The Maelstrom

Some monsters can’t be destroyed. Today is Edgar Allan Poe’s birthday. Poe had his demons, for sure, but the twentieth century took personal fear and made it universal. Atomic bombs and mutually assured destruction were concepts any of us born since World War II have lived under our whole lives. Kids in the 1950s were drilled in schools about what to do in case of nuclear attack. We didn’t have such drills in the ’60s, but the Fallout Shelter sign was still quite familiar and frightening in its frankness. There are people out there that want you dead, and we tend to elect them to positions of power. Duck and cover. It’s all in vain.

Then came peace. Ever so briefly. When I started seeing newspaper articles about what to do in the event of a nuclear attack—not in my childhood, but just this week—I shuddered. We’ve apparently made no progress at all. When we’re all decaying corpses glowing eerily in the night there’ll be no point in figuring out who’s to blame. A species as endlessly inventive as our own spends its time and resources on distrusting, hating the other. “They” might get what’s ours. The acquisitive mind trembles. You see, there’s no end to the things you can own. As long as anyone else owns anything you can always hope to get it for yourself. Say you read the Bible and evangelicals will forgive you daily for breaking the tenth commandment. Just don’t let those foreigners have it.

Poe imagined nightmare worlds. Most of his stories, however, were on the individual level. Our monsters, on the other hand, are international in scale. Radioactive fallout with its slow decay and devastating effects on frail flesh may be the stuff of good horror, but they make for decidedly poor governance. Perhaps it’s no wonder that this comes up under a president who ran on a platform of hatred. Last weekend the people of Hawaii lived through fearful moments that were all too believable with the incompetent pretender of Pennsylvania Avenue. A man who can’t keep his tweet shut and who gets away with offenses that would easily impeach a democrat. I grew up watching Godzilla, the famed radioactive dinosaur, rising from the oceans to remind us of the consequences of atomic sins. For the too brief era of Clinton we felt that the world might be safe at last from such monsters. Problem is, some monsters just can’t be destroyed.

Christian Horrorshow

Books & Culture is the review organ of Christianity Today. Christianity Today is the evangelical answer to the more liberal Christian Century. Working in publishing, particularly in the field of religion, it is important to keep an eye on what the popular magazines are saying about our books. Well, neither is as popular as it used to be, but still. I’ll grown used to Books & Culture taking a rather wholesome reaction to books that challenge worldviews. In fact, it’s not unusual to find a fairly mild tome castigated as somewhat insidious. Negative reviews tend to sell books as well as positive reviews. Sometimes better.

I was a bit surprised to see a two-page spread in a recent edition of Books & Culture focusing on horror stories. Horror and evangelical generally don’t play well together. Well, maybe I should temper that a little bit. The first article was actually on Shirley Jackson, best known for her excellently moody The Haunting of Hill House. That particular book has spawned or inspired at least five scary movies, two of them versions of the book itself. I have to confess that this is the only Shirley Jackson novel I’ve read. The article, somewhat strangely for an evangelical magazine, had made me want to explore some of her other offerings. Horror doesn’t have to be splatter to be effective.

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The second review in this issue was for an Oxford anthology called Horror Stories. The reviewer, Victor LeValle, also comes out with a positive review of the collection. All of this makes me wonder if I missed something growing up as a conservative Christian who felt distinctively unsavory because his love of monsters and the macabre. I can’t remember ever not liking mild horror stories. They manage to evoke parts of my psyche that most other literature bypasses. I discovered Poe at an early age. That’s not to say that I like being afraid. Fear is not what I’m seeking here. It is a kind of strange redemption. In college many of my evangelical friends couldn’t understand my fascination. “Why don’t you watch something more uplifting?” I’d be asked. I was as surprised as anyone when one of my very few Grove City dates agreed to see Nightmare on Elm Street with me. Not even Shirley Jackson could’ve seen that one coming. I wonder how she’d respond to being written up as an evangelical inspiration?