The electrician recently stopped by. We’re renters and although I don’t mind doing minor household repairs to benefit the landlord, I draw the line at electricity. It’s a scary thing. I’ve been shocked too many times to want a jolt bigger than I can handle. I even once accidentally grabbed the metal prongs when unplugging something as a child (it was a microscope light, I remember) and that helpless feeling of being unable to drop the plug even while my body jerked uncontrollably left me with a healthy respect for those who actually understand insulation, capacitors, and those impossible electrical diagrams. So when the pull chain came out of the ceiling light I wasn’t going to try to fix it.
The electrician, like most people who see our apartment, commented on the books. “You like to read,” he said. I can’t help but feel guilty about that. It’s almost as if you should apologize for requiring the stimulation of so many tomes. I confessed that I did, but I wanted to justify it. “I work in publishing,” I feebly offered as an excuse. Concentrating on the fixture above his head, he said, “I don’t ever read a book unless I have to.” He fixed the pull chain and left. I couldn’t have fixed the thing so quickly, or safely. He even had a metal ladder. I was grateful for the light, but once again felt somewhat freakish for my bibliophilia.
Those of us who write books must read books. You can’t learn how to do one without the other. Because of movies and television, we picture writers as people with large houses and separate rooms as libraries where they can sit surrounded by books as they type away at their next bestseller. Those of us who work for a living seldom have such luxury. A separate room just for books? I like letting my books reside in whatever room they feel like. Most affordable apartments don’t come with a study. There are living room books that you want people to see, and kitchen books that suggest good things to eat. There are bedroom books that you might not want others to see. What I don’t have is a library. A book zoo. My books roam freely about my home. It occurs to me that one area lacking in my collection is one about household wiring. Maybe instead of feeling weird I should get wired. I’m sure there are books out there that will tell me how. Or at least that will let me know that a wooden ladder makes a poor conductor.
Paula Cocozza, writing for The Guardian, describes “How E-books Lost Their Shine.” Like most inveterate readers, she says she has stacks of books growing like mushrooms after a summer rain, in her bedroom. I was working in the publishing industry (I still am, so please take no alarm at my rhetoric) when e-book sales plateaued. Then declined. “Industry analysts” were baffled. I wasn’t. The reasoning goes like this: e-books are light and cheap and amazingly convenient—why would anyone want something different? Those of us who love books know. If you know what I mean when I write “library smell” I’m preaching to the converted. More beguiling than new car scent, that first deep breath when you step into a library takes you places your physical body may never go. All those bodies of books gathered together let off a bouquet that insists you follow your nose to an earthly paradise. I just tried sniffing my iPhone. Nothing. No synapses fired. I’ve read books on it, but have I really?
Studies tend to show we have trouble remembering books read electronically. It’s just too fast. Wham-bam-thank you whoever you are. Let’s get on to the next thing. But books, as Cocozza writes, are slow. Publishing’s a slow industry. You submit your proposal, and the editor reads it. The editorial board discusses it. The book is written and sent to a copyeditor. Then a compositor or typesetter. Then a proofreader. Then it’s off to the presses. Printed, bound, and shipped. It can take a year or more. And when you curl up in bed with a book, furtively sniffing it, gently rubbing your fingers along its pages, drawn into a world not your own, plastic’s the last thing on your mind.
A few Saturdays ago I attended the Hunterdon County Library book sale. I go every year. It’s a big deal. People line up in advance. You step into the barn-like sales floor and it hits you—the smell of all those books. The aroma of knowledge. You can’t repurpose an e-book. You can’t sell it back because nothing was ever really produced. You purchased electrons, you’re stuck with electrons. Hit “delete” when the storage is full. All these books in this room are valuable. All for pocket-change. Many of them were wildly overprinted in the exuberance that naturally comes from being over-stimulated. Like kids about to enter Willy Wonka’s chocolate factory. Industry analysts are puzzled. If they’d get their fingers dirty by thumbing through a used book once in a while they wouldn’t be. Yes, its dusty, grungy, and probably laced with germs, but I wouldn’t trade it in right now for a Kindle, even if it costs me nothing.
Posted in Books, Current Events, Just for Fun, Posts, Publishing
Tagged e-books, Hunterdon County Library Book Sale, Kindle, library, Paula Cocozza, The Guardian, Willy Wonka’s chocolate factory