Bart’s Gospel

One of the near constants of the entertainment world is the social commentary on The Simpsons. The morality issues that get frequent play had led to a book entitled The Gospel According to the Simpsons some years back. And since Americans like their morality straight from the popular media, The Simpsons is not a bad place to look. The episode “My-Pods and Boomsticks,” although a few years old now, raises issues that are still current in our culture. I watched it with my daughter recently and she commented, “It’s just like Zeitoun.” My family read Zeitoun this summer (some high school reading programs have a way of involving more than just the student) and the revelation of just how deeply suspicious the nation is of Muslims disturbed us all. This particular Simpsons episode involves a Muslim family from Jordan moving into Springfield. Although Bart befriends their son, Homer just can’t get over the assumption that Muslim equals terrorist. In the end, however, it is Homer who ends up dynamiting a bridge rather than believing Muslims can be good citizens.

Apart from being the longest running primetime animated feature in history, The Simpsons bucks the convention of veering away from religious topics. Indeed, many episodes foreground religion and feature Hinduism, Judaism, and Buddhism as well as Christianity and now Islam. The religions may be gently chided, but they are not mocked, and we are given a glimpse into our own religious biases. Islam, as a religion, is not evil or bent on destruction. Like Christianity, it has many varieties and believers range from the sacred to the profane. It is not the religion that is a problem, but the society that gives the lie to true equality. Believe what you will; harm no one.

At work the other day I received an office memo about lunchtime Yoga. Whenever I see such notices I consider how this religious practice, in American minds, has become completely secular. The same may be said of some of the martial arts which, in original contexts, have a deep base in eastern spiritualities. These things do not bother us because we do not bother to learn about them as religious activities. Even Kung Fu Panda has a spiritual undertone. Religions display a wide variety of expressions throughout the world. Going to church one day a week and condemning those who believe differently all seven, many people do not stop to think of the contributions that other religions have made to our society as it exists today. American culture, while predominantly evolving from a Christian base, has strong elements of most of the major religions that go unrecognized or packaged as secular self-helps. We could still stand to learn a thing or two from Springfield.


Dracula’s Dinosaur

It must be October when a dinosaur with a parrot’s head, porcupine quills, and fangs is announced. Yesterday’s issue of Time online featured a drawing of the creature and a nifty animation of reconstructing the aptly named Heterodontosaurus. Well, that’s actually the genus name. The species goes by the delightful name Pegomastax africanus. Last I checked, however, space on the ark was filling up. Dinosaurs create a unique embarrassment to Creationists. One suspects that if they didn’t have kids they’d dismiss dinosaurs all together, but the troublesome fossils just won’t go away. What’s more, although they’ve been extinct for 65 million years, they keep producing new species for us to recover, describe, and name. When I was growing up (and I have it on good authority that the argument is still used) Creationists told us that no transitional forms had ever been found. Therefore evolution simply could not have occurred. This was generally followed up by a reference to Genesis. Excuse me, a fanged porcupine-parrot? If that doesn’t count as a transition, what does?

Religion loses nothing by admitting to an ancient earth. Nothing but literalness. One of the joys of reading is the exploration of metaphors, similes, and hyperboles—writing delights us with its constant surprises. Even those who claim to read a text literally are engaging in a form of interpretation even earlier than the first wedge mark pushed into clay. Written texts give us something to ponder, to think about, and occasionally, to obey. Just when it looks like the cover has slammed shut on the black book we find a new set of dinosaur tracks running across our clay tablet. The literal-minded might not see these as being a message from God, but surely the endless variety of creatures that have walked this planet more than make up for it.

We used to have a pet parrot. His name was Archie, named after Archaeopteryx, the feathered dinosaur. Although Archie was cut off by disease in the prime of life, he was a curious bird and when I reached into his cage to try to get him on my finger he would dole out what he meant as a painful bite. I always took it as a sign of affection. Had our little friend had the fangs of Pegomastax africanus, I would’ve thought long and hard before risking the finger-perching trick. I like to think it would have reaffirmed my fascination with the amazing adaptability of nature. Evolution, unlike God, has no purpose. An endless tinkerer, it gives us thousands of differing dinosaurs that had been gone many, many millennia before Moses ever even thought of Noah. Pegomastax is safely extinct now, and the only ones who have to worry about this perfect Halloween dinosaur are those who think that one particular view of one particular book is the only way to find truth.

We still miss you, Archie.


Ban This

It should be a scarlet letter week. In honor of Banned Book Week, I’ve started to re-read Kurt Vonnegut’s Slaughterhouse-Five. Somehow I made it through high school and college without having been exposed to Vonnegut. A friend started me reading his works when I was about ready to start my Master’s degree, and I’ve always enjoyed coming back to him. When my daughter asked me why Slaughterhouse-Five had been placed on The List, I honestly couldn’t guess. Banning books, of course, is a scheme chiefly intended to keep children unexposed to ideas that adults find uncomfortable. We can’t go around telling other adults what not to think (although that hasn’t stopped many a religious tradition from trying), so some individuals figure that we can protect our unthinking young by putting in the corner literature that asks awkward questions. More radical conservative elements suggest destroying them. These are the true grapes of wrath.

Ideas can be wonderfully dangerous things. We now face a brave new world of internet access where ideas float lightly on the web and unless we watch our children constantly, we can’t control what they might see. Ideas as traditionally expressed in literature go through a tremendously long and convoluted birth process. We even use the language of conception to describe how they begin in one’s mind. Ideas implant, gestate, and grow. For the writer this might represent weeks, months, or years of writing, erasing, re-writing, and yes, parenting the idea. The written book has to meet the approval of publishers and only after yet another editing process are they pronounced fit to see the light of day as books. Having passed through many hands, many heads, such ideas become part of their culture. If we find them objectionable, well, isn’t that just part of life? Perhaps that is the largest message to be gleaned from the world of books: no one will be pleased with them all. Even the diary of a young girl will raise alarm.

Some of the finest literature to escape human minds has been challenged or banned. Ironically, in the land of the free and the home of the brave fear of books runs at a fever pitch seldom encountered elsewhere. Afraid of mice and men. What has made this country such a wonderful experiment—the embracing of diversity—has somehow morphed into a neighborhood where nobody feels safe if there are objectionable words on the bookshelf. Ironically Ray Bradbury’s critique of banning books, Fahrenheit 451, is itself a banned book. What most proponents of stopping literature probably don’t realize is that according to OCLC, the source for library data, the most banned book of all time is the Bible. To be honest, those who’ve read it know that it has sex and violence and many other adult situations. In the original languages there are even “swears.” Maybe it’s time people just grew up. The best way to accomplish that is to read a book. Hey, it’s a jungle out there.


Who’s Got the Keys?

Having grown up Protestant, I assumed that was normal. Adults, who have the benefit of years of negotiating with other adults in ways that may seem unsavory to children, have the definite advantage here. Children believe what their parents tell them, and should the matter come down to eternal life or everlasting damnation, you sure want them to have your back. Sunday’s New Jersey Star-Ledger has a perspective piece by Tom Moran, whose parents raised him Catholic. Catholics and Protestants are Christians divided by a common religion. As I have studied the teachings of each over the years, it has sometimes felt impossible to fit the two together in any meaningful way. They both think Jesus is cool, but beyond that, the disagreements almost immediately begin. Moran notes that in the US fewer than one in four adults identifies as Catholic although one in three was raised in that tradition. His article goes on to outline how Catholicism has frequently aligned itself with law at the sacrifice of compassion. Sounds like religion to me.

Religionists place great, perhaps even eternal, stock in being right. The Catholic Church has traditionally considered itself expert in issues of reproduction, a conceit that is only more bold when it is regulated by celibate men. And the source can’t really be the Bible since there are plenty of places where the good book is a little naughty. The biblical understanding of reproduction was a conclusively unscientific postulate. When microscopes, not telescopes, revealed what was going on at the microscopic level, theology should’ve blushed and excused itself from the room. Instead, the church proclaimed that it knew better than any bespectacled intellectual; after all, unwavering tradition must count for something. This bears the imprint of a system with little left but theological bluster. And it’s losing its thinking members.

Moran interviewed Newark Archbishop John Myers, a man concerned with the sanctity of marriage and who has a questionable record of reporting abuses, for his story. As Moran pointed out, Myers has not been the outspoken advocate of the poor, but he does back the candidate with sacred underwear. I’m not sure when the last time was that the good Archbishop took a drive around Newark. It is hardly a little piece of heaven on earth. Even waiting for a train in the station can fill a customer with a sense of despair. God’s will, apparently, is somewhat more narrowly focused on what consenting adults do behind closed doors. The level of disjunction is enough to throw the Popemobile out of alignment. Of course, I write all this from the sidelines. I was raised Protestant, and no matter what the Mormons or the Catholics say, I was taught from my youngest years that they’re just plain wrong.

Those are some big keys…


Country Roads

It may be a little too early for winter, but scary movie season has begun in my personal calendar. This weekend I watched Wind Chill. Although critics weren’t always kind to the movie, and the ending is somewhat predictable, it is one of the more decidedly creepy films I’ve seen recently. Since it is set in Pennsylvania there was a bit of a homey touch to the terror. I have driven on similar roads to that in the movie, during snowstorms, and that is one of life’s true terrors. What makes the movie so frightening is its ambiguity. Put a teenage girl alone with a guy in a car on an isolated road and you’ve already got enough elements to make your spine tingle. It becomes clear that the guy hasn’t been honest with the girl all along (the characters are never given names in the movie) and as they spend the night in the broken-down car reality and nightmare become increasingly difficult to parse. Of course, religion plays a role in the show.

The guy is giving the girl a ride home for the holiday break. He’s been watching her, a little too closely, for some time although she doesn’t know that until it’s too late to turn back. As they fumble for conversation it turns out that he is an “Eastern Religions” major and they met in a philosophy class. This just keeps getting scarier and scarier! After they break down (spoiler alert!) and the ghosts start showing up, we learn that some of them are priests. They had come to this haunted road to give the last rites to some accident victims before freezing to death in the poorly insulated cells in a strange little monastery on the hill (this is Pennsylvania, remember). As the night wears on we find the priests condemning the bad cop to a fiery death before light dawns and the girl finally finds salvation.

Of course, this is a variation of the old urban legend of the teenage couple out parking when something scary happens. Having everything in half-light and through smeary, foggy windows makes it more difficult to perceive what is actually going on. A lying religion major, priests complicit in a deserved fatality accident, and Nietzsche’s eternal recurrence give the film a little intellectual heft among the muted special effects and bleary-eyed confusion as the night goes on. Morality is on trial here. Although not the most profound of films, Wind Chill deserves some credit for bringing religion and horror to the same remote location and having them trade cards in the dark of night.


Bretz v. Noah

Until I met my wife I’d never been west of the Mississippi. Or even Ohio for that matter. Together we’ve traveled, in a fashion broken by years, from coast-to-coast and even overseas. Nothing in my life had prepared me for seeing the American West. No, I’ve not seen cowboys, but the landforms are so different from the weathered, ancient Appalachians among which I grew up. Eastern Washington is a fascinating landscape and with my occasional flirting with geology, I recently read John Soennichsen’s Bretz’s Flood: The Remarkable Story of a Rebel Geologist and the World’s Greatest Flood. Within the last couple of years I’d read about Glacial Lake Missoula, a juggernaut of an ice age lake that had flooded parts of Idaho and Washington thousands of years ago when its ice dam gave way. J Harlen Bretz was a turn-of-the-(previous)-century geologist who defied convention and insisted that the evidence of eastern Washington proved that a massive flood washed over the area, giving distinct shape to the region that empties into the Columbia River basin. For much of his career he was ridiculed by other geologists. The reason? The Bible.

Geology was the science that gave Darwin the idea for his evolutionary theory. The factor that had been missing from science, before geology, was time. The 6000-year-old earth just wasn’t old enough to account for the slow changes required for one species to morph into another. As scientists came to realize that billions of years were available, it became clear that change occurred even more slowly than the GOP is happy with. For geologists, anything that happened quickly was anathema. As Bretz’s Flood makes clear, a sudden flood sounded far too much like old Noah to be science. Catastrophism had been cleanly rejected by geologists because even if the evidence supported it, it looked like a return to mythology and superstition. Interestingly Bretz began his academic life among the Methodists of Albion College, and continued to quote the Bible to his last days. He was, however, an atheist.

The Bible has shaped our culture more thoroughly than Noah’s putative flood has shaped geology. I’ve read many geological studies over the years and any that are written for non-specialists never mention great floods without at least a nod to Noah. In fact, as Soennichsen points out, Bretz has ironically become a hero of Creationists who see the Missoula flood as Noah’s event. A large portion of Bretz’s career, however, was dogged by geologists duty-bound to deny a sudden flood just because the Bible tells us so. Sudden events are smeared with the residue of the divine.

J Harlen Bretz is hardly a household name, but his career is a microcosm of American culture. Glacial Lake Missoula did exist, as geologists now accept, and long before Noah was a twinkle in Moses’ eye. When the dam burst, the fable did fall, and down came the ark, Noah and all.


Watch, and Pray

Religion is a lucrative business. There is likely a deep, evolutionary urge for fair play nestled somewhere in primate DNA. Monkeys and apes seem concerned about it, and certainly nothing gets people more upset than a cheater who does prosper (unless he, less often she, is the protagonist of some gangster movie). Most of us work pretty hard to make a living, often doing tasks that push us beyond our comfort range in order to ensure some kind of success. The same is true of clergy. Yes, stories of lazy or lackadaisical ministers abound, but many work long hours under often stressful conditions. Most are not paid very well. Their eyes, according to unwritten writ, are turned toward a larger prize. In an economy that has become a nearly universal capitalism, everything has a price. People want to feel that they are pleasing God but there are oh so many rules and regulations! The Hebrew Bible alone has 613, and then add the Christian Scriptures and two millennia of ecclesiological dogmatism and you’ve got one hefty bill. We don’t mind paying a bit of that for a religious specialist to take care of the details while we get on with the real business of life.

Now add a little math. How many people does it take to add up to a small fortune? Already by the Middle Ages the Catholic Church, really the only show in town across Europe, had amassed a real treasury. Although individually the clergy could claim to own nothing, collectively they were flush. Even today the wealth (and therefore power) of the Vatican is nearly beyond comprehension. A colleague recently pointed me to a story I had missed back in April. This involved the computer age and lucre in an unexpected place. Russian Orthodox Patriarch Kirill I was photographed sitting at a high-gloss table, wearing a Breguet watch valued at $30,000. There was an outcry. The Russian Church, long under the pressure of a communist state, could hardly be described as opulent. Well, liturgical vestments and accouterments are expected to be costly, but personal items such as watches, are expected to be modest. Thirty-thousand dollars is a lot of money to be reminded of when to show up for mass.

In response, some church leaders turned to technology for a solution. The watch was Photoshopped out of the picture and, as if a miracle, the scandal disappeared! Except they forgot the glossy tabletop—the reflection of the watch, like Dorian Gray’s portrait, remained as evidence. (The story may be found here, along with the damning photos, if you can stand the snarky writing.) Owning such a watch may be considered bad form among the humble clergy, hiding it, however, is even worse. I don’t mean to single out Patriarch Kirill—the Russians have had a pretty rough go of it, what with Stalin and Reagan and all—but religions seldom like to have their coffers examined. The laity will pay handsomely to avoid the extra work salvation demands. Herein lies the rub: salvation has become less tangible as material wealth has expanded. Many people have mistaken one for the other. It’s just that they don’t want to get caught enjoying a little too much of the one at the expense of the other.

Now watch this, for time is fleeting


Guide Me, O Thou Great

You are an apostate, or worse. Unless, that is, you belong to the relatively select religion known as Jehovah’s Witnesses. Having grown up in a town bereft of Witnesses, my first exposure came as the result of an American Religions course. Grove City, Pennsylvania was not an ideal locale to experience religious diversity, outside the Protestant Neapolitan flavor. When we had to visit a religious service outside that milieu, I joined some classmates for a trip to the local Kingdom Hall. There are few situations as uncomfortable as watching other people being religious. It is so intimate. When Watchtower study began, my classmates and I, good Christians all, were shocked to hear even a young child answer one of the questions put by the leader with “the Christian apostates!” She was quite enthusiastic. If you were not a Witness you were an apostate.

Since that time, Witnesses have been no strangers to my door, so I read Andrew Holden’s Jehovah’s Witnesses: Portrait of a Contemporary Religious Movement (Routledge, 2002) with interest. Holden is a sociologist who undertakes an analysis of the ascetic, millenarian group in a conflicted situation. Modern society proves quite difficult to reconcile with Witnesses’ authoritarian biblical literalism. The assertion, now quietly overlooked, that the world did not end on cue has proved an embarrassment more than once. Most recently Armageddon was scheduled for a 1975 time slot, but this stubborn, old world just keeps limping along. In many ways, it is a sad tale. Witnesses advocate clean living and fair dealing, but if you’re not part of the club you are a danger to those who are. Non-monastic, they nevertheless shut themselves off from much that the world has to offer.

Holden’s study is a model of fair-minded analysis. He is not out to humiliate or insult the Witnesses or their lifestyle. He remains true to the evidence (but not the doctrine) and offers a rare, objective look at a New Religious Movement. Distinguished as one of the few religions to have started in Pittsburgh (the city that also gave us the cinematic zombie), Witnesses are now a six-million strong, worldwide religion. While Holden gives only a cursory glimpse of their doctrine, he does offer a rare view into an exclusive faith struggling for the end of a pluralistic world. It is a study well worth reading. Especially for an apostate.


Shopping for Fear

So I decided to visit a Halloween store. These have been showing up with metronomic regularity in September for several years now and are usually good for a cheap thrill. My personal preference for Halloween is more somber than garish, but the affirmation that other people enjoy a safe scare has a way of drawing me in. Those who read this blog on a regular basis know that I frequently point out commonalities between fear and religion. They both seem to hover around the same orbit in the brain, and, in some accidentals are very similar. Horror films therefore often indulge in religious imagery, and monsters do not infrequently partake of the divine. So it is no surprise to see my thesis borne out in shops intending to capitalize on fear.

I will freely admit that there may be cultural references that I’m missing here. A movie that I’ve neglected, or some television show or graphic novel may be informing some of the images in ways I can’t comprehend. Nevertheless, we all know of the power of the crucifix when it comes to vampires. I wasn’t aware that the cross had horrific effects on other species of monsters as well. Take this guy here. I’m not sure what he’s supposed to be—perhaps a zombie? It seems a little too corporeal to be a demon. The teeth just don’t look right for a vampire. In any case, he seems to have an extreme reaction to religion, with the cross melting right into his skull. Is there a conversion message hidden here somewhere? Of course it could be just a chinzy attempt to scare a real religiophobe. The cross has become the backup weapon against all supernatural evil.

The use of a grim-reaperish ghoul rising from the grave to illustrate The Rapture was a new one on me. Last I heard only the squeaky clean and friends of the Tea Party got to go on the Rapture. (Well, the latter category might explain it.) The idea of the Rapture, as it was fabricated late in the nineteenth century, involved the chance for all the good Christians to escape before things really got rough down here for us normal folk. I would’ve thought that scary guys like this joining the heavenly crusade might take a little bit of the joy out of the occasion. Or maybe they’re being left here to haunt the rest of us. In either case it is clear that consumers respond to religious sounding language and symbolism when looking for a scare. Obviously there is plenty in the store with no religious significance at all, but finding hints of religion scattered in with the plastic scares does show a kind of Frankenstein’s monster of human sentiments and emotions. It’s only appropriate when the nights are now longer than the days.


Deadly Morass

Swamplandia! is a novel ensconced in the reality of death. It is one of those books that I knew I would need to read as soon as I heard about it.  Alligator wrestlers, ghosts, and even a biblical-sounding Leviathan theme park based on hellish imagery create an eerie, almost supernatural feel to the narrative.  At the same time, it is a very human story of loss, assimilation, growing up, and more loss that might be gain.  I’ve read many novels where the characters and events faded relatively rapidly after I closed the back cover.  The cast of Karen Russell’s Swamplandia! has stayed with me, wraith-like, for several days.  As I’ve tried to work out why the story sticks so close at hand, and I think it may be because so many of the characters—the entire protagonistic family—are outsiders.  The loss of the mother spirals a carefree, largely off-the-grid family in a Floridian swamp into a forced confrontation with the mainland.  In these times of economic hardship, the loss of a dream is something too many people can understand.  I certainly can.
 
Death, in whatever form it may appear, is a religious issue because it deals with ultimates.  Paul Tillich, a theologian of the last century, famously declared that God was that on which a person staked their ultimate concern.  For many people today, by this rough definition, death has become a kind of god.  In the ancient world s/he was literally so. Of course, death is entirely natural.  Consciousness is the factor that makes it seem foreboding and dreary.  Swamplandia! deftly ties death and love, hope, and a kind of diminished redemption together in a tale where a young girl travels through an unlikely underworld to rescue a sister who saved her own life by her doubt.  It may not be the most profound novel, but it is certainly a moody one.
 
On my campus visits I’m increasingly hearing that novels are favored by some instructors to get at deep truths that textbooks miss.  Indeed, the analytical urge is strong, but not omnipotent.  Sometimes the truth can best be experienced by letting yourself go and just feeling what is happening rather than thinking it through.  Swamplandia! does a bit of that. Thinking back over my own long, academic tenure, I realize that the teachers I enjoyed most were those who had me read what were, at the time, unexpected things. In a world where education has become nothing but job training to produce satisfied cogs in the corporate machine, death as a character in our own stories can’t be far from the truth. Sometimes even alligators and ghosts aren’t the scariest features of our non-fictional landscape.


The King’s Bible

Thumbing through last week’s Time, I found a Bible. Actually, stories of religious interest appear frequently in Time, but this was one of those small blurbs of human interest. It appears that Elvis Presley’s Bible just sold for $94,600 in the UK. Of course, Elvis was known for his gospel recordings as well as his formative role in rock-n-roll. A boy from the south in those days would have known his Bible. What struck me as worthy of comment is the reason the artifact was priced so high—not because it is a religious book, or the putatively divine content, but because of who once owned it. The Bible is a common enough item—billions have been printed—and in our world of value based on rarity, it is hardly a specialty item. In fact, they are often given away.

We have all felt the draw of fame now and again. We wonder what the lives of the rich and famous are like. Sotheby’s and Christie’s thrive on people wanting to possess articles from their deceased heroes. Studies have been conducted to demonstrate just how much laundering devalues clothes worn by both the famous (bad) and infamous (good). In the case of a Bible, perhaps one is put in touch with the spiritual residue of the owner. According to Time, Presley scribbled many notes in his Bible. Perhaps there is some eternal message there? A message untainted by years of study. A message from Graceland.

The King (of kings?)

Elvis Presley was not acclaimed for his great intellect. He had a singing voice and swinging hips that changed an entire culture, but his was not the world of the library and study. Naturally it is the more flamboyant that capture the imagination of the largest numbers. I can imagine the (a) Bible of Rudolf Bultmann, Charles Briggs, or William F. Albright on the auction block. There would be a flurry among some scholars, for sure, perhaps to pool their money enough to make a bid some order of magnitude less than Presley’s sequined presence of the auction table demands. Probably it would not even be worth the effort of the auctioneer. After all, no matter what doggerel he might have scribbled in the margins, the King always outranks the mere pawns.


Longer Nights

Nothing accompanies the slow decent into winter like scary movies. Now that autumn is officially here, it is time to look for the religious motifs in frightening movies again. Perhaps it is time to join Netflicks, because when it comes to my own movies I have mainly choices among bargain basement films I’ve picked up over the years. Over the weekend I watched one of them. John Carpenter’s Prince of Darkness is the second of his apocalyptic-themed movies, following on the remarkably creepy The Thing. (This is one of the few remakes that manages to outdo the original in just about every way.) Prince of Darkness, however falters almost from the beginning. I do appreciate a movie that is straightforward about using religion as the source of fear, and one that even has a character who is a graduate student in theology! Apart from the priest and street people, all the ill-fated characters are academics—professors and grad students of theoretical physics, the sciences, and our one, lone theologian. The plot revolves, literally, around a swirling green liquid in a decrepit church, which is the Anti-Christ.

Although the trappings are all here for a truly frightening experience, Christianity doesn’t really lend itself to a frightening mythology. To get to something truly tremendous, Prince of Darkness posits a kind of gnostic anti-God who is the father of Satan. The persona is evil writ so large that it is simply not believable that a corroded screw-top jar is able to contain him. For anyone who’s studied history or anthropology, placing the date of the Ball Mason jar back seven million years ago sounds like random guesswork. Homo sapiens sapiens weren’t even around then, making one wonder why God thought of a jar to trap the viscous Anti-Christ millions of years before the “fall” necessitated a regular Christ. The Bible appears, in transmogrified form, as an ancient book of spells that when translated sound suspiciously like the good old King James.

The movie does have its creepy moments—abandoned churches are scary; even fully functional ones can be remarkably spooky at night. It is difficult to accept that a priest would go to a physics professor before consulting his bishop, but then we have to prevent this movie from becoming just a watered-down Exorcist flick. Having Alice Cooper appear as the leader of the homeless minions was a nice touch, in any case. Since we are all still here, the movie ends predictably enough, with Satan’s Dad being stopped before entering the world. It does, in a de rigueur metanarrative, involve a self-sacrifice, albeit not a virginal one. And for the surviving handful of academics, life goes on as normal the morning after. Perhaps evil was blown too large to be believable here. Enough human-sized diabolism exists to frighten any reasonable person. And autumn is only just starting.


Pipe Dreams

While I was off in Indiana, Jesus was coming down in New Jersey. Well, at least a graven image was. My wife saved the front page of Thursday’s New Jersey Star-Ledger that had a front-page, above the fold headline, “Workers give Jesus a much-needed lift.” The caption notes that in a gusty storm on Tuesday the 200-300 pound Jesus (this is America, after all) tumbled off his pedestal at Saint John’s School in Orange. A crane hoisting the fallen Lord dominates the first page. Clearly a bit of irony on a slow news day, the social commentary is thick indeed. Despite Magritte’s assertion, we still say the painting is a pipe. The representation is the object. This is the native logic behind the “idols” of old—to capture an image is to somehow to encompass some of the essence. This is precisely why the Hebrew Bible forbids images to be made.

I realize that “essence” is a disputed concept these days. Some scientists have declared that no such thing exists, along with souls, deities, and free will. Nevertheless, most mornings I wake up aware that I am me and not you, that my physical body is relatively near where I last remember it being, and that it faces the same hopes and limitations it did the day before and before and before. Perhaps this continuity is an illusion, but I can’t afford to treat it as such. It’s hard for an identity-less person to hold down a job. As usual, it is money that comes back to define us.

We recognize that it is disrespectful to mistreat representations of what we hold sacred. Does Jesus suffer any real harm for his image laid out on the ground? The nuance necessary to separate likeness from reality is something we obviously possess, but as we deal with the physical world the distinction frequently fades. Religion may have lost much of its explanatory value for the material world we inhabit, but images of a fallen savior demonstrate that we still operate otherwise. Much of our religious life concerns appearances. And for many people that step between appearances and reality is a very small step indeed.


Whirling Spirits

A photograph and video of a “fire tornado” in Australia have been lighting up the web the last few days. Well, technically there is no such thing as a fire tornado, although that term serves perfectly well as a colloquial expression for the phenomenon. Having spent several years studying vortices for a project on weather language in the Bible, I came to know tornados particularly intimately. Dust devils, caused by surface heating, look and act like tornados, but a true tornado is cloud-based. The fire tornado is probably better termed a “fire whirl” or a “fire devil”—an expression that has a particularly ominous tone. Such vortices occur in wildfires in other parts of the world as well, and they are, obviously, very dangerous. When my wife pointed out the comments on this site (which also has a photograph and a link to the video), however, the implications for a blog on religion became clear.

One of the points I made in my weather work was that severe weather is almost always attributed to God. The comments on boingboing affirm that the concept retains its currency. Now, reading comments on most websites reveals just how juvenile the web readership generally is. On many sites the comments are so annoying that even Spongebob Squarepants would seem an intellectual heavyweight by comparison with the writers. Nevertheless on boingboing, by comment seven God had been brought into the conversation. In this instance, reference was aptly made to the movie The Ten Commandments, with others chiming in that nature here far outdid Cecil B. DeMille’s efforts at a realistic fire devil to represent God. The comments then move on to the guiding of the Israelites by a pillar of fire in the wilderness. Intermingled with the biblical references are meteorological comments attempting to classify the whirl a bit more precisely.

When something out of the ordinary occurs, our default seems to be God. This in no way discounts the scientific discussion for what is really going on. The religion and science comments simply talk past one another—they have the same referent, but entirely different levels of engagement with it. Although not the scientific names, “devils” and “tornados” represent different, if visually similar, phenomena. Vortices seem natural on a round planet that follows a round orbit while rotating swiftly on its axis, and yet they remain comparatively rare. The name “dust devil” probably goes back to indigenous traditions associating the whirls with ghosts or spirits. For Christians encountering these concepts, heathen gods were devils (as is evident in the name Devil’s Lake, Wisconsin, named “Spirit Lake” by the Native Americans. The same applies to Devil’s Lake, North Dakota, but I haven’t been there.) It seems to me that these vortices neatly summarize religious sensibilities: an awe-inspiring event is one culture’s deity, another culture’s devil, and a third culture’s natural phenomenon empirically explained.

A real tornado


A Cougar’s Mother

While on a stroll between appointments at Indiana University in Bloomington, I came across a tree with flowers laid underneath and a memorial plaque at its base. I glimpsed the name Mellencamp, and for a fan of rock, it didn’t take much imagination to tie it to John Cougar. Indeed, the memorial is dedicated to his mother, an artist, who died earlier this year. I first came to know of Indiana University because of music. I married a musician who, like myself, had to sacrifice a career doing what she loved in order to “get by.” Although she hadn’t studied at Indiana, my wife knew the reputation of the campus well. At a sunny moment between appointments I sat outside one of the music buildings listening to students practice through the open windows and read about Marilyn Mellencamp. An article in a local paper explains that this week an exhibition of her art is on display in Bloomington. When I read the quote from Waldron Arts Center Gallery Director Julie Roberts that the arts “are viable ways to make a living and they are vital part of being a happy and alive person,” I felt a renewed sense of hope. There are others, it is clear, who see that the arts are called the humanities for a reason. In a culture where only money matters, there is no culture. Think about it.

Since the industrial revolution we’ve been told that the measure of a human is how much money they are able to make. Something profound has been lost since then as great universities cut programs for the arts and humanities while business departments build new facilities. Talk about gaining the world but losing your soul—business cattily replies, “I have no soul.” While John Mellencamp never rivaled the biggest bands for income, his work, particularly Scarecrow, is full of human empathy. I listened to that album over and over in 1985, recounting the farm crisis and the demise of those not driven by corporate greed. And looking at this maple tree I wonder when the last time was that someone honestly mourned the death of a corporate mogul.

It is the mark of a deeply schizophrenic society that we all aspire to what fails to inspire. Our economy is driven by the material—money—and not that which speaks profoundly to what it means to be a human being. We keep the arts alive because the wealthy require something worthwhile upon which to spend their lucre. Is not buying art buying part of another person’s soul? We can’t define souls materially, science must conclude they don’t exist, but every time you say, “I feel happy/fulfilled/satisfied” you belie the facts. Souls may not be material, and they may never be found in laboratories. They are nevertheless part of the human constitution, and I for one, would lay a flower under a tree and know that it is more than just fertilizer for the next growing commodity.