Fearing Errata

Leave a comment

Well before I became an editor, I noted mistakes in books.  I go through phases of marking up books as I read them—in pencil only, please!—and not doing so, but I used to mark mistakes when I found them.  At that point I hadn’t realized the complexity of the process of book production and I had no idea of the many ways in which errors might creep in.  I’m a bit more forgiving now.  In any case, errors are a regular part of book publishing.  Older books used to carry pages with incantational-sounding titles like “errata” and “addenda et corrigenda.”  Errors, in other words, were considered inevitable because every time you have another set of eyes look over the manuscript it adds to both the costs and time for the production schedule.  Then I started writing books.

Now, before I get too far I should explain that many book editors don’t line edit submissions.  The standard “editor” is an acquisitions editor, which means you sign up books for your press, but you don’t necessarily (if ever) actually edit them.  I still have the sensibilities of a copyeditor, however.  That’s the main reason I fear to read my own books after they’re published.  I’m afraid I’ll find mistakes.  I do take the proofreading stage seriously, but often a writer has little control over when proofs arrive with a tight turnaround time.  You have to drop everything to get them returned by the deadline.  I’m always worried that errors might’ve crept in.  For example, with Holy Horror, I corrected with website copy for the book.  The errors, however, remain online.  They’re minor, but as the author you’re always considered culpable for such oversights.

Now that I’m working on a presentation to give for Holy Horror, I find myself facing my fears.  I need to go back to a book already published and look inside.  Since writing it I’ve completed another book, Nightmares with the Bible, and my mind can’t help mixing up a little in which book I said what.  To make sure I don’t tell potential readers the wrong information, I need to go back and reread parts of my own work.  What if I find errors?  Will I have to mark up my own copies like I used to do to those of others?  Will I need to compile an errata sheet?  I tend to be a careful reader, especially with proofs.  But facing possible errors is nevertheless a terrifying prospect, even if it’s a regular hazard for those who attempt to write books.

Internet Epistemology

Leave a comment

Where do we find reliable information?  I’m asking this question on an internet-based medium, which itself is ironic.  While spending time with some younger people, it’s become clear that the web is their source of truth.  You find purveyors of information that you trust, and you accept their YouTube channels as representing correct data.  This can be a disorienting experience for an old doubter like me.  One of the reasons for studying for a Ph.D., apart from the vain hope of finding a career in higher education, is to hone critical thinking skills.  When I went through the process, that involved reading lots and lots of print material, assessing it, and weighing it against alternative views, also in print format.  You learn who really makes sense and you judge which publishers have good information more frequently.  As you navigate, you do so critically, questioning where they get their information.

Now, I’m not one of those people who think the younger generation is wrong (in fact, there are YouTube educational videos about just that).  The situation does, however, leave me wondering about how to fact-check when you don’t know the publisher.  It may be an older person’s problem, but it’s essentially the same dilemma behind self-publishing—the reason you trust a self-published book depends on the author alone.  Is s/he persuasive?  Did s/he document the sources of her/his information?  Are those sources good ones?  The young people I know seem quite adept at filtering out obviously biased information.  Many YouTube personalities footnote their presentations with links to sources (many of them online), and after an hour of watching I’m left questioning what’s really real at all.

You see, many of these internet personalities have sponsors.  Sponsors bring money, and money biases anyone’s angle toward the truth.  In fact, many of these YouTube sources call out the lobbying groups that influence public opinion for political ends.  Only someone completely naive—no matter their generation—would not acknowledge that government runs on money provided by corporations with interests to be protected.  There have been reliable sources, even from the days of print, that prove beyond any reasonable doubt just how corrupt governments tend to be.  But who has time to fact-check the government when the rest of the information we receive is suspect?  Those of us with training in advanced critical thinking aren’t immune from biased information.  It’s just that there’s so much data on the web that my head’s spinning.  I think I need to go read a book.

Making Monsters

Leave a comment

It’s not so much I’ve been away from monsters lately, but that life has intervened between them and me.  Life can be scarier than monsters sometimes.  In any case, the summer is when my mind turns back to haunting even as on the breaks during heat waves a whiff of autumn can be caught on the air of a July morning.  Yes, we’ve past the solstice and days are getting shorter.  Slowly, of course, but that’s what builds suspense.  And there are local signs that I need to get my haunting in gear.  It is finally time to get Holy Horror out of wraps and give the book a proper launch.  Being published around Christmas last year was poor timing for a subject so readily coded for fall.

I received the welcome news this week that the Moravian Book Shop—the oldest continually operating bookstore in the country—will be hosting a book signing for Holy Horror in October.  This is a fortuitous turn of events because when I first approached them with the idea the price of the book made the idea look unrealistic.  But we’re now thinking of autumn, and with autumn comes Halloween.  There have been a spate of horror films this summer, all of which I’ve unfortunately missed.  Time, as Morpheus notes, is always against us.  There does, however, seem to be a lively interest in the genre and the curious wonder what it has to say about what we believe.  Horror loves religion, and indeed, thrives on it.  So it’s been from the beginning.

October will also see the Easton Book Festival in this area.  I will be on the program for that as well.  While none of this is earth-shattering, these events represent the first successes in trying to build awareness of Holy Horror.  This was a book written for a general readership, but not priced for one.  Working in the academic publishing world, this is a phenomenon with which I’m all too familiar.  Many colleagues offer to read and spread news about your book.  It seldom happens, though.  Academic presses can’t afford book tours (especially if they have to price books at $45), but these self-driven presentations are opportunities to spread the interest in ideas.  That’s what those of us who write really want—to be part of the conversation.  We’re in the midst of a heat wave here.  It’s the height of summer.  Even so, those who know about monsters can feel them coming, even from here.

Identity Crisis

3 Comments

Living in Boston can be a heady trip for a budding academic.  Even if you’re across the river from Harvard and MIT, it’s a city known for its education scene.  Like many who studied there, I never wanted to leave.  A fringe benefit of being a student of religion was that a short trip would take you to Peabody.  Why?  Peabody was home to CBD—Christian Book Distributors.  In their showroom they had rock-bottom prices for something theology students crave—books.  That was many years ago now, and over time CBD grew to be the largest distributor of Christian paraphernalia in the country.  In my mind they’ll always be associated with happy little trips that ended in armloads of reading.  What more could you want?

A story by Emily McFarlan Miller explains why the revered CBD is changing its name.  Cannabidiol, a legal derivative of cannabis, is popularly known as cbd.  Lots of things share initials, of course, but these are the days of the web, and an internet search for cbd now pushes the distributor (at least the book distributor) off the first page.  One thing we all know in this online universe is that you’ve got to be on the first page.  CBD’s decision might seem extreme—changing the name of the business to get back on the front page.  Despite the amusing aspects to this story, it emphasizes something of an ongoing jeremiad with me: the web has redefined reality.  Think about it this way: when a digital image is over-enlarged it pixellates.  That’s because it’s composed of minuscule squares of a single color.   When brought together in a pattern, they form images we recognize.  It their basis, however, they are squares.

The earth, however, is an orb.  The natural state of falling liquids—the principle behind the shot tower—is a sphere.  Now, spheres together in a closed space leave gaps—just look at a jar of marbles and you’ll see what I mean.  That’s the order of the natural world.  Reality, if you will.  Tech, on the other hand, is pixels.  They fill the space better, and if done well can create the illusion of a curved line.  They can never, however, fit into a round hole of the same surface area.  The world has gone after the convenience of the internet in a small box.  It has changed the recording industry, the movie industry, and the publishing industry.  And just try to find your way to CBD on it.  You might have to change your search parameters.

Good Ground

Leave a comment

Young adult literature gives me hope.  The quality, speaking for a guy who grew up in a small town with limited choices, has improved astronomically over the past several years.  One of my favorite (adult) novels is Wuthering Heights, and so it’s no surprise that I found Christy Lenzi’s debut novel Stone Field quite engaging.  Set in a different time and place, and with a younger readership in mind, it retells the story of forbidden love based on xenophobia.  The message has never been more relevant.  Although it avoids explicit language, it does include adult situations and features a strong female protagonist in an age of explicit gender inequality.  During the chaos leading up to the Civil War, star-crossed lovers are set against one another because prejudice is a most effective poison.

While not a religious story, the iconic Bible plays a large role in it.  One of the main characters is a preacher, but even without him Catrina Dickinson’s family and friends are ready to quote the Good Book as unquestioningly as a Republican (with my apologies to fiscally conservative friends untainted by this aberration).  This is beyond a realistic portrayal of American life of the 1860s, it reflects the way that many people continue to think of Scripture.  Nevertheless, in one crucial episode of the story set in the church at Roubidoux, Missouri, the iconic role of the Bible becomes clear.  It is deftly woven throughout the story in a way that might serve as a lesson for modern writers seeking verisimilitude.  Many authors fear to address religion, but the Good Book is alive and well in these post-frontier days.

Often the desire to avoid religious motivations leads to stories that lack a key element of the social fabric.  In my own attempts at fiction religion is seldom absent.  It is the way average people live.  Lenzi presents Cat as being aware of but unwilling to be cowed by the Bible.  Indeed, as the story unfolds with several tragic events (remember, Wuthering Heights) she demonstrates that Catrina knows but doesn’t accept the strictures of Scripture.  The issue of theodicy hangs heavily in the atmosphere of the novel.  To me, this makes stories appear more life-like than tales that simply suppose religion doesn’t impact people.  When tragedy strikes, many people question what God, or their stand-in for the divine, is doing.  Anyone who’s asked “why me?” has directed that question into the world of theodicy, whether intentionally or not.  Reading this story while going through a family illness may have drawn this to the surface, but it underscores just how effective it may be for a realism that is otherwise lacking, whether in fact or young adult fiction.

Naming Rainbows

Leave a comment

Living in the area around Allentown-Bethlehem-Easton (ABE, in airport parlance), one can’t help but be aware that Crayola is based in the E sector.  We visited the Crayola Experience while still residents of New Jersey and if there’s any place that smells like childhood this was it.  One of the truly interesting aspect of Crayola is that it defined specific shades of color.  Or at least Crayola’s version of it.  Many of us have pretty clear ideas about the basic six colors: red, orange, yellow, green, blue, and purple.  Sure, they added “indigo” to make it into a pronounceable name, and changed purple to “violet” to give us the standard seven, but this illustrates the point that I’m making—colors are somewhat relative.  Try to get anyone to describe, famously, puce (which I’ve learned is French for “fleas”).

A friend has recently been sharing stories from a book on the origins of color names (Secret Lives of Colors by Kassia St Clair), from which I learned about puce.  Although I haven’t read the book myself, it has become clear that colors indicate different things to different people.  All of this reminded me of a crisis I faced in my youth.  One of my teachers in middle school, in physics class, mentioned that not all people perceived the same color in the same way.  Or at least there’s no way to know whether they do or not.  Perhaps, he suggested, everyone has the same favorite color, but what they call it is different.  While the latter point seems unlikely, I took to heart that not everyone sees things the same way.  The same dilemma came back to me as my friend showed me various colors and said that her idea of what that color name designated was something quite different.

As in much of what I write, there are metaphors and analogies active here.  A paradox of religions is the great variety among them combined with the certainty that one’s own alone is “the truth.”  And all religious believers tend to be certain that theirs is true.  Like the color names we learn as children, we seldom grow up to question what we were told in our youth.  Some religions appeal to adult converts, but most people stay close to the orthodoxies of their youth.  Religions, like colors names, are a matter of consensus, for there are any number of shades and hues, and what we decide to name them is not revealed from on high.  They do, however, give the world considerable color.

 

Waiting for a Miracle

Leave a comment

A friend recently sent me a New York Times story about Marianne Williamson’s spiritual background.  Before I say anything more about this I have a confession to make.  I didn’t know who Marianne Williamson was and, consequently, I’ve never read any of her books.  I also didn’t know about her presidential bid, although she seems much more grounded than whatever it is that sits in the Oval Office these days.  In any case, it’s the spiritual background part on which I’d like to focus.  Williamson is apparently a devotee of A Course in Miracles, a book written by Helen Schucman in the 1970s.  According to the NYT article, Schucman penned the book by the dictation of a divine voice.  This aspect seems worthy of further exploration, regardless of politics.

You see, sacred books have a long history of divine dictation.  The Bible makes such claims only obliquely, but clearly there were some who believed that Moses was the recipient of narration from on high.  Mohammed heard a voice saying “Write.”  Centuries later the Book of Mormon was written out at the dictation of Joseph Smith.  The point is that such texts are often believed to have had sacred origins.  I find Schucman’s reluctance to put herself down as the author of A Course in Miracles instructive.  She didn’t believe she wrote it.  Not to devalue any of these sacred texts mentioned, I would nevertheless note that authors often feel that their words come to them.  Maybe academic books don’t count, but when I’m writing fiction, it’s like somebody’s hands are on the wheel, but I’m not sure I’m the one driving (with apologies to Jeff Daniels).

A Course in Miracles has been translated into double-digits languages, something quite rare even among many bestsellers.  What this says to me is that people still crave answers from an authoritative text.  The written word has a power that electronic publication lacks.  Who wants to point to a screen and say, “this is divinely revealed truth”?  Hefting a heavy book, printed on actual paper, has a symbolic power that outweighs that of ebooks.  Probably it’s because the Bible paved the way.  We’re already primed for a sacred text, in physical form.  The longer I study holy books the clearer it becomes that they will unlikely ever cease to be written.  Helen Schucman didn’t have the last word.  As long as people write it’s doubtful anyone ever will.

Ghostly Thoughts

Leave a comment

Ghosts tend to be on my mind in the autumn.  Paul Tremblay’s A Head Full of Ghosts, however, has been on my reading list for quite some time.  As a novel about possession, it has some scary moments, but it’s difficult to compete against The Exorcist in that regard.  Tremblay handles the topic with an ambiguity worthy of Shirley Jackson, however, and there are a few clear nods to her work here.  At the risk of giving out spoilers (you have been warned!) although it’s pretty clear by the end that much of the demonic was a cry for attention, the family member behind the tragedy is clearly left obscure.  We find out whodunit, but we’re left unsure as to the real reason behind it.

For fear of giving away too much (although my Goodreads assessment might be guilty of this), I’d like to consider something that I address in Nightmares with the Bible.  Demonic possession is largely coded as a feminine phenomenon.  The reasons for this are likely complex, but they are clearly related to the idea behind witch hunts and fear of women’s power in “a man’s world.”  Possession narratives, while they predated William Peter Blatty, became an essential part of the revived interest in demons brought on by The Exorcist.  Tremblay’s story is clearly aware of this, as he has his characters citing both fiction and non-fictional treatments of the topic.  Since researching the subject on my own, I’ve been wondering if anyone else has been able to handle it as deftly as Blatty did, and although Tremblay has two girls under threat, the question of whether it’s real or not tends to outweigh the pathos of believing Marjorie really has a demon.

In the end, it seems as if her father might be the real source of the family’s haunting.  An unemployed man looking for a way to support his family, he turns to religion.  This scenario is all-too-real to life.  And religion gives us not only a rationale for demons, but also a solution in the form of procedures and proper responses.  There are priests here—the males who alone can deliver the females—but whereas Blatty clearly made them the target of a demon that was pretty obviously real, Tremblay doesn’t play that card.  The priests come and go, and deliverance takes a form not expected for such a narrative.  A Head Full of Ghosts raises lots of questions and, like all good fiction, leaves us pondering at the end.  There’s still time to read it this coming fall.

Dark Theology

Leave a comment

I’ve been struggling for several years, I expect it’s no secret, with how horror and religion relate to one another.  Many think the task itself pointless, as if pop culture can simply be brushed off like an annoying bug.  But flies keep coming back.  They won’t be ignored.  Almost a decade ago I discovered Douglas E. Cowan was also walking this spooky path past the cemetery.  I also know that as an academic he must demonstrate his chops in technical projects.  America’s Dark Theologian: The Religious Imagination of Stephen King was extremely welcomed by me.  Like many people I’ve read some Stephen King.  Like Cowan, I’ve noticed how often and how deeply religion is entangled in his story-worlds.  Before King is simply dismissed, we must reckon with the fact that movies based on his novels and stories have a long  pedigree and almost canonical status.

This is not the place to analyze America’s Dark Theologian in depth, but it is a place that would highly recommend the book.  Cowan takes several aspects of King’s works and shows how they tie explicitly to traditional religious thinking and longing.  I haven’t read nearly all the books Cowan cites here, nevertheless, the analysis he offers is compelling.  Scholars of disciplines outside religious studies have tended to dismiss it as being moribund.  Cowan shows that those who make a living in pop culture disagree.  King makes no bones about the fact that he sees the application not only of religion, but also theology, as one of the driving forces for his fiction.  We dismiss such observations at our peril.  Think of you favorite King novel and ponder; is there religion there?

Clearly religion’s not always the cause, but Cowan gives a careful consideration to much of King’s oeuvre, and there’s no denying he’s onto something.  As he points out, King is far more interested in the questions than in the answers.  Those who know religious studies—theology, if you must—know that the same is true there.  I’ve studied religion my entire intellectual life.  One of the reasons students evaluated my teaching so positively, at least I hope, is that because I encouraged the questions and did not privilege the answers.  In this field, answers are merely speculations.  We only really fall into serious danger when we cease asking questions.  Cowan does an excellent job of parsing out some various pieces that will make some kind of basis for a systematic theology of Stephen King’s thought-worlds.  We would be wise, I believe, to pay attention.

Utterly Indifferent

Leave a comment

One of the main purposes of this blog, apart from being a kind of daily tablet for my thoughts, is to demonstrate that religion continues into the age of secularity.  It would be an uncomfortable stretch of the imagination to suggest Kurt Vonnegut was a religious writer, but it would also be a disservice to him to ignore just how much religion shows up in his novels.  Often the remarks are subtle and perhaps easily missed, but one of his early works, The Sirens of Titan, treads pretty solidly in that territory.  From the fact that monument to the twelve great religions was made by artisans who don’t know what those religions are to the founding of a new religion to unify humankind, this story never strays far from it.  It’s also, in my experience, the most science-fictiony of Vonnegut’s books.

The Church of God the Utterly Indifferent is the goal of Winston Niles Rumfoord’s doomed Martian attack on earth.  Because the Martians are actually brainwashed earthlings, they are sacrifices to the grand vision of all people sharing a single religion that recognizes God does nothing to help humans and humans, therefore, should not worry about serving God.  Clearly a religion that functions the opposite way of most actual religions—which try to keep God happy, often by harming other humans—Rumfoord’s vision is a united Earth.  One of the pawns in his scheme is his unhappy wife, and another is the biblically named Malachi Constant.  Constant built a ship to take humans to Mars.  Christening it The Whale, Constant took the pseudonym Jonah, which is something readers are increasingly ill-equipped to understand, but which demonstrates Vonnegut knew his Bible.

Religion plays throughout Sirens of Titan in ways that both poke fun at the seriousness with which religion is treated and with a certain respect for its power.  Vonnegut’s famous nihilistic leanings pervade the novel with an almost Job-like portrayal of Rumfoord, and several ethical questions lie beneath the apparent space-travel story.  Genre fiction, as I’ve intimated before, is intended to be slotted easily into recognized categories.  Critics reserve the sobriquet of “literary fiction” for those pieces that don’t really fit other patterns—not all fiction obeys the rules—and that’s where I’d put Sirens.  Yes, people zoom around in flying saucers and invasions from space are standard sci-fi tropes.  Engagement with religion, even if it is to question it, tends to move fiction into more serious categorizations, excluding, of course, novels written to promote a particular religion.  None of them would suggest a Church of God the Utterly Indifferent.  Unless, of course, they came from Kurt Vonnegut.

Evolving Tales

Leave a comment

There’s nothing like a six-and-a-half hour flight to get some reading done.  I’d made good progress on Kurt Vonnegut’s Galápagos before leaving for England, but the plane ride gave me time to finish it.  While nobody, I think, can really claim to understand Vonnegut, there are clearly some trends in this novel that demonstrate his struggle with religion.  There may be some spoilers here, so if you’ve been saving this book for later you might want to wait before reading the rest of this.

As the title suggests, it’s a story about evolution.  Charles Darwin had his first divine epiphanies about evolution while visiting the Galapagos during his voyage on the Beagle.  Land creatures isolated from others of their species adapted to the environment in which they found themselves, and over eons passed on useful traits to their progeny.  If humans only had as much foresight!

With his trademark cast of quirky characters about to set out on a cruise from Equador to the Galapagos, Vonnegut has war break out.  Riots and pillaging take place.  Vonnegut takes broad aims at capitalism and business-oriented thinking, and how these represent the devolution of our species.  Of course, being Vonnegut, he does it with wit and verve.  Vonnegut was a writer not afraid to use the Bible in many ways, including what experts would call misuse.  As the surviving passengers make their way onto the stripped, but functional ship, he notes that they are like a new Noah’s ark.  They end up populating Galapagos with humans that evolve a million years into the future.

A thought that caught me along the way was a line where he wrote that in the long history of David and Goliath conflicts, Goliaths never win.  This kind of sentiment could do the world some real good right now.  In fact, although the book was written decades ago, one of the characters, Andrew MacIntosh, reads very much like a foreshadowing of 2016, down to the descriptions of how he regularly mistreats others.  In Galápagos MacIntosh gets killed during a rebellion, showing that grime doesn’t pay.  The cruise goes on without him.  Galápagos is a book that points out the evils that our system encourages, or even necessitates.  There can be another way.  The survivors land on the barren islands and set about adapting because they have no other choice.  A more egalitarian scenario evolves largely because females are in mostly charge.  While not intended as an actual solution to social ills, Galápagos is nevertheless not a bad guide, especially when shipwreck seems inevitable.

Not for Men

Leave a comment

Does anyone else think that feeding fishmeal to herbivores so that they, in turn can be eaten, is weird?  Brian Fagan in his Fishing: How the Sea Fed Civilization describes the long history of eating seafood.  In evolutionary terms it makes sense, but so does veganism.  One thing that becomes clear from this study, however, is that human civilization simply could not have developed the way that it did without fishing.  Food for those performing massive public works came from the abundance of the ocean.  Theology played its part too.  Roman Catholicism established a habit that still exists of eating fish on Friday.  In Catholic areas of this country Friday fish fries, and the occasional fish boil, are cultural icons.  As Fagan points out, part of the reasoning behind this was the belief that God gave humans fish to exploit.

We find, interestingly enough, that religious thinking often stands behind tragic results.  Although I’m a vegan, I find it distressing that the oceans—so vast in extent—have been depleted by human activity.  The main problem, which we’re slow to learn, is that technology has made fishing too efficient.  This isn’t some kid with a rod and reel on the bank of a muddy river, but rather the industrial-scale trawling that begins by locating fish schools with sonar.  Not only that, but the land habitat to which we bring the fish is also being depleted.  I’m probably not the only one who gets the feeling that Fagan’s writing about more than just fish.  Where there is abundance, we take it as an invitation to exploit.  Tech makes it so easy!

In the early history of humankind, seafood was a necessity.  As Fagan shows, it was sometimes reserved for hard times.  Now we feed fishmeal to domesticated animals not because it’s what they naturally eat, but because—you guessed it—it’s cheap.  I’m still not allowed to give blood because of the Mad Cow Disease scare that rocked Britain when I lived there.  In part it was caused by feeding herbivores feed that consisted of meal made from other herbivores.  I no longer eat fish.  With the world population what it is, and global warming stressing agriculture, it seems we need to be thinking about what’s for dinner.  Quite apart from the fact that fish are, despite proclamations of ecclesiastical bodies, animals just like any others, we’ve managed to scour the ocean so thoroughly that recovery may be impossible in some locations.  The reason often given is that God gave us the oceans to use.  And that kind of thinking always leads to disaster. 

Best If Used

Leave a comment

Used bookstores are like a box of books—you never know what you’ll get.  I perhaps overindulge this particular vice, but it doesn’t feel too sinful to me.  Part of Modern Mrs. Darcy’s reading challenge for the year is three books by one author.  I decided since I’ve been on a Kurt Vonnegut kick that he would be the one.  I figured (mostly wrongly) that his books would be all over the place in used bookstores.  I always found a plentiful supply at the now mourned Boston Book Annex.  At a used shop in Easton I asked where they might put Vonnegut.  “In science fiction,” the owner promptly replied.  I don’t think of Vonnegut as a science fiction author.  Some of his work does fit, but this little exchange got me to thinking about genres again.

Writers, unless they’re strictly commercial, don’t think of genre.  We write.  The novel I’ve been trying to get published for the last decade doesn’t fit into any neat category at all, and that’s probably part of the problem.  Neither fish nor fowl—what is this thing?  I’ve noticed this with my brother-in-law’s books.  Now, I’m holding out on retirement to dig into Neal Stephenson’s books because they require more time than I have in my workaday world, but they aren’t always science fiction.  Still, that’s often where you find him in bookstores.  I was in a local shop in Bethlehem the other day and there he was, in sci fi.  Although I understand why booksellers (and critics) want to use genres, but it seems to me that they limit human creativity.

The past couple of non-fiction books I’ve written aren’t really in genres.  They’re not academic books, but academics (once guilty, always guilty) have a hard time convincing publishers they can do anything else.  Non-fiction may be a more difficult gig than fiction after all.  Holy Horror and Nightmares with the Bible don’t comment on horror necessarily, at least not directly.  They’re not religious books either.  When I try to explain them in one sentence, it quickly becomes run-on.  I began both the same way—I noticed something and began writing about it.  With a little structuring and a little time, you’ve got an entire book.  It may not find a publisher.  It may not fit a genre.  Nobody on Medium is going to come looking for your advice.  And if you’re lucky you’ll find yourself put on a shelf with others who don’t conform to genre expectations either.

See Above

2 Comments

As we slide beneath the hegemony of technology, I’m impressed by the redefinition of vocabulary it demands.  Because new printing technologies assume, for example, that the XML (one of the many mark-up languages) is primary, directional references in texts are inadequate.  An example might help.  If you’re a human being reading a book, and the author has discussed something a few pages ago, s/he might write “see above.”  Now, it’s not literally above in the sense of being higher up on the same page (but it may be considered literally if the book is closed.   And lying face up).  The pages you already read are above those where you left the bookmark.  I remember the first time I encountered this language; having been raised a literalist (and a naive realist) my eye hovered over the header and I wondered about the accuracy of “see above” or “see below.”  The terminology soon became second nature, however, and I knew it wasn’t a literal reference.

In the days of XML (“eXtensible Markup Language,” therefore literally EML), the sense of play is now gone from writing.  I’ve heard editors explain to authors that, in an ebook there is no above or below because there are no pages.  A time-honored metaphor has been sacrificed on the altar of a tech that sees the world in black-and-white.  You can’t point vaguely in the direction from which you’ve just come and say “it’s back there somewhere.”  I sense, given all of this, that most copyeditors haven’t written a non-fiction book (for this is mostly an academic affectation).  As a human being writing, you get into the flow and you don’t think, “Ah, I mentioned that in paragraph 2749; I’d better say it’s there.”  And the reason you need to know the paragraph number is so the ebook can have a hyperlink.  The argument itself suffers for XML precision.

As someone who writes both fiction and non, I am bound to look at this from the viewpoint of a human author.  I’ve been known to paint and make sketches on occasion.  All of these forms of expression have flow in common.  At least when they’re good they do.   If you want to stop a project cold, just say “Hey, I’m writing!” and watch yourself drop like a cartoon character who’s run off a cliff and just realized it.  I’m sorry, I can’t point you to exact where that’s happened.  It’s in many vague recollections of many cartoons I watched as a child.  If the technomasters aren’t watching I’ll just say, “see above.” 

Taking and Giving

Leave a comment

Dystopias are among my favorite kinds of literature.  Things tend to go wrong in human society, and although we’ve made great progress over the past couple of centuries, in many ways we’ve set ourselves back.  Dystopias are searching, thoughtful ways of addressing that slippage and they warn us of what me might become.  (Especially if Republicans remain in power.)  Lois Lowry’s The Giver is young adult literature, but I’ve been curious about it for some time.  Set in an undefined time and place, a highly structured society exists where things seldom go wrong.  There are no animals and people take pills to eliminate “stirrings” so that sex won’t complicate relationships.  Families are constructed by algorithm and children are assigned from a pool so they will match expectations.  In order to continue this bland lifestyle, memories have to be repressed in the person of the Receiver—the keeper of communal memories.

At first things seem pleasant enough.  Life, however, lacks color and music.  It lacks emotional engagement.  Those who, in real life, idealize the 1950s as before the madness of the sixties began, have trouble conceiving of how societies go wrong.  The dilemma is that no society is perfect and as time goes on we look for improvements.  For a very long time in American history, for example, nobody had bosses.  The majority of people were independent farmers.  They prospered by luck and hard work, but they worked for no one but themselves.  Now we mostly work for bosses who have bosses who have bosses in some kind of endless regression of power.  Our ability to change things is quite limited, even in professional positions.  Is this better than the uncertainty of farming?  With all the rain this year it might seem so.  Of such things dystopias are made.

The Giver follows a protagonist, Jonas, who when he becomes twelve is assigned to become the new Receiver.  As he gains memories of how things used to be, he’s fascinated.  Learning his society’s darkest secret, however, spurs him to try to make a change.  A lot of questions remain at the end.  (The novel is part of a series, as most young adult fiction tends to be, but it can be read as a stand-alone story.)  Those of us who’ve been around the block a time or two might be able to guess where this is going, but for younger readers to be introduced into the way of human problem solving this is a gloves-off approach.  Those accustomed to dystopias will find themselves in familiar territory.  As will those who live under Republican regimes.