A Cougar’s Mother

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While on a stroll between appointments at Indiana University in Bloomington, I came across a tree with flowers laid underneath and a memorial plaque at its base. I glimpsed the name Mellencamp, and for a fan of rock, it didn’t take much imagination to tie it to John Cougar. Indeed, the memorial is dedicated to his mother, an artist, who died earlier this year. I first came to know of Indiana University because of music. I married a musician who, like myself, had to sacrifice a career doing what she loved in order to “get by.” Although she hadn’t studied at Indiana, my wife knew the reputation of the campus well. At a sunny moment between appointments I sat outside one of the music buildings listening to students practice through the open windows and read about Marilyn Mellencamp. An article in a local paper explains that this week an exhibition of her art is on display in Bloomington. When I read the quote from Waldron Arts Center Gallery Director Julie Roberts that the arts “are viable ways to make a living and they are vital part of being a happy and alive person,” I felt a renewed sense of hope. There are others, it is clear, who see that the arts are called the humanities for a reason. In a culture where only money matters, there is no culture. Think about it.

Since the industrial revolution we’ve been told that the measure of a human is how much money they are able to make. Something profound has been lost since then as great universities cut programs for the arts and humanities while business departments build new facilities. Talk about gaining the world but losing your soul—business cattily replies, “I have no soul.” While John Mellencamp never rivaled the biggest bands for income, his work, particularly Scarecrow, is full of human empathy. I listened to that album over and over in 1985, recounting the farm crisis and the demise of those not driven by corporate greed. And looking at this maple tree I wonder when the last time was that someone honestly mourned the death of a corporate mogul.

It is the mark of a deeply schizophrenic society that we all aspire to what fails to inspire. Our economy is driven by the material—money—and not that which speaks profoundly to what it means to be a human being. We keep the arts alive because the wealthy require something worthwhile upon which to spend their lucre. Is not buying art buying part of another person’s soul? We can’t define souls materially, science must conclude they don’t exist, but every time you say, “I feel happy/fulfilled/satisfied” you belie the facts. Souls may not be material, and they may never be found in laboratories. They are nevertheless part of the human constitution, and I for one, would lay a flower under a tree and know that it is more than just fertilizer for the next growing commodity.

Edeniana

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“On Jordan’s stormy banks I stand, and cast a wishful eye”—so begins a hymn I learned as a child and which has followed me to Bloomington, Indiana. Campus visits are an expectation of some academic editors, and as I stand and look at Jordan River on the Indiana University campus, I can’t help but feel a little disappointed. I have no idea if this little stream was named after the Jordan River of Israel fame, or if it just happens that someone named Jordan was a benefactor of the university. Given that there is a Jordan Hall, and a Jordan Street, the latter seems likely. Nevertheless, whether liquid or liquidity, any Jordan in contemporary society probably traces its origins back to the river that now separates Israel from Jordan (named after the river). Many hymns celebrate the mighty Jordan without the benefit of geographical experience. The mythic river is not mighty or majestic, but a slow-moving artery that sluggishly empties into the Dead Sea. With all the history of Christian imagination, however, we like to think of it on a par with the Euphrates, or at least the Mississippi.

Jordan’s stormy banks

Biblical images have a way of catching the imagination. Although many younger people have no training in the Bible or Christianity, our culture is steeped very thoroughly in it. For some who are just rising to voting age, it must appear incredible the amount of effort politicians still put into keeping the old faith alive. It is clearly so here in Indiana. Driving down from Indianapolis I passed many signs that the Biblio-Christic pulse still throbs in the heartland. As I stopped to check my directions, I realized I’d just parked across from Pray Street. In a land where an imperative verb for a religious function stands a chance of becoming a street name, anything is possible.

After I returned from my trip to Israel many years ago, I realized that I’d neglected to take any pictures of the Jordan River. It runs like a leitmotif through our national imagination that it almost seems worth going back just to snap a shot or two. The Jordan is redolent of Eden, a land that is, according to Genesis, defined by four rivers. Water is a precious commodity in the arid Middle East. Its fluid nature seems not to have achieved the level of metaphor for those who insist on warring over religion. For gardens to bloom, there must be water and its short supply raises tensions. Water connects, however, just as readily as it separates. One of the first steps towards the great civilizations was the technology of travel by water. Why can we no longer use it for connecting rather than gerrymandering? I don’t know why this little stream is called Jordan River, but I do stand by its banks and cast a wishful eye.