Graveyard Culture

TheGraveyardBook During an Ancient Near Eastern Religions course a few years back, one of my students commented that something was like “in American Gods.” I suppose my quizzical look betrayed that I wasn’t familiar with the book, and, aghast, he said, “you’ve never heard of Neil Gaiman?” The funny thing about being a professional academic is, if you want to be good at it, there is little time to read. Popular culture is vast; I’ve never even heard of “Gangnam Style.” But I did subsequently read American Gods, and from then on I’ve been picking up Neil Gaiman books as a special treat in my literary diet. A couple years back another friend recommended The Graveyard Book, so I read it over my brief holiday break. It is the time of year for treats. Gaiman’s fantasy worlds, although seldom explicitly deity-populated, tangle the real world with the supernatural—just the juncture where religion emerges. Although defining religion is not as straightforward as looking it up in a dictionary, you can nevertheless feel when you’re in its realm.

Nobody Owens was raised in a graveyard among ghosts. Since science tells us there are no such things, religion steps up to the challenge with suggestions of an afterlife. Whether or not there’s a Heaven or Hell, ghosts partake in that uncanny milieu we call religion. And since this is fantasy, there are other mystical creatures as well. In Bod’s world werewolves are called “Hounds of God” and they are on the good side. Ironically, the only clergy mentioned (along with various political figures) are actually ghouls. The world of the dead involves a religion of its own where an altar and chalice lie deep beneath a special grave and a human sacrifice makes up the climax of the story.

Religion, of course, occurs where the supernatural meets regular people. We dismiss it at our own peril. When Bod attends school his teachers guess he must be from a religious family because he doesn’t have a computer or any electronic devices. Religion eschews such progress. And yet it touches on the real world. I recognized Highgate Cemetery almost from page one. It could be that my own visit there just last year was fresh enough in my mind that Gaiman’s descriptions naturally took over. Or it could be that since I walk that imaginary line that we recognize as religion every day I recognize its more familiar features. Neil Gaiman’s popularity is a testimonial to how we still need the hidden world unexplained by science. We may call it fiction but it is just as real in the human mind as anything in the quantum universe.


On Dasher, On Dancer

CaputoOnReligion It’s a little embarrassing to admit that after having pondered religion for all of my life, I still have no clear idea what it is. In my case pondering includes three degrees in the study of religion and almost two decades in teaching it. I still read books that introduce religion, hoping to catch some distilled essence that I might label the core of the phenomena that go by the name. Some least common denominator. But that’s not how life works. Even the most basic of things can be complex, so I recently turned to John D. Caputo’s On Religion to find out what a philosopher thinks it might be. From the start this little book is jarring. Caputo, while staunchly refusing to tip his hand, defines the religious as those who love God. Or god. Or not really god, but something that might be as impersonal as the Force. Of course, love is as slippery a term as “God,” so Caputo suggests that it is caring for more than one’s own self. If many of our religious politicians and televangelists could get even that far perhaps we’d be closer to the religious idea of heaven itself. Then when Caputo turned philosophical, he started to lose me a little.

The big problem, and one of which Caputo is well aware, is that loving God is a western religious ideal. There are those who claim that some “Eastern religions,” such as Buddhism, Taoism, and that of Confucius’ followers, are actually philosophies and not religions. But if we’re trying to define religion, excluding a very large portion of the world’s belief structures seems to tilt the balance a bit dangerously westward. Come to think about it, the idea that all people have to have some kind of religion is a western conceit as well. Who are we to define the terms of another’s existence? That, it seems to me, is one of the problems of reductionism. Assuming that all people accept the premise that an empirical system can explain everything will not rid the world of religious martyrs. So what is to be done?

Caputo has thought about this as well. He concludes his short manifesto with a chapter entitled “On Religion—Without Religion.” Here the true root of the problem is exposed—religions that claim they alone can be true. For Caputo’s purposes western religions work best here because the three major monotheistic faiths share so much in common. Put crassly, the real question is where does the line of final revelation end. Is it Moses? Jesus? Mohammad? We could go on—Joseph Smith? Raël? Philosophically, at least, Caputo suggests that all religions could co-exist if they were willing to admit that they are all right. It boggles the reductionist mind. How can they all be right? How can they not be? After all, despite the millennia spent on the topic, we still don’t know what religion is.


The Best Gift

Standing outside the footprint of a circular chapel next to the ancient ruins of a drinking hall in Ophir, the Orkney Islands, with friends. We’re quoting from the memorable scene in the Orkneyinga Saga where Svein Asleifarson leapt out and killed Svein “Breast-Rope” as drunken vikings staggered back and forth from the Earl’s Bu to the chapel one Christmas season some nine centuries ago. The Orkneys used to belong to Norway and had a close connection with Iceland, which, all things considered, is not that far off. While working on my doctorate in ancient Syrian mythology, I experienced a fascination with Icelandic viking sagas and read several of them (in translation, of course). Traveling to the Orkney Islands was about as close to Iceland as we’d hope to get on a student’s budget, and the atmosphere of these historic islands does not disappoint. We were standing on the actual site of this historical incident one violent Christmas long ago.

VikingsImagining, however, is not the same as condoning. Nearing a millennium later, Iceland celebrates Christmas with “Jolabokaflod,” the Christmas book flood. Armed with books rather than broadswords, the folks of Iceland have built a considerable literary reputation. According to an NPR story my wife and traveling partner sent me, Iceland publishes more books per capita than any other country, and giving books at Christmas is a national tradition. Reykjavík is a UNESCO-designated City of Literature. Unlike the United States, a large proportion of the population of Iceland buys books, according to the story, and I can’t help but wonder if this isn’t related to two other Icelandic phenomena as well. Iceland has very little gun violence and it is one of the most ecofriendly countries on the planet. While it is only a feeling, I believe that widespread reading makes a better society.

I remember the experience of growing up and hearing other kids complaining bitterly about assigned reading. Here in this wild west corner of the world, we’re too full of dreams of action to spend quiet hours improving our minds. Guns are easy to acquire and too easy to use against the innocent. We could sure use a Jolabokaflod, it sounds like to me. Towards the end of each year I like to tally up an approximation of how many books I read in the previous twelve months. Although some are definitely better than others, each one is its own gift, a glimpse into someone else’s worldview. And such glimpsing aids in understanding. I may not agree with you, but I know where you’re coming from. And as we enter that long, cold stretch of January and February I feel ill-prepared if I don’t have a stockpile of books to get me through the darkness of this time of year. And one of my fantasies will be a world that can see from the blood-stained ground of Ophir all the way to Reykjavik.


Evolving Instinct

ArtInstinct Evolution has appeared as a threat to the Christian establishment ever since Charles Darwin worked out a mechanism by which it could work without God. In the western world, particularly in the United States, evolution has always been a religious issue; it seems that if we remove God from the development of humankind we remove him from the universe. The thing is, natural selection works on such an elegant scale that the scientific endeavor itself almost hinges on it. And still people believe. I flatter myself with thinking I’m a creative sort, and so Denis Dutton’s The Art Instinct: Beauty, Pleasure, and Human Evolution provided an intriguing consideration of how we might become creators in a world lacking a creator. Well, I shouldn’t be so crass; Dutton has no atheistic agenda—he is interested in exploring what natural function the human love of art might have. We do know that art appears well before civilization itself, and Dutton has a suspicion that natural selection’s lesser known sibling sexual selection might have an explanatory role. He isn’t willing to go all the way and say art is just a mating strategy, but art and love are no doubt bound closely together.

I read The Art Instinct wondering if there might be some collateral insight into the origin of religion. I wasn’t disappointed. Within the first ten pages religion entered the discussion and it never really left. Not that sexual selection evolved religion, but the traits of the religious often parallel those of the artist. As Dutton points out, some theorists almost equate religion and art. For me one of the main features of this thought experiment was the innate questioning of reductionism. While there is no doubt a stark beauty to the idea that an atomistic theory might explain every weird little thing that we do in the name of art and religion, real life just doesn’t feel that way. The reductionist will counter that emotions have evolved as well, and surely there is a measure of truth in that. Nevertheless there is too much that goes unexplained in this mechanistic worldview. Even Dutton occasionally uses the language of the soul.

Sublimity remains a noble state. The feeling that we have standing before a painting that yanks our very consciousness into itself, or when a symphony sweeps us to places we can’t begin to articulate, or a poet distills in a handful of words what an entire lifetime has taught us—these experiences certainly don’t feel like electrons racing through a gray matter racetrack. Even stepping out the door on some autumn mornings can bring the essence of life into a single, compact moment when nature’s art transcends the human capacity for understanding. Science, at such times, is the farthest thing from our minds. Or at least mine. Perhaps it’s a personal defect. As Dutton notes in his Afterword, his thesis has raised the ire of reductionists and the religious alike. To me that sounds like he’s probably headed in the right direction. Religion may not be art, but art is life. Reducing life to a series of earning opportunities in a godless marketplace may make me believe in Hell yet.


Southern Comfort

CajunNightOnce upon a time, long before Hurricane Katrina, the American Academy of Religion and Society of Biblical Literature held their annual meeting in New Orleans. It must’ve been an incongruous sight: the Big Easy filled with right proper professional religionists discoursing eruditely. While there, my family purchased the Cajun Night Before Christmas, by Trosclair. A cute knock-off of Clement Moore’s “A Visit from Santa Claus” (‘Twas the Night Before Christmas), the story unfolds of a fur-bedecked Santa visiting a destitute, but grateful family on the bayou. Each year I try to reach deep in my southern roots to find an accent that accommodates the poem, and read the story the week before the holiday comes. A number of factors have suggested that perhaps this year Christmas might catch many people on a more subdued level. Crushing poverty is a reality, guns are too readily available, and the one percent don’t get close enough to humanity to contract the common cold. Even the effects of Katrina have refused to dissipate completely. Her sister Sandy visited the Big Apple, and things still aren’t quite right.

Big Apples and Big Easies may seem to have little in common, apart from how much money is available to assist in hurricane recovery. They both also participate in Christmas, being havens of Catholicity. Yet after the hurricanes some in New York and New Jersey were without power several days, but parts of Louisiana were simply abandoned. The will to help the disadvantaged seems to have improved since 2005. Considering changes at the top, this isn’t necessarily a surprise. Nevertheless, tragedy throws into sharp relief what we consider human decency. Too bad it takes a disaster to make us more human.

What sticks with me about the Cajun Night Before Christmas, apart from the flying alligators, is the profound hopefulness that the poem conveys. Those with so little take so little to improve their lot. Yet those with too much insist it is their right not to be taxed at all. Those who live in a shack don’t expect much from Santa. They have learned through the disappointment of experience that double standards are endemic in life and while some are unbelievably rich, the poor are happy with just the smiles of children. Ironically, Santa is the great equalizer here. While the children of the wealthy may expect and receive more, the children of the humble are also allowed a portion of hope. As I remember New Orleans, in the palmy days before Katrina, it was a city that knew Mardi Gras was far more humane than Lent, and that even a city marked my radical inequities (let those with eyes to see read) could come to a joyous accord when sins are about to be atoned. And even if he has to commandeer alligators, Santa will visit the poorest children the night before the holy days.


Christmas Incorporated

ChristmasinAmericaA number of years ago I wrote a short book on holidays for children. Like most of my books, it was never published. I wrote it when I learned that good books explaining in simple language whence various American holidays came appeared not to exist. The literary agents I contacted quickly showed me why. In any case, I remain curious about holidays and so I read Penne L. Restad’s Christmas in America: A History. There’s a wealth of gifts in this brief book. I’d researched the subject a little bit myself, so I already knew some of the origin stories, but if you’d like to know why we have Yule logs, egg nog, or why Santa prefers red, this is the book for you. As I’ve noted in previous posts, Christmas is a fairly recent star in the constellation of American holidays. In fact, those of us who work for secular companies know just how few holidays Americans officially celebrate. Having lived three years in the Scotland, I know how seriously holidays are taken in at least one corner of Europe.

Christmas didn’t really catch on in America until the nineteenth century. Industrialization was beginning and more and more was expected of the worker who made the robber barons wealthy. It is no accident that the American Christmas had many of its origins in New York City where much of the industry ran non-stop. Restad, however, makes a very good point that Christmas has always been both pro- and anti-commercial. Owners of large retail chains saw the opportunities to sell goods to time-stressed individuals while the giving of presents often promoted a selflessness uncharacteristic of those who stand to profit from consumers. Restad notes the increase in goodwill that Christmas generates in society as a whole. Indeed, I have seen more people giving to the homeless during the past two weeks than I had seen so far this year.

One aspect of Christmas that I hadn’t expected to find in Restad’s treatment was the early emergence of the “prosperity gospel.” Of course, it wasn’t called that in the early twentieth century, but in the millennia since the Christmas story actually originated, some in the church began to take their own righteousness far too seriously. Seeing that clergy who knew how to tug the soul-strings just right could easily gain wealth, they started to suggest that God wants you to be rich. They seem to have overlooked who was born in a stable because there was no room in the inn. Search the Gospels and your search will be in vain if you attempt to find words to console the rich. The “prosperity gospel” is as much a lie today as it was when it began, back in the days when dubious clergy looked for a way to excuse their comfortable lifestyles while many of their flock suffered want. Christmas in America shows itself to have a little bit of the social gospel built in, for it is clear that even the Devil can site Scripture for his own purposes.


Fanpire Club

FanpireIt has become an odd world indeed when thousands of people look to vampires for family values. Although I’ve not read any of Stephanie Meyer’s Twilight books, I have been curious at the reception they have received. A literary agent said, a few years back at an event I attended, that publishers want vampires. There is no end in sight. Perhaps it is my inherent trust of scholars that led me to read Tanya Erzen’s Fanpire: The Twilight Saga and the Women Who Love It. Why would a religious studies scholar write about Twilight? Because Erzen realizes, as many scholars are beginning to that: 1. vampires are very religious monsters, and 2. many more people care about books like Meyer’s than they ever will about scholarly minutiae. I, for one, learned that I’ve missed out on a huge part of pop culture by insisting that my fictional reading must have at least an attempt at depth. Erzen ably points out that there may be truths beneath the surface even here.

When I first became aware of the Twilight books, I was surprised that no one seemed to be making the connection with Dark Shadows. I grew up with the subtle, sensitive vampire who was deeply conflicted. The books that serialized the television series were not profound either, but they evoked an angst that bespeaks a religious need deeply buried. Erzen is able to dig some of this out of Twilight as well. By interviewing fans for whom Twilight has become an ersatz religion, Erzen can show that even squeaky clean Mormon men can’t possibly live up to the vampire standard. The fantasy that has engrossed so many is an image of selfless love. As if Edward Cullen were a less chaste, and more undead Jesus. After all, he gives Bella eternal life and his love never grows cold. The values fit rather well with Latter-Day Saint theology, and provide a model for mortal family values.

More striking is Erzen’s revelation that fandom does not equate to feminism. The women who are empowered to love in unorthodox ways are very much controlled by their men-folk in Meyer’s universe. As Erzen points out repeatedly the ideal lover here is an obsessive stalker with a penchant for abuse (although mostly unintentional). Freedom for women comes at a cost. They may be offered the best in some fields, but even today women do not find equal representations in positions of power in our society. CEOs? Evening news anchors on major networks? Senators? Presidents? Our society is one that talks the talk of equality, but stumbles when it attempts the walk. Vampires cannot exist without victims. Even in the most “advanced” societies in our world, women must struggle in a hierarchy for which the architects, contractors, and supervisors are mostly men. Perhaps women find vampires so fascinating because it matches their experience of a society that takes far more from them than it is ever willing to give back.


Mutants, Mystics and Memory

MutantsMysticsParadigms. These patterns of thought are self-reinforcing and very useful. As anyone who’s studied foreign languages knows, paradigms are an effective way to keep all those impossible verb tenses in mind. Until you encounter an irregular verb. Once you discover irregular verbs, you start to find there are more of them than you wish. As with language, so with life. Like most boys, I grew up reading comic books. We didn’t have much money, so I wasn’t as fluent in super-heroese as some kids were, but I felt that irresistible draw to garish colors inking exaggerated muscle-tone under a costume that held a body capable of extraordinary things. Everything seemed possible. Then adult responsibility hit. Who had time for comic books and heroes?

That’s why I was delighted to discover Jeffrey Kripal’s Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal. The three sub-topics just about summed up my childhood. But, like Paul declared to Corinthians, the first time around, “when I became a man I put away childish things.” Turns out, maybe my desire to be grown up was premature. I commented on Kripal’s Authors of the Impossible earlier this year. In his work I’d finally discovered that academics can sometimes get away with asking unorthodox questions. Perhaps it was my exposure to biblical studies, a discipline which goes one of two ways—overly facile attempts to maintain a literal reading, or a staid, solid approach tied to serious linguistics and archaeological records—that forced me into a reductionist paradigm. Well, everybody else was doing it! Academic thought had little room for the unusual, the bizarre, the irregular verb. The same applies to our no-nonsense, money driven society. Just shut up and do your job.

Mutants and Mystics, however, shows that our repressed unusual experiences, like a freudian phobia, will find ways into daily reality. It is a mind-stretching book. As for Authors of the Impossible, Kripal is to be congratulated on allowing himself to consider walking down paths that most academics assiduously bypass. Coming to his work as a fellow student of religious studies, I see that he has arrived at similar conclusions to mine, although clearly more advanced. I’d just assumed that since I never had the serious backing of a serious university my way was the low-way. The way of the kid who just couldn’t bring himself to grow up. There is a reason we spent our formative years reading about heroes for whom the impossible was daily reality. Perhaps we were in training after all, and comic books prove the point of old Isaiah that a child may indeed hold knowledge adults often just can’t see.


Read Ban

Someone in the Greenville County Library doesn’t get out much. The LA Times reported this week that a surprised parent got a look at Alan Moore’s Neonomicon, a graphic novel that her child was reading, and went to the library to get it banned. There is a perverse kind of logic to this. The 14-year-old minor checked the book out from the adult section. The story doesn’t say why, but anyone familiar with H. P. Lovecraft would immediately see the familiarity of the title to his fictional Necronomicon. And anyone wanting to read that is surely above the age of innocence. As a result of this imbroglio another book has been banned. As the parent of a teenager I understand concerns about reading material, but then I know that graphic novels can be, well, quite graphic. I know because I read.

I’m currently reading a fascinating book about religious aspects of comic books. Many of us grew up with comics, and anyone who’s read some psychology knows that people are very much image-oriented. Even our Bibles for children are heavily illustrated—often with drawings nearly as far from reality as those of an Alan Moore story. Adults raised on comic books have been enticed back with such novels as The Watchmen— something that looks like maybe kids are the intended readership, but they’re not. The only way for adults to know is to read. (That, and to consider that the movie version of The Watchmen scored a solid R rating. That little itch should be telling you something.) But reading literature has fallen out of fashion.

While waiting for my bus home one day I decided to take the more local route because the bus was still at the gate when I arrived at the Port Authority. This is a longer ride, but with any luck it might get me home ten minutes earlier. When I asked a woman if I might sit next to her, and I began pulling out my book, she said, “you’re that guy that reads.” Guilty as charged. As I wait for the express bus, I spend the time with a book. Until she said that I never considered that almost nobody else does. Forget the days of earnest looking men, faces hidden behind newspapers, passing the commute by reading. Now it’s all ages and genders, holding electronic devices. Not that I’m surprised. People are visually oriented, after all. But I immediately recognized Moore’s nod to H. P. Lovecraft in naming his novel Neonomicon. I think I might have an idea of what to expect if I were ever to read it. It is, however, far easier to ban books than to take the time to read.

Watchmen


Spirituality Sampler

ManSeeksGodSometimes you read a book and wonder if somehow the author got into your head and fished around for material. Although I’m not Jewish, at least not that I know of, I found Eric Weiner’s Man Seeks God: My Flirtations with the Divine to be uncannily familiar at points. Not that I’ve ever been a journalist, nor have I had more than a few hundred people read anything I’ve written, but somehow I just couldn’t shake the underlying connectivity. For those of you unfortunate enough not to have read it, Man Seeks God is Weiner’s spiritual journey through various religions, seeking his God. Born culturally Jewish, Weiner never really resonated with the religious aspect until the last chapter of the book. In between, however, he shows a true pioneer spirit and tries diverse faiths, some of which are not for the fainthearted. As fits the postmodern period, he’s an authentic, intentional spiritual shopper. And he provides many laughs along the way.

Such a book must be difficult to write. There’s a lot of baring of the soul, and even a little baring of the body, at times. Weiner begins with Sufism, the mystical branch of Islam. Yes, it’s based on love. He then travels to Nepal to pursue Buddhist meditation, followed by a stint with the Franciscans in the Bronx. The only one of the “big five” he doesn’t sample is Hinduism. That might have thrown a speed-bump into his ending, though, to be fair. He makes no claims of comprehensiveness. At this point the story takes a turn toward decidedly exotic selections in the cafe of spirituality. I couldn’t read his account of the Raëlians without snorting aloud once or twice on the bus. Taoism takes Weiner to China and into a distinctly more philosophical frame of mind. He explores Wicca and Shamanism, which may be more closely related than he supposes, before coming home to Kabbalah, the mystical branch of Judaism.

Spiritual seeking is as mandatory as breathing for some people. Eric Weiner is one of those teetering on the edge of active exploration and the ability to shut out the questions, if only temporarily. Reading his confessions, it’s clear that he’s a rational, intelligent man. He made it through decades without really feeling the need for religion. When the ineffable pressed itself onto him, however, he turned to the mystical traditions. I was warned, in conservative Grove City College’s religion department, to be very careful of mysticism. The professor was dry-eyed serious as he said that seeking direct experience of God would generally lead to heresy. So there it was, in plain sight. Doctrine has precedence over the truth. Long ago someone smarter than us figured it all out. Our job? Just follow their path. I have a feeling that Weiner, having had some unexplained experiences of his own, might disagree. Sometimes you have to take out a personal ad in the spiritual scandal-sheets to get an idea what the divine really is.


Saving Sin

ScienceoSin Although it makes little sense, I have always tended toward a monastic outlook. When I see something I want my first impulse is not to get it. I will sometimes deliberately not order my favorite dish when eating out. I never even went on a date until my Junior year in college. With considerable help I’ve overcome some of these tendencies, although I still wear clothes I bought in in my undergraduate days. So it was with considerable interest that I read Simon M. Laham’s The Science of Sin: the Psychology of the Seven Deadlies (And Why They Are So Good for You). Despite my monastic proclivities, I have never accepted the seven deadly sins as Gospel. They aren’t biblical and don’t always seem that serious. I mean, murder doesn’t even make the list. (And something need not be organic to be murdered.) In that sense Laham ‘s book exhales refreshingly unpolluted air.

More importantly, The Science of Sin demonstrates what sin becomes when God is removed from the equation. Sin is sin because God says so. As Laham clearly illustrates, the underlying bases of the seven deadly sins may be good for you. At any rate, they’re natural. Laham isn’t calling for a free-for-all, a no holds barred orgy, or the downfall of civilization—he just wants science to inform our natural urges rather than the ideals of some seriously outdated monks. That seems perfectly reasonable. I especially liked his demonstration of how asceticism tends to lead to more negative behavior than “gluttony.” What the church wanted to avoid it inadvertently assured.

Looking back over half a century of thinking pleasure might somehow be evil, it seems that maybe I’ve missed some, if not much, of what life offers. My years at a particular seminary were as close to monastic as a happily married man can get. I have yet to find a higher concentration of disreputable behavior than observed in such a religious setting, and I work in New York and live in New Jersey. Perhaps it is inevitably human that what we set out as ideals often becomes the very source of their dissolution. It is true that the seven deadly sins are beginning to show their advanced age, but perhaps the concept of sin retains some of its utility. When the behaviors condemned by the religious become frequent practices of that selfsame body, what other term fits as well?


Creature Feature

Gregory L. Reece’s Creatures of the Night is a strangely profound book. I picked it up to read on the plane home from Chicago and I wasn’t disappointed. Promising to explore ghosts, vampires, werewolves, demons and devils, Reece suggests that maybe the key to such fascination rests with the late Rudolf Otto. I had over a decade of students read Otto’s famous little book, The Idea of the Holy. Otto, whose palindromatic surname suggests something uncanny, characterized the holy as the fascinating mysterium tremendum, the wholly other. (I will refrain from calling it the wholly holy.) The mystery that makes us tremble. The monsters that haunt our nights and imaginations are aspects of this utterly other.

Along the way Reece proves an able tour guide. He recognizes, as I have repeatedly stated in this blog, that religion and fear are conjoined twins. He also knows how to get your skin crawling. For Reece there is no question that such things are real. Real doesn’t mean that they are physically lurking outside your window at night—for who is to say that only the physical is real?—but they are as real as religion. No doubt strange things have transpired in history and continue to occur. And the reason we go into church may ultimately be the same reason that we watch a horror film.

As Reece comes upon the topic of demons the air in the room (or plane, or bus) thickens. Here we have documented accounts of impossible events. No amount of rational training can remove the shudder from these stories. Explanations of epilepsy only go so far before terror takes over. By herding them together with vampires, werewolves, and ghosts, Reece stakes his claim that they all are real. Rational reductionists may shrink our world down so tightly that no room appears in the inn for our creatures of the night. But those who are honest, even among the reductionists, will admit to a mysterious tremor, even if unintentional, on a dark and stormy night.


Au Fait in the Manger?

On Friday CNN ran a story about the Pope’s new book “debunking” myths surrounding Christmas. The headline certainly looked intriguing, but it turns out that the “myths” debunked are those of a very dim magnitude. Is anyone surprised—gasp!—that Jesus wasn’t actually born on December 25? And, guess what—those cows you’ve always seen in the manger? The Bible doesn’t actually mention them! Angels aren’t at the manger either! What kind of Christmas will this be? A biblical one, it sounds like. I haven’t read Jesus of Nazareth—The Infancy Narratives, but it really doesn’t sound like I need to. The Bible is very spare on stories about Jesus’ birth; nobody knew he would be a Lloyd Webberian superstar at that point, so we have a few loose traditions that tell of humble origins in an obscure setting. Not very good for commercial interests, however, and besides, the average person doesn’t read the Gospels to find out about Christmas. There are far too many television specials to be bothered with “Lo, there were in the same country…”

Christmas was not a big deal until relatively recent times. Now, don’t get me wrong—I’m not a grinch who believes the holiday shouldn’t be celebrated. I see nothing wrong with people giving things away, even if it is to pretend that they are celebrating an ancient Roman-occupied Judean birthday. This is the essence of what being religious should be all about; holidays should be occasions for thinking about others before one’s self. In my lowly opinion anyway. We’ve built an entire economic cycle on it, however, otherwise Black Friday might just be a free day to spend with family and friends instead of being trampled to death at Wal-Mart. Perhaps if society could find a way to distribute wealth more equitably every Friday would be in the black.

The Pope’s new book is an attempt to make the Catholic tradition appear up-to-date with scholarship. Plans are for the book to be published in an entire Septuagint of languages with a print-run the envy of nearly every academic editor in New York. The problem is there is no real news here. News should be, by definition, new. A book by the Pope declaring the true equality of all people, throwing open full sacerdotal participation to women as well as men, and the distributing of papal wealth to the poor—that would be a Christmas present worth the waiting! Instead, when you pull the shiny paper off this book on December 25, you’ll only discover that you’ve received it on the wrong date and there will be no angels singing. The cattle will be lowing, however, if you can use your imagination.

What’s wrong with this picture?


Phantom Prayers

Religion and theater have much in common. I suspect that this is one reason several religious traditions initially protested against the secular theater. Morality plays were one thing, but dramas about purely human matters are quite another. Being given the very generous gift of tickets to the Phantom of the Opera, I recently had the opportunity to experience Broadway’s longest continually running show. It occurred to me that theater can often, if done right, draw in huge crowds—the line to get in was certainly impressive—while other than megachurches and very conservative religious movements based on reaffirmation of one’s superiority, many religious houses struggle to draw people in basically for free. It could be argued that secular entertainment requires less of an attendee than a religious service, but I wonder if that’s true. To receive your money’s worth for a show, you must be willing to put yourself into it.

While Andrew Lloyd Webber has never been afraid of religious themes—think of Jesus Christ Superstar and Joseph and the Amazing Technicolor Dreamcoat, or even Whistle Down the Wind—Phantom of the Opera is loosely based on the early twentieth century novel by Gaston Leroux, the story of a hideously deformed musician who falls in love with a beautiful opera star. Although characterized as “a monster,” the Phantom is, after all merely human. Lloyd Webber’s adaptation leaves much of the story undeveloped, allowing the imagination to chart its own course. This is precisely where theater diverges from religious performance—imagination. Religions frequently claim to possess all the answers and questioning or imagining new approaches to age-old dilemmas is often discouraged. Unless, of course, the dilemma is how to draw more people in. Those who run megachurches learned the lesson of theatrics long ago.

For all that, Phantom of the Opera is hardly devoid of religious sensibilities. In one moody scene where Christine visits her father’s grave for solace, and perhaps advice, the first set piece visible is the cross atop the tomb. It is from this cross that the Phantom in the guise of the “angel of music” comes to her. Having the representation of death emerge from a cross is a powerful enough symbol. During this scene Christine’s plaintive cries to her father sound like a prayer. The prayer is heard, however, only by a phantom. The end of the story is ambiguous, something religious performance simply cannot tolerate. And yet, as I was being pushed and propelled down a crowded Broadway after the show, amid a flood of humanity that had emerged from many theater doors, I wondered if this “secular” experience might not be religious after all.

Religious tracts?


Prayers in Space

Science with heart. That’s one way to characterize Mary Roach’s writing. Uninhibited is another. I began reading her books when I saw Spook on the science shelf at Borders some years back. The nexus between what science teaches us and the magisterium of religion (ghosts certainly, by definition, fall into the “spiritual” category) has intrigued me all my life. I posted on both Spook and Stiff earlier in this blog. Her current work that my wife and I have just finished reading is Packing for Mars: The Curious Science of Life in the Void. The message that has rung loudly in my ears throughout the reading is that humans are evolved for this planet—space is not our native environment (well, at least not in a non-metaphysical sense). So many of the troubles she documents stem directly from the fact that we are biologically programmed to keep our feet pretty firmly on the ground. Weightlessness atrophies our bodies, cosmic radiation destroys our tissues, and there is always the difficulty of finding fast food in space.

One of the most telling points Ms. Roach makes, as is frequently the case, comes in a footnote. The note could, with some imagination, have been expanded into an entire chapter. “Religious observations are even tougher in a real spacecraft,” she begins. She points out specifically the difficulties of taking communion on a moon trip or praying five times a day aboard the International Space Station that renders a day a mere 90 minutes in length and staying Mecca-oriented is difficult when moving so far so fast. Religious leaders have to make special dispensations for those who take their religion beyond the bounds of earth-evolved faiths.

All of this raises a question that religions are reluctant to ask directly—what are we to make of petty observances that our belief systems demand when they are clearly based on outdated information? Judaism, Christianity, and Islam all developed in a flat world in a geocentric universe with a dome-like sky above them. The regulations were drawn up for just such a fictional world. When the religious become astronauts they leave that world behind them in a way that must stretch the credibility of a doctrine developed without the input of an astrophysicist. How does an astronaut hope to go to Heaven when some missions take her or him far beyond the realm of the gods into the cold reality of outer space? Looking down on Heaven must be disorienting indeed. If Mary Roach had an equal in the world of religion writing, I would hope that she would ask that very question. In any case, we are fortunate enough to have the one and only Mary Roach to raise the question for us and to keep us oriented toward our true home.