Sky Gods

One of the unspoken prompts for writing Weathering the Psalms was the unscientific idea that God is somehow associated with the sky. To my mind this has more to say about what religion is beyond the recognition that Anu, El, Nut, and kin were primordial deities of the celestial sphere. We’re all drawn to the sky. One of the earliest fictional pieces that I polished had to do with our desire for the sky—it’s something we deeply crave but cannot control. We dream of flying. Although flight seems almost casual these days, it is anything but. We still refer to satellite photos as being “God’s eye view” of the earth, knowing full well that the ancient cosmology of the three-tiered universe was simply a misconstrued view of how nature really works. Still, we want to embrace the sky.

Perhaps the cruelest aspect of work in the commercial sphere is the prevalence of “workstations” with no outside views. I’ve held two jobs since leaving academia where my “cubicle” was/is in a windowless room. Cut off from the sky, I’m supposed to focus on the glowing screen in front of me as if that could ever inspire me like a mountain sunrise or the silent crescent of the moon gracefully arcing across the sky. It could be night or day, snowing, raining, or brilliant sunshine, and for eight hours of each day I would never know. We call it efficiency. I think back to that story I wrote as a child about wanting the sky. If there are gods anywhere, it’s up there.


The perspective from above can change everything. On a small plane tour at 7000 feet, you can get a sense of what you’d never expect from the ground. Sharing the view of gods and angels, the land is laid out before you. “Distances,” our pilot says, “are very deceptive from up here.” Indeed, a few minutes aloft and it’s easy to forget what things looked like on the land. Pedestrian. Street-level. Quotidian life. Up here, isolated in a different way, I am seeing what the ancients could only imagine what the gods might see. For the moment I’m one with the sky. For the moment the world of everyday life is far away. That dark and gloomy cubicle no longer exists. In fact, from the sky I cannot see it in its windowless dungeon. We can’t own the sky. Being up here I start to suspect that neither can the gods.


While out driving one winter evening, the sun was setting below a distant horizon that I couldn’t see. Trees lined the sides of the road and, while creating not exactly a tunnel, they blocked the actual view of the orb itself. The day had been partly sunny with cloud forms shifting between layers of the atmosphere. Even though I had studied weather pretty intensely for a number of years, I couldn’t readily identify the cloud types. Thin, smooth lengths of cloud seemed to be suddenly rising up into cumulus banks, heavy with snow. Not far away, the sky was clear. As the sun was going down, these dramatic clouds were lit with the colors of fire: yellows, oranges, and reds. Further to the west, a high, broken bank of clouds glowed a rosy red against a twilight sky. Since the highway we were on was straight, I had a fairly consistent view of the warm tones of the sun highlighting the impressive clouds. My camera couldn’t hope to catch the intensity of the palette revealed to my eyes. When the sun finally fell beyond the range of the clouds, they appeared gray and prosaic against a darkening sky. They had been alight only moments ago, and now they were dull, and not even white.


What I’d learned of physics reminded me that even these colors were not inherent to the clouds—colors are simply reflections of light rays and the range that we see depends on our eyes. An object’s color, in other words, is a kind of illusion. It’s an illusion we share, and although some people are color-blind, we make the conventions of color part of everyday life. Red means stop, and green mean go, for example. Objective reality is simply the fact that objects reflect different wavelengths of color. Depending on the light source, they appear a specific color to us. While we take colors for granted, they are actually a way of conveying meaning that isn’t entirely real.

Ancient people looking at the colors in the sky could only understand them as caused by the activity of the gods. Bright hues in the clouds suddenly diminished to gray could be the basis for a myth of heavenly conflict. A rainbow, according to Genesis, is a sign that such a conflict is finally over. I don’t know what the gods might have been doing overhead that night, but as the sun disappeared and a full moon rose, throwing soft, but pervasive light from the broken clouds that have only moments before had appeared red, another reality seemed to be taking over. I suspect that we have lost much by no longer watching the sky. My daily work generally involves sitting in a windowless room, and in Midtown the sky is occluded with human attempts to climb to heaven. When I can see the sky for an extended period of time, it seems that the gods are putting on a show, if only we’d watch.

To See the Sky

Stonehenge. The very name evokes mystery and myth. Although archaeology has revealed more about the monument than any mere visual survey, we are still very much in the dark about its origin and purpose. With one exception: we know it was something religious. When we discover artifacts that required a tremendous outlay of human effort in pre-industrial periods, the motivation, according to our current understanding, is almost always religious. Modernity has come to us with a cost. In any case, a recent story in The Guardian highlights the view of Julian Spalding, erstwhile museum director, that Stonehenge might have housed a platform on top of which the real action took place. As might be expected, experts disagree. With its precise solar alignment, one wonders if a roof might have been superfluous, but then again, there is the sky.


When I begin to feel depressed working in the belly of a concrete bunker with no windows, indeed, no view of the sky at all, I find my way to a room with a view of the outside. I’ve always had a celestial orientation, and looking at the sky—especially on a day with some blue showing—can cure my sadness in a way almost supernatural. I suppose that was part of the reason I wrote Weathering the Psalms; there is just something about the sky. In that book I couldn’t really verify what it was. I still can’t. I know it when I feel it, however, and this perhaps the feeling the Julian Spalding is asking us to explore at Stonehenge. Ancient people directed their worship upward, not toward the ground.

Like all universal statements, however, there are exceptions. Some ancient religions recognized our place as children of the earth. The celestial sphere, however, is part of the package. Our atmosphere makes our world habitable. While the moon is beautiful and Mars inspires wonder, their lack of air spells their hostility toward those who need to breathe deeply and look up into the blue once in a while. Almost Frazerian in its archetypal view, Spalding’s idea has a beauty of its own, whether or not the evidence bears it out. People of ancient times had a talent we lose in our cubicle-infested, results-obsessed world. We all exist because of the atmosphere above us. And when modern views become too much for me, I head outdoors where, sun or not, I find my solace in the sky.