Memories of Scotland

I admire those who follow their dreams.  I have been writing fiction for over forty years now, and although I’ve had some success placing short pieces my novels haven’t found much interest.  So when I see the published work of someone who obviously loves writing as much as Ailish Sinclair does, it warms my heart.  Her debut novel, The Mermaid and the Bear, is the kind of historical fiction tinged with a little fantasy, all set in Scotland.  Having spent three happy years in Scotland myself, I like to read native writers.  One of the categories in this year’s Modern Mrs. Darcy’s reading challenge is a debut novel, so all these things came together in this one little book.  There may be a little spoiler info below, so proceed with caution!

Sometimes I read a novel without knowing much about it in advance.  That was the case with this one.  I read Sinclair’s blog posts and appreciate the fact that she doesn’t compose long, rambling essays.  Her posts often make me stop and think.  Her novel follows a love story that turns into a witch-hunt.  Unlike that claimed by those who have the whole world watching them, this was a real one.  The historical notes tell a bit about the characters based on women actually tried in Scotland during those dark times.  In fact, when one of my doctoral advisors gave my wife and me a walking tour of Edinburgh early on in our time there, he pointed out where the witch trials had taken place.  Sinclair captures the rage and frustration of women who had no recourse once such accusations flew.  A religion only too ready to believe the worst about people, women in particular, showed no mercy based on what was only hearsay and jealousy.

It’s difficult to imagine what life would have been like in such times.  Castles and lairds make us think of fairy tales, but reality must’ve been somewhat harsher.  It’s fun to pretend about witches around Halloween, but there’s a sadness that’s difficult to escape as an adult.  That sadness is all the more profound for finding claims of witch-hunts on the lips of abusers and others who do their best to perpetuate inequality.  They dishonor those who actually did die so that men like them could feel smug self-satisfaction in the past.  The Mermaid and the Bear brought a number of these thoughts to mind.  Our society has made some strides towards treating all people as human beings but we’re yet a long way from where we need to be.  Books that remind us of that are always to be welcomed; dreams are worth pursuing.

In Middle Earth

I try to make the best of business travel.  I had all-day obligations this time around, but fortunately my hotel was next to a place of some renown.  The house where J. R. R. Tolkien lived was practically right next door.  This is the place where the Lord of the Rings came into the world.  I have always tried to visit sites of literary significance when in new places.  When we were more able to do so, my family would take such literary pilgrimages annually, especially in the autumn.  Being a believer in the confluence of science and spirit, I can’t help but think there’s something sacred about the place where great literature was born.  Of course, in Oxford you can find sites for Lewis Carroll and C. S. Lewis, as well, among many others.  These days everyone seems to associate the place with Harry Potter, although J. K. Rowling started that particular series in Edinburgh.

Tolkien has become a deity in his own right, I suspect, for creating an entire world to which millions of fantasy fans come.  His actual house, however, is privately owned.  Besides, I’m here on business.  Still, falling asleep so close to where Tolkien dreamed his Middle Earth dreams is akin to inspiration.  Writing as an avocation makes such encounters almost worshipful.  I read the Ring trilogy and The Hobbit many years ago.  I haven’t seen any of the movies, however, since my own imagination seems sufficient for me.  Tolkien took me, for many hours, into another world.  Somewhat like work has done this week, I guess.  Were it not for business, Oxford could be a magical place.  Living in a location where imagination is valued and encouraged makes a huge difference, I expect.

Years ago, Edinburgh was an inspirational place to reside.  Although my main writing output at the time was a 300-page doctoral dissertation, it was a place that has inspired much of my fiction.  Tolkien, in truth, was just as human as the rest of us.  His work was largely based on ancient Germanic traditions that were also reflected in Wagner’s Ring cycle.  We are all borrowers, in some sense.  Adapters.  Oxford is one of those places with a long sense of continuity with the past, in a singular tradition.  It has become modern in parts, but with medieval streets.  There are cars parked along Northmoor Road, and nobody else seems to be here for a pilgrimage today.  Perhaps it’s for the best; how could the workaday world possibly improve for the use of imagination?

The Heart of Publishing

My heart goes out to academic authors.  It really does.  They labor over a book important to their field and see it come out costing near triple digits and wonder why it’s not in the local bookstore.  There is, however, a very wide gap between academic and trade publishing.  It is bridged here and there by authors who value readers over reputation, but unless you deliberately try to learn how all of this works, it is bewildering.  Academics, you see, are area specialists by and large.  You don’t write a dissertation on the Bible, for example, but on a specific part of the Bible (New Testament or Hebrew Bible).  And within that section your specialization is not a single book, but often a small part of a book, or a theme.  I’ve seen dissertations written on a single Hebrew word.  Specialization.

With all of this tight focus, it’s easy to forget what browsing in a bookstore’s like.  Even with some of the incredible brick and mortar stores in Edinburgh, technical books had to be ordered—this was before Amazon.  When you check the books of colleagues out of libraries it doesn’t always occur that you do this because libraries are the only places that buy such books.  And with the explosion of doctoral degrees in shrinking areas of studies (there are no jobs here, folks!) the number of published dissertations has skyrocketed.  Even advanced scholars forget the average reading public would find their work impenetrable.  It’s not going to be in the local bookstore, and it costs so much because it sells so few copies.  I do feel for academic authors.

In addition to all the area specialization, it would make sense to research the academic publishing industry.  Yes, it is an industry—it has to try to turn a profit when sales are minimal.  And with so many books being published, libraries can’t keep up.  The end result is high prices.  I’m as guilty as the next academic at wishing economics would just go away and leave me alone.  I want to believe in the pursuit of knowledge for knowledge’s sake.   That’s not the way the world works, however.  At least not the publishing world in a capitalistic context.  The internet itself has become competition.  Much of the information’s out there for free.  So your academic book, when it comes out, will be priced out of your comfort range (been there, done that).  It’s not that your publisher doesn’t believe in you, but that they have to try to turn a profit.  All it takes to understand why is a bit of research.

Not that kind of book.

Relatively Unknown

The Edinburgh Festival draws people from around the world to experience culture and fun in one of Europe’s most beautiful cities.  The festival also attracts the fringe—artists not associated directly with the festival, but who get included in what used to be a huge, thick catalogue that would keep us busy for hours, considering what a student and spouse could afford, and what you could not afford to miss.  One year a group called Outback was performing at an area church.  It featured Graham Wiggins on the didgeridoo—an Oceanic aboriginal instrument that is essentially a tree branch hollowed out by termites.  It’s so long ago now that I can’t recall if I knew ahead of time, but the leader of the group, the didgeridooist, was Graham Wiggins.  While not exactly a rare surname, Wiggins isn’t common either and when I saw him a strong family resemblance was immediately obvious.  So much so that after the concert we went to meet him only to find out his Wiggins side was from Oxfordshire.  Mine was from South Carolina.

Graham Wiggins, who was a month younger than me, was known as “Dr. Didg” because he held a D.Phil. in solid-state physics from Oxford University.  While an American, he had decided to stay in the UK to make a living from his music.  Some months later, on a Christmas break, we saw him busking in Bath on a chilly night.  We bought the band’s second CD from him that evening.  When my wife put on our Baka disc the other day, I grew curious whatever became of him.  I was surprised and saddened to learn that Graham Wiggins had died three years ago.  I knew we shared a surname and a family resemblance, as well as UK doctorates, but I learned he went to the British Isles from Boston University, which is where I had studied before attending Edinburgh.  He left the year I arrived.

Websites are reluctant to say of what Wiggins died.  I learned of this just days after finding out that a high school classmate had passed away, so mortality has been on my mind.  Wiggins, unlike this Wiggins, was a talented musician with a brilliant mind.  We saw him interviewed on television about the physics of didgeridoo playing.  I never did find out if we were distantly related.  The US Wiggins clan from South Carolina doesn’t have strong genealogical interests, although we know they started out in North Carolina many years ago.  It stands to reason they had come from England at some point, since it’s an English surname.  I only met Graham of the clan twice, but now I can’t get the fading didgeridoo sounds from my mind.

Excavating above Ground

It’s like a horror movie. You’re about to enter a place where the dead were laid to rest. You’re out in the remote Orkney Islands, and nobody knows you’re here. This cairn, although it has a modern entryway, is prehistoric, and to get to the burial chamber you have to descend the stone stairs into total darkness. There’s no towns anywhere nearby. The guidebook advices bringing a trustworthy flashlight. At the bottom of the stairs, as the daylight from the door fades, you face a tunnel lined with stone. You have to stoop to walk through it until you come to the burial chamber itself. Completely isolated from the rest of the world. It makes you stop and think.

While I was a student at Edinburgh, my wife and I made two trips to the Orkney Islands to explore the antiquities. The expense of getting to the islands north of the mainland is the most prohibitive part of such a journey. Once on the islands you find things relatively inexpensive, and safe. As the local at the car hire asked us, “It’s an island—where would a criminal go?” Nobody locked their doors. But the tombs. Orkney, being relatively unpopulated, hosts more available antiquities per square mile than just about anywhere else in Europe. Tramping through barren grasslands where you might encounter a few sheep, you can hike to a burial chamber that was built thousands of years ago and, after archaeologists tidied it up, has been left for you to explore on your own.

My wife sent me a link to Historic Environment Scotland’s Sketchfab page. Using photogrammetry, the site offers three-dimensional, manipulable images of the various cairns and soutterrains you can find on Orkney. You don’t need to crawl through the damp chambers on your hands and knees, or even bring a flashlight. The technology brings back memories, but I do wonder if something hasn’t been lost here. There was a reckless sense of discovery being a young couple in an isolated, underground chamber where no one, not even my doctoral advisor, knew where we were. No smartphones, this was off-the-grid living. Not once did we encounter anyone else in these Neolithic chambers. Gray skies and windswept cliffs. Puffins cowering in the lee of a North Sea gale. None of this can be experienced on this armchair odyssey, but it can certainly be recalled. And after exploring the exotic underground chambers, I know I have to make my way to a similarly windowless cubicle above the ground and have the audacity to state that this is the world of the living.

Remembering Catherine

Literature has been on my mind lately. Although I’ve not read all of Charles Dickens’ oeuvre, he’s been in my consciousness what with the new movie and somewhat older book, The Man Who Invented Christmas. Those who analyze literature sometimes claim Dickens invented the modern novel. In my unprofessional opinion, however, the roots go back a bit further than Boz. Still, it’s an enviable position to hold, even if it’s just in the minds of admirers. Dickens came back to me yesterday in one of those apparently random emails from WikiTree. WikiTree is a genealogy website to which I’ve contributed from time to time. I have no famous ancestors, so WikiTree sometimes helps me borrow them. Turns out I’m 28-degrees separated from Charles Dickens.

Perhaps their algorithms are getting better, or perhaps one of their robots is reading my blog (goodness knows few actual people do!) but the connections are getting closer. I posted earlier that I’m 37-degrees separated from Bob Dylan and 43-degrees from J. R. R. Tolkien. I’m closer to Dickens than to either of these famous individuals. This is the beguiling aspect of genealogy—it shows how unexpected connections can be part of our unknown background. The maze back to Dickens is through my grandmother on the Tauberschmidt line. This is the one of the four grandparental lines for which I have the least information. Nobody in my family even knows my great-grandmother’s name. She died young and, as with women in that era, was known in census records only by her husband’s surname. I may never learn who she was.

Although the reason for women changing surnames makes sense in its historical context, it is one of the great injustices of both gender equality and history. Signs are indicating that society is finally waking up on this point: women are half of the human story. As a dabbler in fiction writing, knowing that half the story is untold is a troubling phenomenon. Reading about Dickens I learned that he left the wife of his youth for a younger woman. Although such things are common, my reaction was to wonder who Catherine Thomson Hogarth might’ve become, had women had the opportunities they’re starting to have today. She was, after all, from Edinburgh. She has biographies, but not nearly as many as her feted husband. And if my math’s correct, I’m only 29-degrees separated from her. And this may well be the more important connection; the story untold.

Sacred Places

Boston Brahmins, lock up your doctrines—AAR/SBL’s come to town. Boston always has special associations for me. My first home away from home. Where I met my wife. Where I learned what you can only learn at seminary. Coming back is like coming home. Of course, I’m here to work. As I was getting ready for this trip I recalled that the conference met in Boston when I was studying for my Master’s degree at Boston University. Unlike many graduate schools these days, no overtures were made for students to attend. In fact, I didn’t know what all the in-joking among the faculty was all about. I relearned the existence of the conference as a grad student in Edinburgh a few years later. Few traveled across the Atlantic for it, at that point. In fact, none of the Edinburgh faculty who’d eventually become regulars had ever considered going. My first meeting was in Kansas City.

The meeting has grown since those days. Now regularly expecting about 10,000 scholars (can one help but think of 10,000 maniacs?) a year, the venues are limited. Atlanta, Boston, San Antonio, San Diego. Chicago and Denver once in a while. Personally, I’m glad it’s close enough for a train ride. New York City and Boston, two peas in a pod. My only regret is that I won’t be able to get out to my old stomping grounds. Some colleagues (few read this blog) contact me at the last minute asking if we can get together. My schedule’s booked from breakfast through supper each day. Those who attend as participant-observers have no idea. These are the longest working days of my entire year. Still, they’re in Boston.

I often muse about place on this blog. We’re attached to the place where we’re born—it’s our personal sacred space. In life we grow attached to other places, whether we can settle there permanently or not. I wanted to live in Boston. I did so for a year after attending seminary here, making a living doing this and that. Having a master’s degree in religion doesn’t get you far in life. In those heady days of sleeping on the floor and finding out what life was really like for the unconnected, I learned an awful lot. And when the woman I wanted to marry came back for a visit, I proposed. I’ve only ever visited Boston since. But whenever I manage to do so, even if it’s just for work, it’s like coming home.

Keystones

It was one of the very few parties to which I’d been invited in Edinburgh. “When a Scotsman asks you where you’re from,” one of the guests said to me, “he means where you were born.” Although we have no control or say over where we come into the world, we do feel that the place has a claim on us. Combined with my undying interest in local history, that means I like to read books about my native Pennsylvania. I was a first generation Pennsylvanian, to be sure, but to keep a nearly forgotten Scotsman happy, that’s where I’m from. Sarah Hutchison Tassin’s Pennsylvania Ghost Towns: Uncovering the Hidden Past is that familiar kind of book considered light reading, geared largely to the tourist and nostalgic past visitor or homebody crowd. Still, these kinds of quick studies often inspire the imagination. Lots of people lived here before you did.

A couple of factors stood out to me about Pennsylvania’s elder communities. One obvious feature is that a number of them began as intentional religious communities. Often breakaway sects from some major denomination, they established settlements to pursue spirituality in their own way, generally with strict rules, such as celibacy, that would spell their ultimate demise. Pennsylvania is well known for its separatist Anabaptist sects—Amish, Mennonites, and others who’ve been around for centuries and have integrated into the cultural mix of the state. I had no idea that a few ghost towns remain where some less successful spiritual seekers had broken ground. The second feature that stood out is how many communities were intentionally founded for commercial purposes. Often these were mining or lumber-processing towns. Some wealthy individual would buy a natural resource, build houses and a communal store, and permit workers to purchase goods only there. This meant individuals could never save money and never really afford to leave the mine or mill.

These are two very different conceptions of what it means to live in community. One is overly idealistic the other overly exploitative. At one end, the basic necessities of life—food, shelter, clothing—were kept from those who found themselves, like most of us, in need of a job. Or, at the other extreme, being held back from eternal life by failure to keep to the rules of a newly revealed religion. I never really thought of towns intentionally founded in these ways before. My naive view was more eclectic. But then, what do I know? I was born in a small Pennsylvania town and never thought to question why it was there. Where are you from? It’s a matter of perspective.

Thick Skin

Religion and folklore encapsulate what folk believe. Human beings, despite rationality, are ritualistic creatures. Psychologists have their work cut out trying to explain why we do this or that odd thing, and historians sometimes dig deep into the backstory to find some hint of a tradition’s origins. Although I lived in Edinburgh for over three years, and drove through South Queensferry in the shadow of the great Forth Bridge a number of times, I never heard of the Burryman. In case you haven’t either, here’s a link a friend sent to a brief video about him. In it Andrew Taylor explains the tradition. Each year, going back to South Queensferry’s pagan past, a citizen dresses in a suit of burrs to ensure a good harvest and bring good luck. What’s fascinating here is that burrs are something people generally avoid, although they are an ingenious method of seed dispersal. They stick to clothes, and even skin and can be annoying even singly. Why anyone would submit to an entire outfit of burrs is something only folklore can answer.

Anthropologists are in short supply. Universities don’t like to fund the study of folklore since it doesn’t lead to jobs. The end result is that what we know of many strange traditions is anecdotal. A few years back I got soundly dressed down in an academic setting for referring to a popular publication of Scottish ghost stories. You see, I was writing an article for publication in an academic journal. I wanted to document a story I’d memorized by dint of the fact that a ghost tour guide would stand beneath our window every night in Mylne’s Court and recite his tale. (I traced it back to a potential Ancient Near Eastern origin.) The problem was, no academic would deign to write about such decidedly low brow tripe. In order to find a written source, I had to cite a popular book. Academic reviewers responded with scorn that I would never pass on to an author, speaking as an editor. This was, however, in the old school days.

So, how would we find the backstory to the Burryman? Great Big Story went straight to the source. Andrew Taylor, the incumbent Burryman, tells what he knows of the tradition. You can’t even see the Burryman from high in your ivory tower where pure thought is your only companion. I’ve always been a street academic, though. Growing up blue collar, I find it much more interesting to see what people are doing out here where the professionals don’t tell them how to behave. The pagan past is still alive. We don’t need a wicker man to prove the point. All it takes is a bunch of dried burdock and some very thick skin.

Interior Theodicy

Photo credit: Richard from Canton, Wikipedia Commons

Speaking of theodicy, I have a dentist appointment today. Now, if you were raised with the Protestant guilt that used to be so pervasive in this nation, you’ll understand. I do brush my teeth twice a day. I even use floss and that mouthwash that burns away a layer of mouth lining every night. But there’s always more you could do. I’m not particularly good about visiting the dentist, though. Partially it’s a memory thing, partially it’s a pain thing, but mostly it’s a time thing. No matter how far back I jam the toothbrush, well beyond my gaging threshold, cavities seem to appear. And I don’t even have a sweet-tooth. What kind of deity allows cavities in a person who eats very little sugar and brushes so assiduously that last time the dentist told him to ease up a bit since he was scraping away the enamel? (People tell me I’m too intense.)

One of the real ironies of all this is that for all the trouble teeth give us during our lifetimes, they are our most durable parts after we die. Archaeologists find mostly teeth. In fact, it seems that Neanderthals might have practiced some primitive dentistry. I wonder what they thought of their neanderthal deity? So teeth are pretty useful, no matter whether the gray matter above them is dead or alive. I can explain this to my dentist, but he only seems interested in me as a specimen of carnassial curiosity. Maybe it all goes back to my belief that fillings were meant to last forever. Or all those root canals that seem to come in pairs that cost as much as a semester at a public university. Mostly it’s the memories.

In Edinburgh I had a tooth go bad. The Scottish dentist was surprised. “You’ve got a twelve-year molar erupting,” he said (you’ll have to imagine the accent). I asked if that was unusual. He owned that it was as I was a post-graduate student in his late twenties and the twelve-year molar was so precise in its timing that child labor laws used to be built around its presence. Years later in Wisconsin a different dentist asked about one of my fillings. I told him it was from Edinburgh. He called all the other dentists in announcing, “You wanna see a real Scottish filling?” Or maybe the fears go back to my earliest dental nightmares where the cheap doctor seemed unaware that teeth actually had nerves in them. I always left with a guilt trip. “You should brush —“ (more, better, longer, with a more gentle touch) you fill in the blank. I’m afraid of another kind of filling. And I know as it is with Protestant guilt, so it is with teeth. There’s always more you could be doing.

The One Who Seeks

Academics and social media are, at times, an uneasy fit. In my work as an editor I come across many of the professorate who have virtually no web presence at all. If you’re wanting to write a book these days and you aren’t yet famous, you need what they call a “platform.” That is to say, you need to be easily found on internet searches, you have to have “followers” on various social media, and people have to know where to look to find information about you. A starter site that does fairly well is the for-profit venture called academia.edu. Because of that final “edu” extension, many suppose this is an educational site with no money in mind, but that’s not really the case. Still, it’s free to post your academic papers there and many intellectuals, public and otherwise, have vested some of their effort on getting academia followers.

J. C. L. Gibson, someone, and Nicolas Wyatt

My own profile on academia, which has copies of most of my papers available for free downloads, at one time was in the top 2%. I felt so special. Being kept out of academia for so many years, one does begin to wonder. In any case, one of the features of the site is that when someone lands on your page you receive a notice telling you how they found you. More detailed information is available for a fee (this is one of the not not-for-profit aspects I was mentioning). Sometimes they will provide you with the search terms used and the paper found. My site has quite a bit about Asherah. I wrote a book on the goddess, still largely overlooked, and several discrete papers. The other day I received a notice that someone found my page with this notice of how:

Someone from India found “A Reassessment of Asherah:…” on Google with the keyword “sex photos hd com R A N ilaku.”

I have the feeling someone left my site keenly disappointed. Although my book does discuss sexuality a little—you kind of have to with Asherah—I did wonder about the “photos” and “hd” and “ilaku” parts of the equation. You must be pretty desperate in your pornography quest to stumble across my academia page. Not that I’ve replicated the search, but I must be thousands of pages down in the results. Still, someone found my first book that way. And that’s the lesson—an internet platform may bring your work unexpected fame. Whether or not that fame is ill, will, however, remain an open question.

Silence Fright

the_silence_of_the_lambs_poster

One of my first publications was a letter to the editor. The newspaper was The Scotsman, Edinburgh’s daily. We’d been hearing on the BBC that a new movie, The Silence of the Lambs, had inspired Milwaukee serial killer Jeffrey Dahmer in his gruesome habit of cannibalism. For whatever reason, the Dahmer case had a real fascination for the British. My letter, a rather young attempt to promote an important cause, suggested that such movies could be very dangerous. In the many years since then I’ve read quite a bit about horror films and their effects on people and have come to the conclusion that they don’t cause the crimes. The reasons are much more complex than simply watching a movie since most people who see them don’t “go and do likewise.” When I told friends in Edinburgh that I’d found a teaching job in Wisconsin they said “hopefully not near where that cannibal lived.” Of course Nashotah House is not far from Milwaukee.

My personal embargo of The Silence of the Lambs ran up against my current research project, which involves horror movies. Thinking it over in what I hope is a rational way, I decided that I needed to see my bête noire. Besides, while living in Wisconsin I had learned about Ed Gein, the local serial killer who’d inspired Psycho, a movie I had seen with no ill effects while in college. Movies are as much a part of life as cars and taxes and all kinds of things that impact our ways of thinking. I was surprised at how well done Silence is and the number of references it had spawned that I had missed for the past couple of decades. It won’t be my favorite film, but I’m not afraid of it any more.

The concept of relying on a criminal to catch a criminal is a classic theme, of course. And since the release of this movie some which are much worse have come across the silver screen. We play our anxieties out for all to see. Hannibal Lecter, the cultured killer, is an ambivalent character—a savior criminal. There’s a strange comfort in knowing he has the knowledge to save lives as much as he has the desire to take them. In fact, there’s an element of the divine in that. The capricious nature of a power that has the ability to give and to take is one with which religions constantly deal. Yes, The Silence of the Lambs is a scary movie. The reasons, however, lie more with implications than with imitations.

Powerful Movies

PowerOfMoviesOur friends were shocked. I don’t even remember the title of the movie, but they couldn’t believe we had gone to see it. Not because of the content of the film, but because it had been shown on a Sunday morning. Why hadn’t we been in church? This was back in Edinburgh when we had very little money—wait, we still have very little money. This was back in Edinburgh, and we had won free tickets to an early screening of a new movie. The showtime was on Sunday morning. So in our own version of weak-willed athletes from Chariots of Fire, we’d skipped church to go see the movie. I don’t remember the title and I remember very little of the film. It had something to do with Richard Wagner and a conductor. An art film. We didn’t really feel too guilty missing church to go, since at the time, it seemed like a rare opportunity and the movie was, in some sense, religious. Or at least mythological.

Movies have a way of really influencing people. Thus it has been since the invention of the art form. We’ve all had the experience, I suppose, of a movie hitting us with a profound impact. It never really occurred to me to ask why. That is, until I read Colin McGinn’s The Power of Movies: How Screen and Mind Interact. I’d always thought that movies were simply a successful form of entertainment, and scholars seldom take entertainment seriously. As McGinn makes clear, there’s a lot more than casual watching going on when we slip into the theater. As a philosopher, McGinn is duty-bound to look beyond the obvious. Time after time in this profound little book I found myself pausing to consider the implications of what he says. Ultimately, he suggests that movies access the same areas of the brain that dreams do, not only giving them dreamlike qualities, but also making films emotional experiences like dreams.

At one point, McGinn draws explicit connections between going to church and going to a movie. Beyond the superficial aspects of a darkened building with a performance meant to impact a person, there are clear parallels between going to the theater and going to church. Both can be transformative experiences. The Power of Movies is a powerful little book. As much as we like to think that we have custody of our minds, the realm beneath the surface—that which gives us dreams and syncs with movies—has more influence on us than we’d generally like to admit. More and more, scholars are beginning to realize that films do have a profound impact on viewers. This is not just entertainment. It may not be worship, but after reading McGinn I think it might not be too far from it. The mind able to dream, after all, is a mind that’s truly free.

Monster Impulse

MonstersSome people are impulse buyers. In fact, retailers count on it. All those last-minute items next to the cash register while you wait your turn to consume—they beckon the unwary. I have to admit to being an impulse book buyer. I have to keep it under control, of course, since books are “durable goods” and last more than a single lifetime, with any luck at all. A few years ago I was in the shop of the National Museum of Scotland in Edinburgh. It was my last day in the city where I’d spent my post-graduate years and I didn’t know when I’d ever be back. What could help me remember this visit? A book, of course. Why I chose Monsters, by Christopher Dell, to mark this particular occasion, I don’t know. I love monsters, yes, but why here? Why now? Why in the last hours I had in my favorite European city? It was a heavy book, hardcover and unyielding in my luggage. I had to have it.

More of an extended essay than a narrative book, Dell’s Monsters begins with a premise that I never tire of contemplating: religions give us our monsters. At least historically, they have. There is an element of the divine as well as the diabolical in the world of monsters. As a student of art, what Dell has put together in this book is a full-color unlikely bestiary. These are the creatures that have haunted our imaginations since people began to draw, and probably before. One exception I would take to Dell’s narrative is that the Bible does have its share of monsters. He mentions Leviathan, Behemoth, and the beast of Revelation, but the Bible is populated with the bizarre and weird. Nebuchadnezzar becomes a monster. Demons caper through the New Testament. The Bible opens with a talking serpent. These may not be the monsters of a robust Medieval imagination, but they are strange creatures in their own rights. We have ghosts as well, and people rising from the dead. Monsters and religion are, it seems, very well acquainted.

The illustrations, of course, are what bring Dell’s book to market. Many classic and, in some cases, relatively unknown creatures populate his pages. They won’t keep you awake at night, for we have grown accustomed to a scientific world where monsters have been banished forever. And yet, we turn to books like Monsters to meet a need that persists into this technological age. About to get on a plane for vacation, I know I will be groped and prodded by a government that wants to know every detail of my body. Sometimes I’ll be forced into the private screening room for more intimate encounters. And for all this I know that William Shatner was on a plane at 20,000 feet when he saw a gremlin on the wing. Like our religions, our monsters never leave us. No matter how bright technology may make our lights.

The Lure of Lore

SleepyHollowOne of my doctoral advisers, Nick Wyatt, has become a friend over the years. I’m sure he would agree that he is often called a maverick, but in the best possible way. He is one of the brightest people I’ve ever known. When it was time for his Festschrift to appear, I had been unceremoniously tipped out of academia and left to my own devices. Being his first doctoral student, I had to contribute a piece, and so I settled on one I had written about an Edinburgh ghost story that seems to have roots in ancient Sumer.  Nick is the kind of scholar who can appreciate such ventures. This paper came to mind while reading Legends and Lore of Sleepy Hollow and the Hudson Valley by Jonathan Kruk.  Kruk labels himself a storyteller, and that was a venerable role in ancient times.  In fact it was a priestly one.  Kruk draws out the many tales of headless horsemen and other spirits mentioned in Washington Irving’s “Legend of Sleepy Hollow.” Nothing is proven here, but that’s not the point.

Headless ghosts were a staple of nineteenth-century lore not only in the Hudson Valley, but also in Scotland and Germany, as well as in many other locations.  How a spirit became decapitated is generally part of the draw to such ghoulish stories, and Kruk convincingly points to the tradition of the Wild Hunt as an element in Ichabod Crane’s famous ride.  The point is that stories often contain a truth that facts can’t match.  Case in point: the legend of Sleepy Hollow is alive and well. There have been periods, and will likely be more periods, when interest wanes, but we keep coming back to the story because it teaches us something about ourselves.  Empiricism is all fine and good until you find yourself facing a headless phantom on a nighttime highway.  Experience all of a sudden takes the wheel.

What does this have to do with Professor Wyatt?  My Festschrift article was reviewed, at a much earlier stage, by the journal Folklore.  I received a very sniffy rejection letter, citing, among other scholarly infractions, that I had referred to a popular publication (say it isn’t so!) as a source of the Edinburgh ghost story text. Where else was I to find it?  What scholar would bother to replicate an obviously—let’s just say it—uneducated tale?  Isn’t it beneath scholarly dignity? The stories we tell, I’ve always believed, make us who we are. It may be that materialists will have the last laugh.  When they are carted to the graveyard, however, I can guarantee that there will those among the common mourners who will be able to make a believable tale that their lives meant something after all.