Tag Archives: McFarland Books

Breaking News

Herostratus, it is said, tried to destroy the Temple of Artemis so that he might become famous. His name is now associated with gaining fame at any cost. In case any of my readers suppose I might be like Herostratus, I would be glad to confirm that I’m not the Steve Wiggins in the headline below. While I do have a beard, I’ve only been to Tennessee once that I know of. When a friend contacted me to ask why I’d shot the deputy (but I did not shoot the sheriff) it reminded me of a post on this blog from many years ago about sharing the name of the gospel singer Steve Wiggins. He’s always at the top for any Google search, which is why I always tell people to use my middle initial when seeking even more than you can find on this blog: “Steve A. Wiggins” usually brings me up. I’m not as desperate as Herostratus yet.

Names can be tricky that way. I’ve written a number of books in my life, and three of them are either published or in production. Holy Horror, which is now available on McFarland’s website (the book itself will be out in August) is listed on Amazon. It isn’t paired with my other two books yet, perhaps because it is so different. My Amazon author page brings up A Reassessment of Asherah and Weathering the Psalms, but it’s a little coy about Holy Horror. This blog isn’t quite like trying to destroy Artemis’ temple, but then, it isn’t exactly a Twitter-follower magnet either.

I have a friend who has a fictional Twitter account. He has more than twice the number of followers I do, and his Twitter persona is made up. I follow people who don’t follow me back. I do hope this isn’t how Herostratus got started. It is tragic that a deputy was shot and killed by an armed Wiggins in the south. I’m no friend of the NRA, and like most of the world I believe we’d be better off with far fewer guns, and Herostratus is pretty much forgotten today. In fact, every time I want to mention him I have to do a Google search to find his name. Destroying property of the gods, apparently, doesn’t always give you lasting fame. Looking at what’s happening in DC these days I see confirmation of that all the time. But then don’t take my word for it—I’m only a blogger with a tiny Twitter following. Just don’t accuse me of having a gun or trying to sing in public.

Updates

So, I’m getting ready to update this website. I’ll give you a warning before things change. Another update, however, is in order. I’ve been promising that I’d let you know when my forthcoming book with McFarland received its final title. Well, drum roll please! The final title is actually the first title I proposed—Holy Horror: The Bible and Fear in Movies. And it has an ISBN: 978-1-4766-7466-7. And a cover design too, but I can’t share that just yet. It is appropriately lurid, matching the subject. But in all seriousness, the book makes a case for the fact that many people understand their religion via popular media. Being a bad boy, I look at it through horror movies.

The title Holy Horror was a play on Douglas Cowan’s excellent book, Sacred Terror. I recall reading that book, starting the night I bought it as SBL, curled up in the swank conference hotel bed, turning pages until I couldn’t hold my eyes open any longer. It had honestly never occurred to me that religion scholars could get away with writing about horror movies. Cowan had the natural advantage of being a Canadian, something I’ve always longed to be. He also has a secure university post. I was, at the time, just a guy trying to feel secure in what seemed like (and turned out in reality to be) a threatening seminary position that was shortly to end.

It may be difficult to understand how horror can be consoling. It can. I’m a squeamish guy. I don’t like blood and gore. I hate being startled. Nevertheless, I took comfort in this genre as my career was falling apart. Holy Horror was a cathartic book for me to write. There’s more than a little metaphor in it. One thing that will become clear to readers is that the Bible is no stranger to horror movies. Ironically, many of them are strangely conservative—Carol J. Clover’s classic Men, Women, and Chainsaws (which I’ve reviewed on this blog) made that point clearly. Horror often has the same message as your typical Disney film, although it’s presently slightly differently. How so? Well, I can’t say very much here or you’ll have no reason to read my book. McFarland does a great job with publishing this kind of title. You won’t find it in Barnes and Noble, and not likely in your local indie either, but it’ll be available on Amazon and these days that’s enough. And before long these pages will change to reflect its coming.

Nightmares with

One of my greatest phobias is that people will think I’m arrogant. Those who know me realize that I’m highly self-critical, as befits a lapsed Fundamentalist. Self-image isn’t my strong suit. So it is with great trepidation that I celebrate a tiny bit at another book contract. Book number three (still not officially titled) now rests with McFarland Books. Shortly after I signed the contract for the book nameless here forevermore, Lexington and Fortress Academic announced a new series: Horror and Scripture. Maybe you know the feeling too. You’ve just done something you’re proud of and then you’re upstaged. My book deals with the Bible and horror films—what could be more Horror and Scripture than that?

The new Lexington/Fortress series has two editors. One of them is a friend of mine. (Monsters and horror don’t often mix with the Good Book, and those few of us interested in such things receive glances askew.) She asked me if I’d consider contributing to the series. This takes a lot of careful thought on my part. I have a sum total of about an hour a day to write, often less. I can read research-related material on the bus, if I can stay awake, but other than weekends—already quite busy catching up from not being home all week—I have very circumscribed writing time. Nevertheless, I do get up at 3:00 a.m. so that I can have that vital hour to write. Why not focus my efforts onto another book? Perhaps insanely, I submitted a proposal. This week a contract came.

In the short span of one year I’ve gone from being able to claim two books to four, almost like a parable. My untitled book is written and submitted. My contracted book is already half-drafted. After my McFarland book I’d already begun work on a sequel, you see. It lacked form and substance, but the proposal forced me to bring it together. Now, barring any unforeseen disaster, I should be able to submit this new book within a couple of years. By admitting this to you, dear readers, I fear I open myself to accusations of either arrogance, or at least greed. It is, actually, rather like this: my wife often tells me “we must cut the coat to fit the cloth.” I don’t have an academic position, but I’ve learned a lot about the publishing industry over the past decade. Research is a constant in my life, as it is with most credentialed people, no matter their jobs. So it is with fear and trembling that I announce my next book: Nightmares with the Bible. Watch this space for cryptic updates as the details unfold. And please don’t think less of me for it.

On the Nature of Publishers

An occupational hazard of the editor is paying obsessive attention to publishers. That stands to reason. Many academics are less concerned than some publishers think they are about such matters as who publishes their book. I suspect that many have, for whatever reason, found no welcome home among elite publishers. This happens often enough to make many scholars less worried about reputation than the practical matter of getting a publisher interested at all. There are a lot of original thoughts out there, and some of them occur to a person and just won’t let her or him go. An example: what terms are used for weather in the Psalms and why? Before you know it you’ve awaken before the sun for five years and written 75,000 words on the topic and you want to get it published without having to pay someone to do it. That kind of thing. I’ve been pleasantly surprised by the number of scholars who understand this kind of reasoning.

Also, it’s a matter of scale. I work for a premier publisher in the academic world. It may surprise many people to find out just how often when someone asks what I do (not very often, for the record) and then follows it up who I do it for, the interrogator has never heard of my employer. Academic presses, even important ones, are really only known among academics. Keep scale in mind. If you’ve ever walked passed Norton’s offices in Manhattan, and then those in which I spend my days, you know what I mean. Academia is small scale. For the average person reading a book is something they generally choose not to do. Of those who do read, very few read academic books. Those who read academic books tend to stick to their own discipline, or related ones. You get the picture—smaller returns at each step.

So, having written a book about horror movies, where do I take it? This isn’t one of those footnoted, look-how-erudite-I-am kind of books. It’s more of a I-noticed-something type. The question then becomes, who publishes such kinds of thing? I do worry about academic reputation—who doesn’t?—but this is a book I want the correct readers to find. That’s why McFarland suggested itself. People reading on pop culture, know to keep an eye on their offerings. Hopefully enough people will find it to have justified the effort. It won’t impress those enamored of collecting (academic) names. It isn’t the kind of book my employer would publish. Nor would I want them to. Call it an occupational hazard. Like any subject, knowing too much about publishing can take away from the fun.

Title-less

I’ve been offering a few teasers about my forthcoming book. One of the reasons for not making an announcement is that the title hasn’t been settled yet. It’s pretty hard to promote a book without one. I’ve written enough about it that readers can tell it’s about horror movies. The publisher is McFarland, an independent academic publisher that specializes in pop culture and has an impressive list concerning monsters and other frightening things. Once we get a title down, I’ll say more. In the meantime, I can take the opportunity to say a bit more about the publishing industry. Not that people generally ask me about it, but I suspect many authors secretly want to know some insider tips. If not, I suspect there’s one or two other blogs to read today.

I’ll admit up front that I tried unsuccessfully to interest agents in this book. At least four wrote back to tell me it was a great idea, but a writer without a platform is like, well, an editor. I help other people get their ideas published—always a bridesmaid, as they say—physician heal thyself. When I realized I was wasting months trying to find a professional to promote my book, I decided to revert to the tried and true. When you want to know who to approach about your book, look at the spines of the books you read to write yours. Who are the publishers who produce books in this area? Sometimes the interests of a publishing house will change with the editors, so the more recent your comps, the better.

Horror sells. My project wasn’t really mercenary in that way, but rather it was the result of years of watching horror, usually by myself, and finding some commonality in the films. What exactly that commonality is will, I hope, become clear once I can freely write about my book topic. Others, you see, could swoop in and take my thesis—a perpetual fear of someone who barely has time to scribble out a blog post a day. Finding the time to write books in the off-work and off-commute hours is a real juggling act. In my case, perhaps a jugular act. Without an agent, I turned to McFarland. Many of their books helped me form the ideas for my own. Besides, they have a Scottish connection, and that means something to this old Edinburgh alum. If you want to get published, it helps to know the players. That may become even a bit easier once I’ve got a title.