Blood and vampires go together like October and, well, vampires.Although I don’t understand manga, I do know it’s extremely popular, and a friend has been lending me the volumes of Hellsing by Kouta Hirano.In the past couple of weeks I’ve read numbers 4 and 5.Hellsing sets up a world where the Catholic church destroys vampires, as does the English, Protestant organization Hellsing Organization.The latter, however, has as its secret weapon the vampire Alucard who, in nearly every number, gets dismembered in some bloody way before pulling himself back together to overcome the enemy.In the latest issues I’ve read the Catholics and Protestants have to cooperate against the threat of neo-Nazis (and this was before Trump was elected), who also employ werewolves.(It’s October, remember.)
Having been pondering the vampires of Maine, I decided to read the next in my own generation’s vampire hero, Barnabas Collins.I’ve been reading the Dark Shadows series by Marilyn Ross to try to find a lost piece of my childhood.There was a scene in one of these poorly written Gothic novels that made a strong impression on me that I finally re-encountered in Barnabas, Quentin and the Nightmare Assassin.Interestingly, in this installment Barnabas, the gentleman vampire, is cured of his curse while traveling back in time with Carolyn Stoddard.The story doesn’t explain how some of the characters from the twentieth century appear a hundred years earlier, but it does bring an early encounter of the vampire against the werewolf—an idea monster fans know from its many iterations such as Hellsing or, famously, Underworld.
You might think vampires and werewolves would get along.In both the Dark Shadows and Hellsing universes the personalities of both come through clearly.Both monsters have deep origins in folklore and people have believed in them since ancient times.Just because they’re not human, however, is no reason to suppose they’ll get along with each other.As soon as Universal discovered that monsters translated well to film the idea began to develop that monster versus monster would be a great spectacle.We had vampires and werewolves clashing on cheap budgets with fog machines.A new orthodoxy was created that the undead just don’t get along.It’s a idea that continued into the relatively bloodless Dark Shadows series, and on into the violent and gleefully bespattered Hellsing.And since it’s October nobody should be surprised.
For people my age manga is a new form of reading that is easily ignored. Although I’ve read a graphic novel or two, “comic books,” no matter how adult the theme, seem juvenile. Note that word “seem.” I do know some younger folks, and one of them insisted that I read Kouta Hirano’s Hellsing. This particular friend is as interested in vampires as I am, and, knowing my history with religion, suggested this might down my alley. Dubious, I gave it a try. In this manga universe Hellsing is a Protestant organization for fighting vampires and ghouls (non-virgin vampire victims who come back as zombie-like creatures who are very hard to stop). Their activity is in England, but when they cross into Ireland they encounter a Catholic organization that kills all vampires, including the “secret weapon” of Hellsing, who is indeed a vampire.
What made reading this tale so interesting is that the reader’s sympathy is drawn to the Protestant sect. The Hellsing characters are engagingly drawn—handsome or beautiful, resilient, and naturally good fighters. The Catholic characters are ugly and maniacal. They kill all monsters, regardless of their “heart.” In this the direction from the movie Van Helsing is reversed. There Van Helsing is a hireling of the Catholic Church who won’t kill a monster unless it’s evil. The idea of the graphic novel is that religious rivalry runs deep between these two Christian organizations. Thinking about this, I wondered how Christianity might look to someone from Japan. In this context, it makes sense. Christian missionaries penetrated east Asia from both Protestant and Catholic evangelistic efforts. Although they worship the same deity, they are quite different religions. At least it must look so to anyone not raised in this strange milieu.
Colonialism, in all its forms, has forced peoples to make decisions about new religions in a somewhat violent way. Imagine someone confronting you with your way of life and warning you that you’re going to suffer never-ending torment unless you accept a faith of which you’ve likely never heard. Then you discover that there are two very different versions of that faith that mutually condemn each other. The natural result, if you acquiesce at all, would be to choose the one that either makes the most sense, or the one that got to you first. Hardly the way to gamble with eternal life. I’m not sure Hellsing is intended as commentary on the experience of the colonized. It seems reasonable to me. And if vampires are a problem, you’ll want to be sure to select the right belief system the first time around.