Have you ever gone into one of those art museums where the frame of a painting is so lavish that you notice it almost more than the art it contains? It certainly says something about me (or where I shop), that I prefer simple frames. Those that ideally pick up and emphasize something in the picture. I recently critiqued a book on this blog because the framing seemed off. Not a week afterwards I found myself going down an internet rabbit hole (the topic isn’t important) because someone had framed a speech so that it seemed to be reading things one particular way. With that framing, I watched the speech and was astonished. Then I sent it to one of my brothers and he pointed out that it could be understood a different way. At first I was embarrassed and defensive (to myself), but I went back and listened again and realized he was right. I’d accepted the framing uncritically.
We are incapable of seeing everything. From the shape of our eyes to the limits on our distance vision, we can only take in so much. That’s what frames are for. We put them around paintings, photographs, posters, windows, and mirrors. The demarcate the limit of something. This image goes only so far. Televisions used to do that, although now they seem to take up a wall instead of a framed corner space. But even so. Movie screens too. They provide important context. We know, looking at that screen, that something limited to that screen will appear. We know that what’s caught in the picture frame can’t reach beyond it, physically. (I am excluding some modern art, of course.) Framing is important.
I am glad for this recent object lesson. I was letting myself get worked up over something I may have viewed the wrong way because I had been primed to do so. It involved one of my deepest wishes, so emotion definitely played a part in it. Critical thinking involves looking at the frame and thinking about it as well as what’s inside. Those who excel at creating content make you forget the frame is there. The artist isn’t painting to fill a frame, the frame contains the art. We all know this on some level, I suspect. Nevertheless, when someone presents us anything with the interpretation built in, we need to ask ourselves if that interpretation is inherent in the object or is it simply part of the frame. And if it’s the frame, no matter how fancy, we need to remove it and look from a different angle.










