Pipe Dreams

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While I was off in Indiana, Jesus was coming down in New Jersey. Well, at least a graven image was. My wife saved the front page of Thursday’s New Jersey Star-Ledger that had a front-page, above the fold headline, “Workers give Jesus a much-needed lift.” The caption notes that in a gusty storm on Tuesday the 200-300 pound Jesus (this is America, after all) tumbled off his pedestal at Saint John’s School in Orange. A crane hoisting the fallen Lord dominates the first page. Clearly a bit of irony on a slow news day, the social commentary is thick indeed. Despite Magritte’s assertion, we still say the painting is a pipe. The representation is the object. This is the native logic behind the “idols” of old—to capture an image is to somehow to encompass some of the essence. This is precisely why the Hebrew Bible forbids images to be made.

I realize that “essence” is a disputed concept these days. Some scientists have declared that no such thing exists, along with souls, deities, and free will. Nevertheless, most mornings I wake up aware that I am me and not you, that my physical body is relatively near where I last remember it being, and that it faces the same hopes and limitations it did the day before and before and before. Perhaps this continuity is an illusion, but I can’t afford to treat it as such. It’s hard for an identity-less person to hold down a job. As usual, it is money that comes back to define us.

We recognize that it is disrespectful to mistreat representations of what we hold sacred. Does Jesus suffer any real harm for his image laid out on the ground? The nuance necessary to separate likeness from reality is something we obviously possess, but as we deal with the physical world the distinction frequently fades. Religion may have lost much of its explanatory value for the material world we inhabit, but images of a fallen savior demonstrate that we still operate otherwise. Much of our religious life concerns appearances. And for many people that step between appearances and reality is a very small step indeed.

Whirling Spirits

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A photograph and video of a “fire tornado” in Australia have been lighting up the web the last few days. Well, technically there is no such thing as a fire tornado, although that term serves perfectly well as a colloquial expression for the phenomenon. Having spent several years studying vortices for a project on weather language in the Bible, I came to know tornados particularly intimately. Dust devils, caused by surface heating, look and act like tornados, but a true tornado is cloud-based. The fire tornado is probably better termed a “fire whirl” or a “fire devil”—an expression that has a particularly ominous tone. Such vortices occur in wildfires in other parts of the world as well, and they are, obviously, very dangerous. When my wife pointed out the comments on this site (which also has a photograph and a link to the video), however, the implications for a blog on religion became clear.

One of the points I made in my weather work was that severe weather is almost always attributed to God. The comments on boingboing affirm that the concept retains its currency. Now, reading comments on most websites reveals just how juvenile the web readership generally is. On many sites the comments are so annoying that even Spongebob Squarepants would seem an intellectual heavyweight by comparison with the writers. Nevertheless on boingboing, by comment seven God had been brought into the conversation. In this instance, reference was aptly made to the movie The Ten Commandments, with others chiming in that nature here far outdid Cecil B. DeMille’s efforts at a realistic fire devil to represent God. The comments then move on to the guiding of the Israelites by a pillar of fire in the wilderness. Intermingled with the biblical references are meteorological comments attempting to classify the whirl a bit more precisely.

When something out of the ordinary occurs, our default seems to be God. This in no way discounts the scientific discussion for what is really going on. The religion and science comments simply talk past one another—they have the same referent, but entirely different levels of engagement with it. Although not the scientific names, “devils” and “tornados” represent different, if visually similar, phenomena. Vortices seem natural on a round planet that follows a round orbit while rotating swiftly on its axis, and yet they remain comparatively rare. The name “dust devil” probably goes back to indigenous traditions associating the whirls with ghosts or spirits. For Christians encountering these concepts, heathen gods were devils (as is evident in the name Devil’s Lake, Wisconsin, named “Spirit Lake” by the Native Americans. The same applies to Devil’s Lake, North Dakota, but I haven’t been there.) It seems to me that these vortices neatly summarize religious sensibilities: an awe-inspiring event is one culture’s deity, another culture’s devil, and a third culture’s natural phenomenon empirically explained.

A real tornado

A Cougar’s Mother

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While on a stroll between appointments at Indiana University in Bloomington, I came across a tree with flowers laid underneath and a memorial plaque at its base. I glimpsed the name Mellencamp, and for a fan of rock, it didn’t take much imagination to tie it to John Cougar. Indeed, the memorial is dedicated to his mother, an artist, who died earlier this year. I first came to know of Indiana University because of music. I married a musician who, like myself, had to sacrifice a career doing what she loved in order to “get by.” Although she hadn’t studied at Indiana, my wife knew the reputation of the campus well. At a sunny moment between appointments I sat outside one of the music buildings listening to students practice through the open windows and read about Marilyn Mellencamp. An article in a local paper explains that this week an exhibition of her art is on display in Bloomington. When I read the quote from Waldron Arts Center Gallery Director Julie Roberts that the arts “are viable ways to make a living and they are vital part of being a happy and alive person,” I felt a renewed sense of hope. There are others, it is clear, who see that the arts are called the humanities for a reason. In a culture where only money matters, there is no culture. Think about it.

Since the industrial revolution we’ve been told that the measure of a human is how much money they are able to make. Something profound has been lost since then as great universities cut programs for the arts and humanities while business departments build new facilities. Talk about gaining the world but losing your soul—business cattily replies, “I have no soul.” While John Mellencamp never rivaled the biggest bands for income, his work, particularly Scarecrow, is full of human empathy. I listened to that album over and over in 1985, recounting the farm crisis and the demise of those not driven by corporate greed. And looking at this maple tree I wonder when the last time was that someone honestly mourned the death of a corporate mogul.

It is the mark of a deeply schizophrenic society that we all aspire to what fails to inspire. Our economy is driven by the material—money—and not that which speaks profoundly to what it means to be a human being. We keep the arts alive because the wealthy require something worthwhile upon which to spend their lucre. Is not buying art buying part of another person’s soul? We can’t define souls materially, science must conclude they don’t exist, but every time you say, “I feel happy/fulfilled/satisfied” you belie the facts. Souls may not be material, and they may never be found in laboratories. They are nevertheless part of the human constitution, and I for one, would lay a flower under a tree and know that it is more than just fertilizer for the next growing commodity.

Dearly Beloved

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Coptic Christians have been in the news recently. In a late push to be known as the radical orthodox, it seems, the Copts have arrested the headlines. Tensions in the Middle East appear to have shifted to this ancient group and the media finds itself fascinated by them. In an unrelated development, a Coptic papyrus fragment appears to mention Jesus’ wife, according to CNN’s Belief Blog. Naturally, people are curious (read “upset”) at this revelation, although it is not history, just tradition. For decades, perhaps centuries, scholars of Christianity have noted that Jewish guys Jesus’ age would have been, by all social expectations, married. Celibacy was not really an option in the first century of the common era, and yet, no one explicitly mentions Jesus’ wife. This causes a larger crisis for divinity, because once Jesus was recognized as divine what would you do with a wife? She would complicate things (or at least theology).

The female divine is certainly as ancient as the male divine, culturally speaking, if not older. Despite cartoons of Cro-Magnon man dragging Cro-Magnon woman by the hair, all indications are that early people revered the feminine mystique as life-givers. Naturally, this equates to a kind of divinity. Only when society grew to be dominated by politics, no matter how primitive, did the male usurp the role of life-giving image-of-god-bearer. The male part in procreation was upgraded to being the creator, and the female relegated to a mere receptacle. Male gods alone could create universes, and women were downgraded to incomplete men. Still, in the myths around Israel (and perhaps within Israel as well) gods were married. The divine principle included both genders, although in an unequal distribution of power.

Fast forward twenty centuries and we have movements that encourage young women to consider Jesus as a kind of chaste lover. That’s a little hard to do if he was married—issues of adultery, at least in fantasy land, cause a real complication. The fact of history is that we possess very little of Jesus’ biography. Depending on how we parcel out the Gospels, we know only about one year’s worth (or three very scant years) of his life. Many personal details are left out. The Bible is clear that he had brothers and sisters, and even some of their names are preserved. We know his parents and find out that he was a cousin of John the Baptist. The relationships likely continued from there into other connections, but they weren’t central to the story the Gospel-writers wanted to tell. Adding women always complicates a male religion. Only non-gendered religions can be truly universal.

So this newly translated Coptic fragment comes from centuries later when it would seem natural that any Jewish man of the time would have been married. What was his wife’s name? Here’s the beauty of the revelation: for that, we can still offer the consolation, “fill in the blank.”

Rounding up the usual suspects?

Edeniana

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“On Jordan’s stormy banks I stand, and cast a wishful eye”—so begins a hymn I learned as a child and which has followed me to Bloomington, Indiana. Campus visits are an expectation of some academic editors, and as I stand and look at Jordan River on the Indiana University campus, I can’t help but feel a little disappointed. I have no idea if this little stream was named after the Jordan River of Israel fame, or if it just happens that someone named Jordan was a benefactor of the university. Given that there is a Jordan Hall, and a Jordan Street, the latter seems likely. Nevertheless, whether liquid or liquidity, any Jordan in contemporary society probably traces its origins back to the river that now separates Israel from Jordan (named after the river). Many hymns celebrate the mighty Jordan without the benefit of geographical experience. The mythic river is not mighty or majestic, but a slow-moving artery that sluggishly empties into the Dead Sea. With all the history of Christian imagination, however, we like to think of it on a par with the Euphrates, or at least the Mississippi.

Jordan’s stormy banks

Biblical images have a way of catching the imagination. Although many younger people have no training in the Bible or Christianity, our culture is steeped very thoroughly in it. For some who are just rising to voting age, it must appear incredible the amount of effort politicians still put into keeping the old faith alive. It is clearly so here in Indiana. Driving down from Indianapolis I passed many signs that the Biblio-Christic pulse still throbs in the heartland. As I stopped to check my directions, I realized I’d just parked across from Pray Street. In a land where an imperative verb for a religious function stands a chance of becoming a street name, anything is possible.

After I returned from my trip to Israel many years ago, I realized that I’d neglected to take any pictures of the Jordan River. It runs like a leitmotif through our national imagination that it almost seems worth going back just to snap a shot or two. The Jordan is redolent of Eden, a land that is, according to Genesis, defined by four rivers. Water is a precious commodity in the arid Middle East. Its fluid nature seems not to have achieved the level of metaphor for those who insist on warring over religion. For gardens to bloom, there must be water and its short supply raises tensions. Water connects, however, just as readily as it separates. One of the first steps towards the great civilizations was the technology of travel by water. Why can we no longer use it for connecting rather than gerrymandering? I don’t know why this little stream is called Jordan River, but I do stand by its banks and cast a wishful eye.

Private Property

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I’m receiving a government-sponsored massage at Newark’s ironically named “Liberty Airport.” Like most federal freebies, this massage leaves me wanting. Now, I’ve had many pat-downs to protect me from people like myself, and each time I find myself feeling like so much meat for politicians’ pork-bellies in this culture of fear. I am afraid. It isn’t terrorists who worry me, but my own elected (sometimes) guardians. When being a citizen is considered the same thing as an enemy of the state, there is a problem. In the line next to me is an infant-in-arms being given a pat-down by a stranger. Yes, ma’am, my tax dollars help pay for that. Please, don’t bother to thank me. It will be only the first of many.

The last time I flew was from London to New York. In Heathrow US citizens aren’t sent through the humility of full-body scanners. Only a nation afraid of its own does that. I often ponder what this means. Frequently I hear, “these colors don’t run.” I wonder if it’s because they’re too busy sticking their hands down their own citizens’ pants. Home of the brave? Only if bravery means giving in to the intimidations of terrorists. I’ve fallen off a bicycle a time or two. One time it was with pretty messy results. I’ve even actually fallen off a cantering horse. (That may explain a thing or two.) As a child I was always told that you need to get right back on and try again. After 9/11, however, our country showed its naked fear in the overregulation of air security while continuing deregulation of the airlines. Money does not guarantee a secure future.

If our government has a desire to see its citizens naked, what more need they do? They know every penny we earn or exchange, taking a cut each time, and the only way to get on a plane without hassle is to let them view everything. It’s not good for my Constitution. Our Constitution. Moral outrage, however, is apparently a thing of the past. Full-body scanners may be science, but I still believe in the humanities. And when a babe in arms is considered a threat to national security, I have to wonder what we’re truly afraid of. And next time do you think you could use a little more pressure on my neck? I feel like I’m coming down with a wicked headache.

Read the sign

Assaulting Pepper

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“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper,” so goes a jingle that is still in my head decades after I last heard it. Early in my marriage I learned that Dr. Pepper was my wife’s favorite, and we sometimes purchased it by the case when we felt daring. I seldom drink soft drinks anymore, having converted to a more juice-oriented penchant with the increase of years and poundage. I always found it to be a pleasant flavor, however, and it was a frequent choice in those halcyon days when I could eat or drink without much regard for potential tonnage. My wife resurrected my interest in the cola with a link to Time’s NewsFeed announcing that some Creationists are boycotting the soda because of an ad that looks like evolution. The ad campaign shows the evolutionary progress chart we’ve all seen with the tipping back of a Dr. Pepper making the ape human. Creationists aren’t known for their sense of humor, but boycotting a drink because of implied heresy implies a fascinating study.

Boycotting companies that offend moral sensibilities is not an unreasonable response to ethical dilemmas. I haven’t shopped for some products for years because I don’t like what the company does. My choice, I’m sure, has little impact but it makes me feel better about myself. Sometimes the choice is religiously motivated—if I don’t want to support a particular group I won’t buy a product they offer. Secular companies, however, seldom offend theological sensitivities. I, for one, would seldom know the guilty party: the founder of the company? The current CEO? Someone in upper management? An advertising director? Do all employees have to agree with my religious outlook? Ahh, but then there is the political angle.

This is a presidential election year and the first one since 1980 without a Republican candidate who is a darling of the Religious Right. Not to suggest that Reagan or Bush the First were really as religiously orthodox as they were presented, but the perception of their friendliness to conservative Christian causes went unquestioned. With a “liberal” in the White House and the only viable alternative a mysterious Mormon, frustration must be building. On top of it all, Dr. Pepper is showing a funny image that might be interpreted as suggesting a simian forebear to those who drink the stuff! I think I understand the anxiety, and it might help if they just had a drink to calm down. After all, “wouldn’t you like to be a Pepper too?”

Dare to evolve

Mermaid Missionary

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Last summer I was invited to address a church in Princeton about Christian themes in the movies. Back in my seminary days I often presented biblical material at adult forums, but my interest in religious themes in movies has grown over the years. I don’t claim to be an expert, but I have watched secular movies with an eye toward religiosity since I was in high school. The day of the presentation followed a recent viewing of Pirates of the Caribbean: On Stranger Tides. Although I’ve posted on it before, that particular movie is among the most heavily freighted with Christian themes of any I’ve seen. Now that I’ve had a chance to watch it again on the small screen without the distractions of getting home through traffic afterward, I would redouble my assertions. The very premise of the movie—the hope for eternal life—is a decidedly Christian refrain and the pirates, who wear their sins on their sleeves, are eager to attain it. The missionary, mentioned in my previous post on the film, serves as a kind of foil for that theme, insisting that all souls can be redeemed. Except, he decides, Blackbeard’s.

The reason that Blackbeard falls out of the missionary’s personal book of life is his mistreatment of a mermaid. Now the swarming, man-eating mermaids are among the most memorable images from the story. One has to be captured to unlock the magic of the Fountain of Youth, and the victim happens to be the missionary’s mermaid. In a Florence Nightingale moment, the two different species fall in love—celibate preacher and heathen, mythological creature. An odd couple indeed. Carried in a glass coffin filled with water, the mermaid also needs air to survive and the heartless pirates don’t really much care. To save the little mermaid from asphyxiation, Philip shoves his Bible into the gap he breeched between coffin and lid, saving the fishwife’s life. Talk about conversion!

When the glass coffin breaks, spilling all the water, the mermaid is reborn as a human. Echoes of Splash come to mind here, as well as Disney’s earlier effort, The Little Mermaid. The transformation in this case, seems spiritual as well as physical. Syrena, whose very name invokes the classical sirens, is the one who delivers the magical chalices (communion, anyone?) to Jack Sparrow to save the life of Angelica, or, more likely, to bring Blackbeard to an end. Our busy mermaid, now transformed again to her fishly form, saves the injured missionary by converting him to her way of life under the waves. There are shades of Lovecraft here as well as a reversal of Ariel’s fate in Little Mermaid. Although critics were harsh on this movie where a comic character now takes on a serious role, I still find it compelling. Nearly all the main characters undergo transformations as the story unfolds and whether heathenish or not, almost everyone ends up a better Christian of one sort or another.

Two Ways

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In my own attempt at balance, I turned from reading about the world of literary possibilities to a book on the inevitability of the scientific method. Robert Park’s Voodoo Science: The Road from Foolishness to Fraud is an enjoyable jaunt through the distressing world of pseudo-science. The reader quickly discovers, however, that Park shares in the same scientific orthodoxy as Richard Dawkins (and many others) that claims since science works it is obviously the only way of demystifying our world. I admit that when I read of our government spending billions of dollars on projects put forward because our elected leaders know less about science than I do as a specialist in religion, I grow quite upset. More money than most of us will ever earn in a lifetime has been poured into projects that defy laws such as First and Second Thermodynamics. I learned those laws in Junior High physics and have never attempted to violate them. Even when scientists explain to elected officials in congressional hearings why these proposals simply can’t work, the pork barrels, once opened, are difficult to close.

Like many scientists, Park envisions a world where religion (same as superstition) is slowly losing its explanatory power and people will eventually have to admit that we are just acting out the role pre-determined by the laws of physics. We are fleshy machines, sometimes pretty flabby, but still machines. Ironically, when Park wants to express the seriousness of scientific review, he resorts to religious language. In explaining how peer review for scientific journals works, he notes that objectivity is a “sacred obligation.” Now, of course, one can argue that this is just a metaphor, language that non-scientists can understand. I wonder if it goes deeper than that. Reality, whether sought by scientists or religious believers, rests on the idea that there is only one truth. This, and not the incidental differences between theologies, is the reason for nearly all religious conflict and the “war on science.” There is, we are told in our Aristotelean world, only one possible Truth. Why?

Scientific theory, no less that superstitious theology, finds a unity of truth sensible and comforting. I wonder if the truth (and I use that word advisedly) is more complicated than that. No strict necessity exists for a single truth. (I am awake of Occam’s razor, but I don’t shave.) In fact, truth is a philosophical, not a scientific, concept. The problem is that societies tend to break down if they don’t share a view of the truth. There can be no doubt that science, done properly, works. The existence of the very internet where these virtual words reside is proof of that. That does not mean, however, that other truth can’t exist side-by-side, simultaneously with it. Scientists are duty-bound to declare a singular, physical universe because of the sacred trust of seeking the Truth. My bi-cameral mind just can’t see the necessity in that. But then again, I prefer a world with some mystery left in it. No thanks, I don’t shave.

Last Call

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A believer in equality across media, I decided to balance out my recent viewing of The Last Woman on Earth with its chronological sequel, The Last Man on Earth. I have seen I Am Legend a time or two, but I have not yet read the Richard Matheson novel. Knowing that the first cinematic attempt at the story was the Vincent Price version, I was curious to see what the last man and the last woman had in common. Not surprisingly, it was a church. The story has been around long enough that spoiler alerts are superfluous, so here goes: basically, vampires have taken over the world. Somehow Robert Morgan has survived and spends his days hunting vampires and whiling the nights away with jazz and booze. As the opening sequence rolls, the camera lingers on a church where the marquee reads “The End of the World.” Of course, in a quasi-literalist sense this is true. Robert is the only non-infected person left. He is eventually located by the infected-but-inoculated crowd and chased down to be staked to death at the altar of a church. The culmination is strikingly similar to The Last Woman on Earth where the final scene also involves a death at the altar in a church.

The noticeable difference, however, revolves around gender. There is very little in the way of sexual suggestibility in The Last Man. Even the scenes of Robert with his wife are chaste and emotional distant. The appearance of Ruth does not even tempt him after three years alone. The Last Woman, however, revolved precisely around this axis—one woman, two men. The sexual tension is the fuel that moves this entire movie along. Of course, the 1960s became the decade of the sexual revolution, but even so the female is decidedly an object in Last Woman. Even in The Last Man, the woman leads to Robert’s death. She was sent to betray him, and although she changes her mind and attempts to save him, it is in vain. Robert dies in her arms. This fear of female power has never dissipated. How many women have been elected president since the 1960s?

While maybe not the heart of the matter, religious constructs may be the lungs or stomach of the situation. Although current religious thinking often insists on equality of the sexes, a tremendous cultural freight placing women in an inferior status continues to weigh heavily on our cultural mores. The largest Christian body in the world still denies women access to the priesthood. Even the idea of denying access underscores just how deeply this sentiment runs. The movies of the early 1960s had neither the budget nor the cultural support to suggest that things should change. Indeed, in both Last pictures the message was that the world had ended already—why bother trying to change anything at this late stage? The final shot, the stolid interior of a church, underscored the message: the status quo has the sanction of the divine.

Kermit’s Secret

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When I was a post-graduate student in that Gothic city of Edinburgh, I decided to spend some time reading Umberto Eco’s Foucault’s Pendulum. It was intended as harmless entertainment, but as anyone who has read it knows, the story soon unravels into an unbelievable world of dark religions that haunt a naive protagonist. While I was reading it, a packet, hand-addressed to me, with no return address, came to my student mailbox. The contents consisted of several tracts, in German, warming of the dangers of Satanism. No letter, no explanation. Foucault’ s Pendulum had me paranoid already, and this strange package completely unnerved me. Well, I’m still here to tell the tale. While reading Victoria Nelson’s brilliant The Secret Life of Puppets, I learned that she had a strange episode while reading the same novel. It was an apt synchronicity.

Nelson is a scholar who should be more widely known. I found her because her recent Gothicka was prominently displayed in the Brown University bookstore in May. I saw it after taking a personal walking tour of H. P. Lovecraft sites. Synchronicity. I had read, in a completely unrelated selection just a couple of months ago, Jeffrey Kripal’s Authors of the Impossible. Synchronicity. For many years I have honed my Aristotelean sensibilities, following devotedly in the footsteps of science. Problem is, I have an open mind. It seems to me that to discount that which defies conventional explanation is dirty pool in the lounge of reality seekers. I have always been haunted by reality.

I’m not ready to give up on science. Not by a long shot. Like Nelson, however, I believe that there may be more than material in this vast universe we inhabit. Indeed, if the universe is infinite it is the ultimate unquantifiable. The Secret Life of Puppets is alive with possibility and anyone who has ever wondered how we’ve come to be such monolithic thinkers should indulge a little. For me it was a journey of discovery as aspects of my academic and personal interest, strictly compartmentalized, were brought together by an adept, literary mind. Religion and its development play key roles in the uncanny world of puppets. Those who wish to traverse the realms they inhabit would do well to take along a guide like Nelson who has spent some time getting into the puppets’ heads.

Battle Bots

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Our local high school robotics meetings start up again this week. Actually, they’ve been going on all summer since robots do not require the rest and mental downtime that we mere creatures of flesh do. Glancing through the headlines of the Chronicle of Higher Education I saw a leading article on a topic I’ve been reading about: the military use of robots. On a college campus visit last semester I came across a robotics display and, since I’ve picked up some of the lingo, I engaged an engineering student sitting nearby. He told me that most of the funding for robotics at the collegiate level (there, anyway) came from the Department of Defense. Earlier this year I had read Wired for War, a book as stunning as it is frightening. In fact, P. W. Singer is cited in the article. What makes this interesting, however, was the role of Ronald Arkin, a Georgia Tech professor of robotics and ethics. Dr. Arkin believes robots to be morally superior to humans at making battlefield decisions. He’s not alone in that assessment.

The more I pondered this the more troubled I became. Morality is not a scientific purview. Ethics that have been quantified always fail to satisfy because life is just a little too messy for that. Who is more morally culpable: the policeman who shot a thief dead when the man was only stealing bread because his family was starving? Hands down the most challenging undergraduate class I took was bio-medical ethics. It was thornier than falling into a greenhouse full of roses. Sick minds and reality cooperated to draw scenario after scenario of morally ambiguous situations. I left class with two more things than I’d taken in: a headache and a conviction that there are no easy answers. Having a robot vacuum your floor or assemble your car is one thing, having one decide who to kill is entirely another.

The article cites the rules of war. The main rule seems to be that no matter what, some people will always kill others. We try to sanitize it by making the inevitable death-dealing follow ethical conventions. While religion often takes a bad rap these days, one of the things that it is capable of doing pretty well is providing an ethical foundation. People may not always live up to the standards, but religions only in very rare situations give people an excuse to hurt others. Nearly all religions discourage it. The rules of a science-based morality would likely fall along a logical algorithm. Unfortunately, there’s more gray than black or white in this equation. Algorithms, in my experience, are not so forgiving. So as I get ready for my first robotics meeting of the year I need to remind myself that the robots are capable of great good as well as great evil. Like with humans, it all depends on who does the programming.

Unbelievable Voyage

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In Sunday’s paper a story from the Los Angeles Times reported that Voyager 1, now 35 years old (and a technological grandfather, considering how quickly technology develops), is poised to leave the solar system. It is the first mechanical device, at least designed and launched from earth, that will do so. The spacecraft, billions of miles away, sends signals that take 17 hours to reach earth. It is boldly going where no man [sic] has gone before. The vastness of open space was one of the initial challenges to the traditional theology that had developed in an unbroken sequence from the time of the Bible down to the days of Copernicus and Galileo. Nobody was sure what was out there, but certainly Heaven had to be somewhere and God was clearly above us, so, in a marriage of convenience, God reigned in the unexplored sky. Voyager 1 bears a gold-plated plaque that attempts to describe who and where we are. Sent into the neighborhood where God used to live, Voyager was announcing that we were ready for celestial guests.

Many scientists don’t take seriously the idea that we’ve already been visited. The internet, however, has become a great clearinghouse for those intrigued by extraterrestrial life. I found a website this weekend that had located at least three different life-forms in just one of the Mars rover Curiosity’s pictures. We are lonely without heavily denizens. Stephen Hawking famously warned, a couple years back, that if they’re there, they’re probably not friendly. His paradigm, however, was based on earth psychology. Most of us know how far to trust that!

The fact is, we’ve been beaming our existence into space since the invention of the radio. Our electronic signals are, according to physics, pretty close to eternal. Electromagnetic waves just keep going and going, putting all manner of Energizer bunnies to shame. Long before Voyager 1 reaches the cusp of the solar system, our light and sound show has been announcing that this is where the godless party is and has been for over a century. Voyager 1 is far less than a needle in the cosmic haystack. It is more akin to a molecule or an atom. Will it find God out there? I highly doubt it. Nevertheless, when I went out to get the newspaper before dawn this morning, I spent an extra few moments looking at the stars and wondering.

Believing is Seeing

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A story has long circulated that as Christopher Columbus approached the coast of the “New World,” Native Americans staring out at the water—straight at his ships—could not see them. This instance of perceptual blindness has been adequately explained, of all places, in the Fortean Times. The best explanation: the natives could see the ships but did not have the referential framework to know what they observed at first. The story still circulates, however, that to them the ships were invisible. An interesting analogue arose when I was reading about Thomas Edison recently. The phonograph was first developed for speaking voices, not music. It was not an immediate success. One of the observations that Edison made also applied to the telephone: when people first heard it, not knowing what it was, they could hear voices but couldn’t make out what they were saying. Once it was explained to them what was going on—a voice had been recorded and was being played back, or a person’s voice was being carried over a distance through a wire—they immediately comprehended what they heard. Not exactly perceptual blindness, but very human indeed.

When people encounter something completely unexpected, surprising, they don’t quite know what to make of it. So we see anthropological pictures showing natives replicating airplanes from grass and twigs, ascribing to these strange birds some kind of divinity. Imagine an iPad in the hands of Moses. Neuroscientists are rather new to the coterie of specialists trying to explain the origins of religion, but a gap remains between perception and science. Active areas of the brain can be traced, but what the experiencer feels remains utterly subjective. It is a realm into which science cannot go. Perception, it is supposed, is simply an evolutionary tool to find food while avoiding being eaten, oh, and also to reproduce. The experience of the perceiver is much more profound. Consciousness, a sense of selfhood, why some are poor while few grow rich, these are facets of life that add dimension to perception and make me wonder just how far down the rabbit hole it goes.

Religion is all about perception. The problem is not that no one tells us how to interpret our experiences, but rather too many interpreters are only too eager to step forward. Perception, it is said, is reality. When encountering the unknown our best road-guide is our senses. In the case of religious phenomena, that guide is supplemented by tradition. What do you see when you look out on that horizon? The answer will indicate what you believe.

I saw three ships?

Magic Bibles

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With autumn not far down the road, my mind turns to scary things. Actually, it is that way quite a bit of the time. Nevertheless, movies about farms are often the setting for the creepy—the sense of isolation, the sharp implements farmers use, the rustling of the drying crops in the wind. A couple years back I watched The Messengers. As a horror film it had a number of good scares, but the menace always seemed somewhat restrained. Nothing profound happens, and it is a film fairly easily forgotten. It was a rainy Saturday afternoon and The Messengers 2: the Scarecrow suggested itself to me. I began watching in an ambivalent mood, but when the first scene began with the protagonist (whose name I’ve forgotten) dropping his Bible on the porch chair as he loosens his tie to work on a derelict water pump, I was curious. When his wife arrives home and asks why he left church before it was over, my interest grew. This direct-to-video prequel turned out to be a cut-budget horror flick based squarely on a religious parable.

In a faustian moment of abandon, and at the advice of a jocular neighbor named Jude (Iscariot, anyone?), our hero erects a scarecrow to try to improve his lot (literally). To give credit where it is due, the scarecrow is distinctly disturbing. The scene of John (okay, I looked it up) nailing the scarecrow to the cross is clearly a crucifixion scene, and the blood that will later appear at the foot of the cross bears this out. Before he realizes that the scarecrow is evil, John hears ghostly children singing in his cornfield. The song is “Jesus Loves Me.” There is a strong fertility goddess theme running through the film and when Jude reveals that his wife has a magic book that explains all the benefits of the scarecrow, John decides to cut it down. The scarecrow, predictably, resurrects.

Meanwhile, John’s Christian family thinks he has gone insane. Or worse, backslidden. As he tries to explain to his wife what has happened, John shows her the magic book and she insists “It’s just your old Bible,” and it is. Heathenish occult instruction transubstantiates into Christian scripture. It is tough to tell one sacred writing from another. For cut-rate horror fodder, this is wonderful commentary on religious sensibilities. Although straight-to-video movies are not high art, and will never receive academy award nominations, they do reflect popular religious beliefs. Scholars are now in search of such beliefs in ancient societies since “official religion” almost never reflects what actual hoi polloi think. Lived religion seldom conforms to the intricacies envisioned by religious founders, and yet it is out there on the Internet for all to see. Maybe the messengers in this film are not the crows after all. The point of the parable? Stay true to your Christian upbringing or else the scarecrow will get you.