Eerie Weird

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We each approach the world from a unique angle.  It’s bewildering if you stop and think about it—billions of individuals (more by orders of magnitude if we add animals) looking at the world like no-one else.  Given the numbers it’s no mystery that some individuals will share fascinations, and I was glad to learn of Mark Fisher’s book The Weird and the Eerie, since it tries to capture the essence of these two terms that characterize so much of my reading.  The introduction explores what these words might mean in regard to Freud’s unheimlich, a term with which many writers are familiar.  What makes many stories interesting is their unusualness.  Fisher considers what it means to be inside or outside, and these categories often play into our perceptions of the weird and the eerie.

The study is divided into two sections (weird and eerie) and explores these concepts through a variety of media—literature, film, and popular music, especially.  Here’s where the unique angle comes in.  While I’ve read quite a bit of “weird fiction” and certainly eerie tales, Fisher has a different spectrum of materials than I do.  We share some resources, of course, such as H. P. Lovecraft, but The Weird and the Eerie gave me a new set of books to read and movies to watch.  Or read and watch in new ways.  Fisher’s reading of these various sources is sharp and perceptive, and he has a wealth of experience on which to draw.  The intertextuality here is rich.

When I think of reading for leisure or pleasure, it occurs to me that without something unusual happening in a tale, I have little with which to gain a grip.  The unheimlich makes for compelling reading.  Fisher sheds considerable light on this—what is it that we mean by saying something is weird or eerie?  It’s not that we should avoid them.  Humans are innately curious creatures, and we’re drawn to the strange in a way that we can seldom help.  Learning to avoid the weird and eerie means missing out on opportunities to learn.  And stories that we might tell to reflect our individual experience of the world.  This brief book contains more than first appears from a cursory glance.  There’s depth here, and for those of us individuals drawn to these aspects of both human and literary expression, much to mine.  The Weird and the Eerie is a flashlight for going into areas sometimes considered dark and learning much along the way. 

The Distortion of Absence

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I’m sure it’s happened to you, too.  After some time away, you return to somewhere familiar.  For some reason this doesn’t seem to apply to places you spend only a little time—for example, the cabin where I tend to go on vacation every year.  Rather, it impacts quotidian spaces, the places you see nearly every day.  Returning after an absence, the place looks strange, as if you’d forgotten what it was really like.  A fairly common example is a college dorm room.  When you return to it after, say, the winter holiday, it looks not quite how you remembered it.  It’s a little smaller or larger than you recalled, or you didn’t remember that the floor tiles were that color.  Within a day or so the feeling disappears and you accept the “new normal.”

The strange, or unfamiliar, is the source of many monsters.  Freud famously phrased the uncanny as “unheimlich,” un-home-like.  It is close to what you expected, but not exactly.  The uncanny valley is that place where things are about right, but slightly off.  It generates a creepy feeling, as if reality is being distorted.  On a business trip to Boston a few years back I visited Boston University School of Theology, a place where I spent over two years in my twenties.  745 Commonwealth Avenue hadn’t been renovated, but I stepped inside and was stunned by how wide the hall was.  In my mind it had become far narrower.  It was downright disturbing, as if I’d walked into somebody else’s past.  It made me wonder—is any of this really real?  Or more frighteningly—is my memory that fragile?

I recently spent a day working in the New York office.  While the office itself seemed the same, the city did not.  Emerging from the Port Authority Bus Terminal I knew exactly where I was.  Or did I?  I’d walked roughly the same route daily for almost five years, and two years before that a similar track.  It was as if the bus had exited the Lincoln Tunnel into an alternate Manhattan.  Unheimlich.  I’ve returned to many places after being away for awhile and this distortion of absence always creeps me out.  Can my memory be that faulty or is all of this an illusion?  The gap between present reality and remembered reality provides crevices into which monsters crawl, waiting.  By the time I reached the block of my office the feeling had gone away.  But somehow, the monsters remained.