Stobor and Dogs

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Having spent seventeen hours on public transit of various sorts yesterday, I had plenty of time to read. My chosen book for this trip was Daniel H. Wilson’s Robopocalypse. In my recent reading spate of dystopia novels Wilson’s vision seems more likely than others and thus perhaps a bit scarier. An obvious reason for this is that much of our tax money goes toward military projects that are, naturally, secret. A large part of Robopocalypse deals with military robots gone feral. Well, not really feral. The robots are controlled by a mastermind computer virus. In the first chapter this robot overlord declares to its creator, “I am your god.”

That statement is probably, metaphorically, true already. We live in a world where culture would change irrevocably without our current technology. Without it even fewer people would be reading the words I daily post here. Without it industry would shift into reverse back to the days of Thomas Edison or Eli Whitney. Present-day culture would be unrecognizable. Although not the best-written novel I’ve read, Wilson’s story does raise a salient issue—at some point the tool becomes the master of its user. For many years those who loudly proclaimed the superiority of Homo sapiens declared that we were the only tool-making animals. Subsequent observation has, of course, proven that to be inaccurate. Nevertheless, once knowledge of tools is acquired a trajectory is set. We lose a little bit of control.

Has technology replaced God? For some it clearly has. God is a symbol of comfort and meaning. As I watch thumbs busily texting away on planes, trains, automobiles—and especially in the middle of lectures—I realize that this altar of technology boasts many worshippers. There are very few scenarios where advanced technology is not present, like an omniscient being. Thankfully we have a few more years before Raymond Kurzweil’s artificial brain comes online. We should use those few remaining years to prepare ourselves for either an epiphany or an apocalypse. When the slaves become the masters, we are firmly in the territory of dystopia, at least from a human perspective.

Kings and Codes

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I readily acquiesce to the suggestion that others are smarter than myself. In a world of overly competitive commerce that has wormed its way into higher education, I have found myself ill-equipped to compete against those who are more clever at working the system. At times I can be decidedly pre-medieval in my perception of fairness. Thus it was a combination of self-denigration and legitimate surprise to find a brief piece in the May edition of Wired magazine on the Code of Hammurabi. In this arena I would have supposed myself to be on firmer ground. The piece by Joel Meares appeared in the Blast from the Past section of the “Humor Issue” of the erudite magazine. The writers at Wired are by default well beyond my ability in the tech scene, but this piece was a consideration of how Hammurabi’s justice still plays its way out in popular culture. Beginning with the 1970’s movie series Death Wish, Hammurabi is given credit for inspiring Hamlet, The Count of Monte-Cristo, Red Dead Redemption, Frankenstein, Moby Dick, and Batman. Holy pedigree, Hammurabi!

Each semester I try to explain to my students why study of the ancient world is still relevant. It may be overly simplified to suggest that Hammurabi directly inspired all these works (the Akkadian language wasn’t really deciphered until the middle of the nineteenth century, CE, long after Shakespeare), but clearly the trajectory had been set long ago. Even before Hammurabi. The earliest known law-codes predate Hammurabi by many centuries and demonstrate that our sense of justice and fair play were being bandied about by the gods long before Hammurabi was a twinkle in Shamash’s eye. If we want others to play nice, the best way to convince them to do so is to lay the dicta in the realm of the gods.

Maybe I can’t figure out where Death Wish and Moby Dick share anything beyond a cursory resemblance to Hammurabi, but it is clear that the Mesopotamians were the first to articulate the idea that the gods set the rules and it is our duty not to upset them. Of course, in our society fair play is frequently sublimated to corruption at various levels. Someone is always willing to bend the rules if the covert payment is enticing enough. After all, doesn’t it look like Hammurabi is placing his fingers to his lips while receiving a kickback from Shamash on the pinnacle of the famous stele bearing the code that now bears his name?

Hammurabi winks at Shamash

Metaphor

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Author Neal Stephenson, inspired by fellow author George B. Dyson, built a baidarka a few years back. The baidarka, an Aleutian version of the sea kayak, was such a necessity of life among the Aleut that it was treated as a living being. Whenever I find myself at the same latitude and longitude as the baidarka Neal built, I like to take it out for a relatively safe lake voyage. I’m not much of a swimmer, and taking boats out on the big water always chills me before the water actually touches my skin, but this is a kind of ritual that I feel compelled to observe. It is a participation in the mythic world of the Aleut. As spiritual beings, kayaks were a necessary part of life for island dwellers. In their own way, I suppose, they are saviors.

Author and partner in the baidarka

Traveling by water, I find, is a spiritual experience that eschews scientific quantification. It is a feeling, not a measurable commodity. To quote the great sage Rat in Kenneth Grahame’s The Wind in the Willows, “There is nothing—absolutely nothing—half so much worth doing as simply messing about in boats.” We are born of water, mostly made of water, and ineluctably drawn to the water. Rachel Carson suggested in her classic, The Sea Around Us (always one of my favorite books), that having evolved from the sea we are forever yearning to get back to the sea. Water is life as much as blood is.

broken water

When water breaks by being forced into an unyielding shore or by being thrown over a cliff to become a waterfall, flinging refreshing spray into the air, its great energy is released. Although its flow may be interrupted it will break apart granite and basalt, literally moving mountains and carving coastlines. Water that is placid in the morning may be raging by the end of the day. Water is life, and if life is anything more than a metaphor no one has yet convinced me of it.

Black and What?

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Dystopias are not all of the same stripe, or, in this case, color. Jasper Fforde’s Shades of Grey is perhaps the most colorful look at a bleak future I have ever read. The premise, funny and strangely serious, is that in the distant future color perception ability determines social rank. A cast of odd characters who see predominantly only one color vie for superiority while keeping to the rules of the founder of this society. The hilarious results often carry profound consequences. Those who live within this highly stratified culture fear those who do not, including a mysterious group known as the monochrome fundamentalists. The founder of the social order, Munsell, has achieved god-like status and his writings have the force of scripture.

This dystopia reflects, whether intentional or not, the social impact of many religions. Reading about the prefects, the political leaders of this culture, is like reading about the clergy who mistake spiritual guidance for power. The transition from pastor to politician is simple enough among social creatures like ourselves: we need those with persuasive powers to make decisions in accord with our best interests. Prefects and priests, however, are both eminently corruptible (let us say nothing of politicians) and evolution favors those who look out for themselves. The trick is to make others buy it.

Fforde’s dismal future includes Leapbacks where useful technology from the past is discarded in order to make people more compliant. In a world where color is a rare commodity, a modern usage of the rainbow seems apropos. Everything we are learning from psychology and biology—sciences still in their youth—suggests that sexual orientation is deeply ingrained, more so that just preferences or likes. The mainstream religions, however, have actively discriminated against those who are aware of their deepest needs. I know many excellent, caring individuals who’ve been kept from the ministry because of their orientation. Others who are clearly deleterious to the church climb to positions of power based on their approved sexual appetites. And society falls into lockstep with them. I don’t know Jasper Fforde’s political views, but along with him I would suggest that the ability to see shades of gray might be the best thing for any society, whether in the distant future, or especially, in the present.

Contriving the Rapture

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In the light of last month’s failed rapture attempt, I decided to read a book that I picked up some years ago that had been written in the wake of the millennial scare. Having grown up with nightmares of the rapture, I learned during my first college class on the book of Revelation that it was relatively modern meme, invented in the nineteenth century. Barbara Rossing’s The Rapture Exposed seemed a good way to refresh my memory without having to go through all those boxes of books in the attic to find my original textbooks. Rossing, a Lutheran minister and New Testament professor, brings to light some very important facts beyond the historical roots of this theological fabrication—facts that should concern religious and secular alike. The rapture was invented by John Nelson Darby, a founder of the Plymouth Brethren and convoluted biblical scholar. Basing his roadmap of the future singularly on Daniel 9, he concocted the rapture to make sense of his apocalyptic epiphany. Drawing diverse sections of Paul’s letters to the Thessalonians, the Gospel of Matthew, and the book of Revelation together, he mixed thoroughly, half-baked it, and pulled the rapture out of the oven.

The idea caught like wildfire. Today young people who’ve never read the Bible and who’ve seldom attended religious services know what the rapture is. What they do not realize is that nearly all of the Christian tradition rejects it, seeing it for what it is—a Johnny-come-lately of amateur theology that sees the Bible through the lenses of dilettante-sensibilities like those of Michael Drosnin (The Bible Code man). Instead of seriously reading the Bible and trying to understand it, society prefers to see it as a little bit of magic in the midst of our scientific and technical world view. It is a safe place where bits of the supernatural are preserved and that defies rational explanation. Rossing’s book does a good job of exposing the wrong-headedness of LaHaye’s Left Behind conclave, but she overlooks an important feature of this coterie: they have an unconfessed agenda.

The unspoken agenda is best summed up by Lt. Frank Drebin of Police Squad when he says, “blowing away a fleeing suspect with my 44 magnum used to mean everything to me. I enjoyed it, well who wouldn’t?” Rossing misunderstands Fundamentalism when she expresses surprise at the bloodlust present in the Left Behind novels. What she doesn’t take into account is that, as a collective, Fundamentalists thrive on self-righteousness. Feeling the same violent urges that others do—all humans experience violent emotions—they sublimate that aggression and save it for the unrighteous—God’s enemies. When the gloves come off in the apocalypse, that hatred bursts out in good, old-fashioned bloodletting—albeit with combat helicopters and high-tech weaponry. Of the Christians I know who own guns, the Fundamentalists are most avid in their rights to do so. In college I met my first Christian survivalists and I learned that the rapture was a ruse. It is a deadly mix, especially when this warped theology makes it into politics. Although Rossing’s vision of a new earth in the second half of her book may not appeal to everyone, Americans should read at least the first few chapters to learn why the rapture will never occur.

American Haunted

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Serendipity, although rare, still occurs in university life. As an adjunct instructor whose livelihood revolves around the number of courses that may be squeezed into a limited number of days, I have been considering online courses. As an avid watcher of horror movies—excellent preparation for adjunct life these days—I have attempted to sample the genre widely. It is therapeutic to see people in fictional situations worse than my own. While attending a training course on constructing online courses earlier this week I was surprised to find out my instructor was Brent Monahan, a versatile and talented individual of whose presence at Rutgers I was unaware. Most famously Dr. Monahan wrote the novel and screenplay for An American Haunting, a movie I had written a post on back in January.

Compulsive in my desire to be on time, I generally show up to all appointments early. For this particular session I was the first person present, so, not recognizing my teacher, we struck up a conversation about my field of studies. (He asked; I try not to lead with my chin.) He was nonplussed about the fact that I am affiliated with the religious studies department—in general this is a conversation stopper since, along with politics, it is a forbidden topic in polite company. Before I realized who he was he suggested that perhaps people go into this field because of their internal struggle with good and evil. It was a perceptive statement and it made sense when it came out that he was a writer of horror films and novels.

Since I’ve been exploring the nexus between religion and horror I have wondered what the deeper connection might be. Clearly fear of the unknown, the overly powerful, and the randomness of life in an uncaring universe play into it, but perhaps it is also the struggle of good and evil. Horror films often present the “what if” scenario: what if the side of evil were allowed free reign? Often the fount of that evil, in horror films, is religion gone awry. Certainly in An American Haunting a pious man is driven by inner demons to the abuse of his own child. That he is a religious man is made plain from the near-constant presence of a clergyman in his house once the haunting starts. While the exact relationship remains to be parsed, it is clear that fear and religion reside very near one another in our brains, perhaps as near as good resides to evil.

Literary Floods

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Oryx and Crake ends with a cliffhanger. I read the book at the suggestion of a friend and found a dystopia that simply continues along present trends. Naturally I had to read the second part, Margaret Atwood’s The Year of the Flood. I had picked up this book first, not realizing that there was a previous novel, because I supposed the eponymous flood to be that of Noah. I was not disappointed on that score. In keeping with her strong biblical awareness, Atwood has given readers the creation in Oryx and Crake, and the deluge in The Year of the Flood. Set in the same forlorn future, those who survive the pandemic described in the first book seek to survive in a world where most of the people are gone. Many of the survivors, as we learn in the second installment, are former members of an alternative religion, God’s Gardeners. This quasi-cult, led by Adams and Eves, prepares for the waterless flood (pandemic) by caching Ararats—supply stores—around the broken-down city they inhabit. As in Genesis these Noahs and Mrs. Noahs are replications of Adam and Eve.

Not only is Atwood an engaging author, she supports the green causes advocated by her books. This is a more honest form of religion than most sharply chiseled theologies that do nothing to improve the lot of a suffering world. Academic religionists like to tell us exactly what God is like while shrugging shoulders over the destruction of everything he putatively made. In Atwood’s world, those who believe in God express it through care of their planet. As always, however, they are the modest voices easily drowned out by the unconscionable greed of the powerful. In the words of John Dickinson from the musical 1776, “Don’t forget that most men with nothing would rather protect the possibility of becoming rich than face the reality of being poor.” Rare is the person willing to take the higher road and set aside his or her own wants for the benefit of others.

Ethics, at one time, meant seriously considering the implications of what we do. With the morals of our “leaders” it is pretty difficult to hold to that illusion any longer. Yesterday I sat through another round of ethics training and learned nothing that I hadn’t learned in Sunday School as a child. Be nice to others, don’t use them for your own advantage, help those who need assistance. It really isn’t that hard. Newt Gingrich with his highly unethical treatment of his ex-wife, Anthony Weiner’s peccadilloes, Sarah Palin’s revisionist reality—these scarcely inspire confidence. The flood is upon us. I think I might rather live in a world the Margaret Atwood would envision, as long as she was there too, to show us how to survive.

Exegesis Dies

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One of the time-honored adages among composition primers is that a serious writer will own a well-worn dictionary and thesaurus. In twenty-first century terms that equates, I suppose, to frequently visiting bookmarked dictionary and thesaurus websites. While writing my dissertation I once cited a dictionary—likely Merriam-Webster—only to be told that the definitive dictionary for academic purposes was the Oxford English Dictionary. Copyright laws prevent some dictionary sites from including entries from the OED, and, given the perpetual vicissitudes of streams of income, I really can’t afford to subscribe to the fee-based OED website, much less purchase the physical hardcopy. Dictionary.com remains free and even has a handy thesaurus, so it is my well-worn website. Many electronic wordsmithies offer a word of the day, and so on my morning visit to dictionary.com I found a familiar word awaiting today: eisegesis. Eisegesis, according to the this online dictionary is: “An interpretation that expresses the interpreter’s own ideas, bias, or the like, rather than the meaning of the text.”

In biblical studies eisegesis is utilized like an academic swear word. The true scholar engages in exegesis, the practice that is supposed to reveal what the original text actually meant. The problem, of course, is that what the text originally meant depends on the baggage the reader brings with him or herself. Reader-response theorists inform us that even an author loses control of words once they are scrawled on paper (or electrons, I suspect). The words convey their own interpretation, and, as in any communication system, the transmission must be interpreted through the medium of a receiver. My understanding of the original meaning will depend on what I bring to the parchment. Even the author cannot control the denotation of what s/he has written, for connotation always lurks in the shadowy corners of the room.

The implication of this simply truth for any religious writing should be transparent. We do not control the words—we interpret them. I’ve taught many fundamentalists over the years who bring this weary refrain to the text: “I don’t interpret the Bible, I just read it.” Reading is interpreting. The words on a page (or monitor) are simply a system of ciphers that must be processed. The way your brain processes them will be different from the way my brain does. For the fundamentalist, God wrote the words, but God has no physical brain so how are we to find the true meaning? Exegesis. At the heart of the matter, however, all exegesis is eisegesis. The example I like to give my classes is the word “die” —what does it mean? Most say something like “to stop living.” Those with a background in machining might say die is a noun indicating a mould or tooling device to form an object. Some even know it could be the singular of the word “dice.” Once they’ve exhausted their suggestions, I inform them any of them could be correct, only I had neglected to tell them it was intended to be the feminine singular form of the definite article in German.

Iraq’s Bell

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Gertrude Bell requires no introduction for students of the ancient Near East. A strong-willed, self-determining woman, her influence was arguably as great as that of her friend T. E. Lawrence (Lawrence of Arabia), but being a woman in a man’s world, movies were not framed around her life and she was not mythologized into a larger-than-life character. I have just finished Desert Queen by Janet Wallach, the life story of Gertrude Bell. Although tending towards the overly romantic in parts, this biography does a fine job highlighting the influence Gertrude Bell had on the newly formed country of Iraq at the close of the First World War.

Although Gertrude early lost her mother she was a child of a well-to-do English family. She was considered an anomaly at a still patriarchal Oxford in her day, but soon discovered the draw of the Arabian and Syrian deserts. Traveling seemed to be an antidote for being a capable woman in a man’s England. In the desert the sheiks and tribal heads came to treat her as an equal, like a man. (T. E. Lawrence, on the other hand, was famed for occasionally pretending to be a woman.) Assigned a government post in post-war Iraq, she helped draw up the borders of the present nation of Iraq and achieved a status with the desert tribes to which few of her male colleagues even aspired. Failing in health and fortunes, lonely in the desert she loved, Gertrude Bell committed suicide in Baghdad and was buried in the land she loved.

The story of Gertrude Bell is inspiring despite its sad ending. Here was a woman who refused to accept the model society cut out for her gender. Part of her loneliness resulted from her staunch unwillingness to be like other passive, subservient women of her time. After the reigns of political power slipped from her hands, Gertrude Bell founded the Baghdad Museum, collecting the initial artifacts herself and donating a substantial portion of her remaining funds to the museum in her will. Until the “Second Gulf War” it was the finest collection of ancient Mesopotamian artifacts in Iraq, where culture itself began. Gertrude Bell’s books are still read, but she is still known primarily as the associate of Sir Leonard Woolley and Lawrence of Arabia, although she was a woman on her own terms. She remains a symbol of what might be accomplished even when the standards of society declare a person unfit to lead based on gender or any other physical attribute.

Bread Alone

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The sad story of the death of an eight-year old girl from Irvington, New Jersey bears uncanny echoes to a case a year and a half ago of a mother who starved her children believing God would provide. The current case of Christiana Glenn’s death is heart-wrenching and the outlook is not improved when it appears that the girl’s mother had religious motivation to abuse her child. Christiana died from untreated physical wounds and malnutrition, prompting columnist Kathleen O’Brien to write about how food and religion often come together in unusual ways. As O’Brien points out, religions generally safeguard children from food privations, but less scrupulous leaders of what are frequently termed “cults” do not have the same strictures. The only real difference between a religion and a cult is society’s attitude toward it—religions tend to be larger and with finer pedigrees, but beliefs are beliefs. When religions seek control over believers’ lives, they often delve into the practice of deprivations, generally mild. More extreme groups take the idea to fatal limits.

Even the Bible records from near the very beginning that deprivations are part of the religious expectation. One of the most complex and frightening stories from Genesis is that of Abraham’s near sacrifice of Isaac. No matter how theologians wash it, this story retains its stain of an adult—whether directed by God or not is a mute point—attempting to harm a child in the name of faith. The story, many centuries later, still sent Søren Kierkegaard into a tailspin that came out as Fear and Trembling. What kind of deity asks for a child to be harmed, even in jest? For Christiana Glenn, there’s no taking it back. The Bible tells us nothing of how the interior life of Isaac responded to this episode.

Food and religion are among the most common elements abused in American society. For our bifurcated (if not bipolar) outlook, one sustains body and the other sustains soul. While science still lacks evidence for the soul, the body remains the only basis upon which we have to base our ethics. Even biology dictates that care of one’s own young is an evolutionary imperative. It is tragic indeed when a religion overrides what all cultures respect as the ultimate “should” —take care of your children. In a world overpopulated by religious experts the street value of the soul will never face a recession. Believers, characterized my many religions as sheep, will go wherever their leaders tell them to go. As a culture suspicious of funding the study of religion, it may not be food that is reaped at the end of this harvest.

Thou shalt not...

Religious Raven

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Having seldom achieved any sort of public recognition in my youth, I have been gratified to observe the approbation my daughter frequently earns. One such instance occurred yesterday as she won an Outstanding Presenter award at the state level of 4-H. For her presentation she introduced and recited Edgar Allan Poe’s “The Raven” from memory. As much as I like to take credit for some of her taste in literature, her remarkable memorizing ability that has impressed several judges and parents along the way is the result of her own determination. “The Raven” has always been among my favorite poems. As I listened to my daughter’s recitation yesterday, once again the wealth of religious and biblical images stood out.

Starting subtly with the perching of the raven on a bust of Pallas, Athena, the protective goddess of Athens itself, Poe adds the supernatural to his lamentation on the death of his wife. The bird’s origins on “the night’s Plutonian shore” also point the reader to the classical underworld toward which the poem inevitably points. The last five stanzas, where Poe’s verse turns directly toward his black thoughts at the decline of his wife, introduce the presence of seraphim—the turning point in the poem—angelic beings mentioned as attendants to God’s throne in Isaiah. The divine presence, however, offers Poe no comfort as the raven refuses to relinquish his memories of his love. Asking with Jeremiah (and citing the bird as prophet) if there is balm in Gilead, the poet is informed no such comfort exists. Calling God in Heaven as witness the bereaved asks if in Eden (Aidenn) he will be reunited with his bride, only to be informed such will not be the case. The raven, compared to devil, thing of evil, and a demon, represents for Poe the ultimate reality.

“The Raven” is a dark poem, tinged with religious imagery that was freely drawn upon in the nineteenth century. Having heard it recited many times over the past few months, I have come to believe that Poe would have been in accord with my belief that religion and fear are close siblings. When the climax of the author’s pain and sorrow is reached, the religious imagery predominates. This is a paradigm of many human lives. How many non-religious folk seek to make their peace with the supernatural when death is imminent? “Eleventh hour conversion” may be a trite trope, but it does point to something that Edgar Allan Poe recognized long before me—when we find ourselves most afraid religious impulses are frequently at hand.

Now Locusts?

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With the same page of the newspaper lamenting flooding in Iowa and drought in Florida, it seems that nature has turned against us in an almost biblical way. A more biblical plague than locusts would be hard to conceive, however, so when my wife pointed me to a current video of a locust invasion in Russia, I took notice. In the United States we seldom consider locusts since they have largely ceased to be a problem with the extinction of the Rocky Mountain locust for unknown reasons, last century. One of the more interesting books I’ve read over the last few years was Jeffrey Alan Lockwood’s Locust: The Devastating Rise and Mysterious Disappearance of the Insect that Shaped the American Frontier. Because the locust is not an American problem, biblical literalists like to transform biblical locusts into something else. The transformation is not necessary. We’ve eliminated the large predators from our planet, and the small ones often go unnoticed.

Each year as I lecture on the book of Joel, I spend a little time with locusts. The Asian varieties of locusts tend to reproduce rapidly and prolifically in the desert. Quickly exhausting the sparse food supply, they take to the air and fly for, literally, greener pastures. They can fly for three days without stopping which means they are suddenly there and eating everything. They look like divine judgment. Each locust eats its own body weight in green matter daily, and when a swarm can contain over 100 billion locusts, that can add up to 50,000 tons of food a day. Like poorly mannered house guests, locusts stay until all the food is gone, then leave. They are fully capable of devastating entire nations.

An actual biblical locust, vintage 1915.

Hal Lindsey famously converted Joel’s locusts into military helicopters, claiming that they presaged the end times. Decades later we are still here and so are, apparently, the locusts. They are part of evolution’s great machinery. The biblical view that we are the purpose behind that machinery has caused endless problems for the ecosystem. Locusts are a problem because they consume the food that we would otherwise eat or waste. In the struggle for survival, as Joel attests, it is not always the biggest that win.

Robopocalypse

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Yesterday the long anticipated novel Robopocalypse was released. Although I seldom indulge in hardcover fiction, I headed to my local Borders to purchase a copy. Sadly, it seems, my local is cutting back on first-day releases because I walked out of the store empty handed but with a robotic Armageddon in my head. Last summer I became acquainted with Daniel H. Wilson’s How to Survive a Robot Uprising, but word on the street is that this novel is serious. Steven Spielberg purchased the movie rights even before the book was released. And the concept owes its existence to religion.

If it were not for human religious sensibilities, would the concept of an apocalyptic end have ever arisen? Probing into the ancient psychology that lead Zoroastrians to suppose an ultimate conflict was just down the theological road, it is clear that even a strong moral sense alone does not dictate ultimate dissolution. By personifying evil in the form of Angra Mainyu, Zarathustra gave a (divine) human face to wickedness, and thus opened the possibility of battling against it. Evil as an abstract, non-personified force might simply be accepted as part of the universe we inherited. By providing it with will and intention, however, Zoroastrians allowed for a natural human response. Fight or flight is hardwired into our brains, but would we have dared fight a foe that is immaterial, amorphous, and completely abstract?

The nature of the enemy has transformed itself many times over the ages. Wilson, a scientist working with robotics during his education, has taken a religious theme and placed it in the context of a godless world of cybernetics. I must use caution here, since I haven’t yet acquired a copy of the book, but it remains clear that it is the humanization of non-human entities that gives force and pathos to a final conflict. Jesus charging his white horse into a foul-smelling cloud lacks the same impact. Thus mythologies are born. Mythologies that people live by and for which they frequently die. I do hope it all holds off until I can get a copy of Robopocalypse to read. Better yet, the end won’t come until after the movie is released.

Dusting the Lilim

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Having grown up on a literary diet of comic books and Doc Savage novellas, I have always had an appreciation for the fantastic. Since our town was relatively dull, it helped to have flights of imagination within the price range of those with humble means. I discovered Neil Gaiman (it seems that many profound writers are named Neil or Neal) through the machinations of one of my Rutgers students. After reading American Gods, which was an obvious starting place for someone of my erstwhile profession, I have sampled a bit more of his fare. I long ago gave up on comic books since I prefer the pictures I make in my own head, although I must admit that the few graphic novels I’ve tackled have required considerable thought. So it was that I came upon Stardust, a graphic-turned-prose novel.

Stardust serves up a number of folklore themes with the charm and wit that Gaiman generously doles out. It is a story replete with witches, fairies, and storm gods. A figurative smorgasbord of the mythical. What particularly arrested my attention was Gaiman’s use of the title Lilim for his witches. Lilim (or lilin) are mythical creatures of Semitic pedigree related to the (in)famous Lilith. Some traditions make the Lilim her children, and it has been suggested that they also put in an appearance or two in Mesopotamian mythology. Gaiman’s portrayal is fairly accurate here with the Lilim being selfish thieves of the night, but not entirely evil.

Beyond the escapism of relatively happy endings, this mix of evil tinged with the helpless inevitability of aging speaks paradigmatically of mythical ambiguity. Many modern-day religions tout the answers, but mythology parades the possibilities. The mythology of old continually returns to us in new forms. Using a mix of fantastical creatures from various eras of human story-telling, Stardust is a gentle fairytale for adults. Like the book of Ecclesiastes the story has a fatalism to it, no real happy ending but no hair-rending tragedy either. Turning the classic quest for the father into an unwitting search for the mother, the novel offers seemingly endless potential for hope. Although penned a few years ago, that message is still desperately needed today.

Agnostic Gnostic

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Ever have the feeling that you’re being watched? While touring the Salem Towne House in Old Sturbridge Village in Massachusetts, that fact that Mr. Towne was a Mason became abundantly clear. In the ballroom of his historic house the “eye of God” was looking down from the ceiling, and those who are astute observers could find other Masonic symbols in the house. Indeed, the ballroom walls were painted with cedars of Lebanon, the very trees Solomon was said to have utilized in the construction of the first temple in Jerusalem. Historically nothing is known of Solomon and the tradition of the Masons originating with that event can be nothing more than folklore, yet the connection is taken very seriously by some Masons.

Cedars of Lebanon

My grandfather was a Mason, but the desire to join the secret society never blossomed in me. I’d read Holy Blood, Holy Grail long before The Da Vinci Code ever drew attention to it, but being of a somewhat skeptical bent, I found most of it unbelievable. There is no doubt that the Masons had a very influential, if secretive impact on early modern history. I never seriously researched the group, but it is clear that their origin myths are very religious indeed. I looked right into God’s eye yesterday—how was I to question it? I was standing amid the cedars of Lebanon, after all.

Somebody's eye is watching you.

The desire to possess secret knowledge runs profoundly throughout history. Those who possess knowledge possess power. The Gnostic tradition is based on this very idea; God has revealed secret knowledge to some while the rest of us grope in the dark. Best to keep that knowledge clandestine. The Masons, wittingly or un, are part of this tradition. They are the putative guardians of esoteric knowledge, hidden amid the shadows of cedars and behind the clouds in the sky. In this day of abundant, free knowledge—it is given away every day on the Internet, for those who know how to discern—it may be difficult to comprehend that much can be hidden. As I stood looking God in the eye yesterday, however, I realized that there is far too much for any one scholar ever to learn.