Best Nowledge

2 Comments January 12, 2014 Steve A. Wiggins

Back in the day when paper books ruled, New York City used to be known as the publishing capital of the country. Even though many publishers still call New York home, a depressing lack of interest pervades the city that never sleeps (sounds like it could use a good book). Although I’m no fan of Barnes and Noble, it is just about the last presence left of the brick-and-mortar-style bookstore. When news arrived this week that one of the large New York branches of B&N was closing, a sense of despair settled in. I love my indie bookshops. I literally went into mourning when Borders shut down, even now the sight of a vacant Borders can make me weep. A walk though any trendy mall will reveal no books to be found, and I go home perhaps fashionably dressed and smelling vaguely of perfume but sad nonetheless. Perhaps it is because the book is/was the culmination of one of the most important technologies of all time: writing.

Technology, as we think of it today, is largely electronic. Circuit-boards, nano-chips, embedded in sealed cases constructed in sterile rooms where the humans are more protectively suited than a surgeon. Isaac Newton once famously noted that if he’d seen further than others it was because he’d stood on the shoulders of giants. One of those unnamed giants invented writing. Dragging a stick through clay would probably be considered decidedly low tech these days, but the person who realized that a crude scribble of an ox-head with dots next to it might indicate how many cattle you were selling was a giant. We have no idea who the scribes were who wrote down the first narrative stories of gods and heroes, but the process resulted in a still largely anonymous Bible that is used to decide public policy even today.

There’s no doubt that books take up space that electronic gizmos don’t. Storage has been an issue for libraries constructed before publishing became a major, competitive industry. But electronic books have their problems too. With the ease of self-publishing, you never know who is really an expert without researching the author. Often on Amazon I find an intriguing title only to see that it has been produced by any number of self-publishing software platforms that indicate only the author’s own word for his or her expertise. I wonder what happens when people who don’t know to assess information in that way take anecdote for fact. Where are the shoulders of giants? Perhaps I’m just old-fashioned, but the world without bookstores looks a lot like the stone age to me.

Alas, Babylon! (Photo credit: Lovelac7, Wiki Commons)

Loving Haiti

Leave a comment January 10, 2014 Steve A. Wiggins

Few religions are as routinely maligned as Vodou. I have to admit that my own interest was originally spurred in an uncouth manner—a combination of Live and Let Die and a sleepless night after watching The Believers. (I know, I know, The Believers was about Santeria, and not Vodou proper.) These sensationalist treatments nevertheless incubated a curiosity that broke the surface when I started to notice a book entitled, Moma Lola, a Vodou Priestess in Brooklyn in university bookstores. The author, Karen McCarthy Brown, took Moma Lola on as an anthropology research project and ultimately became friends with her subject. I was immediately chagrined to learn that much of the distaste towards Vodou (this is my own observation, not Brown’s) seems laced with, if not based upon, overt racism. Vodou is the faith of the descendants of African slaves living in the poorest nation in the western hemisphere. Those who adhere to it often live an existence that few would accept in a world awash in riches. The people in Moma Lola’s story are poor and deprived, and their nation is kept that way by complications of a past tied too intimately with slavery.

Although Brown is not a scholar of religion, her account is a very accessible introduction to the belief system of Vodou. Most adherents, it becomes clear, think of themselves as Catholic. They see no contradiction between the teachings of Rome and the activities of spirits (the “gods” of Vodou are in reality spirits that operate in a world where God is too busy to pay attention to everyone) who must be propitiated. The rituals associated with Vodou are common among peoples who believe in connections between things as they seem and things as they are. In fact, reading the accounts of possession that Brown provides, I was reminded very much of charismatic Protestant experiences of being “slain in the spirit.” Ironically, both traditions believe in the same god. Why anyone should fear Vodou, unless it is because they secretly harbor a deep-seated fear in the efficacy of magic, is baffling. Like most religions, it is moral and concerned with upholding good over evil.

Haiti has a unique history that has put it at the creative epicenter of religions forced into collision while being economically exploited by nations that putatively support democracy. Religion, as Karl Marx noted, is for the poor. Brown takes her readers through her own experiences with a religion few outsiders really know, introducing the “gods” of this intricate religion along the way. Moma Lola, a healer, tries to survive in New York City after a difficult life in Haiti, and rather than make her escape, she returns on occasion to help others. Even in the spiritual circus that the Big Apple represents, people are suspicious of Vodou (and Santeria), despite their common cause with other religions of the developed world. You can read the 400 pages of Brown’s Moma Lola with nary a mention of “voodoo dolls” or zombies. Instead you’ll find people—often women—working to survive in a hostile world. Untested attitudes toward other religions often bear their own dark secrets, and Vodou, as lived by Moma Lola, belies and exposes many hidden prejudices on the part of the affluent world.

2013 in Books

Leave a comment January 8, 2014 Steve A. Wiggins

According to goodreads.com, I read 83 books in 2013. The beginning of a new year seems a good time to assess what is memorable among the reading material of the previous twelve months. I am an eclectic reader: this informed my research when I was teaching in higher education—nobody can know everything, and it doesn’t hurt to keep an eye on what fellow researchers in “unrelated” areas are doing. I always throw in a healthy dose of novels as well. Among the novels, some of the most profound were those written for younger readers (each of the books discussed here, by the way, can be found discussed in more detail by selecting the category “books” at the right on this blog). Neil Gaiman’s The Graveyard Book, Ransom Rigg’s Miss Peregrine’s Home for Peculiar Children, Suzanne Collins’ The Hunger Games, and Markus Zusak’s The Book Thief all stand out as particularly profound. They are all, as young adult books tend to be, stories about coming to terms with the adult world. The theme of death weighs heavily in all of them. In none do the children take refuge in religion.

Among the non-fiction offerings, revisiting my most memorable also reveals trends, I think, in how religion might be usefully applied to an increasingly secular culture. It is no easy task to choose favorites, but I see that I read three books about comic books: Mike Madrid’s The Supergirls and Divas, Dames, and Daredevils, and Christopher Knowles’ Our Gods Wear Spandex. The work of Jeffrey Kripal started me on the quest of taking superheroes seriously as sublimated religious figures. Clearly that is the case, as has become increasingly apparent in top-grossing movies. Another set of books (Thomas Nagel’s Mind and Cosmos, John Angell and Tony Marzluff’s Gifts of the Crow, and Curtis White’s The Science Delusion) highlighted some of the deeply rooted flaws of a materialist reading of the world, whether they intended to or not. Robin Coleman’s Horror Noire, and Susan Hitchcock’s Frankenstein indicated that monsters are among the most eloquent of social critics, even when they have little to say. I would recommend any of these books without hesitation.

Some of my reading was on specific religious traditions. Maren Cardin’s Oneida, Hugh Urban’s The Church of Scientology, Sean McCloud’s Making the American Religious Fringe, and Andrew Chestnut’s Devoted to Death each showcased either a single or several traditions that have emerged in the last century or two that have had a striking impact on America’s religious morphology. Katie Edward’s Admen and Eve is a great example of how businesses have figured out that a religiously hungry society will buy, if marketing pays attention to religion. Among the most powerful books I read were Susan Cain’s Quiet and Jonathan Gottschall’s The Storytelling Animal. Being human is, after all, the most religious of experiences. Starting with fiction, I’ll end with fiction. The novels for adults I remember most vividly are those with strong female protagonists: Sheri Holman’s Witches on the Road Tonight, Piper Bayard’s Firelands, and Elizabeth Kostova’s The Historian.

This blog offers me a chance to give brief sketches of books that have much more to say than a few words might summarize. The fact that religious ideas and themes might be found in such a range of books underlines once again that we live in a religious milieu, whether we want to admit it or not. Read on!

The Ethics of Swallowing

Leave a comment January 6, 2014 Steve A. Wiggins

Mary Roach never fails to please. I first discovered her during a jaunt to my local, lamented Borders (not a weekend passes when I don’t mourn the chain’s closing anew) on an autumn evening when Spook leaped out at me (metaphorically) from the science section. I have read layperson-digestible science since I was in junior high school, having been a charter subscriber to Discover magazine. I was, therefore, amazed when I realized an author with some scientific credibility would take on the topic of ghosts. This was followed by Stiff, Bonk, Packing for Mars, and now, Gulp. The subtitle of Gulp, Adventures on the Alimentary Canal, captures the flavor of this book about eating. While some live to eat, we all eat to live, and it makes perfect sense that religion could come to shine a little light in this facet of human existence. Actually, although Roach doesn’t emphasize it, the ethics of eating has become a major interest in embodiment theology over the past few years. Food and faith, it turns out, are closely connected.

In Gulp, the one instance where religion comes into major play regards, ironically, rectal feeding. Roach points out that the question of its effectiveness had been part of discussions of fasting in the contexts of convents. Some traditions in various religions advocate denying oneself food as an act of penance or contrition. The question of whether nourishment taken without the satisfaction of eating counted, however, is one that the church took up. Characteristically not making a definitive answer, the practice mutely continues. Roach notes that clergy have been among the avowed supporters of colonic irrigation as well, making one wonder why the upper half of the alimentary canal has typically caused religions so much trouble. Of course, Roach is not writing about religion, but about eating. But still…

Religion, broken out abstractly from everything a person does, is a modern phenomenon. In fact, it is questionable whether religion can even be considered as a phenomenon of ancient societies at all since it was so thoroughly integrated into everything a person did. When priests separated themselves from laity, at least as early as ancient Sumer, the idea that one class of people could handle the requirements of the gods while the rest of us got along with the secular business of living life took hold. But religious specialists still maintained control over morals. Food, in a world of unfair distribution, will forever be an ethical issue. Instead, most religions have brought the focus down to the individual. What you eat may very well reflect your religious beliefs. Whether we feed the world or not we have, unwisely, left to politicians. As I ponder this indigestible topic, I recommend reading Gulp for a bit of relief from the serious business of the ethics of eating.

An Odyssey

Leave a comment January 4, 2014 Steve A. Wiggins

I learned of Jorge Luis Borges through the recommendation of a friend some years back. Of course, knowing about a writer is never quite the same thing as reading what s/he has written. So it was that I recently picked up an edition of Borges’ short stories entitled, biblically enough, “The Aleph.” I find that these stories require slow reading, chewing over rather than swift gobbling down, like so much of what ends up on the mass market shelf. In lives squeezed for time between the incessant demands of cell phones, social media, and plan old television (satellite or cable), spending unrushed minutes with a thoughtful story can seem a waste of time. I suppose that’s the sole benefit to a long commute on public transit—reading is always an option (although, sadly, not one frequently utilized, to guess from all the electronic farts emitted by computerized devices all the way home).

The first tale in my volume is “The Immortal.” Perhaps it is the hand of the translator, but the sensibilities of Borges are not unlike H. P. Lovecraft. Borge was influenced by Poe as well, and as the narrator of this tale encounters Homer in the land of the immortals, it is only fitting that the question of mortality should arise. Joseph Cartaphilus, the narrator, notes that the three western religions all claim to offer immortality, but in reality focus on the only part we intimately know, the part we call being alive. Often this idea has come to me as well when encountering one so sure of an afterlife but so fearful of death. If immortality does not banish terror of the grave, what use is it?

Indeed, as Cartaphilus realizes that he has drunk from the river of immorality, even the company of a devolved Homer can not entice him to live forever. Off he rides in search of death, a solace that comes only once he has sold his story in the form of a used book dealer, within the back cover of the Iliad. Once the story takes on the life of the teller, he is free to die. There is so much going on in this brief tale that two readings have only begun to scratch the surface. Borges lays religion’s follies at its feet, but shows that there is still much more to fear. I can see the draw, and as a new year dawns, I can see myself becoming more acquainted with Borges and gaining the insight that only thoughtful fiction can bring.

Read Until Ragnarok

Leave a comment January 2, 2014 Steve A. Wiggins

“The play’s the thing. Wherein I’ll catch the conscience of the king,” quoth Hamlet. Shortly after the Velvet Revolution, my wife and I were shown about Prague by a friend who’d grown up in Communist ruled Czechoslovakia. As we watched the changing of the guard, he told us how Václav Havel, the final president of Czechoslovakia, had been a playwright and appreciated the need for pageantry in such civil ceremonies. I remember being impressed with what this playwright had accomplished while America had just survived being ruled by a lackluster comedic actor whose major contribution had been the myth of trickle-down economics. Havel was at one point selected as ranking high among the world’s top hundred intellectuals. Somehow Bedtime for Bonzo just didn’t seem to be worth bragging over.

Within another year or two, Czechoslovakia would dissolve, but the world would remain impressed by the Czech playwright. Karel Čapek was another Czech author and playwright of considerable import. Čapek, “public enemy number two” of the invading Nazis, died before the National Socialists could reach him. His brother died in Bergen-Belsen. Čapek is the author of the play R.U.R., or Rossum’s Universal Robots. Indeed, he coined the term “robot,” around which this play revolves. Over the holidays I finally had a chance to read R.U.R., and I was immediately struck by how prominent the meme of God appeared, and also how prescient Čapek was. Like his contemporary Franz Kafka, Čapek had an unsullied vision of human propensities. Not having seen a production of R.U.R., or knowing how it would play out, I was nearly buried under the layers of meaning that such a brief piece could convey. Harry Domin, the general manager of R.U.R., supplies the world with robots for the easement of human labor. These robots eventually acquire souls, through human tampering, but also rely on humans for their reproduction. All of humanity, save a sole survivor kept alive to make new robots, is destroyed. Alquist, the last man alive, realizes when one robot will lay down its life for its mate, they have become a new Adam and Eve, and humanity’s existence is truly at an end.

Although I’ve read about robots since I was a child, I didn’t know about R.U.R. until my daughter joined her high school robotics club. Robots have, in many ways, dominated my life since. Although Čapek’s play is funny in parts, it is dystopian and profoundly troubling. Our robots have evolved since the period of World War I, just after which the play was written, but our moral sensibilities have not kept pace. Helena, the eventual wife of Domin, feels that robots should be given a soul. At first they feel no pain, mental or physical. Once they acquire these, however, they begin their inexorable march to the elimination of humankind. Reading of how technocrats believe that our true function is now to service the robots who do much of our work today, while unemployment just won’t release its grip on the flesh, my thoughts go back to Karel Čapek, Václav Havel, and William Shakespeare. The playwrights create, but the actors just ape.

Writing the Cosmos

Leave a comment December 31, 2013 Steve A. Wiggins

On occasion those with great wealth try to give something back to society. One such gift takes the form of libraries. The J. P. Morgan Library on Madison Avenue in New York is a touch pricey for those who live in humbler domiciles, but the Edgar Allan Poe display proved too immense a draw to ignore. Standing inches away from manuscripts written in Poe’s fine hand was a kind of communion. It wasn’t too difficult to believe he might have somehow been there. In Baltimore last month I didn’t have the opportunity to revisit his grave, but I picked up a book by one of his modern cousins, Harry Lee Poe. This Poe has theological training and an interest in seeing that his famous cousin isn’t theologically shortchanged. Evermore: Edgar Allan Poe and the Mystery of the Universe is a rare look at Poe and religion. Treatments of the theology of writers are hardly rare, but since Poe wasn’t openly religious, he was typecast a little too readily into the putatively godless camp of those of us with a taste for the macabre.

Evermore may not convince everyone that Poe was a profound religious thinker, but Harry Lee Poe marshals substantial evidence from both Poe’s published writings and letters that he was often caught in that crux between science and religion. Indeed, there is no evidence that Poe was an atheist. He wrote on what were considered lowbrow topics because those were the kinds of pieces that would sell. Since Poe was perhaps the first American to attempt to make a living solely by his pen, he had to pay attention to what people wanted to read. Evermore, while not a biography in the usual sense, does point out that Poe wrote across genres and that his life, while often tragic, had many spells of happiness and some contentment. Poe was a victim of character assassination after his death by a second-tier clergyman, Rufus Griswold. Much of the book is spent dispelling myths.

Perhaps above all, Edgar Allan Poe had a clear mind that could keep imagination alive in the religion and science debate that was to explode shortly after his death with Darwin’s Origin of Species. For Poe, the universe was a story being crafted by God. Creativity was essential to beauty, a concept that haunted Poe. A writer must be introspective, and this will often leave him or her open to criticism by those who prefer simpler answers. Great beauty can be found in complexity, however, and the practice of ratiocination requires a healthy dose of imagination to help make sense of a world that often seems to make no sense any other way. And standing here, my face inches from a handwritten copy of “The Bells,” I can almost hear them ringing.

Shaky Ground

Leave a comment December 27, 2013 Steve A. Wiggins

For the past few years I have been drawn to the spiritual memoirs of women. I suspect a deep disconnect prompts this interest. Religions—in this case primarily the monotheistic traditions—put a premium on fairness and justice, yet treat women as somehow outside these mandates. Women nevertheless respond to the human religious impulse somewhat more seriously than most men. This leads to a dissonance that surfaces in women’s memoirs. Carolyn S. Briggs’ Higher Ground: A Memoir of Salvation Found and Lost proved somewhat of an epiphany for me. In this story of an Iowa girl’s encounter and seduction into a Fundamentalist faith that never quite managed to smother her rationality, I recognized many aspects of her adopted religion from my own tenure in literalism. The real strength of Briggs’ account is her vivid recollections of how her own Fundamentalist mind worked. For many of us who’ve gone through that spiritual wasteland, dredging up those memories can be a harrowing experience. What shone through in Higher Ground, however, is how the fantasy-prone literalist imagination loses its tenuous hold on reality while promising deliverables that are always pushed off into the future. It is not a faith for the here and now.

The non-denominational, yet Calvinistic, Briggs’ church home convinced the author, for some years, that she was inferior to her husband. There can be no doubt that this is “Bible-based” teaching, for the Bible is the product of a patriarchal age. Literalism grows more oppressive with the passage of time, for despite neo-con posturing, society is better for many than it was in the “good old days.” Fundamentalist traditions seek to reestablish the mores of the first century two millennia later, as if a simple transfer were possible. Society has offered progress for women while literalism is rife with regress. This double standard led to the loss of one of their own because over two thousand years much water flows under the bridge and brig.

Higher Ground is not an easy memoir to read—the accounts of those who experience repression seldom are. Religion is generally a conservative force in society, even if based on radical principles. The sayings of Jesus, for example, remain revolutionary even today, but they are often hidden behind the (male constructed) facades of organized religious movements. In school we teach our children that the sexes are equal, in Sunday school the opposite. Fundamentalism is not, however, in any danger of dying out. As Briggs demonstrates eloquently, the very thought process of a rational person is altered by it. Briggs leaves us guessing at what happened after the story ends but she has nevertheless contributed yet more evidence that demands a verdict. Until the judgment of fair and just can be rendered, religions will repeatedly be called to the witness stand.

Revelations

1 Comment December 23, 2013 Steve A. Wiggins

Sex. Religion. Death. One of these things is not like the others, if Sesame Street taught me anything. But in this case, the three actually are of a piece. In my teaching days I pointed out that every religion, without exception, tries to deal with sex and death—the two great, towering markers of human experience. Nevertheless, I cowered close to the window on the bus, choosing the left-hand side so the cover wouldn’t be visible, to read Jesse Bering’s Why Is the Penis Shaped Like That? From the first sentence you’ve got to like this guy. Although irreverent, Bering is never obnoxious as he asks questions about the basics of human existence that few would be willing to take on in the name of science. It’s a fascinating book, and, as I knew it would, it addressed religion and death as well as, well, you know.

Bering is an evolutionary psychologist, and he tends to lean toward a materialistic universe. His book raises a very important point, however; the belief in determinism statistically correlates with anti-social behavior. That is to say, those who believe they have no free will tend, to some extent, not to care about society. As Bering also points out, perspective is very important. I wonder if truth is subject to perspective. Actually, I’m rather certain that it is. I have fought determinism from my youngest days, although I generally feel out of control of my own life. I first encountered determinism in that insidious theological position known as predestination. The deity of a universe that predestines most people to Hell is a monster, no matter how saintly his/her portrait. One professor conceded after a vigorous debate in class: “on philosophical grounds free will wins, but on scriptural grounds, predestination does.” I disagreed. Still, he could go home happy—my challenge had, after all, been predestined.

Worse yet were the “double predestinarians.” They were those who believed that every little detail of life was predestined. I actually had a professor say, “if you fail an examine, it was predestined.” Already the illogic of it all struck the same timbre of distaste that materialistic determinism does. By its fruits you shall know it. As much as I enjoyed Bering’s book, I wondered how anyone obviously so intelligent could believe that this magnificent mental world we inhabit is nothing more than sparks tickling chemicals in our brains. Or even the biological wonders he explores. As I huddled up in a ball on the bus, my book close to my face, I knew that this behavior wasn’t natural at all. Not even science could have predicted it.

Not Knowing

Leave a comment December 14, 2013 Steve A. Wiggins

Begin with a basic premise: we cannot know what a creature without language thinks. Add in the thoughtful anxieties of a post-domestic writer who knows about animals and you have What I Don’t Know About Animals, by Jenny Diski. Part biography, part science, part philosophy, wholly human. I knew from the day the book was released that I would read it since, like the author, I am one haunted by the relationship between the exploited and the exploiter. Diski’s confessions are difficult to read at times, veiling herself, as she does behind the curtains of one’s most private experiences, but she reveals plenty to those who read on. We can’t know for certain what another person thinks, so how can we know what a sentient animal thinks? Some, following Descartes and Skinner, would declare that animals don’t think, they simply do as programmed. The rest of us know that they are wrong. The evidence accumulates more each year that animals think and feel, but, as Diski repeatedly points out, we need to drive with the brakes on. We can’t get inside them to actually know if human experience corresponds at all with animal experience. We’ve shared the planet for millions of years, but we’ve lost track of our common origins.

As I suspected, the Bible came into the discussion. The book of Genesis lurks in the background of most human-animal rationalizations. The divine division into separate “kinds” must be kept discrete at all times. The problem is, nature won’t always play along with that game. One type slowly morphs into another and some biologists are even questioning the usefulness of “species” at all. Fear of bestiality, as Diski points out, is found already in the Bible. Best to keep everything in its proper pigeon-hole, whether that’s where it belongs or not. Genesis gives us the right to exploit, and so we continue to use animals for our own purposes. Although the feline, it turns out, may have figured out how to set this order on its head. In some cases.

What I Don’t Know About Animals is not a defense of vegetarianism or of radical, thoughtless abandon. Diski writing on spiders will cause many heads to nod in agreement, and her rage against the loss of the common lady-bug struck an amazingly responsive chord with this reader. The lady-bug’s demise came at human tampering, importing asian beetles as pest control—beetles that eventually edged out the harmless lady-bug, replacing the Volkswagen of beetles with a biting, omnivorous, massing pest. In Wisconsin the southern side of our faculty house was literally blanketed with them in the spring. Diski uses the same word I did then: biblical. Swarms seem to be the way that the Almighty has of telling us too much of even a good thing will go bad. Although I couldn’t agree with every statement Diski makes, I have the feeling this is a book I will reread more than once. Wisdom often comes in the form of admitting just how little we know.

Sweet Something

Leave a comment December 12, 2013 Steve A. Wiggins

As an observer of religion who always struggles to get published, I found a companion soul in Jeff Sharlet’s Sweet Heaven When I Die: Faith, Faithlessness, and the Country In Between. Although the book is a collection of very disparate essays, it shows the subtle faces that religion frequently takes. We’re used to hearing religion described in bombastic terms, but Sharlet is more attuned to its soft rhythms than that. Yes, an essay or two may have a strident believer, but most of the faith found here is so deeply woven into the lives he examines that you might not even notice it was there had Sharlet not already warned you. Here is a man of no particular religious conviction showing us how it is—not judging, not ridiculing, not pandering. Religion, despite the gleeful proclamations of its detractors, is not likely to die out. It is more likely just to go unnoticed.

A number of the essays here gave me pause. In the first Sharlet notes of a friend, “She was fascinated by the thought that God was entitled to kill you at any time.” This friend is, of course, of Christian persuasion. I had never thought of the biblical paradox in that way before—divine entitlement. It is so like Job; the Lord giveth and the Lord taketh away. Christianity, historically, comes with a whole cartload of guilt: not only is God entitled, but we deserve to be killed. The Christianity in which I grew up was explicit about this—we live on borrowed time. As a child I heard more than one evangelist thunder this good news. We really deserve to die. Once we are good and vulnerable, the preacher offers us a way out. Pass around the collection plate. God is entitled; I shall not soon forget that.

Toward the end of the book another of Sharlet’s interviewees declares that doubt is a calling. Again, the professional religionist is stunned. Many religions eschew doubt as somehow evil—wickedly questioning the divine. Doubters, however, seldom cause religious trouble. Those whose convictions lie deep and untested will burst open like a spring-loaded trap at various provocations. Those who survive are left to weep and wonder. The doubter, the friend of Thomas, does not seek to harm, but can’t live without discovering the truth. This is true religion.

There are any number of stories here of persons of various levels of faith conviction. You’ll find few clergy or specialists among them, but you’ll find a book whose honesty cannot be doubted. At points I struggled to find an implicit religious, or faith-based theme. It is there. You just have to listen. And trust that Jeff Sharlet will not lead you astray.

Making a Monster

1 Comment December 9, 2013 Steve A. Wiggins

I was maybe six or seven when Frankenstein’s monster charged us. My mother, brothers, and I were part of a small crowd at Niagara Falls, where we had gone to visit relatives, when we found ourselves in the monster’s path. We were among of a knot of tourists, and plate glass separated us from the great roaring beast, posted to draw visitors to one of the many plastic tourist attractions around the famous falls. Each time the monster charged, we all screamed, knowing full well he could never break through that glass. As a member of the Monster Boomer generation (although on the tail end of the boomer part), the monster that disturbed me the most has always been Frankenstein’s monster. I’m not sure whether that was natural squeamishness, or if it was that as children my brothers and I tried to divide things up evenly and I ended up with the vampire while one of my brothers claimed possession of “Frankenstein.” Certainly when I grew old enough to read the book, it only added to my discomfort. The concept of Frankenstein’s monster was old enough to have lost its scary edge, but the story was very sad. The monster was not evil, but lonely.

Sarah Tyler Hitchcock’s Frankenstein: A Cultural History revealed a new angle on the monster. A thoroughly fascinating anthropological approach to one of the more modern constellations in the night-time sky of fear, what became immediately obvious in this book is just how religious a monster Frankenstein’s creature is. Many of us think of “playing God” as a recent phenomenon. Mary Wollstonecraft Godwin (Shelley)’s Frankenstein was published in 1818 with just that concept in mind. Mary Shelley, barely twenty when the book was published, had tapped into one of the most vital of religious topics—what it means to make life. Hitchcock’s treatment of the subject covers the conception of the monster, the book and its history, the plays and movies based on the story, and Frankenstein’s monster’s reception into popular culture. At every step of the way, religious issues are raised. Mary, in her birth of an immaculate creature, gave the world theological conundrums through which we’re still sorting nearly two centuries later.

Often on this blog I maintain that monsters and religion are cut from the same cloth. Hitchcock provides a compendium of supporting evidence in her compelling book. Even down to the contemporary debates of scientists over genetic engineering and cloning, the story of Frankenstein and the overstepping of ethical boundaries comes up again and again in scientific literature. I couldn’t help but to think how this reflects the current acrimony between the materialists and the dualists among the intelligentsia: is the forging ahead with manipulation of life simply an experiment we must undertake or is it really an ethical (read “spiritual”) issue after all? Mary Shelley was not so strident as her erstwhile husband Percy was regarding the necessity of atheism. Her monster seemed to be raising that question in terms profoundly theological for a girl not yet of seminary age. Sarah Tyler Hitchcock has done us a great favor by producing a history that stitches religion, culture, and science together into a beast that we still haven’t learned to control.

Poe Knows

Leave a comment December 5, 2013 Steve A. Wiggins

A recent trip to Baltimore prompted me to read Benjamin F. Fisher’s The Cambridge Introduction to Edgar Allan Poe. Well, that and the fact that I had purchased the book from an overstock table on a visit to a local indie bookstore (support your local!). Poe is a difficult writer to get to know. His personal life seems to have been largely an effort to find financial security while he knew his intellect was greater than those who employed him, and yet he was the one left without means. His literary talent, now considered one of the brightest constellations in the American writers’ heavens, was denigrated and demeaned and not fully appreciated until after he died of unknown causes in a city where he no longer lived. There is a profound sadness about Poe, and he seems a tragic figure. I do wonder, however, whether success would have ruined him. The more society woos you, the more you’re willing to lower your standards, I shouldn’t wonder. Not that I would know.

Fisher’s guide is a basic introduction that only toys here and there with Poe’s religious outlook. I’ve not run across much about Poe and religion, but there is a deep spiritual awareness, along with ratiocination, in his tales and poems. I suspect it might go back to the fact that religion and fear are so tightly intertwined. If a religious element is missing, it sometimes leaves a reader hungry. I’d also been reading Ramsey Campbell’s Ghosts Know concurrently with Fisher. This is a novel where a skeptical radio talk-show host takes on a stage psychic to see who really knows who might’ve killed a young girl. As the story unfolds it becomes less and less likely that the psychic is tapping into anything other than individuals’ wish projections.

While I found both of these books interesting, I pondered the fact that Poe referred to the scariest elements in his works as “terror of the soul.” The supernatural in Poe, as Fisher points out, is often really just a projection of an interior state of one of the characters—the eponymous tell-tale heart is guilt breaking through, not an undead heart beating. In an era where belief in the soul is waning, scary books seem less frightening. We’ve been robbed of both the supernatural and the soul, so what is left to fear? If death is only a more profound kind of sleep and morals are only a matter of social convention, then we are truly alone in this vast universe. Of what should we be afraid? Still, when the night stretches on for many long hours this December, I find myself inclined toward Poe and I wonder if ghosts truly do know.

Word of God in Bulk

Leave a comment November 30, 2013 Steve A. Wiggins

The Salem witch trials were still half a century in the future. The Puritans, hoping for religious freedom, had come to Massachusetts. Despite prevailing attitudes toward the religious, the Puritans were keen on learning and began printing books. The first book printed in English in North America was the Bay Psalm Book. You see, the Psalms have a particularly important place in Christian (and Jewish) worship. In fact, much of what would later develop into the daily offices in the Church of England, adapted from the breviaries of the Roman Catholic Church, were services that started essentially as vehicles for reciting the Psalms. It is fair to say that Christian worship might have never taken on the elaborate forms that it has without the underlying recitation of the Psalter. The Bay Psalm Book, printed in 1640, is now the most expensive book ever sold at auction. According to the New York Times, one of the eleven known Bay Psalm Books has just sold for over 14 million dollars. The Bible has a way of continuing to surprise us.

As someone who has more Bibles than your average layperson, I find it isn’t difficult to think that Bibles are fairly common. They are. I actually switched to The Green Bible in my classes out of the ecological concern that there have been over six billion Bibles printed. The Gideons give them away, and even the Christian heavy metal band Stryper used to throw handfuls of Bibles into the crowds. Chances are, in the United States, you are not physically far from a Bible at any given moment. So why would someone pay 14 million dollars for one? The answer goes deeper than the suggestion that the Psalms contain timeless truths—you can get those free on the internet anytime—but that it is part of our heritage. We are who we are, in part, because of the “Bible believing” founders of our culture. Survival was not taken for granted in the mid-seventeenth century. The Bible was a pillar of certainty in dangerous times.

Yes, interpretations of the Bible have led to horrendous results. There is no point in denying the guilt. Hermeneutics, however, is a human activity. The Bible gives as well as takes away. Some of us may never have a million dollars to spend. Many people don’t have enough to eat. Specialists tell us that some 45 million Bibles are printed each year. Bibles are big business. In the words of Big Dan from O Brother, Where Art Thou? “Sales, Mr. McGill, sales! And what do I sell? The Truth! Ever’ blessed word of it, from Genesee on down to Revelations! That’s right, the word of God, which let me add there is damn good money in during these days of woe and want! Folks’re lookin’ for answers and Big Dan Teague sells the only book that’s got ‘em!” David M. Rubenstein, the buyer of the book, intends to send it around to libraries to display. Although I’ve spent over forty years studying the Bible, it takes the skills of a man from an investment firm to earn enough money to buy one. And I wonder if that’s Big Dan I hear laughing, or perhaps it’s just the sound of Puritans singing in the wilderness.

The Write Place

Leave a comment November 24, 2013 Steve A. Wiggins

In my mind, Baltimore is inextricably bound to Edgar Allan Poe. From the accounts of Poe’s life, it is clear that he sensed nowhere as a welcoming home. Indeed, he was barely mourned at his passing and the memorial gravestone in this city was only added decades later when his works had attracted serious attention. Many of the eastern cities now like to claim him: Boston (although with Bostonian diffidence), New York, Philadelphia, Baltimore, and Richmond. All have various mementoes of his transient existence in those places, although he was not made to feel at home there when he was actually alive. The writing life is a difficult and often lonely one. Poe knew that better than many. It is so lonely that nobody is even sure why he was in Baltimore when he died, or what the cause of death was. He has become an icon to many that write.

Ironically, my career has repeatedly shoved me back to the publishing industry. That doesn’t mean that it is any easier to get published, however. The world is full of words, and those who hold the key to publishing respectability have so little time (a fact I know well, as a sometime editor). Some of us resort to blogs and pseudonyms while others die young in Baltimore. The world loves a self-promoter. Those with something intelligent to say are often discovered only in retrospect. And soon their work enters the public domain and can be claimed by all.

Other writers have called Baltimore home. Not many have football franchises named after their literary works, whether here in Maryland or elsewhere. And Baltimore, like many of the major cities of the United States, has great swaths of the neglected, the poverty-bound, and the hopeless. As I drive through the city it is clear that many have been left to face the cruelties of a self-promoters’ economy. They live with little—overlooked and forgotten. But there’s a party in town for those who can afford it. As I settle down with a cask of Amontillado and my notebook, I know that I have only just begun to get to know Baltimore. Maybe I will meet the ghost of Poe here, amid the brightest lights of scholarship and the darker shadows beneath.