable long-term solutions.

Phil Robertson is another of those reality TV phenomena of the “plain folk” that so fascinate media types. They can’t seem to get enough. Some of us authentically paid that price below the selective eye of the media. For some of us, the answers are much more complex, if not distressing. Hard to put that up on the screen and guarantee your advertisers that people will watch. We only want complexity knocked down. Even the fun Big Bang Theory wouldn’t be nearly so popular if the smart guys didn’t get their comeuppance week after week. I am moved by Robertson’s story. His devotion to the Gospel is admirable and it is clear that it makes him happy (happy, happy). If I ever met him I would probably nod politely in agreement, although my experience has diverged from his. We would probably have to eat at separate tables, despite my good will. The fact is, he has lots of guns and I have none.

The Tell-Tale Telegraph

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Steampunk CityThere’s a guy next to me with a robotic arm. Women with lace umbrellas and aviator googles walk by on the arms of Victorian gentlemen with walking sticks. A couple have an effervescing water-cooled device on their backpacks. I must be in Steampunk City. The forecast had predicted rain, but it is a beautiful October day in Speedwell, New Jersey. Steampunk City, an event dreamed up by Jeff Mach to make money for local museums, draws in a good crowd of the garishly bedecked, causing my wife and me to feel desperately underdressed. I’ve read my share of steampunk fiction, and I am really thrilled to see so many people taking an interest in such a literary event. I did wonder, however, what demonology had to do with it. Kevin Meares of Delaware Valley Demonology Research is giving a talk on demons, and it’s interesting to notice how the light laughter of customers from the booths outside wafts through the door where stories of possession are being told.

It is difficult to listen to Mr. Meares and believe that he hasn’t seen some pretty strange things. A practicing demonologist rather than the armchair variety, he has accompanied priests on exorcisms and is utterly convinced of the reality of the entities. When asked where demons come from, he relies on the Bible and Bible lore. Either they are fallen angels, remnants of a prior creation (thus the discrepancy between Genesis 1 and 2), or the offspring of the Nephilim of Genesis 6. Whatever they are, he has seen them in the dark, and people have died because of their activity. Being somewhat of a skeptic, I still find myself a little creeped out, kind of wishing I was outside with the laughing, costumed fiction readers.

Steampunk is often about alternate realities. A world where technology developed in the fog of steam rather than the neat circuitry of electricity. Speedwell, ironically, (and probably intentionally) is where the telegraph was invented and first demonstrated. It is a key site in the Industrial Revolution, the development that made the modern world what it is with smart phones, air-light laptops, and iCloud. I’m in the basement of an historic building having my rational worldview threatened by stories of demons. Although I’m wearing my nonplused face, I know that things will be different in the middle of the night. I’ve got brass gears in my pockets and supernatural entities in my head. I’ve met a watch maker outside who translates Aramaic manuscripts. What hath God wrought indeed, Mr. Morse? Yes, I’m in an alternate universe, and I may decide not to come back to the work-a-day one after all.