Epics of Humanity

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The Epic of Gilgamesh survived only by being buried. Its survival is perhaps less surprising than its discovery after having been lost for many centuries. Reading Andrew George’s translation of the tale reminded me of reading Beowulf. Not only are the two of them hero tales, they are both “sole survivors” in the sense that they define the literature of their respective eras in a way no other text does. Yes, there are other Mesopotamian epics, but Gilgamesh, it was immediately recognized, deals with existential issues in a way that’s thoroughly modern. It is set apart from other ancient literature for that singular achievement. Fear of death leads Gilgamesh to amazing feats even if it only ends in a yad wa-shem. We can feel for Gilgamesh. Although he’s a king, he has to face the demise common to all people, and the language used to express his emotions is touching even today.

Beowulf, while singular in a way Gilgamesh isn’t, also leaves the reader wondering what is left of life if not some kind of fame. Beowulf may defeat Grendel, but the dragon mortally wounds him. If his tale had not survived in the back of an old book we wouldn’t be discussing him still today. How narrow that gap between fame and obscurity turns out to be. For the vast majority of us obscurity awaits since few can be recognized by the many. Like Gilgamesh or Beowulf, we know the consciousness inside this head and we feel that somehow we have a purpose. It takes daily life to drive that out of a normal person. The hero, however, refuses to let the odds win. There’s a profound hope here, in these narratives of denying the final fear the final say. In George’s edition the inclusion of other Gilgamesh tales outside the epic texts reinforces that point repeatedly.

Humans are meaning seekers by nature. Some simply accept the illusion of apparent reality and ask for little besides. Others cannot rest knowing that there is more to be understood, or, in the parlance of outmoded means of expression, to be conquered. When life says “Enough,” Gilgamesh refuses to acquiesce until his options run out. For many centuries his story was set to be lost forever. Latter-day restless minds, however, dug in the dirt until something truly extraordinary was discovered there, free for the interpreting. So it is that heroes come from nothingness. Many return to obscurity. Those that are found and venerated experience a resurrection the envy of many a god. Speaking to strangers across millennia is indeed immortality, even for those whose lives must end like all others.

Personal Heroes

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I’m not inclined toward hero worship. Sometimes I think it must be a personality flaw on my part. The cult of celebrity is so pervasive that I feel desperately behind the times when I read what web-savvy authors write. Or maybe the truth is that my heroes live closer to home. Or lived. I grew up in a small town as the child of a working-class couple, both of whose sets of parents were not educated beyond high school. We were simple folk. We didn’t have much money and we didn’t have elaborate demands. My mother put up with an alcoholic and then absentee father, raising three children largely on her own for the better part of a decade. (She eventually remarried and the three became four, but I want to focus on the early part of the story today.) She had a rough life. Her hero, not surprising for an only girl with four brothers, was her father. Her admiration for him, whether genetic or via learning, passed on to me. I can’t claim to remember him since my grandfather died just before I turned two and just before he turned 75. As I grew up, however, he became my hero.

HomerSitterley

Today would have been his birthday, and I’m thinking about Homer Sitterley, my hero. He grew up on a farm in upstate New York and tried to better his circumstances. He taught in a one-room schoolhouse, which you could do in those days without a college degree. He also met my grandmother in that schoolhouse, which you could also do in those days. He had to change careers and became a civil engineer—still with no degree. He started and supported a family of five and moved around the country trying to keep his spouse happy. Back in the 1920s and ‘30s they moved from Virginia to Montana and back to the east, eventually settling in New Jersey, where my mother was born. They finally moved to Pennsylvania where my three brothers and I were born. He died there in August of 1964.

Homer Sitterley may have never worn a cape like one of his silly grandsons did in college. He didn’t have any super powers beyond the strong will to survive in a hostile and thankless world. He never grew rich despite hard work and few outside his family knew his name. He is a hero nevertheless. His kids were upstanding people: religious, polite, and kind. Their children—my many cousins—are good people. In a world where superheroes are shown increasingly as flawed, the real heroes are simply human. And my personal hero, although he never knew he was—and is—was a man who cared for his family to the very end. He was only human. And all the more heroic for being so.

Holding out for a Hero

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Over at Religion Link, a story about superheroes and spirituality was posted recently. I guess it should’ve been clearer to me as a child with his head in the clouds that the superheroes buzzing around up there were really gods. Well, in an ultra-thou-shalt-have-no-other-gods setting, that wasn’t really a possibility my young mind could even comprehend. They were just guys (almost always) with super powers. In the Bible they would have been miracle workers. I dared not think of Samson in the same thought as the Incredible Hulk. Heroes, after all, are about wish-fulfillment. We all want to be more than we are—I can imagine a better me (speaking strictly for myself), so why not present that self in the form of a hero? The Greeks, and before them the Mesopotamians did it. Heracles was a Europeanized Gilgamesh, perhaps through the mediation of a Levantine Melqart, after all.

Gods or heroes?

Gods or heroes?

The brief article on Religion Link points out that young people identify with gods in popular culture more than a God in the pew. A veteran of many, many hours in church, I think I can understand that. What adults say is going on in the service is arcane and not prone to any empirical verification. What child sitting in church hasn’t wanted to be home watching real superheroes fight evil on television instead? The movies of the past decade or so have shown us flawed gods. Heroes with troubles. These are the gods for the twenty-first century. Omnipotence isn’t all that it’s cracked up to be.

Scholars of religion are beginning to pay serious attention to superheroes. Books are beginning to appear offering analyses of these god-men, and a few god-women, among us. Funnily enough, some people find them more believable than the traditional gods. Perhaps that is the draw of heroes from the very beginning. Gilgamesh, after all, is asking the very human questions we still ask today. Where can I find a true companion? Why can’t it last forever? Why must we die? To find the answer Gilgamesh is sent off on an impossible task. He has fought monsters, he has defied the very gods. And when he finds the plant that offers a kind of immortality, it is stolen away by a snake. The story clearly influenced the tale of Eve and Adam in Eden. It has also inspired the more recent incarnations of superheroes, and we are beginning to realize that they often fly in the face of the divine.

Vegetarian Meat Loaf

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I’ve never been a hero worshipper. Perhaps the delusion set in when I realized several years ago that nobody really has all the answers. The “experts” (I’m even sometimes shackled with that designation at times) are limited by the same mental capacity as all Homo sapiens. Our elected officials do their best to find solutions, but at the end of the day oil still gushes into the Gulf, priests still violate children, and unemployment continues to wreck lives. No, hero worship is counter-productive and leads only to disappointment. Not that there aren’t people I admire – there are many – but they have their shortcomings too.

One of my admired people that often surprises those who know me is Meat Loaf. I really don’t qualify as a head-banger, but my tastes in music vary widely. With Meat Loaf the attraction is the sincerity evident in his voice. He may not write his own material, but the man feels the songs he belts out. So it was that I made a rare music purchase when Hang Cool Teddy Bear was released earlier this month. On glancing through the liner notes I was pleasantly surprised to find Boris Vallejo’s Crucifixion among the art.

Boris Vallejo's Crucifixion

Anyone familiar with the fantasy-style artwork in most Meat Loaf albums will not be surprised at finding Vallejo’s work, but this particular piece, reminiscent of Salvador Dali’s “religious” paintings, presents a depth of feeling to the crucifixion that most theologians diminish in their desire for profundity. The Jesus in this piece is sealed within the cross, raging for release. Most devotional paintings show a placid Jesus accepting, with existentialist-type calm, his long-foretold fate. I find Vallejo’s work compelling for the same reason I enjoy Meat Loaf’s performances – there is real emotion here.

Religion has little to offer the world in the way of rationality. Theologians have generally accepted the fact that religion runs counter to reason and therefore its value lies elsewhere. What is left when reason is gone is emotion. When reason tells me there are no heroes left, emotion sometimes convinces me otherwise.