Spider Planet

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Misnomers aren’t uncommon when it comes to click-bait.  I’ve fallen victim more than a few times.  But such misdirection is probably as old as humanity, and is perhaps part of consciousness itself.  (Some birds are known to practice deception, as are some other primates.)  Earth Vs. the Spider is drive-in-bait as a title.  In the 1958 horror-sci fi movie (also titled The Spider), the danger isn’t really to the earth but to one small town.  There is, however, a giant spider and somehow it’s not as scary as the real thing can be, writ small.  Occasionally, such as when a spider comes out into the open in the house, I ponder why this is such a deep-seated human fear.  I know spiders are beneficial to the ecosystem and that they pose very little danger, at least in places where I’ve lived.  So why are they so scary?

Scientists, including those of the mind, have proposed looking to our primate cousins for an answer.  They too are afraid of spiders, and it’s posited that since primates climb trees to escape danger and that spiders also climb, the phobia is hardwired.  For me it’s only certain body-plans that are scary.  I don’t mind the cute little jumping spiders that get in around the windows.  They don’t seem out to hurt anybody.  It’s the kind with long, grasping legs that bother me.  As a child I used to try to identify spiders with a picture book identification guide, but soon the guide started to scare me and I had to put it down.  I wasn’t cut out to be an arachnidologist, I guess.  The movie could’ve used one, however.  They kept calling the spider an insect.

The unblinking advocacy of DDT was the scariest part of the film.  Got a problem?  Spray chemicals all over it!  It gives me the same fear as when I see all those pallets of RoundUp every time I go to Lowes.  That stuff is deadly to the environment, and I’m kind of attached to the environment.  Spring arrived around here late this year, but it was spider season by the time I watched Earth Vs. the Spider as part of my minor quest to see the “so bad they’re good” movies.  They’re also part of the history of horror.  Apart from Psycho in 1960, horror was kind of on vacation for the fifties and into the late sixties.  Of course, movies kept being made.  It’s just that they couldn’t be taken seriously.  And even though drive-ins seem to be extinct, I still fall for drive-in bait from time to time. Even when watching alone.

Finding Family

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Sea Change is a probing story of learning to live with loss.  Of learning how to say goodbye.  I’m sure that I didn’t catch all that was being offered in this novel, but for those of us who did grow up without a father there’s a kind of therapy here.  I know that I eagerly awaited the end of work each day so that I could pick it up and read a bit more.  Framed as the story of the only child of Korean immigrants, the novel features Aurora (Ro), a young woman who has had to find her way ever since her father has gone missing.  And even before that, actually.  Her father, as a marine biologist, had captured an octopus (Dolores) who now lives in the aquarium where he once worked.  Ro, whose relationship with her mother is strained, takes a job in the aquarium after her father goes missing and befriends the remaining part of him—Dolores.

At the same time Ro’s boyfriend is accepted into a mission being launched to Mars.  (This isn’t science fiction, just to say.)  The loss is another deep cut to a woman who had to deal with the earlier significant loss of her father.  I won’t say much more about the plot since I think you should read the book, but it is a thoughtful, and from my experience, realistic journey through the mental states of those who cope with abandonment issues early in life.  Of course, I can’t speak to the experience of being a child of immigrants, but the novel shows we all deal with the same kinds of issues, no matter where we’re from.  At least we do in modern civilization.

Sea Change made me ponder, however, whether children raised communally would feel the same kind of loss if a parent they didn’t know was theirs left.  The mother-and-child bond is a deep one, so I guess it could be that fathers, after conception, would be expendable in such a situation.  It’s difficult to project how such a society would work.  The family unit is so deeply engrained into our experience that, unless a situation is truly dire, we know we can rely on our parents not to try to harm us, but rather to protect and love us.  Those of us who grew up without fathers (I’m not sure if that’s the case with Gina Chung or not) deal with insecurity issues that never quite go away.  This beautifully written novel was, for me, a healing kind of experience.

Planting Knowledge

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In an effort not to harm other living creatures, I became a vegan about seven years ago.  Generally it’s not too difficult, although many eateries still think you have to exploit animals to eat anything.  Vegan fare is quite good, and some of it is remarkable.  Then I saw the article in Popular Mechanics, “So It Turns Out Plants Have Had Voices This Whole Time” by Jackie Appel.  Well, “voices” may be stretching it a bit, but they do make sounds.  According to the article, plants “talk” at the same volume as humans tend to, only it’s in a range that we can’t perceive.  Other animals, however, may.  That’s right, your dog may be able to hear the noise plants make.  This is one of the reasons I marvel at scientific arrogance.  Human senses simply can’t perceive all stimuli—how can we claim that what we term “supernatural” doesn’t exist?  We don’t have nearly all the data.

Meanwhile, we live with animals whose sense of smell would send us running even more frequently to the showers.  Animals who can hear plants “talking.”  Animals who can perceive magnetic fields.  We’ve evolved knowing what we need to know.  (At least in part.)  What then do plants communicate?  Can they hear one another?  The sounds plants make, if “translated” to human perception, seem to be “I’m thirsty,” “I’ve been hurt,” or “I’m fine.”  The terminology here is Appel’s but you get the idea—plants broadcast their status.  Can plants scream?  One of my students reminded me a few years back that I once wondered to her what a tomato felt when it was being sliced.  I responded, “That sounds like something I would’ve said.”

They know.

So now I’m a vegan and plants are joining the conversation.  My hope is that they don’t feel pain.  As far as we know, plants don’t have brains.  Even so, heliotropes are smart enough to follow the sun across the sky.  And even fully grown trees move—very, very slowly—to optimize the light they require.  Such intelligence in nature always leaves me in a state of wonder.  We’ve been told for centuries of human exceptionalism.  Sure, we have opposable thumbs and have figured out how to communicate intricate things vocally.  So much so that we can represent them in written form (such as you’re reading right now) and can know what someone’s saying even at great distances.  That doesn’t mean we’re the only remarkable creatures.  But it does leave me with the dilemma of what to eat.

Boggy Down

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Okay, so after watching The Creature of Black Lake I realized that I’d never seen The Legend of Boggy Creek.  I did watch The Mysterious Monsters, a documentary that came out in 1975, in the Drake Theater in Oil City.  I was struck by Peter Graves’ serious tone and the information the film conveyed.  I’d not knowingly heard of Boggy Creek then (Graves does list “the Fouke monster” as another name for sasquatch), and besides, Arkansas was far, far away.  Well, to make an honest man of myself, I decided I’d better see it.  The opening of Boggy Creek is clearly the inspiration for the opening of Black Lake.  Their opening shots are very similar.  (I guess I watched them in the wrong order.)

Although Boggy Creek does have a guy in a costume (better makeup than Black Lake), many of those in the film are the actual eyewitnesses to the events it portrays.  They’re clearly not professional actors.  Interestingly, the narrator constantly insists that there’s only one such creature and that it acts out of loneliness.  If there are sasquatch they, out of biological necessity, must have a breeding population.  There had to be a Mrs. Boggy Creek somewhere in the picture—at least on a national scale.  In any case, this movie has become a cult classic, but I can’t help but think it’s so that people can laugh at it.  The acting’s not great and the long, long shots of hunters getting their dogs out of the truck  show the problems with the pacing.  Then there’s that folksy song (also echoed in Black Lake) about the lonely monster.

Boggy Creek came out in 1972, making it one of the earliest Bigfoot documentaries.  Given that sasquatch has gone mainstream (lawn art and Christmas ornaments featuring Bigfoot are common), the movie perhaps started a new cultural meme.  In the movie the poor critter gets shot several times, engaging viewer sympathy (but maybe not enough to write a song about it).  The narrator reflects if this particular southern hospitality might not’ve been overkill.  After all, some of the armed witnesses said they couldn’t shoot it because it looked too human.  The pacing was slow enough to make keeping my weekend weary eyes open a challenging prospect a time or two, but overall it’s a film worth watching.  I have the feeling, however, that this chain of events might lead me back to The Mysterious Monsters.

Fostering Euro-Horror

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In another example of Euro-Horror, Hatching is a remarkably effective monster movie.  Filmed in Finnish, and set in Finland, it’s a remarkable parable about families and what we reveal to the world.  An affluent family consisting of Mother, Father, Tinja, and her brother Matias, live in a beautiful house in a nice neighborhood and Mother prospers with a blog about the ideal family life.  She videos the family, especially Tinja as she prepares for a gymnastics competition.  Then a crow gets into the house, causing chaos and bringing the true nature of the perfect family to the surface.  When Mother breaks the crow’s neck, reality seeps through the internet myth of perfection.  Tinja, disturbed by what happened to the bird, locates its egg and brings it home to care for it.

Mother, it turns out, has been having an affair.  Father is shown as caring, but ineffectual.  Matias has anger issues.  Meanwhile Mother drills Tinja in gymnastics practice until her daughter’s hands are raw and bleeding.  The egg grows.  Mother confesses to Tinja that she’s in love for the first time and for real.  She begins spending weekends at her lover Tero’s house.  The now huge egg hatches into a Tinja-sized bird-like creature, sparsely feathered.  As Tinja psychologically bonds with the creature, she hides it in the house and it becomes clear that what each feels what the other feels.  Over time the bird begins to become Tinja’s double, doing those things her “perfect daughter” image would never allow her to do.

The story is a parable.  Families uphold facades while the world pays to see perfection that doesn’t really exist.  Tinja isn’t terribly fond of gymnastics, but Mother drives her to compete.  Father knows about Tero, and pretends to be okay with the affair.  Mother spends her love elsewhere while her perfect family crumbles.  The monster in the movie is the revealer of truth.  The truth doesn’t broadcast well on the Internet, which prefers fiction passed off as fact.  Although the story itself could never happen, it is a probing tale that delves into psychology and the price we pay for not being honest about ourselves.  I won’t spoil the ending here, but let’s just say reality seldom works out the way that we hope it will.  Euro-horror has been producing some impressive films the past few years that demonstrate the intellectual side of horror quite well.  This may be offer body horror—without becoming slashers—because they have messages waiting to hatch.

Of Ewes and Groundhogs

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I need more time to prepare for Imbolc.  Or Groundhog Day, whichever you prefer.  Candlemas for you Catholic holdouts.  February 2 has the trappings of a major holiday, but it lacks the commercial potential.  Too many people are still working their way out from under Christmas overspending and tax season is just around the corner.  Still, I think it should be a national holiday.  My reasoning goes like this: since the pandemic our bosses now have our constant attention.  They’re in our bedrooms, our living rooms, our kitchens.  I see those midnight email time stamps!  We’re giving them a lot more time than we used to and seriously, can they not think about giving us a few more days off?  Some companies strictly limit holidays to ten.  

Can’t recall where I found this one…

Others, more progressive, have simply dropped the limits on paid time off.  And guess what?  The work still gets done.  I could use a day to curl up with a groundhog, or to go milk my ewes.  (Being a vegan, perhaps I could just pet them instead.)  What’s wrong with maybe two holidays a month?  (We don’t even average out to one per month, currently.)  I always look at that long stretch from March, April, and nearly all of May with some trepidation.  That’s an awful lot of “on” time.  (Our UK colleagues, of course, get Easter-related days and a variety of bank holidays.  Their bosses, I understand, would rather go with the more heartless American model, but tradition is tradition, you know.)  What if I see my shadow and get scared?  What am I to do then?

Imbolc is part of an old system for dividing the year into quarters that fall roughly half-way between equinoxes and solstices.  I go into this a bit in my book, The Wicker Man, due out in September.  That movie, of course, focuses on Beltane, or May Day, but the point is the same.  Look at what happens when you deny your people their holidays!  You’d think that the message that showing employees that you value them makes them more loyal might actually get through.  Businesses, however, have trouble thinking outside the box.  Take as much as you can and then ask for more.  What have they got to lose by giving out a few more holidays?  Otherwise each day becomes a repetition of a dulling sense of sameness.  Rather like another movie that focuses on this most peculiar holiday.

Goodbye, Linda

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It’s out of the ordinary for me to post twice in one day, but I’m compelled to do so by the passing of a friend I’d never met.  I’ll already published today’s post when I learned the news.  Linda S. Godfrey was a Wisconsin journalist.  She’s known for her many books on paranormal and weird subjects.  She was the reporter who first took “the beast of Bray Road” seriously.  I only discovered her after we’d moved from Wisconsin, although we didn’t live far from her in those days.  Fascinated by her work on the beast, I contacted her with some information I’d read and we opened a very occasional exchange of stories.  She was my very first Twitter follower, and she published one of my true stories (anonymously, by request) in one of her books.

I know that academically-inclined folks are dismissive of her work, suggesting she was credulous.  I always looked at it differently—Linda was willing to listen to people.  Yes, she probably talked to some people with mental issues, but here’s a true secret—all people have mental issues.  Although I never met her in person I had the sense from her writing that she didn’t simply accept what others told her, but she was willing to consider it.  I remember visiting Rutger’s University library while I was an adjunct there, to find a difficult-to-locate reference for her.  I mailed her a photocopy of what I’d found.  As I say, we never met, and we only corresponded once in a great while.

Seeing that her blog hadn’t been updated for some time (so this is related, you see, to my earlier post), I began to wonder if she was well.  Like most of us born to write, I knew it was unusual for her not to post.  Not knowing her personally, I didn’t think it polite to ask.  I’ve read several of her books, some of them highlighted on this blog.  Often dismissed as “only a cryptozoologist,” my sense is that Linda was hounded by the need to know the truth.  Yes, the world is a mysterious place—it’s not nearly as well understood as we’re often confidently told that it is.  Some of us simply can’t rest without finding out for ourselves.  Linda earned a reputation as an expert on werewolves—many suggest the beast of Bray Road was some such creature.  She recognized the tie-in to folklore but she also knew that monsters always, always cross borders.  Linda is missed already, and it’s about time I caught up on some of her latest books, for I’m compelled to believe she now knows.

Natural Wonder

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I recently heard a talk about monarch butterflies that left me in awe, once again, of nature.  These remarkable insects have been in the news because of declining numbers—largely because of global warming, it seems.  We’ve only begun, however, to learn how remarkable they are, even with the head-of-a-pin-sized brains.  You might wonder why I’m discussing butterflies in November, but it’s not the first time I’ve done that.  Besides, global warming has made it relevant.  So what about monarchs?  Perhaps the most remarkable thing is that they migrate.  And to do so it takes about four generations.  This deeply embedded behavior shows an intelligence in nature that we’re reluctant to grant.  Still it’s clearly there.  I live in Pennsylvania and we have monarchs around here and they can be found as far north as southern Canada.

Photo credit: Kenneth Dwain Harrelson, via Wikimedia Commons, GNU Free Documentation License

These monarchs around here aren’t the ones who left their overwintering spot in Mexico.  The earliest ones we see up here may have flown in from the Carolinas or the Midwest, where they may’ve been born.  As adults they feed on flower nectar, but to be born they require milkweed plants.  Monarchs only lay their eggs on this one plant family.  The milkweed contains a toxin that they’ve evolved to eat and that toxin gives them a really bad flavor.  That’s why birds tend not to eat monarchs.  So they reproduce in northern locations until environmental cues change the late season eggs.  These late season generation produces the butterflies that will migrate.  Instead of hanging around sipping nectar, they find south (they can tell time and they only fly on days with a south wind) and make their way to one specific area in Mexico to overwinter.  They don’t eat at that stage.

In the spring, hungry, they following blooming desert flowers north.  They follow the food supply, birthing new generations to carry on, until they reach the latitude they prefer.  So some stay around here, eating and reproducing until the cycle begins again in the autumn.  It might seem like a lot of extra work (consider what we do in the office all day and try to criticize) yet it demonstrates the remarkable intelligence of nature.  That migrating generation has to know to fly south and they have to be able to find direction.  Once there, and ready to return, their offspring’s offspring will (we suspect because of other species) know where their great-great-grandparents lived and they head there over three generations.  All of this is being endangered by global warming, however. Because one species thinks of itself alone as remarkable.

Shatner’s Space

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We constantly underestimate the power of fiction.  It’s difficult to break into getting fiction published.  It wasn’t always that way.  When the pulps were still a thing often it took a thimble of talent and a handful of persistence.  Publishers were looking for content and those with typewriters were clacking away as fast as they could.  Ding!  Carriage return.  These days it’s harder.  This came to mind in thinking about William Shatner’s trip to space and his subsequent reaction.  As several news outlets said in anticipation of Shatner’s new book, the experience made him feel profoundly sad and not a little cold.  So much empty space and we still haven’t figured out how to travel fast enough to reach our nearest neighbors.  We don’t even know if we’ll like them when we meet them.

Others, in defense of space exploration, were quick to counter Shatner.  He’s not a real astronaut, after all, having spent nine decades earth-bound.  Or so they said.  But I think I understand, as a fellow land-lubber, where he’s coming from.  We’ve only really got one chance on this planet, being the only creatures evolved enough to type, to capture our thoughts—our essence—in words that can be preserved.  And wildlife statistics are showing an alarming decrease in other animals since the 1970s.  If we’re all that’s left and we can do no better than to elect fascists, well, stand me with Captain Kirk.  We look to the skies and see, well, empty space.  And besides, we need to get home because it’s supper time.

Image credit: NBC Television, public domain via Wikimedia Commons

The reason Shatner got a free ride to space was, of course, fiction.  Star Trek captured the imagination of my generation and those with actual science ability started to put that kind of future together.  Today we can talk to computers and they still mishear us, often with laughable results.  But if writers of fiction hadn’t been available the show would never have succeeded and what would a Canadian actor have had to do?  Maybe a crime drama or two?  And even those require writers.  It seems to me that we should be encouraging fiction writers with talent.  Believe me, I’ve read plenty who really haven’t got it (often in the self-published aisle) but I know firsthand how difficult it is to get fiction noticed.  It’s like, to borrow an image, being blasted off into a dark, cold, empty space and looking at the blue orb below and wanting to be home for supper.

Bad Dog!

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A few years back, it was, when I saw my first video of a robo-dog.  I don’t mean the cute ones that you might fool yourself into thinking, on an off day, might be a real mammal.  I mean the bare-bones, mean-looking robot kind.  If was, of course, being developed by military contractors.  Then just days ago I saw something truly frightening.  In a video from China, one of these robo-dogs with an assault rifle and a ton of sensors mounted on it, was remotely air dropped by a drone and began policing the area.  Knowing that fleets (I’m not sure that’s the right word) of thousands of drones have been coordinated for entertainment purposes, and aware of how much money and tech militaries have, well, let’s just say nightmares aren’t just for sleeping any more.

Image credit: DARPA, public domain via Wikimedia Commons

Dogs, until they mostly had it selectively bred out of them, are killers by nature.  The wolf has to be a predator to survive in the wild.  As much as we like bipedalism, it has to be admitted that four legs (or more—imagine the robo-centipede, if you dare!) benefit locomotion quite a bit.  You may get a lower angle of view but a boost for speed.  And if you see a robo-dog, especially one with a machine gun for a nose, running is where you’d want to excel.  But we’ve taken our companion—our “best friend”—and made it into yet another engine of fear.  As someone who grew up with an inordinate number of phobias, I really don’t need one more.  Of course, it’s a truism that if a technology comes from the military it will be cause for alarm.

I’m capable of dreaming.  I can dream of peace and cooperation and what we could build if we didn’t have to worry about the aggressive, the greedy, and the narcissist.  Those who never learned to play well with others but who make money easily and spend it to bend the world to their bleak, bleak vision that lacks a happy ending for all but themselves.  I can envision meeting people who are different without the first thought being exploitation—what can I get out of them?—or fear that they wish to harm me.  Humans are endlessly inventive, especially when it comes to ways to harm one another.  If our creativity could be set toward working for the benefit of all, dogs would be for petting and drones would be for seeking out new ways to solve the problems that beset us all.  Instead we make them into new nightmares.

Stinging Days

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It doesn’t take much to encourage wasps.  Even after a few unseasonably cold weeks in autumn, one warm day will bring them back, poking along the siding looking for a nesting place.  My most recent stinging incident occurred in October.  It’s fitting, then, I suppose, that to try to keep awake late one October weekend afternoon that I watched The Wasp Woman.  These creature features were what I grew up with, and this was a Roger Corman brief film from 1959.  In fact, it was so brief that eleven minutes had to be added to make it a stand-alone television release.  It was originally part of a theatrical double feature.  Finding out about added time explained why Dr. Zinthrop’s accent changed from the first eleven minutes to the rest of the film.

Women have the same right as men to be made into monsters, of course, but there’s a poignancy to this storyline.  Janice Starlin is the owner of a cosmetics company but profits have been declining since she’s showing signs of aging.  Her customers want a younger looking woman providing their beauty products.  As is to be expected for a movie from the fifties, it’s a pretty sexist storyline.  Still, through the plodding plot the viewer can’t help but to feel for Ms. Starlin.  So when Zinthrop shows up with an extract made from wasp royal jelly (a secretion that actually comes from honey bees) that reverses aging who can blame her for trying it?  Of course it turns her into a giant wasp woman.

These kinds of mad scientist movies with their inevitable results perhaps injected a sense of caution into those of us who grew up watching them.  They weren’t great works of art, but that doesn’t mean they didn’t have something to say.  What I heard, watching this one, was that women exploited for beauty products suffer from natural aging processes.  And any formula that reverses aging come with its own set of problems.  The only other scary part of the film was when employees have to get to the upper floors to prevent Starlin from killing people, they have to wait for the elevator.  Their sense of frustration, although funny, is nevertheless a reality of working in a high-rise.  These movies from the late fifties seem to me to be a cry for help.  The sexist, button-down, white shirt world isn’t all it’s advertised as being.  Mad scientists are needed to help us cope.  Or at least stay awake on a sleepy October weekend afternoon.

Double Feature

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Creature features were a regular part of my youth, and, I suspect, where my appreciation of horror films began.  Nobody was really afraid of Godzilla or other monsters that were clearly people in rubber suits.  The use of forced perspective to make regular-sized animals into giants was obvious even to a child, but that didn’t make such movies any less fun to watch.  The Giant Gila Monster and The Killer Shrews both involve gigantic versions of rather small animals and both of them were produced outside of the studio system by Gordon McLendon, the owner of a chain of drive-in theaters.  Looking for B-movies for double features, he decided to make a couple of his own.  These two didn’t cost that much, but the special effects artist, Ray Kellogg, agreed to do them if he could be the director.  Together they make quite a double-feature of their own.

The Giant Gila Monster is never explained beyond the effectively shot beginning stating the who knows how big some things grow in the unexplored west.  Not even using a real gila monster, the lizard (unlike Komodo dragons, which one expects, were too expensive and untamable) isn’t aggressive and seems, from my perspective, to be just barely putting up with the fake trees and models it has to crawl over and around.  And everyone, apart from Mr. Wheeler, is nice.  The local Texas teens want to drag race but Chase Winstead, the gold-hearted mechanic, keeps them in line.  It’s a perfect world, in a Republican kind of vision, except for that darned giant lizard.  Winstead even figures out a way of getting rid of it so the authorities don’t have to.

The Killer Shrews, in reality puppets and dogs dressed up as shrews, is more adult-themed.  Four scientists on an island—contradicting the voiceover at the opening—have bred giant shrews.  The supply-boat captain and his Black mate are trapped on the island by a hurricane, where the mate predictably gets eaten by the escaped shrews.  McLendon himself appears as an over-the-top nerdy scientist while the producer, Ken Curtis, appears as another, more action-oriented man of science.  In a move a little unexpected for the fifties, Dr. Craigis’ bombshell blonde daughter is also a scientist.  But she’d be willing to be a sea-captain’s housewife if only she could get away from these awful shrews!  There’s a bit more tension in this one as one of the scientists is already engaged to Miss Craigis, but he’s a drunk and she wants out.  So might some audience members, but both films found international distribution and made money.  Now widely available for free, they are a slice of childhood served up in giant proportions.

Gorilla Thinking

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We don’t understand consciousness, but we want to keep it all to ourselves.  That’s the human way.  Or at least the biblically defined human way.  Animals, however, delight in defying our expectations because they too share in consciousness.  Take gorillas, for example.  Or maybe start with cats and work our way up to gorillas.  We all know that cats “meow.”  Many of us don’t realize that this sound is generally reserved for getting human attention.  Cats tend not to meow to get each others’ attention.  According to Science Alert, gorillas in captivity have come up with a unique vocalization to get zookeepers’ attention.  Not exactly a word, more like a sneeze-cough, this sound is used by gorillas at multiple zoos for getting human attention.  Even if the gorillas have never met in person.

Photo by Joshua J. Cotten on Unsplash

This is a pretty remarkable demonstration of consciousness.  What’s more, it’s an example of shared consciousness.  The same vocalization shared over hundreds of miles without a chance to tell each other about it.  We’re very protective of consciousness.  As a species we like to think that consciousness is uniquely human and that it’s limited to our brains.  Moments of shared consciousness we chalk up to coincidence or laugh off as “ESP.”  Funny things happen, however, when you start to keep track of how often such things occur.  It might make more sense to attribute this to moments of shared consciousness.  In our materialist paradigm, however, that’s not possible so we just shake our heads and claim it’s “one of those things.”

Animals share in consciousness.  We don’t always know what their experience of it is—indeed, we have no way to test it—but it’s clear they think.  I live in a town, so my experience of observing wild animals is limited to birds, squirrels, and rabbits, for the most part.  I often see deer while jogging, and the occasional fox or coyote, but not long enough to watch them interact much.  But interact they do.  Constantly.  These are not automatons going through the motions—they are thinking creatures who have sophisticated ways of communicating with each other.  Ours includes vocalization, so far uniquely so in the form of spoken language.  The great apes—chimpanzees and orangutans, according to Tessa Koumoundouros—also vocalize and do so with humans.  Now we know that gorillas do too.  And we all know that a barking dog is trying to tell us something.  If we took consciousness seriously, and were willing to share it a bit more, we might learn a thing or two.

The Birds and the Bees

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Our house came with a wood-plank fence surrounding the yard.  This is a dog neighborhood and just about everyone has a fenced in yard to keep their dogs in check.  It’s more the birds and bees that have me worried, though.  The fence, which is in need of some attention, is bare pine stained redwood.  As the stain fades carpenter bees find it irresistible.  These insects are great pollinators and we don’t like to gas any creatures just doing their evolutionary job.  Painting that fence will be a summer-long project and one that requires far more sunny weather than we tend to get around these parts.  So we have a fence with several carpenter bee homes.  (These are ubiquitous insects in this area, with lots of people complaining about them.  We have, however, the only wooden fence in the neighborhood.)

The other day I heard a knocking while I was working.  I looked out the window to see a downy woodpecker, well, pecking at the site of one of the carpenter bee homes.  This industrious little fellow had three holes in the post by the time I got downstairs to startle him or her away.  Now, you have to understand that this is a large fence.  We didn’t put it up but we have to keep it up.  Then I thought, “I was worried about the carpenter bees.  Why should I be worried about the woodpeckers?”  Holes can be patched, and fences can be painted.  I hope the neighbors don’t mind a white fence.  In any case, I left the woodpecker alone after that.  Besides, I can’t be outside all day long—I have a day job.

Over the next several days the pecker became a regular visitor.  I’d be working and then I’d hear a now familiar knocking.  I decided to watch once.  I keep a pair of binoculars in my office because I see lots of birds that I want to identify—there’s a park across the street.  At the risk of the neighbors thinking I was spying, I trained them on Downy.  It was amazing how effective its bill is on a four-by-four.  It quickly cleared a hole, stuck its beak in, and pulled out a fat carpenter bee grub.  Down it went.  A centimeter to the right it repeated the procedure.  Carpenter bees, which are so territorial when building their nests, seem to have forgotten their young.  Perhaps it’s for the best.  This bird was one well-fed flier.  And I’d finally learned what they mean about the birds and the bees.

Ravens and Teachers

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Humans, it is claimed, have a theory of mind.  What this means is that we know what others are thinking, or better, at least we can anticipate what they might be thinking.  This allows us to be self-aware and live in a complex society.  We can see someone else and infer what’s going on in his or her noggin.  This is often considered a uniquely human trait, but I’m not sure how widespread it is.  You see, I frequently run into the situation where someone expects something of me without telling me.  It happened just recently with an organization to which I belong.  I’m a very busy person.  I suspect most of us are—not having time to accomplish everything we need to get done.  If someone wants something from me I have to be told what it is and I have to be told in detail.

One of the things my students always said was that I was a good teacher.  The reason for this, I think, is that when I explain something I back up a bit before the beginning.  I try to assume no knowledge on the subject before going in a bit more deeply.  This method works because of my personal theory of mind.  These people wouldn’t be taking a class on this subject if they already knew the stuff I could assume.  For understanding something new, things have to be explained thoroughly.  That doesn’t mean taking a lot of extra time, but it does mean not assuming others know what I know.  For many people this is difficult.  We’re all busy.  We tell others “Do this,” without explaining what exactly “this” is.  The results are predictable.  It happens all the time in work emails.

I’ve recently written of teachers and ravens.  The effective among the former understand the value of full explanation.  The latter have a theory of mind that allows them to go as far as to try to fool others by giving not enough information.  We might learn a lesson either by sitting in the classroom of the former or by watching the ravens that skulk on the edge of civilized areas.  What they have in common is the ability to realize that others operate with limited information.  In order to learn, information has to be conveyed and conveyed well.  Even now colleagues at work are surprised at when I explain something that it’s done thoroughly and clearly.  When I receive information it’s often piecemeal and frustrating.  The reason, I infer, is that we don’t spend enough time paying attention to either our teachers or the ravens.

Image credit: Wikipedia Commons, public domain