The Last Word

The end of the world, it seems, never goes out of fashion. My wife shared a story on the BBC about CNN (such self-referential media hype may be a sign that society is collapsing already) having a video ready to release for the apocalypse. In a bit of end-of-time sangfroid, it is rumored, CNN’s Ted Turner ordered a last-second video to be made so that loyal CNN viewers would be ushered out with his version of the last word. The media, of course, is a powerful segment of society. Occasionally schools and businesses are shut down due to their meteorological predictions. The media tells us who the experts are, and why we should listen to them. The media provides us with some of the only fact-checked material from far-flung ends of the globe—or even outer space—to which we, the people, would not normally have access. The media, in other words, determines reality.

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Meanwhile I wonder, as I often do, what gives those who own media corporations the right to determine reality for the rest of us. For example, if the rumor of Turner’s video is true, what would give the rich and powerful the right to determine what flashes before our eyes as the world winks out of existence? The apocalypse, after all, is a religious concept. Although largely developed from biblical scripts, other religions do occasionally have their end-of-the-world myths, just like most religions have beginning-of-the-world myths. If you have billions of dollars, does that mean you have the right to determine end-times viewing? When money determines the truth, the world has already ended.

Nevertheless, the idea lives on. We are constantly reminded that one or another religious sect has declared that the end is nigh. We’ve heard it so often that we’ve ceased to pay attention. In a world where the media has largely dismissed the rest of the Bible (except when blockbuster movies come out featuring a biblical story) why does Revelation still hold such currency? After all, the apocalypse takes its very name from the final book of the Christian Bible, and without Revelation we might be none-the-wiser about the looming end of all things. Revelation was very much a product of its time. Despite the progress of science and technology that gave us the media corporations we blandly recognize today, we still harbor doubts deep down about the longevity of it all. Even those who write the news look to other media giants to get some hints of the truth. Ironically, they don’t seem to want to ask scholars about it. After all, sensationalism is news. At the end of the world, we really don’t care what scholars have to say, as long as we’re entertained.


Holy Food

One of the undisputed benefits of working for a publisher of a wide variety of academic books is the opportunity to learn about different topics that might otherwise I might never have considered. For example, given the recent popularity of food studies (and this is probably fodder for its own post) authors have been producing micro-histories of specific comestibles. One that was recently featured in a YouTube short is peanut butter. One of the saddest food allergies, to my way of thinking, is that of the peanut. Peanut butter is such a singular symbol of childhood that it is a shame it is also such a potent poison for many. I grew up thinking that George Washington Carver invented peanut butter, but although he certainly was an innovator of peanut cultivation and disseminator of recipes, he was not the inventor. Peanut butter has been around for a long, long time. The modern food product is probably attributed to Marcellus Gilmore Edson, a Canadian who milled roasted peanuts into a kind of semi-liquid and received a patent for it.

What makes peanut butter a fit topic for a blog on religion is the work of John Harvey Kellogg. Kellogg was awarded a patent for a processing technique that led to the peanut butter we recognize today. Kellogg, whose name is more often associated with breakfast cereals, was an early vegetarian. Much of the impetus for his food experimentation goes back to the fact that he was a devout Seventh Day Adventist. The Adventists, biblical literalists, believed in promoting health through eating wholesome foods. Peanuts, a great source of non-animal protein, were seized upon by Kellogg as an alternative to butter, as well as a theologically satisfying food. Not only a food producer, he was also a promoter, and we eat breakfast cereal today largely through his efforts. For many, the day begins with a biblically inspired food.

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On kicks of nostalgia, or when I forget to buy a vegetarian alternative, I still take peanut butter sandwiches to work for lunch. I never considered this a religious activity, although my own vegetarianism likely has religious, as well as humanitarian, roots. In this post-religious age that we inhabit we sometimes forget that many of our most basic behaviors go back to religious beliefs. Sure, the promoter of peanut butter may have stumbled upon it without having fallen under the spell of Ellen G. White’s teachings, but the fact remains that Kellogg’s religion and his commitment to health were deeply intertwined. And the next time I reach for the Skippy or Jif or Peter Pan, I’ll be, in my own way, acknowledging the power of a religion I don’t even believe.


News Work

Bible_0001I’m confused. (Well, no surprises there.) I just read the cover story in last week’s Newsweek, “The Bible: So Misunderstood it’s a Sin,” by Kurt Eichenwald. No, the story didn’t confuse me. Nor did the fact that the Bible appeared on the cover of a major news weekly. What confused me is that the article says nothing new. Well, no doubt it will be new to many readers. The fact is, however, that anyone with a serious degree in biblical studies (and believe it or not, there are so many of them that jobs can’t be found for them all) knows all of this stuff already. What’s more, they have known it for decades. Scholars tend to write for other scholars. Some see the best-selling trade titles by publishers like Harper Collins making the New York Times bestseller list and imagine that their monograph on the obscure meaning of an obscure word in an obscure verse of a book that most people don’t even know is in the Bible will do the same. It won’t. Most academic monographs sell in the hundreds (not thousands or millions) and at the low end of the centuries mark at that. They are bought by libraries and read by peers only. In them we argue (for yes, I have written such books) important points that can only be understood by those with specialist training, and think we’ve changed the world. Newsweek gives the lie to that.

Long ago it became clear that scholars were failing to connect with the average person. That is the person who turns on the television and hears and sees the people Eichenwald shows to be impostors, and believes them. They are, after all, on television. The biblical scholars who know that these obvious fallacies are simple-minded are too busy trying to get tenure in a market—yes, a market—that finds education an annoying necessity. We won’t hire anyone without a college degree any more, and so we need universities. Universities, however, won’t hire without signs of erudition, including books that most people on the search committee can’t understand because they specialize in something different. Oh, and those studies must be published. Whether they are read or not is merely, well, academic.

Meanwhile the public doesn’t know that biblical scholars have long ceased debating the age of the world, the flood, the resurrection, or the end of the world. Scholars have bigger concerns on their minds: how am I going to teach more courses and still produce those learned disquisitions that a dozen of my closest colleagues will read and rebut? And serve on all those committees? And participate in the branding of the university, because, we all know that people will buy a trusted brand? Meanwhile on center stage are politicians who know nothing about the Bible beyond the fact that it brings down votes, big time, and they are telling us what they think it should say. Chances are most scholars of the Bible won’t read Newsweek to find the answers. I didn’t even know about it until a friend mentioned it on Facebook. Like most people I’m just too busy to notice. And a little confused.


Maritime Dreams

MaineEarly in my teaching career, I used to arrive in Milwaukee on a train after midnight. A student from Nashotah House on work-study would pick me up at the train station and drive me the thirty miles to the seminary so that I could teach the next morning. Along the way, depending on the student, conversation ensued. One time I asked the driver why he was interested in what seemed to me an arcane topic (and that’s saying something!). He replied, “Who can ever say why they’re interested in something?” There was some deep wisdom there, I realized. Can any of us say why we’re interested in what we are? I, for example, don’t know why I’m interested in life on the sea. And in the sea. I fell in love with the idea of living on the coast when I was a landlocked child. The ocean came to me only in books, and I never actually saw an ocean until I went to graduate school. The experience confirmed for me that this was where my heart lies. The salt air, the gray waves, the constant call of the pounding surf. Moby Dick immediately became a kind of personal scripture when I first read it. A life near the sea felt right.

I could never really answer the question why. I don’t swim, and besides, the ocean currents I have experienced are really too strong for the placid kind of swimming a lake or pool seems to offer. I don’t own a boat, and I’m a poor pilot when asked to drive one. I’ve been out over the ocean on commercial boats only a couple of times. Still, the imagination is fired by the idea of the ocean. Especially the stormy north Atlantic. As a child Rachel Carson’s The Sea Around Us was one of my favorite books. Just staring at the cover could transport me to places I’d never seen. When landlocked in Wisconsin for several years, I turned to the Great Lakes for consolation. “Those who go down to the sea in ships” Psalm 107 declares, “Who do business on great waters; They have seen the works of the Lord.” Even so those who dream of the sea.

Ironically, for the Psalm, the Israelites were not a seafaring nation. Good harbors are rare on the coast of ancient Israel, and the maritime trade of antiquity was dominated by the neighbors to the north, the Phoenicians. Still, even the psalmist could dream of the sea. It has been said by various commentators, that the sea represents sexuality, or transcendence, or both. It is larger than we are. Indeed, the earth is by far mostly water as opposed to dry land. Life, even according to Genesis, first began in the waters. So I find myself in the midst of winter thinking about the ocean. It has been a long while since I’ve indulged in a day on the coast, even though I’m pretty much daily in a city on the sea. But I can’t experience the ocean so well with so many people around. Besides, there’s work to do. In those moments when my time is my own, however, I still dream of the ocean and the endless possibilities it represents.


Truth Anonymous

SparkMany a student has been spared the reading of primary sources by study guides. This is not a new phenomenon. While still regularly teaching Hebrew Bible, I picked up a copy of Cliff Notes, The Bible, to show students how not to get the picture. To be fair, I was teaching future priests, and, despite my progressive outlook, I believe all Christian clergy ought to have read the Bible at least once. I know enough of Christian history to realize that the emphasis on sacred writ is not as ancient as many Protestants think—before the advent of modern literacy rates, scripture reading (and interpreting) was the business of the church. The laity were to receive it in the form of sermons, and so reading the Bible wasn’t really necessary. With the Reformation, however, the Bible became central and preaching became a matter of intelligent interpretation of the same. Today any Christian minister should have a pretty good grasp of holy writ, believe it or not.

With a touch of puckish optimism, my family gave me a copy of the Spark Notes Old and New Testaments at Christmas. Spark, according to the copyright page, is a division of Barnes and Noble, and, should the cover be believed, today’s most popular study guides. As an erstwhile author of biblical studies material, I was curious about who wrote the notes. Enough of the scholar remains for me to be critical, and one of the first questions always to arise is, who wrote this? The question ought to be even more poignant for Bible readers. One of the most looming of questions is that of authority to interpret. Different branches of Christianity still maintain the proprietary right to be the true guardians of the sole truth. Although perhaps softened somewhat from soaking in the broth of religious-political activism, the Fundamentalist would, in any natural world, distrust the interpretation of a Catholic. And vice-versa. Looking at my Spark Notes, I wonder who it is that is telling me the truth.

Abridgment is a kind of crime for literary connoisseurs. As a child I purchased my books from Goodwill or Salvation Army—the kinds of places to which poverty-level readers have access. Although occasionally drawn to Reader’s Digest editions on purely economical grounds, I studiously avoided abridged works. Who decides what single syllable of Melville should be left out of Moby Dick? All the degrees in the world don’t justify that! The interpreter is just as human as the reader, and this kind of power is too heady for mere mortals to handle. The abridger of the Bible must take heed of Deuteronomy 4.2 and Revelation 22.18-19. There’s a lurking suspicion, nevertheless, that something might be learned from the stripped-down scriptures. It is with some anticipation that I look forward to receiving some anonymous instruction as I seek a Spark of truth.


Commandments by Committee

Something about the holiday season seems to bring out atheistic activism, or at least media interest in atheism. Now that we’re safely in 2015, I suspect things will quiet down a bit until the next major religious holiday comes along. Ironically, since I was a child I’ve heard about how secular Christmas, in particular, has become. Reactions to this have led to “Christmas wars” that give the lie to sleeping in heavenly peace. In any case, back in December CNN ran a story on the atheist ten commandments. This was just before the holidays, but just after the release of Exodus: Gods and Kings, so it was a story sure to capture human interest. The atheist commandments were chosen by a committee, and, of course, have no binding value. Many of them are more precepts than commandments since, it seems, you need a deity to command all of humanity. Nevertheless, the number 7 commandment has a very biblical sound: “Treat others as you would want them to treat you, and can reasonably expect them to want to be treated.”

More interesting than the list, in my way of thinking, is the form of delivery. The ten commandment format is an obviously religious one. Atheists have long tried to make the case that non-belief is not the same as immorality, and there can be little doubt that this is correct. One need not believe in order to be a good person. Yet, the force of the symbolic ten commandments comes from a divine mandate. Committees, as efficient as they may be, don’t have the same kind of authority. You can hear it now—“Why should I listen to you? Who are you to tell me what to do?” With God there is always the threat of eternal damnation or the sending of plagues. Commandments by committee appeal to reason.

The ten commandments—here I mean the traditional ones—haven’t fared especially well among the faithful. Survey after survey shows many people don’t know all ten well enough to cite them. Some, such as the one against coveting, are hard to demonstrate or prove one way or the other. Honoring parents, in some extreme cases, seems sinful in itself. What doesn’t count as a graven image? So my question is, who has the authority in a post-Christian world to give commandments? The religious certainly won’t take advice from atheists, and religious leaders disagree among themselves about what the deity demands. No committee, it seems, can capture the true essence of divine demands. Perhaps it is a matter of boiling the ten down to one (similar to number 7 cited above) and getting our leaders to truly believe this before imposing it on all.

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Land’s End

Although not due for release for another two years, the internet is already buzzing about Pirates of the Caribbean 5. Thing is, once a studio finds a successful formula, they’re reluctant to let it go. Nevertheless, with a couple days off for New Year’s, and all the family here, we decided on a marathon of the four movies available for home viewing. I used to use a clip from the second movie (Dead Man’s Chest) in my classes to demonstrate how the Bible is portrayed in popular culture. In the scene where Pintel and Ragetti are rowing toward the beached Black Pearl, Ragetti is leafing through a Bible, although he can’t read. He says, in his defense, “It’s the Bible. You get credit for trying.” Indeed, the Bible appears disguised as the huge codex of the pirate code (a kind of over-compensatory pentateuch), and, as I noted before, the book that saves the mermaid’s life in On Stranger Tides. In fact, for those willing to look behind the scenes, the Bible shows up repeatedly in the series.

Even as a landlocked child maritime themes and concepts were compelling to me. I yearned for the ocean without ever seeing it. Long I stared at the cover of Rachel Carson’s The Sea Around Us in wonder. When I finally had the opportunity to strike out on my own, it was to Boston I headed, with its rich New England tradition of the sea. I have tried, ever since, to return there. Theologians, although I don’t count myself among their number, have often found a religious resonance with the sea. The Pirates of the Caribbean movies, based as they have been on a Disney ride, nevertheless manage to tap into the romance of the ocean. Not compellingly written, apart from the fun antics of Captain Jack Sparrow, they don’t present an entirely coherent story line, but they do put the viewer, vicariously, at least, on the ocean. And they have been among the most successful film series ever released. Many, I suspect, are drawn by the lure of the open ocean.

Rewatching the films also reminded me of Cthulhu’s influence on the character of Davy Jones. The origins of the euphemism “Davy Jones’ locker” are uncertain, although some trace it back to Jonah. Nevertheless, it stands for the place of death on the sea floor—the very place where Cthulhu lies dead but dreaming according to his creator H. P. Lovecraft. No doubt, Lovecraft’s description of Cthulhu played into the depiction of the character of Davy Jones as presented by Disney. At the end of At World’s End, Jones falls dead, once again, into the maelstrom that will take him back, dreaming, to the ocean floor. In so doing he participates in the endless give and take of the sea. I suspect a couple years hence will find me in a theater to watch what seems a somewhat tired trope, but it will be more the sea than the sparrow that will draw me in.

Photo credit: Anthony92931, Wikipedia Commons

Photo credit: Anthony92931, Wikipedia Commons


Bible Stories

JosephSay what you will about it, but the Bible has some great stories. Based on classical measures of what makes a good tale, the Bible ranks up there with Greek mythology and other ancient fiction that is meant to teach us about being human. Stories do teach, and literature is among the greatest of pedagogues. For the past two decades, Plays in the Park here in the New Brunswick area of New Jersey, has been putting on a post-Christmas, pre-New Year production of Joseph and the Amazing Technicolor Dreamcoat (indoors, due to the time of year). With the kinds of production values you expect of many off-Broadway venues, the show is exceptionally well done, and due to the local color, never too serious. And they play before a packed house. The reasonable prices, I’m sure, have something to do with it, but the fact is the story of Joseph is classic. Full of radical reversals, dreams that come true, and reconciliation, the Joseph novella is one of the great stories of humankind. Unlike many tales of Genesis, God is rather in the background here, perhaps overseeing the event, but not interfering in the human drama.

Although the musical, like most adaptations, takes liberties with the story, it remains fairly true to the Bible. Andrew Lloyd Webber and Tim Rice also had success with Jesus Christ Superstar, showing that, despite its detractors, the Bible still has some appeal. Negative sentiment directed toward the Bible largely derives from the wooden insistence of literalists that everything must be taken at face value. The Bible isn’t allowed its symbolic resonance. Perhaps we can get beyond a worldview where the sun literally goes around the earth, and pay attention to the very human dimensions of the stories it tells. Truth may be of scientific nature, but it may also be—indeed, it must be—human. The very concept of verity is human. We are the ones making up the story.

Scholars point out that even the colored coat of Joseph is based on a translation decision in the Septuagint (the Greek Hebrew Bible). For many people, however, who’ve never read biblical scholars, the truths of Joseph and the Amazing Technicolor Dreamcoat as just as legitimate. The rivalry between siblings is something many of us have experienced firsthand. While not many of us get promoted from prison to vice-president, we still dream that our lives could get better. Our dreams could come true. The upbeat score, of course, helps to reinforce the message—one might say it makes the message believable. That doesn’t mean that the tale is not true. There was no historical Joseph. The colored coat may be a translation error. The story is nevertheless true. Doubters should watch the show. Next year in the State Theater in New Brunswick just after Christmas would be an excellent opportunity to do so.


When Darkness Reigns

I recently read an article about the Druids. The fact is, historically speaking, we know little of them. They are mysterious and silent and irrevocably linked in the imagination with the solstices. Cultures throughout the northern climes of the northern hemisphere have always treated the winter solstice with an extreme reverence. It is the day of the year when it seems like light just can’t come in any shorter supply. In the depths of that desperation, offerings are made to ensure that tomorrow, if only by the merest moments, the day will be longer. And so we begin the lengthy climb through frigid days to the point six months from now when light will reign supreme. We don’t know, historically, if the Druids gave the great significance to equinoxes and cross-quarter days that the Celts eventually incorporated into their religion, but we do know that much of the monumental architecture of the United Kingdom and Ireland is oriented toward the sun’s feeblest rays at the winter solstice. Stonehenge, New Grange, Maes Howe, and the list could go on and on. We are waiting for light.

Lawrence Hall of Science; photo credit: Tim Ereneta (Wikipedia Commons)

Lawrence Hall of Science; photo credit: Tim Ereneta (Wikipedia Commons)

The solstice seems to creep up on me these days. I work in a cubicle with no outdoor light visible. I leave for work in the dark and arrive home in the dark. I’m inclined to offer up prayers to Odin while I while away the hours before an unresponsive computer monitor. Business has already shut down in all but the greediest minds by this time of year. It is time to hibernate and await a brighter tomorrow. Even in the darkness there can be light. This weekend I attended a Hanukkah celebration, and looking at the menorah I was struck once again how fervently we seek light this time of year. Of course, Hanukkah is connected with the rededication of the temple after the desecration of the Seleucids, but is it coincidence that the candles are lit near the solstice? Perhaps I’m getting too old to believe in coincidences.

In the ancient apocalyptic mind, light and darkness were bitter enemies. Of course, today we recognize that people generally use eyesight as a primary way of interacting with the world—of keeping us from danger. With our diminished senses of hearing and smell, we feel vulnerable when we can’t see our potential predators. Light is the key to our successful preservation. Today technology has taken the place of ritual. We have artificial lights to help lengthen our working hours. We eschew the limitations of being associated with the earth’s rhythms. We are the masters of our own domain, and we can keep the forty-hour work-week going on all but the most insistent of holidays. Perhaps the wisdom of the Druids needs to be rediscovered. Perhaps only then will natural light really return.


M Is for Mary

While pre-celebrating Christmas with some friends recently, the topic of cats came up. This really isn’t surprising since two of the families present had been members of the local 4-H cats club. For a while cats were ubiquitous on the internet, but since I have so little time to browse the web anymore, I’m not sure if that’s still the case. Nevertheless, being near Christmas, someone narrated a story I’d never heard before. Tabby cats (like many jungle cats) have a distinctive marking in the form of an “M” on their foreheads. The legend suggests that on the first Christmas a tabby cat was in the manger. Seeing a mouse trying to crawl into the trough were baby Jesus lay, the cat killed the mouse, earning the thanks of Mary, who kissed it on the forehead, bestowing her characteristic M. It is a nice story (apart from the point of view of the mouse, I suppose)—an etiology to explain an evolutionary development in fur patterns.

Blessed is M...

Blessed is M…

Shortly after that my wife sent me a story on the BBC about the oldest inscribed human artifact. Zigzag marking found on a fossilized clam shell from Indonesia suggest that Homo erectus was an abstract thinker, I’m told. The markings, which must at least be 430,000 years old, predate the earliest known human markings by 300,000 years. If accepted by anthropologists this evidence could rewrite all of human history. We had no idea that Homo erectus had time to doodle on shells. Looking at the photos accompanying the BBC article, I couldn’t help but notice they’re in the shape of an M. Perhaps Mary kissed these shells too? So etiologies begin.

If you’ll pardon me for attempting to brush off my training in ancient languages, Mary of Nazareth was likely born into an Aramaic-speaking family. Her name, Mariam, would have been spelled with mem, which, although representing water is some scripts, took roughly this form: מ (assuming the Imperial Aramaic alphabet). If Mary were both historical and literate (the latter, at least, is doubtful) she would not have recognized the tabby’s distinctive mark as part of her name. It would have been an abstract symbol. Of course, God, being a natural lover of cats, may have had the Greek alphabet in mind, where the letter mu gives us our classical capital M. Mary, however, would probably still not have known what to make of it. We love to attribute significances to perceived patterns. The tabby’s distinctive M, as well as Homo erectus’s early exercises in penmanship present us with opportunities to continue making myths. And we should keep the myths in Christmas.


Weathering the Storm

WeatheringThePsalmsI had almost forgotten the validation of being published. Colleagues sometimes ask me if I’m still working on any books without realizing that employment in publishing, with rare instances, constitutes a conflict of interest. Editors are acquirers of content, not producers thereof. As I’ve been preparing Weathering the Psalms for release on the world, I often consider how differently all this may have turned out, should I have found academic employment after Nashotah House. The day my contract was terminated, I was working on this book. It had recently been declined by Oxford University Press, and the reviewer (whom I had unwittingly met) had informed me that the book wasn’t really salvageable. It was a jumble of data with no narrative thrust. I was working on giving the data a different frame when I was called to the Dean’s office and told to read a legal memo in the presence of a lawyer. Every time I tried to turn back to my book after that, the nightmarish scene replayed in my head. Besides, I had to try to find a job.

It was only when working for what I thought was a stable Routledge that I had the chance to revisit the manuscript. Ironically, it was only after I was no longer in a position to do research that colleagues began to approach me to review submissions for journals, to invite me to write articles, and to express an interest in my research. Of course, it was too late for me to begin full-fledged research again. Despite the internet, scholars require two things I did not (do not) have: access to a university library, and time. Early on in my commuting days I discovered that the quality of the time on the bus did not allow for in-depth research. Too many other passengers have too many other agendas. I can read on the bus, and sometimes academic books, but anyone who’s tried to take notes when crammed into the space usually taken up by a backpack knows the difficulty of writing notes without the use of your arms or hands, over the constant electronic noise of your neighbor’s unsilenced electronic games.

All of which is to say that I’m very pleased to see Weathering the Psalms is out. Like a child untimely born—at the risk of sounding biblical—the book is being printed as I write. Working in publishing I know better than to expect phenomenal sales, still, many of my readers over the years have said they’d buy a copy if it was ever published. If you’re serious about that, take a look at the website of Wipf & Stock and click on the Cascade Books imprint. Finishing this book has, I must admit, awakened a hunger. I have, of course, started to write another. It may be another decade in the making, and, should it ever garner the attention of a publisher, a similar post may come along before I’m too old to think clearly. The ideas are there; the opportunity to express them is not. Still, despite the cruel vagaries of academia, I feel as though I’ve received a small validation, and I am very grateful for the honor. Wipf & Stock offers a service that other academic presses might do well to emulate. It’s not all about the earning potential of a title. Sometimes it’s just a storm.


Not Your Grandma’s Moses

Exodus Gods and Kings

Exodus: Gods and Kings is, in many ways, a startling movie. It didn’t leave me with a strong impression of profundity, but it did make me a bit reflective. The media hype about God as an eleven-year-old boy proved to be merely hype. In fact, the boy deity was one of the most intriguing characters in the film. The role was played respectfully, and God, like a good Englishman, favored his tea. There was nothing comedic about it, however. More troubling was the agnostic Moses, à la Clash of the Titans with its unbelieving Perseus. Moses, even after meeting God, comes across as having little interior life. He hides in a cave and builds an army of terrorists making him seem like Moses bin Laden. He conceals himself while innocent Hebrews are hanged for his crimes (and did they even hang people in ancient Egypt?). When a great storm brews over Memphis, however, it is with a sense of wonder that we ponder at an eleven-year-old doing all this.

The movie plays lightly with the scholarly “explanations” that used to be doled out in seminaries about how one plague led to another. In fact, the character called “the Expert” in the credits is shown lecturing the Pharaoh on the causation scheme of clay churning up in the Nile turning it red, and killing the fish which in turn drove the frogs from the toxic water, but when they died flies came along and the flies spread disease. Then the Expert is hanged. Not so subtle a warning to biblical scholars. In fact, there seems to be a science behind much of the movie that makes miracles less acts of God than acts of nature. Even the drying of the Red Sea is understated. Its return is reminiscent of the Christmas Tsunami of 2004. God is sometimes not there when you’d expect a deity to care.

On the matter of caring, for an age of nones who have concerns for equality, the film was thin on women’s roles, making even the Bible appear to foreground them more. Sigourney Weaver—great in any context—seems only to be there to wish Moses dead. Even Miriam is given scant lines in the movie and no role in the Exodus itself. In Prince of Egypt she at least led her famous song. Zipporah is lovely but shows no sign of being as handy with a flint knife as Exodus makes her out to be. A woman of action. Miriam’s quick thinking saved the infant Moses. Overall, however, the Bible is a guy’s book, and Exodus is a guy’s flick. Opening with the battle of Qadesh on the Orontes is a way to draw men to a Bible movie. Lots of slashing, gashing, and charging horses. And the splendor of Egypt, filmed in Spain and the Canary Islands. Some miracles, it seems, are even impossible for CGI.


Behind the Exodus

Over this past week two of my friends/colleagues were quoted in major media outlets about Exodus: Gods and Kings. Being merely a blogger with nearly two decades of teaching Hebrew Bible means, naturally, that I have nothing valuable to say. Nevertheless, I would meekly venture to make my own observations and cast them out there into the world-wide web and see what happens. I haven’t seen the movie since it only opens tomorrow. I already know it is only loosely based on the Bible. Still, I wonder at the talking heads who constantly declare the Bible to be irrelevant to a throughly modern world. Okay, so I realize that this is about money, but Manhattan is often seen to be one of the more sophisticated cultural landmarks in the country. This summer I couldn’t walk more than a book or two without being inundated with Noah posters. Now I am finding the same with Exodus paraphernalia. If we try to put the Bible away, it seems, it will come to find us.

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The Bible, relevant or not, is full of great baseline stories. Even in a secular society we can see the appeal of Noah and his menagerie to young children who are so fascinated with animals. We decorate youngsters’ sleepwear and toys with elephants and lions and giraffes (interestingly not mentioning that these are primarily African animals) aboard an ark with an unfailingly cheerful Noah. Now we have another classic—the great liberation story (also set in Africa) of a people held in bondage being released by divine command. We are a post-Christian society, according to the pundits, so who this divine one is remains an open question. The idea that one people is kept oppressed by another people, however, is presented as unequivocally wrong. Moses rides out on a horse, weapons in hand. Are we not focusing on the larger point yet?

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This latest love affair with the Bible as a source of great cinematography will not last forever. It will surely ebb away until only a few old blog posts might remain to remind us there was a time when Holy Writ inspired screen writers and directors. Nevertheless, the Bible bides its time. Back in the days when I used to teach Hebrew Bible Hollywood didn’t do too much to help out. Students had to slog through pages of picture-less Bibles to get the gist of the what God had in mind. The results may not be the same from those comfy seats in movie theaters, but a future generation will come to see Charlton Heston as a white man who loved guns being overcome by a newer generation of producers and directors who know there is a larger story here. Of course, I’m only a blogger with no credentials. Still I know what I see on the streets of the city.


Entitlement

LopezNorthAmericaAs winter begins to settle in, I recall reading Barry Lopez’s masterful Arctic Dreams many years ago. That book left such an impression that when I saw his The Rediscovery of North America—a very small book—I thought it was worth the asking price. Lopez is one of those nature writers who can transport the reader into the world he observes. This brief volume, however, takes the reader to a very different kind of world—the world of European interaction with North America. As children we (and I speak for myself, or perhaps my generation) were still taught that Columbus was a kind of hero. He ventured into the unknown and discovered an entire new world. That world became the everyday place we inhabit with our comforts and our toys. Things only got better from there. Of course, I learned to distrust this view by the time I was an undergraduate, and my perspective has turned a bit more serious since then. These events, viewed from the perspective of the Native Americans, have a completely opposed outlook. Lopez tries to capture a sense of how to rectify these wrongs in his Thomas D. Clark lectures that make the basis for this book.

Greed, no doubt, drove the early explorers of the new world. And a sense of entitlement that has not diminished with the passing centuries. While it is not as simple as tracing this sense of ownership back to Genesis, clearly the Bible plays some role in it. Religions that teach their adherents that they have the sole truth will inevitably lead to entitlement. Monotheism, as I’ve noted before, possesses the tendency to make absolute claims. One God, one Church, one Truth. And non-believers become expendable. To the Catholic Spaniards setting out for the new world (or actually, old world, but tripping up on the new along the way), as Lopez points out, were driven by lust for gold. And spices. And fornication. Things that, if one took it seriously, would be decried by the church as vices. Still, taking advantage of the gullible and helpless is a time-honored practice among many religious bodies, and we know that genocide ensues.

Somehow history has taught us that some genocides are worse than others. Those inflicted on native populations, perhaps because they weren’t always intentional (in the case of diseases) are sometimes still given a silent assent. Yet, as Lopez makes clear, the intention to murder was there already. The conquistadors had already decided that the natives did not deserve the same rights as the God-blessed new arrivals. What saddens me—and I think Lopez too—is that this same sense of entitlement, instead of tempering with time, has continued to increase. Tea Parties and American Values often include removing those who disagree. Inconvenient indigenous populations that aren’t mentioned in the Bible except as Canaanite stand-ins. And should we care to make right what was perpetrated, perhaps we ought to consider rediscovering North America.


Magnificat

IMG_1857One of the advantages of a huge endowment is the luxury to experience culture. Although we don’t live in Princeton, we don’t live far from it, and most years we venture down to hear the free Advent Concert given by the Princeton Chapel Choir. For those of you who’ve never been to the Princeton campus, or perchance have not visited the chapel there, the setting is part of the experience. On the order of a small Medieval cathedral, the campus chapel at Princeton is by far the largest I’ve encountered, and the acoustics from the soaring stone are impressive, even to an untrained ear such as mine. Since my wife is the musical one in this marriage, she reads the program with an avidity I lack, but I do recognize striking music when I hear it. This year’s concert included a piece I recollected from a few years ago, Christine Donkin’s “Magnificat.”

I’m at the age where it is no longer surprising to find very talented people much younger than myself. Christine Donkin is in this class. A Canadian composer, she has had her music performed in major venues such as Carnegie Hall. Her “Magnificat” is the only piece with which I am familiar, but it is a powerful work that can be compared to a mystical experience in the listening. Written for women’s voices, the piece evokes a spirituality that seems to come easily to those who are submissive. The Magnificat is, by tradition, Mary’s psalm of submission to the divine will, based on 1 Samuel’s account of Hannah conceiving the prophet Samuel. In a world dominated by male humans as well as a male deity, the song of Mary is one of the subtle poems celebrating the upsetting of the entrenched power structures that have held women down. If you listen closely enough, its subversive elements become clear.

Donkin’s “Magnificat,” in a darkening cathedral on a December evening, is a moving experience. It is a piece that leaves me feeling as if I’ve temporarily been somewhere else. And that elsewhere is far from the turmoil and troubles of daily life. And there are no men involved.

Over the years we’ve heard many impressive performances in that stone edifice. None, however, it seems to me, so powerful as that of a young woman confronted with a reality beyond that of everyday life. A reality that men cannot touch, but which, when the circumstances are right, they might hear if they’re willing to listen, and in doing so might find their own burdens lightened for a few minutes on a winter’s evening.