The Good, Bad, and Human

VixensVampsVipwesMike Madrid may know more about women in comics than anyone else alive. I’ve commented about his Supergirls and Divas, Dames and Daredevils, and he’s now followed up his previous successes with Vixens, Vamps and Vipers: Lost Villainesses of Golden Age Comics, due out in October. Despite the lament of many a parent that comic books are a waste of time, Madrid demonstrates through a close reading, that some of the most basic issues of society are featured in graphic format. Psychologists have long known that people are visually oriented. We have to learn to read, but we’re born with the knowledge of how to look. Comics, therefore, appeal to the young reader, illustrating the action with exaggerated pictures to underscore the tale. Although the early heroes were generally male, Madrid showed in his previous two books that girls and women were also superheroes, but, as in real life, competing in a world constructed by men for men.

Vixens, Vamps and Vipers flips the coin to see the role played by villains less known than Catwoman (whom he discusses), and torn between the human impulses to succeed and to be good. In fact, the first few pages of the book offer a profound consideration of the terms “good” and “evil” as they apply to the comic book (i.e., the real) world. As Madrid points out: if there were no villains, we would have no need of such colorful heroes. At the same time, evolution has embedded a desire to protect females in the minds of most males—Poe knew that the death of a beautiful woman was the among the most moving of literary images. Still, as Vixens, Vamps and Vipers points out, some of the villains here considered are beautiful and the allure demonstrates that something much more complex is going on beneath the surface. Despite the image of the hero, all people, male and female, constantly struggle with the impulses to do good and evil.

One of the complexities that religions attempt to codify is human nature: are we born good or evil? Are we totally depraved or inclined to strive for divinity? Any honest assessment of humanity, it seems to me, must take into account that we constantly struggle. Total depravity is totally disproved by the many good impulses shown by those of religions outside Calvinism and Christianity, let alone the tendency of humanists and atheists to help others. In fact, in many circumstances good and evil are intricately intertwined. Madrid explores this conundrum with women put in difficult, if fictional, scenarios who must decide which impulse to follow. He’s honest about this. Some will become superheroes despite the hurdles the male champions put in their way, while others will follow the trail that leads to his latest exploration of humanity through illustrated story. Look for Vixens, Vamps and Vipers and enjoy, if secretly, learning something profound about human nature.

Super Women

DivasDamesDaredevilsDivas, Dames and Daredevils: Lost Heroines of Gold Age Comics, by Mike Madrid, is a stroll down a memory lane that many of us never previously walked. My imagination is such that I no longer read comic books, but as a child they provided a cheap escape from a reality that didn’t feel so different from the crime-infested world that superheroes inhabited. For young boys reading these stories the absence of women was normal—there were some things of which Mom didn’t approve, and that was because she just didn’t understand. Boys will be boys. Still, Mike Madrid has ably demonstrated a secret knowledge that the 1950s would deem arcane—female characters once held a position nearly equal to that of men in the world of comics. Prior to Comics Code Authority in 1954, the women who helped win the Second World War were portrayed as tough, independent, and in charge (to an extent) of their own destinies. In the conservative backlash of the ‘50s, however, women were diminished, relegated to the home and domestic life. Comic books presented them as secondary to men. That myth has proven pernicious, even now, six decades later.

One of the perks of blogging is having someone you’ve written about contact you. Mike Madrid has been the subject of a previous post for his book The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heriones. Madrid’s agent kindly sent me an advance proof of Divas, Dames and Daredevils, and I was once again struck by the historical scope of knowledge that these books present. Academics are—let me correct that—some academics are becoming aware of the fact that popular culture defines reality for many people. We find our troth in those who live on the big screen or on the pulp paper, those who rise above the constant threats of an uncaring world. We’ve seen that business can be its own evil empire, and superheroes, and everyday people, do have it within their power to act. Madrid shows that we were well on our way to equality of the sexes when the haircut and horn-rim crowd of the clean-cut 1950s insisted a return to Stone Age ethics in the treatment of women was appropriate.

In keeping with the general theme of this blog, the book has a chapter on the goddesses who became heroes. We all know Thor, but what of the forgotten Fantomah, Amazona, Marga the Panther Woman, Wildfire, Diana the Huntress, or Maureen Marine? Madrid’s book presents a story from several of the animated heroines of the days before censorship tamed the feminine mystique. More than that, he clearly shows how women—even ordinary women—were once deemed incredible and awe-inspiring. Then the titanium gate of male inferiority complexes and the vaunted “old ways” crashed down, trapping us all in a world fit to be ruled by men alone. I congratulate Madrid for resurrecting so many forgotten figures who never had a chance to become cultural icons. All women are heroes, and I know there is a hero that I miss very much, although even Mike Madrid didn’t mention her in his wonderful book.

True Heroes

supergirls As a guy with a healthy sense of the weird,it strikes me as odd that rational people can suppose that we’ve solved all of life’s great mysteries. As a student of biology, chemistry, and physics in high school—and a reader of non-technical aspects of the same throughout my adulthood—it always seemed that there was an undefinable “something more.” Reading Jeffrey Kripal’s Mutants and Mystics led me to an interest in comic books. As a child I did not have many of them since we didn’t have much money to spend on luxuries. The few I had, however, were read and reread and reread, assaulting my imagination with endless possibilities, many of which defied everything I was to learn of biology, chemistry, and physics. My interest in feminism and new-found appreciation of the proto-graphic novel, led me to read Mike Madrid’s The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines. As a boy surrounded with brothers, I clearly knew which comic books were for males. Madrid’s book delves into this super-hero world with the question of why females have always struggled to be taken seriously in this fantasy land.

Many of the characters explored in Supergirls were heroines I’d never encountered before. Madrid’s analysis often appears spot-on as he traces their histories through the decades as they mirror, and occasionally lead, society’s expectations of what women should be. The one that I had no trouble recognizing was Wonder Woman. And the reason for that was she used to have a TV show. Not mentioned by Madrid was the mighty Isis, also a heroine from television. She began as a character opposite Captain Marvel, and did not have her origin in a comic book. Isis was, of course, an ancient goddess, and as I learned from Supergirls, Wonder Woman was not far behind. The way that women could be as strong as men was to be divine. For human females, life was much rougher.

Wonder Woman, Madrid notes, was one of the Trinity of early, lasting comic book heroes. Superman, Batman, and Wonder Woman are cast as the Father, Son, and Holy Ghost, respectively. Like her theological counterpart, Wonder Woman is the most amorphous, least understood of the three. Her career and persona change over time, almost losing any kind of supernatural ability. Her origin story, however, began as a helper of oppressed women everywhere. Today we see Superman and Batman on the big screen, but Wonder Woman has fallen behind. Despite great strides, our society still isn’t ready to accept rescue of men at the hands of a woman. More’s the pity, because we clearly see the mess that masculine leadership has spawned. Mike Madrid has discovered a secret identity for our old foe, sexism. And it might take the world of comic books to help us see clearly that which mainstream analysis still denies.