Homemade Halloween

Halloween is a holiday that brings together many origins.  One of the more recent is the tradition of watching horror movies in October.  I don’t know if anyone has addressed when horror films became associated with the holiday, but Halloween hasn’t always been about startles and scares.  Histories usually trace it to the Celtic festival of Samhain.  Samhain was one of the four “cross-quarter days.”  Along with Beltane (May Day), its other post equinox cousin, it was considered a time of year when death and life could intermingle.  Spooky, yes.  Horror, not necessarily.  Many cultures have had a better relationship with their dead than we do.  We live in a death-denying culture and consequently lead lives of futile anxiety as if death can somehow be avoided.

As a holiday Halloween only became what it is now when it was transported from Celtic regions to North America.  Other seasonal traditions—some of English origin such as Beggars’ Night and Guy Fawkes Night—which fell around the same time added to the growth of trick-or-treating and wearing masks.  At its heart Halloween was the day before All Saints Day, which the Catholic Church transferred to November 1 in order to curb enthusiasm for Samhain.  As is usual in such circumstances, the holy days blended with the holidays and a hybrid—call it a monster—emerged.   When merchants learned that people would spend money to capture that spooky feeling, Halloween became a commercial enterprise.  Despite All Saints being a “day of obligation,” nobody gets off school just because it’s Halloween.

My October has been particularly busy this year.  One of the reasons is that Holy Horror, as a book dealing with scary movies, is seasonally themed.  As I was pondering this, weak and weary, upon the eve of a bleak November, I realized that home viewing of horror—which is now a big part of the holiday—is a fairly recent phenomenon.  Many of us still alive remember when VHS players became affordable and you could actually rent movies to watch whenever you wanted to!  Doesn’t that seem like ancient history now, like something maybe the Sumerians invented?  People watch movies on their wristwatches, for crying out loud.  I suspect that John Carpenter’s Halloween had a good deal to do with making the holiday and the horror franchise connection.  Horror films can be set in any season (Wicker Man, for instance, is about Beltane, and three guesses what season Midsommar references).  We’re so busy that we relegate them to this time of year, forgetting that we still have something of the wisdom of the Celts from which we might learn.

Book Festival

So it’s here.  The Easton Book Festival begins today.  The weather?  Partly sunny, temps in the mid-60s.  There’s no excuse not to go!  (Well, actually, there are plenty of reasons, but if you’re in the area please consider it!)  I have to admit that my involvement with it was opportunistic.  I contacted the organizer because I was looking to promote my autumnally themed book, Holy Horror, in the season for which it was written.  I understand delayed gratification.  What author isn’t delighted when her or his book arrives?  Thing is, mine came around Christmas time, and, while a wonderful gift, nobody was thinking about scary movies during the joyful winter season.  My observation is this: books are lenses to focus thoughts.  I enjoy Halloween, but I also enjoy Christmas.  One follows the other.  The Easton Book Festival just happens to be during the former rather than the latter.

It’s heeerrreee…

My own involvement with the festival doesn’t start until tomorrow.  Today’s a work day, after all.  Employers don’t give days off for self-promotion (or even for writing books) so festivals are extra-curricular activities.  I’ll be on a panel discussion tomorrow at the Sigal Museum and on Sunday afternoon I’ll be doing a presentation on my book, same venue.  Maybe I’ve got this backwards (nobody tells you these things), but I’m not doing this primarily to sell books.  I’m doing it to promote dialogue.  During my less-than-stellar book signing last week at the Morvarian Book Shop I had only one brief conversation of substance.  It was with a scientist who pointed out that science and religion had nothing to do with one another.  I guess my hopes for the events of the next two days are that folks might want to discuss the ideas in the book.  Or at least think about them.

Sunday morning I’ll be giving a church presentation on the book as well.  Being in the publishing biz I’ve learned the importance of authors getting out there to talk about their books.  Hands up, who’s read a McFarland catalogue lately?  Case in point.  The only problem with all of this is that I still have to get my weekend errands done.  My daily schedule doesn’t allow for trips to the grocery store or even putting gas in the car.  And no matter how much time I put into work, there’s always more to do.  Festivals, of course, are intended to be time set apart from regular pursuits.  So I’m going to put on respectable clothes and I’m going to speak about what’s on my mind this time of year.  If the Lehigh Valley’s in your orbit, I’d be glad to see you there.

Shortchanging Halloween

In a local mall over the weekend where Christmas decorations were being uncrated, I felt cheated.  Now I’m not naive enough to suppose retailers can get by without the black season around Christmas, but as a writer of books Halloween themed I felt as if my thunder were stolen.  The normal person, I suspect, thinks of scary things only about this time of year.  Monsters and horror films are on people’s minds in fall, even though a good horror flick will make a few bucks even in spring or summer.  Halloween has a very small window of appeal, however, followed on closely, as it is, by Thanksgiving and Christmas.  Why can’t we give Halloween its due?

My wife pointed out that Halloween is a big retail event.  Indeed it is.  I started noticing Halloween paraphernalia on the shelves fairly early in August.  I know that even without capitalistic prompting I start to sense the season then.  It’s in the air.  Certain early August mornings you can smell a faint whiff of autumn on a breeze slightly cooler than expected.  The first leaves start to change and fall before September.  It will be another couple of months before the season makes itself felt in full force, but the early hints are there.  A believer in delayed gratification, I hold back.  I  don’t buy, but I absorb.  The melancholy grows through September until as the calendar tells me it is now officially October I can begin to exhale.  This is the time when those of us who are horror misfits can seem somewhat normal.  I walk into a store and “Ho, ho, ho!”  The joke’s on me.

Autumn already slips by too quickly.  Every year before I know it the ephemeral beauty of changing leaves is gone and the subtle chill in the air turns frigid.  Damp leaves are raked up to make room for snow.  The swiftness of this season is perhaps one reason so many people value it.  Summer can stretch long with its uncomfortably warm days and winter can linger for nearly half the year with its opposite feel.  Halloween is a holiday that intentionally falls in the midst of transition.  That transition has been commercialized, however, into buying seasons.  Only halfway through October the price of Halloween goods drops to sale rates.  Corporate offices are chomping for Christmas cash.  What I really need is a walk through the fallen leaves and a few untrammeled moments to consider where we are rather than what we might earn.

Dayglow

Yellow and orange leaves on a damp pavement.  A sky claustrophobically occluded with gray clouds.  A decided chill in the air.  All you have to do is add a few pumpkins and the feeling of October is complete.  I don’t know why this particular image of the change of seasons grips me the way it does.  As a homeowner I don’t want to turn the heat on too soon because the gas bills will jet up and will stay that way for seven or eight months.  I get depressed when skys are cloudy for days at a time.  Around here the leaves have only just begun to change.  In other words, there’s a decided difference between the way I imagine October and the way that it feels on the ground.  In my imagination there are Ray Bradbury titles, The October Country, The Autumn People, but here in the physical world I shiver and add another layer.

Over the past several weeks I’ve been struggling to figure out why horror appeals to me.  It seems to be the Poe-esque mood rather than any startles or gore.  The sense of mystery that hangs in the air when you simply don’t know what to expect.  Will it be a warm, summer-like day or will it be rainy and raw, a day when you wouldn’t venture outside without the necessity to do so?  October is like that.  It is changeable.  Beginning in late September it is dark longer than it is light and for much of the rest of the year I will go to bed when it’s dark outside.  It’s always still dark when I awake.  Is it any wonder that October has its hooks in me?

Short stories, of which I’ve had about twenty published, seem to be the best way to capture this mood.  You see, it isn’t a sustained feeling.  It’s piecemeal like that extra quilt you throw on your bed at night.  The urge to hibernate creeps in, but capitalism doesn’t allow for that.  October is an artist, and I’m just the guy wandering the galley, pausing before each painting.  This feeling only comes after summer, and it is fleeting.  In November the leaves will be down and the cold will settle in quite earnestly.  The candles we lit for Halloween will be our guide-lights to those we hold out to Christmas when the dayglow will begin to return at an hour that reminds us change is the only thing that’s permanent.  And in this there’s a profound hope.

Fall Festivals

Now that it’s October, it’s officially okay to be scared.  Determined to fight my fright of hubris, I make brave to mention that I have two appearances scheduled for the first ever Easton Book Festival, coming up from the 25th to the 27th.  The Festival has turned into quite an event, with some 200 writers taking part.  I got involved by being in the right place at the right time, for a change.  Authors are being brought in from as far as New York City, Vermont, and Massachusetts.  I know from experience that even Manhattan is a trek.  I contacted the organizers back in the summer since I have an autumn book that came out in late December last year.  For the festival I’ll be involved in a panel discussion “Poets as Prophets—Merging Art and Religion” on Saturday, and a presentation on Holy Horror on Sunday.

Like many people who write, I’m shy and not naturally good at promoting myself.  The other day while out for a walk my wife and I were run by by a group of shirtless high school guys, presumably on the track team.  It felt like the gallimimus scene from Jurassic Park—we’re smaller folks, and these confident, athletic sorts were not.  It felt like an object lesson to me.  Some of us are born with genetic dispositions to grow large and to feel confident.  Others not so much.  When we watched the caber toss at Celtic Fest last weekend, the contestants were all well over six feet tall, which I suppose makes sense if a caber is in the cards for you.  As they showboated for the crowd, I knew a small display with my book was just up the hill in the Moravian Book Shop.  Like me, in the shadows of the shelf above.

Perhaps my only regret about the Easton Book Festival is that I don’t have a fictional novel to present.  Well, I do, but it isn’t published.  Lately I’ve been exploring that wall of separation between fiction and non.  In the kinds of books I read in the fall, the wall is more of a hurricane fence.  And it’s only about waist high at that.  Holy Horror isn’t an academic book, it just plays one on the market.  If it were a standard academic title I wouldn’t have put it forward for the Easton Book Festival; people come to such events to be entertained as well as to learn.  This one will encompass pretty much all of downtown Easton for the weekend.  And that weekend is just before Halloween, when the wall between worlds is especially thin.

 

Snow in September

One of the trendy things when I worked in United Methodist youth camp was “Christmas in July.”  Although not quite six months out, the idea was to inject some fun when it was starting to feel too hot out and, as evangelizing efforts go, to talk about Jesus.  The origins of this tradition predate me, actually.  Even secular camps were using the idea in the mid 1930s.  By introducing the mystery of the unexpected, I suppose it might’ve helped to deal with camper homesickness, a perennial problem.  It worked, in my experience, because nobody was really thinking about Christmas in July.  It was a ploy.  Just after the summer solstice, Christmas would have to wait until after the winter solstice to materialize.  Now this past week we observed the autumnal equinox.  I usually write a post about that, but I’ve been kind of distracted lately.

Over the weekend I had to head to a big box home goods store.  I prefer to visit our local independent hardware store, but they don’t carry lumber and I needed some.  I walked in to find the store decked out for Christmas in September.  This was just a bit disturbing.  It’s not even Halloween yet.  In fact, it’s not even October!  For many people in temperate regions autumn is their favorite season.  Harvest themes, apple and pumpkins, turning leaves, falling leaves, and Halloween.  Putting on the occasional sweater for the first time after a long and hot summer.  Big boxes are leaping past all that to get to your Christmas bucks, even while you still have to mow the lawn when you get home.

Okay, so I’m not the only one to grouch about the premature appearance of Santa Claus and the extreme commercialization of Christmas.   I know that Bethlehem is called “Christmas City,” but as we wandered to the Celtic Festival underway downtown, people were sweating in the eighty-degree heat.  The leaves have begun to turn around here, reminding us all that Halloween and Thanksgiving are coming.  The holiday season.  I enjoy it as much as anybody else, but I don’t want to rush it.  I suspect the internet has accustomed us to instant gratification.  You want it?  If you can type it and click on it, it can be at your doorstep in two days.  You don’t need to wait for Christmas to catch up any more.  Meanwhile our landfills overflow with the stuff we throw away from Christmases past.  Christmas in July I think I get.  Christmas in September is just a little too much.

Sleepy and Hollow

Call it nostalgia.  (“It’s nostalgia!”)  What with major expenses rolling in like the longer nights—a major plumbing job followed by the roofers back again to fix another leak—I try to accept my joys in inexpensive doses.  I’ve written before about how “The Legend of Sleepy Hollow” caught my childhood imagination.  My brothers and I, growing up in quite humble circumstances, were collectors.  Not having much money, the collecting tended to be of free stuff, much of which drove our mother crazy.  Bottle caps, believe it or not, could be had for free from the openers on vending machines that dispensed genuine glass bottles.  We had bags full and the aroma was wonderful.  We had baseball cards—which were cheap and would now be worth something had they been kept—by the boxful.  And we collected stamps because they came free in the mail.

Yes, even bills used to have stamps.  The Legend of Sleepy Hollow stamp was released for Halloween in 1974.  I don’t recall how I heard about it, because there was no internet in those days.  I knew, however, that I fervently hoped one would come so that I could add it to my collection.  It never did.  In fact, I never actually saw the stamp itself.  When we moved house my childhood philatelic ambitions met an abrupt end as those endless childhood collections (which included metal slugs dropped from trucks rumbling out of the local steel mill and fossils found by the river under the bridge where those slugs pinged) were simply thrown out.  I would never see the coveted stamp, and now we use email.

It took many years—decades now—to occur to me that the stamp might be available online.  I guess I had pictures of the price tag of that upside-down airplane stamp in mind as I navigated to a vendor who was asking less than a dollar for a mint copy of a ten-cent Sleepy Hollow stamp.  Gritting my teeth between plumbing and roofing bills, I finally clicked “check out.”  With postage ironically costing more than the contents, still I felt giddy.  This was a piece of childhood on a simple slip of sticky paper.  I am not a stamp collector.  I will likely never be.  I do have vivid memories of bags full of aromatic bottle caps, and shoeboxes groaning with baseball cards, and cheap albums with common stamps.  They’re long gone.  But on my desk I now have a small piece of memory from many years ago, and  I have to wonder if I’m the pedagogue or his headless haunter.

Making Monsters

It’s not so much I’ve been away from monsters lately, but that life has intervened between them and me.  Life can be scarier than monsters sometimes.  In any case, the summer is when my mind turns back to haunting even as on the breaks during heat waves a whiff of autumn can be caught on the air of a July morning.  Yes, we’ve past the solstice and days are getting shorter.  Slowly, of course, but that’s what builds suspense.  And there are local signs that I need to get my haunting in gear.  It is finally time to get Holy Horror out of wraps and give the book a proper launch.  Being published around Christmas last year was poor timing for a subject so readily coded for fall.

I received the welcome news this week that the Moravian Book Shop—the oldest continually operating bookstore in the country—will be hosting a book signing for Holy Horror in October.  This is a fortuitous turn of events because when I first approached them with the idea the price of the book made the idea look unrealistic.  But we’re now thinking of autumn, and with autumn comes Halloween.  There have been a spate of horror films this summer, all of which I’ve unfortunately missed.  Time, as Morpheus notes, is always against us.  There does, however, seem to be a lively interest in the genre and the curious wonder what it has to say about what we believe.  Horror loves religion, and indeed, thrives on it.  So it’s been from the beginning.

October will also see the Easton Book Festival in this area.  I will be on the program for that as well.  While none of this is earth-shattering, these events represent the first successes in trying to build awareness of Holy Horror.  This was a book written for a general readership, but not priced for one.  Working in the academic publishing world, this is a phenomenon with which I’m all too familiar.  Many colleagues offer to read and spread news about your book.  It seldom happens, though.  Academic presses can’t afford book tours (especially if they have to price books at $45), but these self-driven presentations are opportunities to spread the interest in ideas.  That’s what those of us who write really want—to be part of the conversation.  We’re in the midst of a heat wave here.  It’s the height of summer.  Even so, those who know about monsters can feel them coming, even from here.

Quiet on the Winter Front

There’s a weird silent time, after a book is published, when you start wondering how it’s doing.  Holy Horror was apparently released November 29, and published December 29, if done according to standard publishing practice.  The release date is when stock is received in the warehouse.  The book is printed and technically available, but not yet published.  Publication is about a month later when the sellers, distributors, etc., have received their orders and can begin sending them out.  Publishing, as I’ve noted before, is a slow business.  Somewhere around this point you start wondering how your book is doing.  Reviews take some time to appear.  The publisher falls silent (I know this from the editorial perspective as well).  You start thinking, did it really happen?

This is the internet syndrome.  We’ve become used to instant results and it’s difficult to believe that can get by without minute-by-minute updates.  The problem is publishing is slow.  Reading a book takes time.  Not all readers review.  It’s perhaps the kind of malaise you expect in late winter.  In my case, however, my book was an autumn book that missed its release date by a few months.  Yes, hardcore horror fans are still chomping at the bit for upcoming features like Us, but the public in general is well on its way to Valentines Day and what comes after.  We are pretty much a holiday-driven culture and Holy Horror was a Halloween book released after Christmas.  That, and the combination of Bible and horror is unexpected, with many, I’m guessing, thinking the book is something it isn’t.

Often at work I ponder how publishing has changed, even if it runs like sap in January.  Professional writers—those who lived from their books alone—used to be rare.  Most authors were otherwise employed, and many of them worked in publishing.  It stands to reason when you think about it.  I’ve worked for three publishers and finding other writers is, and has been, a rarity.  Instead editorial boards consist of people who largely don’t have the experience of writing a book of their own talking about author expectations.  A disconnect has emerged where writers find employment in other industries and find themselves wondering why publishers do things the way they do.  Even with that background knowledge, I do wonder how my little book is doing.  It’s only natural.  And now that we’ve progressed to February, it’s only eight months more until October.

Leftovers

It looks like I forgot to click “publish” yesterday, so my blog post never appeared.  With apologies for doubling up, I need to complete the trilogy today.  So here goes…

Unlike All Saints Day, which, we were told, was a day of obligation, All Souls Day, today, was not.  It was kind of a leftovers day.  Ironically, it developed into Día de Muertos—the Day of the Dead—along with Halloween and All Saints.  Yes, there are many who declare, and rightly so, that Día de Muertos is something different.  It is and it isn’t.  Cultures around the world have always felt that at this point in the year something odd was going on.  The carnal summer was becoming the spiritual autumn.  Thoughts of those who’d died come back.  So it is a three-day celebration—not officially recognized in the United States (it would interfere with business, which is, as we all know, a thing not to be imagined)—has become a commercial boon.

Still, not being among the saints, I have to wonder if the leftovers—All Souls—are somehow second-class citizens in the afterlife.  Does the social stratification we experience daily here carryover to there?  The view of Heaven among the poor is generally one of comfort and equality.  Fairness, which is in very short supply down here, will finally see the end of the moral arc of the universe, to borrow from a departed sage, bend toward justice.  And sharply.  The idea is ancient and powerful.  Primates of other species don’t object to having leaders.  They do, however, reject leaders who abuse power.  And so it is that we’ve evolved beyond that.  Civilization teaches us our place.

The Day of the Dead has become commercial, along with Halloween.  Why not stretch out the profits, which, after all, come from the leftovers?  There is a capitalist vision of Heaven, you see, and it is one we see working out on earth these days.  Those with money take power and use their money to buy more power that in turn leads to more money for them.  We call it “making a living.”  Those who are wise, however, recognize something deeper in Día de Muertos.  It is the time when we welcome family home, indeed, when family becomes more important than job, or status, or power.  It is a very human, if supernatural, holiday.  All Souls, it seems, has received less than its fair share of attention.  The Day of the Dead, in its own way, warms up those leftovers.

November Novina

One of my New Testament professors was fond of saying early Christianity was exclusive so that people would want to join.  “If everybody could be a Christian,” he suggested, “why would anyone want to be?”  There is a snob appeal to such a country-club approach to religiosity (although I believe it to be false) that has somehow come to be attached to All Saints Day.  As the holiday that spawned Halloween (or so some say), All Saints seems to hold us the exclusive members of a sect that began with radical equality.  The slight was addressed in All Souls Day (tomorrow), when the rest of us might have a chance of being remembered.

There was a death in my extended family yesterday, of someone not much older than me.  I won’t reveal the personal details here, but I do ponder the coincidence of his passing so close to All Saints.  When we’re gone, we hope, people will remember our good, opposite to what Shakespeare suggested might be the case with Julius Caesar.  There are those who touch our lives for good, be it loudly or softly, and we tend to think of that good as who they were.  But sainthood?  Isn’t that a bar too high for anyone to achieve?  And if we think we’ve made it, even that very thought is enough to disqualify us.  Some sects of Christianity treat any member as a saint, but that leaves little to which to aspire.

Carlos Schwabe, Death of the Undertaker; Wikimedia Commons

For the rest of the world this marks the beginning of November—that month when cold settles in along with longer nights, but no reduced working hours.  We are approaching the holiday season, for we need some help to make it through times when loss can feel so close at hand.  The veil separating worlds—something science has tried hard to dismiss—was believed to be more permeable at this time of year.  All Saints was a bright day of upbeat music and glory, while All Souls followed in black and more somber tones.  That’s kind of like November.  I grew up, as did my departed kin, without the awareness of these holidays of transition.  Protestants sometimes miss the complexity traditional Catholicism had carefully grown.  At Nashotah House this was a day of obligation (although they all were, really), and we’d be invited to add names to be recited in mass.  I have a name or two to add this year, and I like to think anyone should be free to join.

Halloween Mood

As America becomes scarier and scarier, I appreciate the fact that I grew up loving Halloween.  I don’t know why the dark mood appeals to me—I don’t like being scared, and I certainly don’t want others to suffer.  It’s more the mood that appeals; think of it as Halloween in the abstract.  I begin to feel it in August when I walk into stores already beginning to stock their black and orange wares.  It grows stronger through September as the dark comes on noticeably earlier each day, culminating after an October of anticipation.  Unlike some consumers of horror, what I’m after is the mood.  I started reading Poe as a young person, and “The Fall of the House of Usher” remains my favorite short story.  It’s the mood.  The narrator riding his horse through the woods toward dereliction.  There’s a sublimity in it that’s hard to match.

Yes, I watch contemporary horror.  I even write books about it.  Still, it’s difficult finding others who share my sensibility concerning horror.  I don’t like the jump scares or the gore.  I’m after the mood.  Poe knew about mood—he wrote stories that maintained it throughout.  A kind of beautiful hopelessness.  It’s a feeling in the air around Halloween when it’s clear nothing is going to stop the leaves from falling and the onset of a long and lonely winter.  Writers will shiver in their garrets, allowing their thoughts to flow despite the pale sky and feeble sun that is the only hope of continued life on this isolated planet.  Halloween tells us there is a spirit world no matter what the scientific authorities say.  It’s a world you can feel, but you can’t find it rationally.

Masquerading is a theme in some of Poe’s work as well.  We, as social beings, tend to excel at it.  We hide our real feelings so that others won’t hurt us, or so as not to hurt them.  We all know the childhood feeling of putting on that Halloween mask that permits us to act as we really feel, within limits.  Even as a Fundamentalist, I knew the catharsis of masquerading.  I read Poe and I understood him in my own way.  As an Episcopalian, I saw how fear of death was hidden behind All Saints and All Souls.  Masquerading.  Halloween was the Eve of All Hallows, but it usurped the master in its own form of beautiful dereliction.  The holidays following this are more comforting and heimlich, until the solstice comes to remind us that light will return, no matter how feeble at first.  We need Halloween.

Southern Turn

In America’s ever roving commercial eye, Día de Muertos has become an extension of Halloween.  Retailers have realized that people will spend a lot on their fear, and the autumnal holidays delve into that primal territory.  Since the Day of the Dead, being a mix of indigenous Mexican religions and the Catholic celebration of All Souls’ Day, comes two days after Halloween why not blur them together with greenbacks?  So capitalist thinking goes.  While certainly not free of monied interests, the Disney/Pixar movie Coco has the virtue of addressing Día de Muertos as the separate holiday that it is.  A form of ancestor worship—a religion extremely common around the world—the thought-world of the film shares in common with Tim Burton’s Corpse Bride this idea that the afterlife is colorful, if not joyous.

I realize I’m jumping the gun here, but I just saw Coco for the first time over the weekend.  Not just a culturally sensitive treatment of an indigenous holiday, it is also a celebration of music.  In a very real sense, music is life in the film, and even the dead continue to thrive in its presence.  Again, the connection with Corpse Bride suggests itself.  The key difference, from a religionist’s point of view, is that Coco is based on, to an extent, actual religious traditions.  An irony of this is that, together with the worship of Santa Muerte, the focus on death sometimes makes the Catholic Church nervous.  Focus should be on resurrection, not death.  But what if death isn’t seen as evil?  Where is thy sting?  This can be a real challenge when your organization is offering escape from death.

The fear of death is natural enough.  It’s the ultimate unknown.  It fuels both religion and horror.  In that sense films like Coco that show a joyful aspect of the hereafter do an end-run around traditions that base their wares on ways to avoid the consequences of death.  Hell becomes a threat to be avoided—the forgotten dead in Coco face annihilation, a fate that Héctor notes comes to everyone eventually.  Eternal torment isn’t in the picture.  I have to wonder if this view doesn’t present a form of salvation that is unwelcome among rival religions.  Although Catholics don’t have the hostility toward Halloween that many Evangelicals display, there is a challenge of rival faiths here.  Stores have already begun offering this year’s Halloween wares, and increasingly among them are Day of the Dead decorations.  The holidays are quite distinct, although related, and movies like Coco suggest what we fear may be more a matter of perspective than of the decree of an angry deity.

All Hallows Eve

I can tell that I’ve been far too busy when I don’t have time to prepare for Halloween. I don’t mean commercially—running out and buying decorations and the like—but mentally. For reasons perhaps only understood by psychologists, Halloween is my favorite holiday. I love the comfort of being with my small family on Thanksgiving and Christmas, huddled inside while the cold whistles against our windows. The sense of relief at not having to go to work even though it’s a weekday, and that increasingly rare luxury of simple breathing space. Still, Halloween takes me back to a childhood with which I resonate in a way against which other holidays only vibrate in sympathy. The days are undeniable darker. My fears, I’m told, are not unfounded. I wear a mask and am free to be myself.

Commuting prevents me from getting out to see the decorations for which some neighborhoods have become notorious. The large, billowing, air-filled frights, however, are just hot air. Even the younger generation at the office, whispering among themselves that this is also their favorite holiday, decorate their cubicles in a way that’s more cute than chilling. No, I’m not a fan of gore—this is more subtle than that. Those who’ve long dwelt with existential angst are connoisseurs of dread. We know, for example, that it will be many months now before we step out into the morning light or come home from work able to see our way clearly. The shades of darkness aren’t always the same. There’s a texture to them. To prepare properly, you need time. The very commodity of which I’m being drained.

Those who know me as a mild, “uncomplicated” sort of person don’t know me. They’ve only become accustomed to the Halloween mask that I wear almost constantly now. Life can do that to you. Instead of the creepy novels which generally crowd my autumn, I’ve been spending time with the existentialists, listening to them reflect on death and its meaning. Or lack thereof. Religions, of course, hurl themselves into that void offering plans of escape. And yet in October that man who walks his dog before dawn wearing a white bathrobe sure looks like a ghost to me. And I’m standing on this street corner utterly alone as the wind blows down the avenue, chasing frightened leaves past me, sending a chill down my spine. I’m looking forward to sitting on a bus to get out of the cold. I’m complicit, I realize, in the death of Halloween.

Which Window?

October slipped in this year, and now I find myself unexpectedly in the season of ghosts, monsters, and witches. Given the number of posts on this blog about horror movies, it stands to reason that these are a few of my favorite things. The nights are longer now and since I work in a cubicle all year round, I miss the daylight from 8 to 4 on most days. Judging by the billboards along highway 22, others have noticed that Halloween’s approaching as well. One of the odd things about being on the internet myself is that I don’t spend much time web browsing. Who has time? But when a friend sent me a story on witch windows, I had to take a look.

I’ve only been to Vermont twice. Of all the New England states, it, along with Rhode Island, are kind of out of the way for the areas I tend to visit. I’ve enjoyed my time in Vermont (and Rhode Island), but there just hasn’t been much of it. The article “Witch Windows Are Still A Thing And Here’s Why They Actually Exist” by R. J. Wilson points out an architectural feature I didn’t notice during my brief Vermont visits. Confined to the Green Mountain State, for the most part, are slanted windows in line with the slope of the roof. When I saw the photos in the article my first thought was that they were for admitting more light. Vermont is a northern state and already in September days are getting a little lean on light. These windows, however, are commonly called “witch windows.” Nobody really knows why they’re called that. As the Urbo article points out, nobody really believed that witches couldn’t enter through crooked windows.

People are quick to posit supernatural explanations for mundane things. It’s one of the more charming things about the witching season. We need not believe the explanations for them to convey some kind of meaning. Ghosts, monsters, and witches survive because they provide such meaning for us. They symbolize the things against which we have to struggle. Looking for light as the nights lengthen is a very human thing to do. We often house our monsters in the dark. There is utility in taking them out in the daytime to give them a closer look. Now that October’s here, of course, there’s less daylight in which we might easily see. If I were in Vermont I think I’d want a witch window too.