Great Resignation

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Although many people my age are retired, I’m looking at a couple more decades of work at least.  A large part of this is because I specialized in a field I didn’t realize was dying.  I suspect clergy in the eighties, when I had to decide on majors and education choices, thought the declines in church attendance were a blip—a statistical anomaly until things went back to the way they “usually were.”  I majored in religion as an undergrad and then went on to seminary and finally to a doctoral program, all along that trajectory.  At every step of the way I was assured there would be jobs.  I’m seeing now that religionists don’t always look ahead.  It’s important to look back, but society begs to differ.

The reason this comes to mind, apart from being part of my daily reality, is an article a minister sent me.  The piece by Melissa Florer-Bixler  in Sojourners is titled “Why Pastors Are Joining the Great Resignation.”  It explores a number of reasons around pay and working conditions that ministers are quitting.  My thought, unscientific but logical, is that many of them are realizing society has moved away from the standard church model.  They recognize that the insistent biblicism that led to a past of Americans being in church under threat of Hell has diminished.  “Worship,” as it is generally done, no longer speaks to people.  I’ve experienced a great many worship styles and venues.  (I still attend them, but I’m a creature of habit as well as obligated by profession.)  When the realities of the world sink in you start to see the old model of praising an angry God because he demands it just doesn’t make sense.  People like Trump get elected anyway, so what’s the point?

Many pastors are underpaid.  Unless you run a mega-church budgets are tight and the need of people is great.  Much of the effort of the congregation I attend is directed to social justice causes.  There are so many.  So very many.  People are in need and the pat answers of call to worship, opening hymn, and sermon just aren’t doing it for them.  Congregants need pastoral care, as do people unchurched.  I’ve been through seminary and a professor in one long enough to know that few really get the idea of how to inspire by their words.  These are folks looking for a living who don’t fit into the capitalist model.  So there’s a decline.  As I read the piece I wondered what jobs they were switching to.  If my experience is anything to go by, the options are limited.

Feelings of Horror

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One thing that’s become clear to horror fans (or those of us who try to analyze it, anyway) is that more and more pundits are asking serious questions about its appeal and its utility.  A particularly interesting piece on Bloody Disgusting (and that title isn’t representative of the site) explores how horror is often about probing grief, loss, and mourning.  People who immediately associate horror with slashers and blood and gore probably became aware of the genre in the 1980s.  In the post-slasher era (and even during it) many thoughtful films have dealt with the primary areas associated with pastoral care: mourning, grief, and loss are the bread and vegan butter of ministerial work.  These are elements all people have to face, and some horror is remarkably adept at helping viewers do so.

We all die.  Horror has never been shy about that fact.  When the dead do come back it’s seldom good.  Given the permanence of the situation, it seems reasonable to think about it in advance.  Shallower topics are good too—life without fun is hardly worth the effort.  Horror, however, reminds us that the bill remains due at the end.  One of the main points of Holy Horror is that people tend to find their meaning through pop culture.  (It can also be through more classical means as well, but the point remains the same.)  We watch movies for more than entertainment.  Movies other than horror deal with loss, mourning, and grief, of course.  But as Stephen King once noted, this genre forces the reluctant to look.  What seems to be under-appreciated is how sympathetic it is to the human condition.

Apart from a few colleagues who work in this same nexus of religion and horror, I know few fans of the genre.  Most people I know shy away from it.  For me, it seems to be a brutally honest genre.  There are speculative elements in much of horror—those are the elements that make the films fun to watch, in my opinion.  Speculative is often synonymous with supernatural, or spiritual.  Spirituality is often coded as a positive.  Life throws a lot of loss and grieving our way.  A genre that brings these things together can’t be all bad.  Some of the more recent transcendent horror can be downright profound in its probing.  The editorial by Marcus Shorter doesn’t take the step of addressing the pastoral aspects of the genre, but they are plainly there.  And they can offer solace that all people can use.