Game of Thrones

IMG_2763I risk my already flagging street cred by admitting this, but I don’t watch Game of Thrones. In fact, I started to read the first book a couple years back and I just couldn’t get into it. Well, only 80 pages into it. The fault is, I’m entirely sure, my own. I lack some gene or enzyme that makes life without Game of Thrones impossible. Still, I have to admit curiosity. A story on the Washington Post, by Ishaan Tharoor, suggests “The ancient Persian god that may be at the heart of ‘Game of Thrones’” is Angra Mainyu, aka Ahriman. This managed to catch my attention. Zoroastrianism is a religion that seems to lie behind quite a bit of modern religious thought. Although dating Zarathustra, or Zoroaster, is notoriously difficult, concepts from his religious system show up in Hinduism—one of the earliest forms of religious expression about which we know a fair deal—as well as in Judaism and therefore Christianity and Islam. In fact, many of the ideas you may associate with the central tenets of Judeo-Christo-Islamic tradition may go back to Zarathustra.

One of the certainties about Zoroastrianism is that it was a dualistic religion. Good and evil are engaged in a constant struggle for control. The good god, Ahura Mazda (which sounds like a blend between Star Trek and a Japanese auto maker) struggles constantly against Angra Mainyu. Mazda’s website states that the car line is named after the deity (according to Wikipedia, I note, losing the last vestige of cred), pushing his reach even further east. With this incredible pedigree, it is no wonder that George R. R. Martin may have tapped into it. This kind of dualism is ripe for the picking.

My friend K. Marvin Bruce wrote a satire about the Persian gods, in fictional form, that was published a couple years back in Calliope, a small circulation literary journal. He told me he even won third place in a contest for it. The idea was that a disgruntled professor wanted to start the apocalypse (a Zoroastrian idea) by summoning Ahura Mazda and Angra Mainyu to earth to try to start a fight between the two. It was a fun story, but the point, if I may speak for my friend, is serious. Warring religions stand the best chance of beginning the end of times. We don’t even need the gods to do it, really. Although I don’t watch Game of Thrones, I can’t help wonder if Martin had the same idea in mind. If you want the answer to that, don’t ask me. I’m not even a hundred pages into it, and I don’t have triple play.


Write the Truth

XalliopePublication is a tricky business. Just ask my friend, K. Marvin Bruce. Marvin and I have known each other for years as he’s been trying to break into fiction publishing. I don’t envy him. His novel, Passion of the Titans, was under contract with an indie publisher who eventually reneged on their agreement. What can you do? As a supporter of publishers you don’t want to sue, so the novel is floating around again, looking for a home. Meanwhile, I was flattered to receive in my mailbox a copy of Calliope magazine. Calliope is published by the Writer’s Special Interest Group of American Mensa, Ltd. Marvin’s story, “Initiating an Apocalypse,” won third place in their fiction open. Not only am I pleased for my friend, but I was glad to see his story was about gods. Zoroastrianism doesn’t get much attention these days, but Marvin’s tale is about a hapless professor who wants to start an apocalypse by using Zoroastrian deities. I won’t give any spoilers since I’m sure few people have read the story.

His tale has me thinking of gods in fiction. I suppose mainstream literary fiction avoids deities, but fantasy, science fiction, and horror all make good use of them from time to time. Neil Gaiman’s American Gods made quite a splash, and although Marvin has no hope of becoming a widely recognized name, his novel also features gods. It is a literary incarnation. We like to see gods in some ways limited to human circumstances. Omnipotence rarely makes for a good plot. In many respects the Bible attests to this. If God is omnipotent (which is not a claim the Bible actually makes) why can’t the world be a happier place? Indeed, the solution most fondly groped by theologians is either free will or a version of the Zoroastrian solution: a god who is evil. Enter the Devil.

The Devil is also undergoing a kind of literary renaissance. We find a plethora of books and movies starring the prince of darkness. Despite the panegyrics of rationalism delivered by angry atheists, nothing salves the human soul like a good supernatural entity. Fiction writers have long recognized that. Gaiman was not the first to make the gods do his bidding in literature. There is a likelihood that even Homer knew the appeal. Many people can accept that gods might exist, and they certainly don’t object to stories in which they cavort. Fiction, as literary analysts know, teaches us about reality. The characters may not be literally true, but the fact is that in our minds there is still plenty of room for gods. And, if you one of the rare ones to read Marvin’s story, you’ll see that, true to human experience, deities don’t act as we expect them to. Savvy publishers, it seems to me, would do well to recognize the appeal of the gods.