At Nashotah House I met my first real-life servant.This was a student—a candidate for the priesthood—who’d formally been a “domestic.”Now, being Episcopalian one doesn’t bat an eyelash at that sort of thing but I was secretly in shock that servants still existed.I’m woefully uninformed about aristocracy.Having grown up poor I resent the idea of a person being placed in the role of fulfilling the whims of someone just because they have money.My wife has more of a fascination about this than I do, and she was recently reading a book about servants.This post isn’t about domestics, however.It’s about foreign gods.In the book she was reading my wife noticed one of the servants writing that old-fashioned stoves were like Moloch.Were it not for Sleepy Hollow, I suspect, many modern people wouldn’t know the name at all. Who was Moloch?
Moloch, according to the Bible, was a “Canaanite” deity.Specifically, he was a god that demanded child sacrifice.The phrase the Good Book uses is that his worshippers made their children “pass through the fire” for Moloch.Very little is known about this deity, and the question of human sacrifice is endlessly debated.Theologically it makes sense, but practically it doesn’t.Deities want servants and living bodies do that better than dead ones.Although it’s been suggested that “passing through” could be a symbolic offering, by far the majority of scholars have taken this act as an actual sacrifice.The ultimate servant is a dead servant.Moloch, you see, comes from the same root as the word “king.”And kings are fond of having many servants.
Image credit: Johann Lund, Wikimedia Commons
So how is a stove like Moloch?The classic image of the god, which looks like a scene from The Wicker Man, holds the answer.Well circulated since the early eighteenth century, this engraving has captured the imagination of modern people.A massive, multi-chambered statue intended to consume by the raging fire in its belly.This is the way in which a stove might resemble a Canaanite deity.The servant who described cookware thus knew whereof she spoke.Archaeological evidence for the “cult of Moloch” is slim.It is almost certain that nothing like this fanciful image ever existed.Moloch, in other words, lives in the imagination.One aspect, however, rings true.Like most tyrannical rulers the deity wants unquestioning obedience on the part of servants.And this is a viewpoint not limited to deities.
Fox recently announced that, after four seasons, Sleepy Hollow is being cancelled. The news, while not unexpected, is still disappointing. The initial success of the series caught just about everybody by surprise. Intelligent, witty, and literate, this program tapped into a number of themes dear to American sensitivities. One of those sensitivities, surprisingly, was the Bible. I sometimes wonder if the Bible might’ve been able to save Sleepy Hollow. In my limited view the first season was the best. It started out with an all-American apocalypse. To survive an apocalypse you need a Bible. George Washington’s Bible featured throughout the mythology of the first installment. Two of the four horsemen of the apocalypse had arrived in Sleepy Hollow. Then something went wrong.
In season two, Moloch—clearly a stand-in for the Devil in the series—was killed off. Apocalypse no. The end of the world, in Scofield’s canonical view, had been cancelled. Even Ichabod and Abbie began to wonder what good it is to be mentioned in Revelation if your role as world saviors has been made redundant. A new arch-villain was needed. The coven that had shielded Ichabod, headless without its horsemen, simply faded away. Ichabod learned how to drive. Where’s an enemy when you need one? Enter Pandora for season three. But wasn’t she rather a sympathetic figure? Sure, she unleashed lots of negativity but hardly with malicious intent. There’s no villain like a biblical one.
Where do you go after the apocalypse is over? What use is the Bible in such a world? Pandora has no book of Revelation behind her. No special effects budget can rival Pestilence, War, Famine, and Death. What can make you shudder like that pale horse and its skeletal rider? In a world with ebola and zika it would seem that pestilence still has a place. Famine in a world of plenty is horror defined. Two out of four isn’t bad, I suppose, but when you start off with Death you’re not leaving yourself much room for maneuver. Of course, after the horsemen there are three seals left. Perhaps if Sleepy Hollow had stayed with the script and followed through until just before the final trump, it might still be here among the land of the living. Just like creation, the “end of the world” has multiple versions in the Good Book. The Bible’s a consistent narrative only in the imagination of harmonizers eager for easy answers. The possibilities are endless. Where there is no vision, the people parish.
I’m trying to pace my viewing of Sleepy Hollow, but autumn is never long enough for me. In many ways the FOX series exemplifies the current love-hate relationship popular culture has with the Bible. While its dictates and commandments seem tedious and petty, its prophetic view is so very full of possibilities. The millennium has passed but we’re not weary of the apocalypse yet. Even from the pilot episode with its cringing reference to “Revelations” three or four episodes into season one tidied that book title down to the proper singular and have begun to introduce other biblical characters along the way. Since the conceit of the series involves the four horsemen, the Bible is never far from view. Forensics can’t figure out what’s climbing out of the woods of the Hudson valley, but we already know that the demon is Moloch. Many fingers, I trust, have been scampering across keyboards to investigate this biblical figure.
Moloch is a “Canaanite” deity. He is also one of the least understood of biblical archenemies. Scant references to making children “pass through the fire” for Moloch have led to widespread assertions of human sacrifice. Others have argued that the passing was just that—kind of like racing your finger through the flame of a candle—to appease the angry god. We don’t know that Moloch was angry. No extended myths about him have survived from antiquity. His name means “king,” an epithet fit for most gods. The vacuum left by the historical records allows imagination to fill in the gaps. Sleepy Hollow does that nicely, and although I haven’t reached the end of season one yet, I have my suspicions that he’ll be showing up for some time to come.
The Bible, viewed so disparagingly because of the ministrations of the likes of Jerry Falwell and Pat Robertson and their intolerant ilk, remains a mystery to many. Let’s face it—it’s a daunting book. Even with onionskin paper, it is a massive undertaking to read it all. Many a spiritual soldier lays slain on the beach-head of Leviticus, and that’s only three books in of the Protestant 66. What Leviticus doesn’t finish, Chronicles will polish off. And yet we have such colorful characters as Asherah, Resheph, Leviathan, and Moloch scattered throughout. Sleepy Hollow has brought back the dead. I regret that I no longer have classes of students to ask about such things, because I too, through the magic of television, am beginning to believe in resurrection again.