Monster Impulse

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MonstersSome people are impulse buyers. In fact, retailers count on it. All those last-minute items next to the cash register while you wait your turn to consume—they beckon the unwary. I have to admit to being an impulse book buyer. I have to keep it under control, of course, since books are “durable goods” and last more than a single lifetime, with any luck at all. A few years ago I was in the shop of the National Museum of Scotland in Edinburgh. It was my last day in the city where I’d spent my post-graduate years and I didn’t know when I’d ever be back. What could help me remember this visit? A book, of course. Why I chose Monsters, by Christopher Dell, to mark this particular occasion, I don’t know. I love monsters, yes, but why here? Why now? Why in the last hours I had in my favorite European city? It was a heavy book, hardcover and unyielding in my luggage. I had to have it.

More of an extended essay than a narrative book, Dell’s Monsters begins with a premise that I never tire of contemplating: religions give us our monsters. At least historically, they have. There is an element of the divine as well as the diabolical in the world of monsters. As a student of art, what Dell has put together in this book is a full-color unlikely bestiary. These are the creatures that have haunted our imaginations since people began to draw, and probably before. One exception I would take to Dell’s narrative is that the Bible does have its share of monsters. He mentions Leviathan, Behemoth, and the beast of Revelation, but the Bible is populated with the bizarre and weird. Nebuchadnezzar becomes a monster. Demons caper through the New Testament. The Bible opens with a talking serpent. These may not be the monsters of a robust Medieval imagination, but they are strange creatures in their own rights. We have ghosts as well, and people rising from the dead. Monsters and religion are, it seems, very well acquainted.

The illustrations, of course, are what bring Dell’s book to market. Many classic and, in some cases, relatively unknown creatures populate his pages. They won’t keep you awake at night, for we have grown accustomed to a scientific world where monsters have been banished forever. And yet, we turn to books like Monsters to meet a need that persists into this technological age. About to get on a plane for vacation, I know I will be groped and prodded by a government that wants to know every detail of my body. Sometimes I’ll be forced into the private screening room for more intimate encounters. And for all this I know that William Shatner was on a plane at 20,000 feet when he saw a gremlin on the wing. Like our religions, our monsters never leave us. No matter how bright technology may make our lights.

Human, All Too

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Back in the days of The Scarlet Letter, and before, an even more egregious double standard afflicted the sexual practices of women and men. Our primate nature promotes two conflicting principles: disgust at cheating and the desire to get away with what we can. Unfortunately, biology has often showcased female infidelity with the “illegitimate” child, and religions have stood in line to condemn the behavior that led to such circumstances. I was reminded of this while looking at a “gown of repentance” at the National Museum of Scotland. The Scottish Reformation led to an unusually severe kind of Schadenfreude when it came to pointing out the faults of others. Janet Gothskirk, spiritual kin to Hester Prynne, was convicted of adultery and had to wear a “gown of repentance,” literal sackcloth, to humiliate herpublicly. Her partner in crime, William Murdoch, is not recorded as having received any punishment for the affair, according to the placard.

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Thus it has always been: boys will be boys, but girls will be good. And when it comes time to dole out the blame, well, boys sometimes just can’t help themselves. This double standard is still in widespread practice throughout the religious world today. It shares roots with the same thinking that leads to many major religions denying sacerdotal leadership to women, and to the unfair punishment doled upon women in cultures where their behavior “dishonors” that of the men-folk. And we have all seen where male leadership has steered this ship.

What struck me hardest, staring at the dirty, ratty garment of shame, was that forgiveness seems so far removed from the religion of the Reformation. Christianity has always claimed a basis in the concepts of love and forgiveness, but when it comes to the very real circumstances of human failings, the animal tendency to attack the weak is often the driving force. We deflect because deep down we know that we all have failings. Clergy and braggarts may sometimes claim otherwise, but we share this very common liability of humanness. We should try to help each other through it. We should remember the golden rule. We should remember that sackcloth was meant to be self-inflicted and that the role of the church was to absolve the guilt, not to showcase it. Janet Gothskirk is forgotten to history, save for the garment she once wore to display her weakness for all to see.

Cultural Religion

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The National Museum of Scotland, like many museums in the British Isles, is free to visitors. Such museums are repositories of national pride and provide a sense of the scope of a nation’s history. While penurious grad students (as opposed to plain penurious, as best describes those long unemployed), my wife and I would wander over to Chalmers Street and pop in for an hour or two of inexpensive culture. During the last minutes of my recent trip to Scotland, I ducked into the newly—well, it has been nearly two decades, I have to admit—expanded museum for a gander. I was naturally drawn to the history of Scotland section—you can see dinosaurs and robots in the US, after all—and was struck at how very religious it was.

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It’s not that the Scots are any more pious than other peoples, but it is the nature of religious artifacts to receive special treatment, and therefore, to survive time’s greedy decay. No one dares to anger the gods. Beginning with the Stone Age Picts, and flowing through contact with the Romans and eventually to the Celtic culture now associated with Scotland, religion is obviously preserved. Prehistoric Picts, by definition, didn’t leave written accounts of their religion, but the treatment of special artifacts in a gritty, harsh world shows where social values were to be found. Christianization, with its apocalyptic earnestness, only accelerated the process. Celtic crosses, case after case of precious metal sacramental artifacts, and a large display of the Reformation denominated the more secular displays, or so it seemed. (The working steam engines and large looms, however, gainsay a bit of my enthusiasm. And swords seemed to be everywhere.)

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While there is a genetic base for some sense of nationhood, it is not unusual to hear a person of African or Indian heritage speaking with the familiar Scottish brogue. Surely they are Scottish too. Culture clearly ties disparate peoples together into a “nationality.” In this museum that reaches back to the dinosaurs and beyond, a great deal of the history involves people of similar ancestry who come into contact repeatedly with those of other heritages. What gets left behind after those encounters, when it’s not swords, is religious. The religions themselves then clash, fracturing into a new stage of cultural development. Even in today’s secular Europe, some of the most notable buildings are the cathedrals. And in its own way, the National Museum of Scotland is a cathedral to all who wish to understand what makes us human.

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